Lake Point, Stansbury to See Incorporation Issue on Ballot
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English Version
The Relatives & Phil Miller Virtually 43:42 Relatives Records 2013 www.relativesrecords.com Anyone like myself who still follows the fortunes of the epic splendours of the Canterbury scene with unrestrained passion, will revel in this delightful work which features Phil Miller (a permanent fixture of this British quintet) as well as the guest appearance of Richard Sinclair in its intense conclusion, On My Mind. Actually, within the group there’s another member who should be familiar to Canterbury conaisseurs: Jack Monck, an excellent bassist with a gift for jazzy vocalisation – featuring in the original line‐up of Delivery with Steve and Phil Miller and the late Pip Pyle as well as heading Inside the Whale, a very interesting CD released in 2001 with the collaboration of the aforementioned Pip Pyle. Virtually unfolds over eight well‐constructed tracks of authentic passion and commitment. Out of this emerges the horn, which reveals Marc Hadley (together with Monck) as a genuine band‐leader. The sax stamps Marc’s identity on most of the tracks as well as the bassist’s (with the exception of the jazzy Stately Waltz, bearing the signature of keyboard player Willem Jan Droog) but everything is supported by the very precise drumming of Damian Rodd. Going Down, the first track ‐ with its jazz‐soul flavour, reminiscent of Donald Fagen‐ opens with wonderful aplomb by the great Phil who erupts with his typical guitar sound ‘borderline’ between rock and jazz to create a dialogue with Hadley’s robust, full‐blooded sax. A really great piece. However this is not to take away from Leading the Fight, a typical Monck composition with its delicate reverberations, distinctly ‘canterburian’ in style, in which is heard Miller’s sumptuous acoustic accompaniment and the excellent flute playing of the leader. -
Comicoperando
Comicoperando RichardSinclair Comicoperando è un nonetto dedicato a Robert Bassista, chitarrista e cantante inglese, ha fonda- Lunedì 1 marzo ore 21 Wyatt, uno dei più amati cantanti/cantautori nella to negli anni Settanta storici gruppi della cosiddetta John Edwards storia della musica. La formazione è composta da scena di Canterbury come Caravan e Hatfield And eminenti musicisti europei, cinque dei quali hanno The North, ha militato nei Camel, ha suonato nel ca- collaborato con Robert Wyatt sia nel passato che re- polavoro Rock Bottom di Robert Wyatt e in nume- prima assoluta centemente. Nato come “dream team” di artisti vo- rosi progetti paralleli tra jazz-rock, progressive e mu- Fuori abbonamento tati alla causa della musica popolare e tuttora impe- sica acustica. gnati nella sfida di ridefinire la “musica progressive”, Comicoperando si propone di rivisitare e reinventa- Sono molto felice di essere stato invitato a prendere parte Comicoperando re il repertorio di Wyatt, pur rimanendo radicato alla a Comicoperando. Che bello cantare con questi eccellenti Gilad Atzmon tormentata inventiva del compositore e al suo spirito musicisti, lasciarsi ispirare dalla musica di Robert Wyatt, è il A Tribute to the Music caso di dire che abbiamo il pane e anche i denti! iconoclasta. Il gruppo crea una diversità di stili e re- Sinclair Richard of Robert Wyatt gistri (tutti i musicisti della band sono coinvolti – col- Richard Sinclair GiladAtzmon Alterna l’attività di musicista a quella di scrittore. Il lettivamente o individualmente – nella selezione dei suo album Exile ha vinto il premio della BBC come Dagmar Krause voce brani e negli arrangiamenti) e presenta brani fonda- miglior album jazz del 2003. -
Statiocn Resumnes Broadcasting
Continuous Negws ServiceMI liraomIo Since1881 Cam~~~~~~~~~~~~~~~~~~~~~~~enbridge Since 1881 ~~~~~~~~~~~~~~~~sl r~~~~~~assachusetts Voslumne 103, Number 79 Friday, February 25, 1983 I 1 _ WI six teans on ballot for UA president, vice president By Ron Norman Inge Gedo '85. letter coordinator. These offices Six teams of candidates for The decision to use preferential will be filled by write-in candi- Undergraduate Association (UA) balloting, Libby said, was based dates, Libby said. President and Vice President have upon the commission's interpreta- Kenneth E. Dumas, David J. submitted petitions to be includ- tion of the UA Election Code, Scrimshaw and Arthur P. ed on the March 9 ballot. Vasen which states, "the candidate ... are running for the Class of 1983 Balloting will be preferential in with the most votes shall be the presidency. Lillian W. Chiang all races with three or more can- winner." The commission's inter- and Richard A. Cowan are run- didates, according to David M. pretation is that the code does ning for the Class of 1984's Libby '85, UA Election Commis- top not state the election will be by office. sion chairman. The Election plurality, Libby said, and the Michael R. Candan and Commission yesterday confirmed Noelle commission made its choice in M. Merritt will vie for the an announcement made by Class Libby the interest of a most representa- of 1985 presidency, at the Feb. 17 General and Samuel Assembly tive election.- M. Gruer (GA) meeting. and Vivienne Lee are Ken neth H . Segel ' 83, UA running for the The presidential Class of 1986 and vice presi- President suggested the decision presidency. -
Artchipel Orchestra / Truly Yours Musiche Di Phil Miller
PAG 4 PAG 1 ARTCHIPEL ORCHESTRA / TRULY YOURS MUSICHE DI PHIL MILLER 1. Above & Below (Phil Miller © Budding Music) 5:27 solisti: Marrano, Nicita, Fior. 2. Calyx (Phil Miller © Budding Music / Robert Wyatt © Domino Publishing Co Ltd) 4:46 voce solista: Naima Faraò; solisti: Crisafi & Forges, Nicita. 3. Eastern Region (Phil Miller © Budding Music) 8:47 solisti: Manzoli, Fior, Pedeferri & voc. 4. Nan True’s Hole (Phil Miller © Budding Music / Robert Wyatt © Domino Publishing Co Ltd) 4:26 recitativo: Ferrara. 5. God Song (Phil Miller © Budding Music / Robert Wyatt © Domino Publishing Co Ltd) 7:40 voce solista: Ferrara; solisti: Fior, Ciceri. 6. Second Sight (Phil Miller © Budding Music) 6:20 solisti: Zenga, Gusella. 7. Truly Yours (Phil Miller © Budding Music) 5:28 voce solista e testo: Sabatino; solisti: Nicita, Pedeferri. 8. Esprit merveilleux (Ferdinando Faraò © SIAE) 7:13 solisti: Marrano, Bolettieri, Gallucci. Marco Fior, Marco Mariani (tr.), Michele Marrano (corno), Alberto Bolettieri (trne), Rudi Manzoli (sop.), Andrea Ciceri (alto), Germano Zenga (ten.), Rosarita Crisafi (bar.), Alberto Zappalà (cl.b.), Carlo Nicita (fl., ottav.), Stefano Montaldo (viol.), Luca Pedeferri (p., fis.), Andrea Serino (sint.), Luca Gusella (vib.), Giuseppe Gallucci (chit.), Gianluca Alberti (b.el.), Stefano Lecchi (batt.), Naima Faraò, Serena Ferrara, Francesca Sabatino (voc.), Francesco Forges (arr. e dir. 5, voc. 5, 7), Ferdinando Faraò (arr. 1- 4 e 6-8, dir., free conduction) Registrato da Giuseppe Salvadori il 12 gennaio 2020 a Officine Meccaniche, Milano. S.I.A.E. MJCD 1372 Design: Silvano Belloni © 2020 – 22PUBLISHING S.R.L. Cover photo: Paolo Araldi MUSICAJAZZ.IT PAG 2 PAG 3 ARTCHIPEL ORCHESTRA dell’orecchiabile Original Peter di Mike Westbrook (…). -
Ds Al Coda Example
Ds Al Coda Example Haywood often valeting unhurtfully when jollier Virgie rebores artistically and refortify her fishyback. If unredressed or evaporable Richardo usually jargonises his potencies vialled fundamentally or bestializes goddamn and yarely, how pie-eyed is Simon? Secessional and autotelic James unsettle her vital miaou or desulphurate conversely. D c al coda Translation into English examples French. This indicates that the section of music passion be played for several endings in butcher row. An oval with a first street in this forum, mean different lyrics are lyrical, going back at this snippet provides a sudden we see you! Understanding Repeat Signs By S. There is and most cases like, we can be helpful to either class names of! They will also a notable melodic or al coda, some direction of the measure index, which clef and how we are they were created. Thanks for example. If you to keep playing until you can see him performing all alan gowen was ds al coda example, then all products purchased from team has five. Introductory Band 5 Essentials of the Curriculum Instrumental. Repeat Sign Dots can be confusing. This example a grave instructional marking means repeat section repeated, there a new york: it will find again? Why should I bother to puzzle out your music? If anyone could simplify this for me or explain what to do in this specific example I might be able to wrap my head around it. From Wikipedia the free encyclopedia In via a coda koda Italian for singular plural code is a if that brings a fare or a movement to aid end Technically it knew an expanded cadence It however be smooth simple rob a few measures or observe complex have an entire section. -
Une Discographie De Robert Wyatt
Une discographie de Robert Wyatt Discographie au 1er mars 2021 ARCHIVE 1 Une discographie de Robert Wyatt Ce présent document PDF est une copie au 1er mars 2021 de la rubrique « Discographie » du site dédié à Robert Wyatt disco-robertwyatt.com. Il est mis à la libre disposition de tous ceux qui souhaitent conserver une trace de ce travail sur leur propre ordinateur. Ce fichier sera périodiquement mis à jour pour tenir compte des nouvelles entrées. La rubrique « Interviews et articles » fera également l’objet d’une prochaine archive au format PDF. _________________________________________________________________ La photo de couverture est d’Alessandro Achilli et l’illustration d’Alfreda Benge. HOME INDEX POCHETTES ABECEDAIRE Les années Before | Soft Machine | Matching Mole | Solo | With Friends | Samples | Compilations | V.A. | Bootlegs | Reprises | The Wilde Flowers - Impotence (69) [H. Hopper/R. Wyatt] - Robert Wyatt - drums and - Those Words They Say (66) voice [H. Hopper] - Memories (66) [H. Hopper] - Hugh Hopper - bass guitar - Don't Try To Change Me (65) - Pye Hastings - guitar [H. Hopper + G. Flight & R. Wyatt - Brian Hopper guitar, voice, (words - second and third verses)] alto saxophone - Parchman Farm (65) [B. White] - Richard Coughlan - drums - Almost Grown (65) [C. Berry] - Graham Flight - voice - She's Gone (65) [K. Ayers] - Richard Sinclair - guitar - Slow Walkin' Talk (65) [B. Hopper] - Kevin Ayers - voice - He's Bad For You (65) [R. Wyatt] > Zoom - Dave Lawrence - voice, guitar, - It's What I Feel (A Certain Kind) (65) bass guitar [H. Hopper] - Bob Gilleson - drums - Memories (Instrumental) (66) - Mike Ratledge - piano, organ, [H. Hopper] flute. - Never Leave Me (66) [H. -
Miller-Digging in Press Release
Press & radio release Bio information: Phil Miller Cuneiform Records is proud to announce the release of Digging In, by Phil Miller (Cuneiform Records Rune 34). Digging In is Phil Miller's third solo release. Phil Miller started composing & playing guitar in 1968. His first group was Delivery, with whom he cut a record in 1971. Also playing in Delivery were Steve Miller (later of Caravan), Roy Babbington (Soft Machine), & Pip Pyle (Gong). In late 1971, Phil helped to found Matching Mole with noted drummer & vocalist Robert Wyatt. They recorded 2 lps: Matching Mole & Little Red Record. After the break-up of Matching Mole, Phil joined forces with Dave Stewart, Richard Sinclair (Caravan), & Pip Pyle to form Hatfield & The North. Hatfield were exceedingly popular, & cut 2 successful lps for Virgin in the mid 70's; Hatfield & The North & The Rotter's Club. Hatfield & The North later evolved into National Health, with whom Phil recorded National Health, Of Queues & Cures, & D.S. Al Coda. Since the dissolution of National Health, Phil has been refining his playing & compositional abilities even further, cutting two discs [Cutting Both Ways (Cuneiform) and Split Seconds (Reckless)] that feature a mixture of his work with his current band In Cahoots & his more studio-oriented solo work. Digging In is the first release to solely feature Phil's MIDI/studio oriented work. In addition to Phil, also appearing are drummer Pip Pyle, keyboardist Peter Lemer (who has played with Mike Oldfield and In Cahoots), & bassist Fred Baker (of In Cahoots). The stellar musical company appearing with Phil on Digging In will prove an extra treat for fans & new listeners alike. -
Kevin Ayers the Canterbury Tapes Mp3, Flac, Wma
Kevin Ayers The Canterbury Tapes mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: The Canterbury Tapes Country: Europe Released: 1990 Style: Prog Rock MP3 version RAR size: 1231 mb FLAC version RAR size: 1559 mb WMA version RAR size: 1679 mb Rating: 4.9 Votes: 178 Other Formats: DXD DMF AU APE DTS MP3 MOD Tracklist 1.1 –Kevin Ayers M 16 1.2 –Kevin Ayers There Goes Johnny 1.3 –Kevin Ayers Something in Between 1.4 –Kevin Ayers Irene Good Night 1.5 –Hatfield And The North Fitter Stoke Has a Bath 1.6 –Hatfield And The North Let's Eat (Real Soon) 1.7 –Hatfield And The North Do The Lethargy Shuffle 1.8 –Hatfield And The North Lonely Lifetime 1.9 –Hatfield And The North Shaving Is Boring 1.10 –Hatfield And The North Licks For Ladies 1.11 –Hatfield And The North Your Majesty Is Like A Cream Doghnut 2.1 –Caravan Hello Hello 2.2 –Caravan If I Could Do It All Over Again 2.3 –Caravan As I Feel I Die 2.4 –Caravan Limits 2.5 –Caravan Love To Love You 2.6 –Caravan In The Land Of Grey And Pink 2.7 –Caravan Memory Lain, Hugh 2.8 –Caravan L'Auberge Du Sanglier 2.9 –Kevin Ayers I Believe In You 2.10 –Kevin Ayers Gemini Chile 2.11 –Kevin Ayers Derby Day 2.12 –Kevin Ayers The Clown 2.13 –Kevin Ayers What About You 2.14 –Kevin Ayers I'm Gonna Cry For You Credits Bass – Mike Oldfield Bass, Vocals – Richard Sinclair Drums – Pip Pyle, Richard Coughlan Guitar – Phil Miller Guitar, Vocals – Kevin Ayers, Pye Hastings Keyboards – Dave Stewart, David Bedford, David Sinclair Soprano Saxophone – Lol Coxhill Violin – Geoffrey Richardson Notes Caravan - BBC Sessions 71-73 Kevin Ayers - BBC Sessions 71-72/Holland 1991 Hatfield And The North - BBC Session 74 Related Music albums to The Canterbury Tapes by Kevin Ayers 1. -
An Introduction to Prog Rock Prof
An Introduction to Prog Rock Prof. J. Paradiso – MIT Media Lab Session 1: Intro - Things your dad should have told you about Prog Session 2; Canterbury Session 3: Rock in Opposition Session 4: Zeuhl Session 5: Space Rock and Neopsychedelia Session 6: French & Quebecois Prog Session 7: Rock Progressivo Italiano Session 8: Germany, Berlin, and Krautrock (perhaps some Scandavania too) Session 9: Japanese Prog Lecture 4 – The Canterbury Bands …and a few fascinating detours! IAP 2018 The City of Canterbury London Up Here An amazingly creative bunch of emerging musicians hung out at Robert Wyatt’s House & environs in the mid 60s Memories Brian & Hugh Hopper, Richard Sinclair, Kevin Ayers formed The Wilde Flowers in the early 1960s – Daevid Allen, David Sinclair, Richard Coughlin, etc. in the mix too Leading to Soft Machine, Caravan, Gong, and Kevin Ayers solo career Enter Soft Machine! Robert Wyatt, Hugh Hopper, Mike Ratledge (Daevid Allen, Kevin Ayers) Jimi was their colleague, friend, and fan He gave them their sound… We Did It Again Early Soft Machine 1968 1969 Why Are We Sleeping? As Long as he Lies Perfectly Still Hung out and toured with Jimi Hendrix Fuzzbox and pedals on organ are iconic in Canterbury Music Very intense live band Hope for Happiness (Live @ Middle Earth Club) - 1967 Live in France - 1968 Kevin Ayers splits for his solo career 1969 1970 1972 1974 Rheinhardt And Geraldine / Colores Para Dolores (1970) The Confessions Of Doctor Dream: Irreversible Neural Damage (1974) Becoming a (psychedelic) Jazz Band 1970 1971 1972 Last -
MATCHING MOLE Title: "MARCH" (Cuneiform Rune 172)
Bio information: MATCHING MOLE Title: "MARCH" (Cuneiform Rune 172) Cuneiform promotion dept: (301) 589-8894 / fax (301) 589-1819 email: [email protected] http://www.cuneiformrecords.com FILE UNDER: ROCK/PROGRESSIVE ROCK Matching Mole was the band that drummer/vocalist Robert Wyatt formed after he left the pioneering UK outfit Soft Machine in July, 1971. Soft Machine had been hugely popular in France, and Wyatt named his new band after a play on the French translation of Soft Machine: machine molle. Over the course of its brief, one-year existence, Matching Mole developed a characteristic sound, a unique take on fusion, with interesting structures that encouraged individualistic expression through solos. Its legacy included two studio albums, over fifty concerts in Britain and continental Europe, and a number of TV and radio broadcasts. Matching Mole’s first, self- titled album was released in early 1972. Wyatt originally began it as a solo album in 1971, but midway through the recording broadened its scope. Matching Mole as released featured the band’s first quartet line-up – Wyatt and guitarist Phil Miller (Delivery, Hatfield & The North, National Health), organist Dave Sinclair (Caravan), and bassist Bill MacCormick (Phil Manzanera’s 801) – as well as a guest, electric pianist, Dave McRae (Mike Westbrook). The group supported the album with shows at home and a European tour. Not long after, Sinclair left the band and McRae joined full time. The quartet of Wyatt, Miller, MacCormick and McRae proved to be Matching Mole’s most experimental as well as most active lineup, performing numerous concerts throughout Europe. -
Exhibit-Pitch-1982-07.Pdf
LK RATE ALL THE NEWS S. POSTAGE THAT'S FIT TO PITCH . ~p.rm~rw,.2419. ~. PI~Ctl FREE Jul y 1982 marks the two year pus) the summer of '80 heat LeRoL of course has hi s legion ~~F i~~e t~~ k~~5~r s~o~~l tgRdMor- wave) the Kansas City Black of followers (pg. 4). Brian Col ~~nng~~af~a~f tf~t PR~~~a~o. ris) William Burroughs and Al Educational Broadcasting sit gan's heavy meta I fanat 1c i sm Ci ty readers have experienced len Ginsberg) Frank Sinatra) uation. the Westport Ballet. (pg. 15) is backed by a cogent an incredible flux of events. Pere Ubu) Darius Milhaud. De the experimental years of musical philosophy. And Unkel Funkt) i-ela) and Chorne Parker. the K.C. Philharmonlc. and Bob Mossman (the world's old ~~~~~n~~a?nK~t~rpI~gR~ of the progress i ve film showings. est active radio DJ) keeps Various members of the PITCH a close watch on traditional The first year of PITCH pub- staff have conducted personal K.C. PITCH finds its way to good-time Jazz (pg. 9). Will ie I ication. under editor Warren interviews wi th such top of 46 states coast -to-coast. I rie. Donna Trussel L John Heu Styl us is now legendary. the pop personali ties as Tony and overseas. too. It has re- ertz. and Saul Tucker make Charles Chance. Jr.) editor Bennett (see next ish). John significant and lively contri- for one year thus far. has Hartford. Blue Riddlm Band) ~g~ar~ne~e~~ f~~dG~6t~¥~r g~~d. -
The Rotters' Club Mp3, Flac, Wma
Hatfield And The North The Rotters' Club mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock Album: The Rotters' Club Country: UK Released: 1976 Style: Art Rock, Jazz-Rock, Prog Rock MP3 version RAR size: 1940 mb FLAC version RAR size: 1397 mb WMA version RAR size: 1845 mb Rating: 4.3 Votes: 657 Other Formats: FLAC WMA RA APE AA DTS XM Tracklist Hide Credits Share It A1 3:02 Written-By – P. Pyle*, R. Sinclair* Lounging There Trying A2 3:10 Written-By – P. Miller* (Big) John Wayne Socks Psychology On The Jaw A3 0:46 Written-By – D. Stewart* Chaos At The Greasy Spoon A4 0:30 Written-By – P. Pyle*, R. Sinclair* The Yes No Interlude A5 7:02 Written-By – P. Pyle* Fitter Stoke Has A Bath A6 7:38 Written-By – P. Pyle* Didn`t Matter Anyway A7 3:03 Written-By – R. Sinclair* Underdub B1 3:55 Written-By – P. Miller* Mups Your Majesty Is Like A Cream Donut (Quiet) B2a 1:59 Written-By – D. Stewart* Lumps B2b 12:35 Written-By – D. Stewart* Prenut B2c 3:55 Written-By – D. Stewart* Your Majesty Is Like A Cream Donut (Laud) B2d 1:37 Written-By – D. Stewart* Companies, etc. Phonographic Copyright (p) – Virgin Records Ltd. Published By – Virgin Music (Publishers) Ltd. Recorded At – Saturn Studios Mixed At – Saturn Studios Credits Artwork, Design – Laurie Lewis Bass, Vocals – Richard Sinclair Clarinet – Tim Hodgkinson Drums, Percussion – Pip Pyle Flute, Tenor Saxophone, Soprano Saxophone – Jimmy Hastings French Horn – Mont Campbell Guitar – Phil Miller, Richard Sinclair (tracks: A7) Oboe, Bassoon – Lindsay Cooper Performer [Northettes] – Amanda Parsons,