SF COMMENTARY 100 50TH ANNIVERSARY EDITION Part 3 DIRDA * BLACKFORD * BRYCE * HOLMBERG * STEELE * KING * SALVIDGE * TRAIN * RUDD * GILLESPIE

Total Page:16

File Type:pdf, Size:1020Kb

SF COMMENTARY 100 50TH ANNIVERSARY EDITION Part 3 DIRDA * BLACKFORD * BRYCE * HOLMBERG * STEELE * KING * SALVIDGE * TRAIN * RUDD * GILLESPIE SF COMMENTARY 100 50TH ANNIVERSARY EDITION Part 3 DIRDA * BLACKFORD * BRYCE * HOLMBERG * STEELE * KING * SALVIDGE * TRAIN * RUDD * GILLESPIE Cover: Ditmar (Dick Jenssen): ’Dancing Almond Bread’. SSFF CCOOMMMMEENNTTAARRYY 110000 50TH ANNIVERSARY EDITION, PART 3 November 2019 80 pages SF COMMENTARY No. 100, 50th ANNIVERSARY EDITION, PART 3, November 2019, is edited and published by Bruce Gillespie, 5 Howard Street, Greensborough, VIC 3088, Australia. Phone: 61-3-9435 7786. PREFERRED MEANS OF DISTRIBUTION .PDF FILE FROM EFANZINES.COM: http://efanzines.com or from my email address: [email protected]. WRAPAROUND COVER: Ditmar (Dick Jenssen): ‘Dancing Almond Bread’. DJ Graphic, Cinemascope version. 3 BRUCE GILLESPIE 49 CRITICANTO 3 I MUST BE TALKING TO MY FRIENDS 49 DANIEL KING 4 TIME WHOOSHES BY! GALACTIC POT-HEALER: 6 GOOD THINGS ARRIVE IN THE MAIL PHILIP K. DICK’S ‘SYMPATHY FOR THE 11 2018: THE BEST OF EVERYTHING DEVIL’ Favourite Novels :: Favourite Books Favourite Films :: Favourite Television 52 GUY SALVIDGE Favourite Popular CDs :: Favourite AMETHYSTS AND OTHER TREASURES Classical CDs 54 DAVID RUDD 27 JENNIFER BRYCE A DOUBLET OF EARLY FANTASY FICTION FAVOURITES FOR 2018: FROM BENGAL TEN BOOKS, TEN CONCERTS, SEVEN MOVIES 56 COLIN STEELE THE FIELD 44 MICHAEL DIRDA TALES OF LOVE AND DEATH BY ROBERT AICKMAN 47 JOHN-HENRI HOLMBERG MANY HAVE MISSED THE THEME OF FRANKENSTEIN: CELEBRATING FRANKENSTEIN’S TWO HUNDREDTH BIRTHDAY 2 I must be talking to my friends First the good news On Facebook recently I wrote that the best news of the year is that Ciao, the favourite Melbourne restaurant of our Friday night fannish group, has reopened on Friday night. It has remained open at lunchtime during the last few years, but meanwhile our group has spent every Friday night wandering mid Melbourne looking for a restaurant with decent food, or a restaurant quiet enough to hear each other speak. Last Friday night (11 October), we wandered down Hardware Lane — and found that Ciao had reopened on Friday night under a new name: Hardware Club. Anton, our genial host of yesteryear, greeted our mob of 10 and set up a table. He welcomed us back as if we had been wandering the desert for 40 years (which is how we saw it). Finally — great service, great food, a house wine that is drinkable ... but it’s already very popular and noisy. I couldn’t hear much of the conversation from my end of the table. But we had returned home at last! For SF Commentary readers this hardly rates as the best news of the year. From your point of view, the best news is that nearly all issues of SF Commentary from the past 50 years are now available for reading, perusing, and printing. Mark Olson has scanned all the duplicated issues of SF Commentary, and made them available through the website organised by Joe Siclari and Edie Stern’s fanzine history project (fanac.org). A warning: each page is scanned separately as a .jpg file. To read an issue consecutively, you need to download all the pages for an issue, then link them using Word or Adobe Acrobat or similar PDF-generating program. But at least you can now take a peek at the great early years of the magazine. Bill Burns continues to host at eFanzines.com all the issues of SF Commentary that have been created during the last 25 years as PDF files. Along with many other fans, I continue to be grateful for Bill’s extraordinary project, which has enabled SF fanzines to continue as a genre. Good news, bad news ... The very good news of 2019 was that anonymous ‘Joe Phan’ financed the production of a large number of print copies of SFCs 98 and 99 and gave me the funds to post them. The bad news is, as usual, the cloud of gloom generated by Australia Post. It continues to persecute people who want to send real magazines and books overseas. Australia’s airmail rates were already twice those of any other country in the world. Rates rose again on 1 October. I will send out overseas copies to a small number of people, mainly contributors, but otherwise will be notifying people to download their copies from eFanzines.com. Sorry about that. I still haven’t won a lottery or been offered an inheritance. Lowlights of the year Lowlight of the year has been our loss of Harry the wonder cat. But I’ve already written about Harry in SFC 99. Another lowlight of the year is the news that our much-missed fan about town and former member of ANZAPA, Chandler Award winner Bill Wright, has spent much of the year in hospital. He has suffered several major falls. In one accident, he fell from a tram, incurring the original injuries. In another incident, a taxi sped off while he was getting out. After several months of treatment, he eturned home for a month or so. During the third incident, a car backed out straight in front of him as he was visiting hospital. As a result he has been wearing both a neck brace and back brace for many months. He left rehabilitation hospital to return home on 17 October. He always sounds remarkably chipper on the phone. Ring him on 0434 315689, but allow for the fact that he spends much of his day involved in physiotherapy exercises or other aspects of the healing process. 3 I must be talking to my friends Time whooshes by! I’m still failing to retire. My basic income is a bit of films (on DVD and Blu-ray) that I would not have seen pension money and a bit of superannuation money otherwise. This year’s films have included Fritz Lang’s (which will run out in about three years). To survive great film noir Human Desire (1954), starring Glenn Ford financially I need to keep compiling indexes. When that and Gloria Grahame (based on Zola’s novel La Bête supply of index work runs out, I will be in real financial Humaine), Memo Meyes’ little masterpiece Martian Child trouble. I’ve had enough work this year to stop the bank (2007), starring John Cusack, based on the life of David account disappearing, but it’s also stopped me being the Gerrold and his adopted son; and the new 4K remastered actifan I want to be. print of Peter Bogdanovich’s The Last Picture Show Until now I’ve been able to produce two parts of the (1972). Fiftieth Anniversary Issue of SF Commentary. But they Not quite monthly, but near enough, have been should have appeared in January. A few weeks ago (be- dinners with Dick Jenssen and a few other friends at the fore I was again rudely interrupted by three indexes and Rosstown Hotel in Carnegie. Geoff Allshorn, who lives a Nova Mob talk), I went diving through the computer in Montmorency, the neighbouring suburb to ours, files and found at least 200 pages of material. drives us to Carnegie and picks up Dick from his home. You might not give a stuff when the next issue of SFC We were eating on Thursdays, but the Rosstown is comes out — and I know that I’ve failed to hit my own extremely popular and noisy on Thursday nights, so deadlines. But some of my contributors have been on the we’ve moved to Monday nights. We’re all having hearing edge of their seats for ten months waiting for their problems these days, so Dick usually invites only four or deathless prose to appear in print. six people to these dinners. Sometimes the whole Rosstown seems filled with people with hearing prob- At the beginning of the year I made a very unwise lems who need to speak loudly so they can be heard. promise to deliver a short talk about the work of James We don’t go out to dinner very often these days. Not Tiptree, Jr. to the Nova Mob. In doing so, I stepped off sure if it’s the times we live in, or merely because of the the safe little lagoon shore of the literary footnote into need to make elaborate arrangements in order to visit the mighty maelstrom of the Tiptree ocean. I had to people. Although Public Transport Victoria was sup- re-read many stories I had not read for nearly 50 years. I posed to have fixed many problems on our railway line, had to read lots of stories I had never read before. it keeps cancelling services and replacing them with (However, I’ve had no time to read the Tiptree’s two buses at night. Therefore we do not feel confident in novels.) I gave myself the great pleasure of re-reading arranging dinner dates in advance, or booking to go to Julie Phillips’ biography James T iptree, Jr.: The Double Life concerts or events in town. Despite this, we did manage of Alice B. Sheldon, the best literary biography I’ve read. to visit Sarah Endacott and Jamie Reuel in South Croy- And I read various other books for the first time, such as don in April. My sister Jeanette and Duncan visited us Letters to Tiptree (Twelfth Planet), edited by Alexandra early in the year, and Jo and Carey Handfield, who now Pierce and Alisa Krasnostein. All this made it impossible live near by, join us for cakes and coffee at Urban to publish SFC 100 by October or write ANZAPA Mailing Grooves once a month. Comments. Charlie and Nic Taylor took us out to Kilmore to attend the annual Winter Solstice party and barbecue You might be amazed to learn that the Gillespie and held by Rose King and Francis Payne in a house filled Cochrane household has spare minutes in the day.
Recommended publications
  • December 1992
    VOLUME 16, NUMBER 12 MASTERS OF THE FEATURES FREE UNIVERSE NICKO Avant-garde drummers Ed Blackwell, Rashied Ali, Andrew JEFF PORCARO: McBRAIN Cyrille, and Milford Graves have secured a place in music history A SPECIAL TRIBUTE Iron Maiden's Nicko McBrain may by stretching the accepted role of When so respected and admired be cited as an early influence by drums and rhythm. Yet amongst a player as Jeff Porcaro passes metal drummers all over, but that the chaos, there's always been away prematurely, the doesn't mean he isn't as vital a play- great discipline and thought. music—and our lives—are never er as ever. In this exclusive interview, Learn how these free the same. In this tribute, friends find out how Nicko's drumming masters and admirers share their fond gears move, and what's tore down the walls. memories of Jeff, and up with Maiden's power- • by Bill Milkowski 32 remind us of his deep ful new album and tour. 28 contributions to our • by Teri Saccone art. 22 • by Robyn Flans THE PERCUSSIVE ARTS SOCIETY For thirty years the Percussive Arts Society has fostered credibility, exposure, and the exchange of ideas for percus- sionists of every stripe. In this special report, learn where the PAS has been, where it is, and where it's going. • by Rick Mattingly 36 MD TRIVIA CONTEST Win a Sonor Force 1000 drumkit—plus other great Sonor prizes! 68 COVER PHOTO BY MICHAEL BLOOM Education 58 ROCK 'N' JAZZ CLINIC Back To The Dregs BY ROD MORGENSTEIN Equipment Departments 66 BASICS 42 PRODUCT The Teacher Fallacy News BY FRANK MAY CLOSE-UP 4 EDITOR'S New Sabian Products OVERVIEW BY RICK VAN HORN, 8 UPDATE 68 CONCEPTS ADAM BUDOFSKY, AND RICK MATTINGLY Tommy Campbell, Footwork: 6 READERS' Joel Maitoza of 24-7 Spyz, A Balancing Act 45 Yamaha Snare Drums Gary Husband, and the BY ANDREW BY RICK MATTINGLY PLATFORM Moody Blues' Gordon KOLLMORGEN Marshall, plus News 47 Cappella 12 ASK A PRO 90 TEACHERS' Celebrity Sticks BY ADAM BUDOFSKY 146 INDUSTRY FORUM AND WILLIAM F.
    [Show full text]
  • A Study of Percussion Pedagogical Texts and a Percussion Primer Nathaniel Gworek University of Connecticut - Storrs, [email protected]
    University of Connecticut OpenCommons@UConn Doctoral Dissertations University of Connecticut Graduate School 4-7-2017 A Study of Percussion Pedagogical Texts and a Percussion Primer Nathaniel Gworek University of Connecticut - Storrs, [email protected] Follow this and additional works at: https://opencommons.uconn.edu/dissertations Recommended Citation Gworek, Nathaniel, "A Study of Percussion Pedagogical Texts and a Percussion Primer" (2017). Doctoral Dissertations. 1388. https://opencommons.uconn.edu/dissertations/1388 A Study of Percussion Pedagogical Texts and a Percussion Primer Nathaniel Richard Gworek, DMA University of Connecticut, 2017 My dissertation project is in two parts; the first part examines and evaluates percussion pedagogical literature from the past century, while the second is a percussion primer of my own authorship. The primer, which assumes a basic knowledge of standard musical notation, provide a structured system of teaching and learning percussion technique; it is supplemented with videos to utilize current technology as an educational resource. Many percussion method books have a narrow focus on only one instrument. There are few comprehensive resources that address the entire family of instruments, but they generally cater to a college level audience. My research focuses on the layout of the comprehensive resources while utilizing the narrow sources to inform my exercises. This research helped me find a middle ground, providing the technical development of the narrow focus resources while covering the breadth of topics in the comprehensive resources. This, in turn, help me develop an informationally inclusive yet concise resource for instructors and for students of all ages. My primer contain lessons on snare drum, timpani, and mallet percussion, and complementary instruments, such as bass drum, triangle, and cymbals.
    [Show full text]
  • CD Art for Sing Out! V.47#1
    Instructions for printing your CD Booklet & Tray Card (photo quality inkjet paper recommended): 1. Set your printer properties to the highest possible resolution, with *NO* size, margin or “fit to page” adjustment! 2. Print page 1. Flip the page, re-insert into your printer’s feed tray, print page 2 on the reverse. 3. Cut *just* inside the dotted line and fold in half, and place in the top of your jewel box. 4. Print page 3, score the page along the fold marks. 5. Cut *just* inside the dotted line, finish the folds and place in the bottom of the jewel box. SONGS FROM SING OUT! 16 As If He Knows by Eric Bogle (© Larrikin Publishing, Sydney, Australia) 4:29 from Eric Bogle’s album The Colour of Dreams (Greentrax #237) available from Cockenzie Business Centre, Edinburgh Road, Cockenzie, East Lothian EH32 OXL, Scotland; Ph: +44-(0)1875-814155; Web: v.47#1 <www.greentrax.com>. See page 18. 17 Eliza Jane by Vance Gilbert (© 2002 Disismye Music / ASCAP) 4:12 Featuring songs by: from Vance Gilbert’s album One thru Fourteen (Louisiana Red Hot #1157) available from 2001 Gentilly Blvd., New Orleans, LA 70119; Ph: 504-948-4600; Web: <www.louisianaredhot.com>. See page 98. The Flatlanders 18 El Talismán by Rosana Arbelo Gopar (© Universal Musica, Inc.) 3:30 from Sisters Morales’ album Para Gloria (Luna #2584) available from P.O. Box 29462, San Antonio, TX Liz Carroll 78229; Web: <www.sistersmorales.com>. See page 8. Moh Alileche 19 Right Where I Belong by Butch Hancock, Joe Ely and Jimmie Dale Gilmore (© Two Roads Music / Tornado Temple Music / Jade EG Music / BMI ) 4:09 Michael Cooney from The Flatlanders’ album Now Again (New West #6040) available from 608-C West Monroe St., Austin, TX 78704; Ph: 512-472-4200; Web: <www.newwestrecords.com>.
    [Show full text]
  • Td Vancouver International Jazz Festival
    Music is where we all belong. TD is a proud sponsor of over 90 music festivals and 100 community programs from coast to coast. #MusicMatters The TD logo and other trade-marks are the property of The Toronto-Dominion Bank. TDCT-0396_FestivalPrograms_Vancouver_5.25x8_v1.indd 1 2018-03-06 11:27 AM CHAN CENTRE PRESENTS SERIES SEP 22 Aida Cuevas: Totalmente Juan Gabriel SEP 30 I’m With Her OCT 21 Goran Bregović and His Wedding and Funeral Band NOV 13 Joshua Redman: Still Dreaming FEB 17 Bobby McFerrin: Circlesongs MAR 2 Ladysmith Black Mambazo with Habib Koité and Bassekou Kouyate APR 11 Cristina Pato Quartet APR 27 Anoushka Shankar BEYOND WORDS SERIES OCT 3 Kealoha FEB 24 No Blue Memories: The Life of Gwendolyn Brooks SUBSCRIPTIONS ON SALE NOW! Cristina Pato Joshua Redman I’m With Her Bobby McFerrin chancentre.com Welcome to the 33rd Annual TD Vancouver International Jazz Festival As a committed and long-standing supporter of Canadian music and artists, TD is thrilled to support the 2018 TD Vancouver International Jazz Festival, a world- class event celebrating the diversity of music across Canada and beyond. For 10 straight days the festival will erupt with the best jazz, blues and world music and has become a passport to a music-loving community where one can feel truly connected. From up-and-coming talent to acclaimed headliners, join us at the many events taking place around the city as we celebrate the love of music. At TD, we see music as a conversation-starter, something that has the power to bring communities together and give us all somewhere to belong.
    [Show full text]
  • Austin's Progressive Country Music Scene and the Negotiation
    Space, Place, and Protest: Austin’s Progressive Country Music Scene and the Negotiation of Texan Identities, 1968-1978 Travis David Stimeling A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements of the Doctor of Philosophy in the Department of Music. Chapel Hill 2007 Approved by: Jocelyn R. Neal, Chair Jon W. Finson David García Mark Katz Philip Vandermeer © 2007 Travis David Stimeling ALL RIGHTS RESERVED ii ABSTRACT TRAVIS DAVID STIMELING: “Space, Place, and Protest: Austin’s Progressive Country Music Scene and the Negotiation of Texan Identities, 1968-1978” (Under the direction of Jocelyn R. Neal) The progressive country music movement developed in Austin, Texas, during the early 1970s as a community of liberal young musicians and concertgoers with strong interests in Texan country music traditions and contemporary rock music converged on the city. Children of the Cold War and the post-World War II migration to the suburbs, these “cosmic cowboys” sought to get back in touch with their rural roots and to leave behind the socially conservative world their parents had created for them. As a hybrid of country music and rock, progressive country music both encapsulated the contradictions of the cosmic cowboys in song and helped to create a musical sanctuary in which these youths could articulate their difference from mainstream Texan culture. Examining the work of the movement’s singer-songwriters (Michael Murphey, Guy Clark, Gary P. Nunn), western swing revivalists (Asleep at the Wheel, Alvin Crow and the Pleasant Valley Boys), and commercial country singers (Willie Nelson, Waylon Jennings), this dissertation explores the proliferation of stock imagery, landscape painting, and Texan stereotypes in progressive country music and their role in the construction of Austin’s difference.
    [Show full text]
  • Bio Dave Alvin and Jimmie Dale Gilmore
    Dave Alvin & Jimmie Dale Gilmore Downey to Lubbock Biography written by: Joe Nick Patoski Downey, California to Lubbock, Texas is a thousand-mile straight shot across the heart of the American West, with not much in between. The cities at each end of the line are one-time cowtowns that grew into symmetrically-platted working-class communities with very little to interrupt the horizon plane, making for big empty canvasses that require a vivid imagination to fill in all that blank space. Dave Alvin from Downey and Jimmie Dale Gilmore from Lubbock have been filling canvasses with music of the American West for decades, coming from two very different directions. The title track explains Alvin is a Strat-packing, wild blues Blaster, a nod to the roots rock band he formed with his brother Phil in 1978 before Dave peeled off to go his own way in 1986. He’s been part of the bands X, the Knitters, and the Flesh Eaters, tours relentlessly with his own band, the Guilty Ones, and continues apace on musical quests informed by his love of California and its history, and by Texas and the South, where most of the great music that was made in Los Angeles before and after the Second World War came from. Gilmore is the old Flatlander from the Great High Plains, acknowledging his first group, the folk-country trio formed in Lubbock 1972 with Joe Ely and Butch Hancock who continue performing and recording today. In addition to the Flatlanders and an extended solo career, he has been part of several ensembles including the Hub City Movers and The Wronglers with Warren Hellman, who started the Hardly, Strictly Bluegrass Festival in San Francisco.
    [Show full text]
  • January 1983
    VOL. 7 NO. 1 Cover Photo by William Coupon FEATURES PETER ERSKINE Over the past dozen years, Peter Erskine has continued to live up to the promise he showed back when he was the youngest person ever accepted at a Stan Kenton summer band camp. Here, Peter discusses how each phase in his career—including his recent departure from Weather Re- port to join Steps, and his first solo album—have brought him closer to being the kind of musician he wants to be. by Rick Mattingly 8 CHESTER THOMPSON Playing with Frank Zappa requires a special kind of drummer; playing with Weather Report takes a different type; playing for Genesis has yet another set of require- Photo by Joost Leijen ments. That Chester Thompson has been able to handle Photo by Paul Natkin/Photo Reserve all three situations says a lot about his versatility and abil- ity, which he comments on in this MD exclusive. by Stanley Hall 14 MD FORUM: Audio Engineers—on Miking & Recording Drums: Part II by Mark Z. Stevens 18 JIM GORDON One of the true legends of rock drumming, Jim Gor- don began his studio career playing extra percussion parts beside such master drummers as Hal Blaine and Earl Palmer, and he began his touring career with the Everly Brothers. Gordon talks about how he went on to play and record with some of the biggest names in rock, while giving insights into the professional and personal aspects of his life. by Scott Fish 22 INSIDE THE WORLD OF DRUM CORPS by Jay A.
    [Show full text]
  • North Carolina Museum of Art Celebrates 20Th Anniversary of Outdoor Summer Concerts with Special Lineup of Local, National Performers
    FOR IMMEDIATE RELEASE May 2, 2017 MEDIA CONTACT Emily Kowalski | (919) 664-6795 | [email protected] North Carolina Museum of Art Celebrates 20th Anniversary of Outdoor Summer Concerts with Special Lineup of Local, National Performers Summer season also includes outdoor movies, family-friendly performances, and a music-movie combo Raleigh, N.C.—The North Carolina Museum of Art (NCMA) announces its 20th anniversary summer outdoor concert and movie series. This season’s lineup includes 12 concerts, one music-movie combo special event, 16 movies, and three family-friendly performances. “We’re thrilled to celebrate this special anniversary with an all-star lineup featuring local favorites, exciting newcomers to the music scene, and internationally acclaimed rock bands,” says George Holt, the NCMA’s director of performing arts and film. “Since the debut of the Joseph M. Bryan, Jr., Theater in the Museum Park in 1997, we’ve welcomed some of the world’s finest musicians and performers, and we’ve experienced countless unforgettable moments.” Concerts and Family-Friendly Performances The concert series kicks off May 6 with a concert by Chapel Hill indie folk band Mipso. Mipso’s first NCMA appearance celebrates the release of a new album, Coming Down the Mountain. North Carolina band River Whyless opens. On June 5 legendary artists and longtime friends Joan Baez, Mary Chapin Carpenter, and Indigo Girls Amy Ray and Emily Saliers share the stage in a special sold-out group performance as Four Voices. Tegan and Sara—who over eight albums and nearly two decades have evolved from a folk duo to acclaimed indie- rockers and then to a glossier dance-pop powerhouse—perform on June 9.
    [Show full text]
  • NOVEMBER W/Sg Royal Wood 7:30 P.M
    VOLUME 55/ISSUE 6 • NOV/DEC 2019 • CALENDAR OF EVENTS The Ark Calendar of Events is published bimonthly by: The Ark, 316 South Main St, Ann Arbor, MI 48104 – Office Phone: (734) 761-1800 Tickets: (734) 763-8587 www.theark.org SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY JOHN GORKA 1 JAY UNGAR & 2 8 p.m. $20 MOLLY MASON “The preeminent male singer- 8 p.m. $20 songwriter of Melodies that stir longing in Thank you to the New Folk the heart Ann Arbor State Bank movement” for its generous support —Rolling Stone KELLY WILLIS & 3 WESTBOUND 4 THE DAVID 5 Chasing Lights Tour 6 THE CALIFORNIA 7 WILLY PORTER 8 DICK SIEGEL 9 BRUCE ROBISON SITUATION WAX MUSEUM IDA MAE HONEYDROPS 8 p.m. $25 8 p.m. $20 7:30 p.m. $20 8 p.m. $15 w/sg Heather Maloney w/sg Logan Ledger w/sg Javier Matos “A genre-defying Come to The Ark for your eggs New duo music from Texas Michigan “chambergrass” from 8 p.m. $20 8 p.m. $20 8 p.m. $25 maverick” over easy! Americana’s power couple young players with diverse Acoustic Americana and blue- Bay Area R&B —Frets backgrounds at Hill Auditorium eyed soul from the UK and funk Album release! WILCO Tickets at theark.org ann arbor’s 107one presents 10 An Evening with 11 12 BRENDAN JAMES 13 DELTA RAE 14 RISING 15 BAILEY BRYAN 16 HISS GOLDEN THE FLATLANDERS w/sg Pete Muller w/sg Carrie Welling APPALACHIA The Perspective Tour MESSENGER 8 p.m.
    [Show full text]
  • Lubbock on Everything: the Evocation of Place in the Music of West Texas
    02-233 Ch16 9/19/02 2:27 PM Page 255 16 Lubbock on Everything: The Evocation of Place in the Music of West Texas Blake Gumprecht The role of landscape and the importance of place in literature, poetry, the visual arts, even cinema and television are well established and have been widely discussed and written about. Think of Faulkner’s Mississippi, the New England poetry of Robert Frost, the regionalist paintings of John Steuart Curry, or, in a contemporary sense, the early movies of Barry Levinson, with their rich depictions of Baltimore. There are countless other examples. Texas could be considered a protagonist in the novels of Larry McMurtry. The American Southwest is central to the art of Georgia O’Keeffe. New York City acts as far more than just a setting for the films of Woody Allen. The creative arts have helped shape our views of such places, and the study of works in which particular places figure prominently can help us better understand those places and human perceptions of them.1 Place can also be important to music, yet this has been largely overlooked by scholars. The literature on the subject, in fact, is nearly nonexistent. A sim- ple search of a national library database, for example, retrieved 295 records under the subject heading “landscape in literature” and more than 1,000 un- der the heading “landscape in art,” but a similar search using the phrase “landscape in music” turned up nothing.2 This line of inquiry is so poorly de- veloped that no equivalent subject heading has been established.
    [Show full text]
  • The Flatlanders Are Now More a Band Than a Legend, to Inversely
    The Flatlanders: Hills and Valleys [New West] By Steven Rosen Horse Whisperer soundtrack. The three Americana role models share writing credits create strongest post- reunion album to date on eight songs, and create vividly rendered The Flatlanders are tales about restless now more a band than hearts, wide-open a legend, to inversely spaces and troubled paraphrase the title of times. They also have their first CD. By the carefully crafted melo- time More a Legend dies, especially the Than a Band came out in 1990, it was mid-tempo compositions replete with primarily a historic document, drawn folk-rock hooks. “Homeland Refugee,” from the 1972 sessions of one of Texas’ sung by Ely, updates Steinbeck and earliest and short-lived alternative- Woody Guthrie with hauntingly vivid country bands. But as the band detail; “Borderless Love” is both ro- members-Joe Ely, Butch Hancock and mantic and political. Hancock’s Jimmie Dale Gilmore-began to have “Thank God for the Road” showcases successful solo careers as singer- his characteristic inventive wordplay, songwriters, interest grew in their always careful to be sincere and not long-forgotten Flatlanders roots. merely clever. Although there are a The primarily acoustic Hills and couple filler songs sprinkled through- Valleys, produced by Lloyd Maines, is out, the Flatlanders are clearly no the Flatlanders' third and strongest longer a mere legend. They're elders of album since reuniting in 1998 for The Americana music. Role models, even..
    [Show full text]
  • Destination Anywhere an Insider’S Tour of Hometown Music Scenes, Past and Present
    by RichaRd SkanSe Destination anywhere An insider’s tour of hometown music scenes, past and present. Austin tLive Musicex Capital Aof the sWorLd deStination anywheRe auStin, texaS continued it’s A Lot to Live up to, that Texas-sized boast about being the “Live Music Capital of the world.” Austin adopted it as their official slogan in 1991, with no voting or formal competition for the title involved, of course, apart from the city council members who did have the modesty to rule out the slightly more inflated “Live Music Capital of the Universe.” As such, it’s a claim to fame as open for debate as any truck stop’s self-proclaimed “world’s Best Coffee” or w“ orld Famous Chicken-Fried Steak.” The appropriate response to any such pronouncements should always be a certain degree of skepticism: “Prove it.” The key word in this case is “live.” For district. And when visitors arrive at Austin- the better part of the last 40 years, the best Bergstrom International Airport, they’re in Texas—and a good many notables from immediately greeted by Texas music, be it beyond—have all found themselves drawn piped through the terminal sound system or to the center of the state and used the capital live onstage, right in the concourse, as part city’s many stages to launch, or even re-launch, of the “Music in the Air” concert series. their music careers. Austin is where Abbott, does all of that merit the “Live Music Texas native willie Nelson reinvented himself Capital of the world” title? Clearly, it as an “outlaw,” spearheading the progressive doesn’t hurt.
    [Show full text]