Encountering Miao Shamanism
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Morphology and Developmental Traits of the Trilobite Changaspis Elongata from the Cambrian Series 2 of Guizhou, South China
Morphology and developmental traits of the trilobite Changaspis elongata from the Cambrian Series 2 of Guizhou, South China GUANG-YING DU, JIN PENG, DE-ZHI WANG, QIU-JUN WANG, YI-FAN WANG, and HUI ZHANG Du, G.-Y., Peng, J., Wang, D.-Z., Wang, Q.-J., Wang, Y.-F., and Zhang, H. 2019. Morphology and developmental traits of the trilobite Changaspis elongata from the Cambrian Series 2 of Guizhou, South China. Acta Palaeontologica Polonica 64 (4): 797–813. The morphology and ontogeny of the trilobite Changaspis elongata based on 216 specimens collected from the Lazizhai section of the Balang Formation (Stage 4, Series 2 of the Cambrian) in Guizhou Province, South China are described. The relatively continuous ontogenetic series reveals morphological changes, and shows that the species has seventeen thoracic segments in the holaspid period, instead of the sixteen as previously suggested. The development of the pygid- ial segments shows that their number gradually decreases during ontogeny. A new dataset of well-preserved specimens offers a unique opportunity to investigate developmental traits after segment addition is completed. The ontogenetic size progressions for the lengths of cephalon and trunk show overall compliance with Dyar’s rule. As a result of different average growth rates for the lengths of cephalon, trunk and pygidium, the length of the thorax relative to the body shows a gradually increasing trend; however, the cephalon and pygidium follow the opposite trend. Morphometric analysis across fourteen post-embryonic stages reveals growth gradients with increasing values for each thoracic segment from anterior to posterior. The reconstruction of the development traits shows visualization of the changes in relative growth and segmentation for the different body parts. -
Contemporary China: a Book List
PRINCETON UNIVERSITY: Woodrow Wilson School, Politics Department, East Asian Studies Program CONTEMPORARY CHINA: A BOOK LIST by Lubna Malik and Lynn White Winter 2007-2008 Edition This list is available on the web at: http://www.princeton.edu/~lynn/chinabib.pdf which can be viewed and printed with an Adobe Acrobat Reader. Variation of font sizes may cause pagination to differ slightly in the web and paper editions. No list of books can be totally up-to-date. Please surf to find further items. Also consult http://www.princeton.edu/~lynn/chinawebs.doc for clicable URLs. This list of items in English has several purposes: --to help advise students' course essays, junior papers, policy workshops, and senior theses about contemporary China; --to supplement the required reading lists of courses on "Chinese Development" and "Chinese Politics," for which students may find books to review in this list; --to provide graduate students with a list that may suggest books for paper topics and may slightly help their study for exams in Chinese politics; a few of the compiler's favorite books are starred on the list, but not much should be made of this because such books may be old or the subjects may not meet present interests; --to supplement a bibliography of all Asian serials in the Princeton Libraries that was compiled long ago by Frances Chen and Maureen Donovan; many of these are now available on the web,e.g., from “J-Stor”; --to suggest to book selectors in the Princeton libraries items that are suitable for acquisition; to provide a computerized list on which researchers can search for keywords of interests; and to provide a resource that many teachers at various other universities have also used. -
The Distribution of Bronze Drums of the Heger I and Pre-I Types
The distribution of bronze drums of the Heger I and Pre-I types The Distribution of Bronze Drums of the Heger I and Pre-I Types: Temporal Changes and Historical Background Keiji Imamura ABSTRACT Based on the chronological sequence and temporal division of bronze drums published in 1993, the changes in their distribution throughout Southern China and Southeast Asia are examined. The chronology proposed in 1993 divided the bronze drums of the Heger I type into six phases: 1a, 1b, 2a, 2b, 3a and 3b. Since these small divisions leave many drums for which there is insuffi cient information unclassifi ed, a rather rough division into phases 1, 2 and 3, plus phase 0 for the Pre-Heger I type, is also used. The drums of phase 0 (4th ~ 3rd c. B.C.) concentrate in Southern China and Northern Vietnam. Phase 1 (3rd ~ 1st c. B.C.) shows a similar distribution, with partial expansions into the peninsular area of Thailand and the island of Java in Indonesia. In the next phase, 2a (1st c. B.C.), the bronze drums disappear almost completely from Southern China. Although Vietnam retains a fair number of drums, there are fewer large drums. In contrast to this situation in the northern areas, the southern areas of Southeast Asia witness an increase in number. There is a special phenomenon where particularly large drums concentrate on small islands of Eastern Indonesia. In phase 2b (1st c. A.D.), drums of the Dong Son tradition diffuse into the vacancy left by the Shizaishan tradition in Southern China, where it had disappeared; hence, Guangxi Province becomes the area with the densest distribution in phase 3b (2nd c. -
Zhou Zuoren's Critique of Violence in Modern China
World Languages and Cultures Publications World Languages and Cultures 2014 The aS cred and the Cannibalistic: Zhou Zuoren’s Critique of Violence in Modern China Tonglu Li Iowa State University, [email protected] Follow this and additional works at: http://lib.dr.iastate.edu/language_pubs Part of the Chinese Studies Commons The ompc lete bibliographic information for this item can be found at http://lib.dr.iastate.edu/ language_pubs/102. For information on how to cite this item, please visit http://lib.dr.iastate.edu/ howtocite.html. This Article is brought to you for free and open access by the World Languages and Cultures at Iowa State University Digital Repository. It has been accepted for inclusion in World Languages and Cultures Publications by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. The aS cred and the Cannibalistic: Zhou Zuoren’s Critique of Violence in Modern China Abstract This article explores the ways in which Zhou Zuoren critiqued violence in modern China as a belief-‐‑driven phenomenon. Differing from Lu Xun and other mainstream intellectuals, Zhou consistently denied the legitimacy of violence as a force for modernizing China. Relying on extensive readings in anthropology, intellectual history, and religious studies, he investigated the fundamental “nexus” between violence and the religious, political, and ideological beliefs. In the Enlightenment’s effort to achieve modernity, cannibalistic Confucianism was to be cleansed from the corpus of Chinese culture as the “barbaric” cultural Other, but Zhou was convinced that such barbaric cannibalism was inherited by the Enlightenment thinkers, and thus made the Enlightenment impossible. -
Chapter One Introduction
ICT1 21/8/00 6:44 PM Page 1 Chapter One Introduction The past is always altered for motives that reflect present needs. We reshape our heritage to make it attractive in modern terms; we seek to make it part of ourselves, and ourselves part of it; we confirm it to our self-images and aspirations. Rendered grand or homely, magnified or tarnished, history is continually altered in our private interests or on behalf of our community or country. —David Lowenthal, The Past Is a Foreign Country History connects past with present. This connection is established by and, generally, also for the present. Yet, the ways in which his- torians write history vary tremendously: History is and has been written differently for different purposes.1 In order to cast light on present events, for example, one can simply collect and preserve any available information about the past. What prompted Herodotus (484–424? B.C.E.) to write his Histories, as he professed at its outset, was to prevent the memory of the Greeks about their glorious victory over the Persians from falling into oblivion. In China where historical writing has long been an integral part of its civilization, there is a well-known adage, “to know the future in the mirror of the past” (jian wang zhi lai), that expresses a similar desire to remember past events for better understanding the present and 1 ICT1 21/8/00 6:44 PM Page 2 2 INTRODUCTION successfully speculating upon the future. While interest in the past of this sort is shown in many historical cultures, contributing to the development of historical study, it by no means addresses fully the complex relationship between past and present. -
The Chinese Dragon Boat Festival Occurs on the 5Th Day of the 5Th Month of the Chinese Lunisolar Calendar and Lasts for Three Days
Dragon Boat Festival The Chinese Dragon Boat Festival occurs on the 5th day of the 5th month of the Chinese lunisolar calendar and lasts for three days. This festival is also known as the Tuen Ng Festival, the Duanwu Festival, the Zhongxiao Festival, and the Double Fifth Festival. This holiday has been observed nationally for over 2,000 years. There are three different stories of whom this festival commemorates: Qu Yuan, Wu Zixu, and Cao E. The most well known story is about Qu Yuan, an ancient Chinese patriotic poet who was alive from 340-278 BCE. Qu Yuan was a minister in the state of Chu who wrote many poems to show his love and devotion for his country. He drowned himself in the river after he was exiled by the king because he didn’t want to see his country be invaded and conquered by the state of Qin. It is said that local people raced out in their boats to retrieve his body. When they couldn’t find his body, they dropped balls of sticky rice (zongzi) into the river so the fish would eat them and not Qu Yuan’s body. This was said to be the creation of zongzi, sticky rice dumplings or “Chinese tamales”. He died on the 5th day of the 5th month, thus the people created this festival to honor his death. The southeast region of Jiangsu (former territory of the state of Wu) commemorates Wu Zixu who was a Premier, a politician. Zixu warned his king, King Fuchai, of a dangerous plot regarding a beautiful woman, Xishi, who was sent by king Goujian of the state of Yue. -
Who Invented the Bronze Drum? Nationalism, Politics, and a Sino- Vietnamese Archaeological Debate of the 1970S and 1980S
Who Invented the Bronze Drum? Nationalism, Politics, and a Sino- Vietnamese Archaeological Debate of the 1970s and 1980s XIAORONG HAN EVER SINCE THE BIRTH OF MODERN ARCHAEOLOGY in the nineteenth cen tury, nationalism and politics have been important factors in its development, and as such, archaeologists in various parts of the world have been actively in volved in the construction of ethnic and/or national origins and identities, the corroboration of national myths, the disputes over territories and cultural inven tions, and so on (Diaz-Andreu and Champion 1996; Hudson 1999; Kohl and Fawcett 1995; Meskell 1998; Pai 2000; Silberman 1989; Trigger 1984). Although it is difficult to find a single country in which archaeology is completely free from the influence of nationalism and politics, it is understandable to find that archae ologists operating in authoritarian systems generally have a stronger tendency to develop a close relationship with the nation-state and involve themselves in poli tics because of a lack of academic freedom and independent sources of financial support. Nazi Germany, early twentieth-century Japan, and pre-World War II Soviet Union are extreme examples of the politicization of archaeology (Arnold and Hassman 1995; Hudson 1999: 35, 44; Shnirelman 1996; Trigger 1989: 178 179; Wiwjorra 1996). In post-war Asia, archaeologists in China and Viet Nam were actively engaged in the development of a new wave of nationalist archaeol ogy under the encouragement and sponsorship of the state (Glover 1999; Tong 1995). ' This paper intends to study the nationalist archaeology of China and Viet Nam in the 1970s and 1980s. -
The Towers of Yue Olivia Rovsing Milburn Abstract This Paper
Acta Orientalia 2010: 71, 159–186. Copyright © 2010 Printed in Norway – all rights reserved ACTA ORIENTALIA ISSN 0001-6438 The Towers of Yue Olivia Rovsing Milburn Seoul National University Abstract This paper concerns the architectural history of eastern and southern China, in particular the towers constructed within the borders of the ancient non-Chinese Bai Yue kingdoms found in present-day southern Jiangsu, Zhejiang, Fujian and Guangdong provinces. The skills required to build such structures were first developed by Huaxia people, and hence the presence of these imposing buildings might be seen as a sign of assimilation. In fact however these towers seem to have acquired distinct meanings for the ancient Bai Yue peoples, particularly in marking a strong division between those groups whose ruling houses claimed descent from King Goujian of Yue and those that did not. These towers thus formed an important marker of identity in many ancient independent southern kingdoms. Keywords: Bai Yue, towers, architectural history, identity, King Goujian of Yue Introduction This paper concerns the architectural history of eastern and southern China, in particular the relics of the ancient non-Chinese kingdoms found in present-day southern Jiangsu, Zhejiang, Fujian and 160 OLIVIA ROVSING MILBURN Guangdong provinces. In the late Spring and Autumn period, Warring States era, and early Han dynasty these lands formed the kingdoms of Wu 吳, Yue 越, Minyue 閩越, Donghai 東海 and Nanyue 南越, in addition to the much less well recorded Ximin 西閩, Xiyue 西越 and Ouluo 甌駱.1 The peoples of these different kingdoms were all non- Chinese, though in the case of Nanyue (and possibly also Wu) the royal house was of Chinese origin.2 This paper focuses on one single aspect of the architecture of these kingdoms: the construction of towers. -
New China and Its Qiaowu: the Political Economy of Overseas Chinese Policy in the People’S Republic of China, 1949–1959
1 The London School of Economics and Political Science New China and its Qiaowu: The Political Economy of Overseas Chinese policy in the People’s Republic of China, 1949–1959 Jin Li Lim A thesis submitted to the Department of International History of the London School of Economics for the degree of Doctor of Philosophy, London, September 2016. 2 Declaration: I certify that the thesis I have presented for examination for the MPhil/PhD degree of the London School of Economics and Political Science is solely my own work other than where I have clearly indicated that it is the work of others (in which case the extent of any work carried out jointly by me and any other person is clearly identified in it). The copyright of this thesis rests with the author. Quotation from it is permitted, provided that full acknowledgement is made. This thesis may not be reproduced without my prior written consent. I warrant that this authorisation does not, to the best of my belief, infringe the rights of any third party. I declare that my thesis consists of 98,700 words. 3 Abstract: This thesis examines qiaowu [Overseas Chinese affairs] policies during the PRC’s first decade, and it argues that the CCP-controlled party-state’s approach to the governance of the huaqiao [Overseas Chinese] and their affairs was fundamentally a political economy. This was at base, a function of perceived huaqiao economic utility, especially for what their remittances offered to China’s foreign reserves, and hence the party-state’s qiaowu approach was a political practice to secure that economic utility. -
GFF Comments on Some Important Issues Concerning The
This article was downloaded by: [Jin Peng] On: 12 June 2014, At: 08:59 Publisher: Taylor & Francis Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK GFF Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/sgff20 Comments on some important issues concerning the establishment of a GSSP for Cambrian Stage 5 Yuanlong Zhaoa, Jinliang Yuanb, Qingjun Guoc, Jin Penga, Leiming Yinb, Xinglian Yanga, Chunjiang Wangd & Haijing Suna a College of Resource and Environment Engineering of Guizhou University, Guiyang 550025, China; b Nanjing Institute of Geology and Palaeontology, The Chinese Academy of Sciences, Nanjing 210008, China c Institute of Geographic Sciences and Natural Resources Research, Center for Environmental Remediation, Chinese Academy of Sciences, Beijing 100101, China d State Key Laboratory of Petroleum Resources and Prospecting, China University of Petroleum, Beijing 102249, China Published online: 28 Feb 2014. To cite this article: Yuanlong Zhao, Jinliang Yuan, Qingjun Guo, Jin Peng, Leiming Yin, Xinglian Yang, Chunjiang Wang & Haijing Sun (2014) Comments on some important issues concerning the establishment of a GSSP for Cambrian Stage 5, GFF, 136:1, 333-336, DOI: 10.1080/11035897.2014.884629 To link to this article: http://dx.doi.org/10.1080/11035897.2014.884629 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. However, Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. -
New Trends in Mao Literature from China
Kölner China-Studien Online Arbeitspapiere zu Politik, Wirtschaft und Gesellschaft Chinas Cologne China Studies Online Working Papers on Chinese Politics, Economy and Society No. 1 / 1995 Thomas Scharping The Man, the Myth, the Message: New Trends in Mao Literature From China Zusammenfassung: Dies ist die erweiterte Fassung eines früher publizierten englischen Aufsatzes. Er untersucht 43 Werke der neueren chinesischen Mao-Literatur aus den frühen 1990er Jahren, die in ihnen enthaltenen Aussagen zur Parteigeschichte und zum Selbstverständnis der heutigen Führung. Neben zahlreichen neuen Informationen über die chinesische Innen- und Außenpolitik, darunter besonders die Kampagnen der Mao-Zeit wie Großer Sprung und Kulturrevolution, vermitteln die Werke wichtige Einblicke in die politische Kultur Chinas. Trotz eindeutigen Versuchen zur Durchsetzung einer einheitlichen nationalen Identität und Geschichtsschreibung bezeugen sie auch die Existenz eines unabhängigen, kritischen Denkens in China. Schlagworte: Mao Zedong, Parteigeschichte, Ideologie, Propaganda, Historiographie, politische Kultur, Großer Sprung, Kulturrevolution Autor: Thomas Scharping ([email protected]) ist Professor für Moderne China-Studien, Lehrstuhl für Neuere Geschichte / Politik, Wirtschaft und Gesellschaft Chinas, an der Universität Köln. Abstract: This is the enlarged version of an English article published before. It analyzes 43 works of the new Chinese Mao literature from the early 1990s, their revelations of Party history and their clues for the self-image of the present leadership. Besides revealing a wealth of new information on Chinese domestic and foreign policy, in particular on the campaigns of the Mao era like the Great Leap and the Cultural Revolution, the works convey important insights into China’s political culture. In spite of the overt attempts at forging a unified national identity and historiography, they also document the existence of independent, critical thought in China. -
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Advances in Social Science, Education and Humanities Research (ASSEHR), volume 181 4th International Conference on Social Science and Higher Education (ICSSHE 2018) Enlightenment of Miao Cultural Art to Modern Design Qing Wu*, Hong Peng, Xianfeng Ai Department of industrial design, the college of Art and Design Wuhan University of Science and Technology Wuhan, China Email: [email protected] Abstract—The Miao ethnic people gave birth to the unique hold a tolerant and open attitude to foreign cultures, constantly cultural art. Their aesthetic taste is also different from others. absorbing foreign cultures and integrating them, thus forming a Under the situation of globalization, people try to discuss the multi-cultural integration. This is also an important factor for cultural characteristics of Miao ethnic design art in order to the development of Miao culture and art. Miao culture has establish cultural self-confide nce . Furthe rmore , it is ne cessary to strong religious belief. Miao people have great respect and explore Miao's design thinking and methods. Therefore we can worship of their ancestors. They use a variety of totem symbols draw lessons from Miao's design art. It is important to to express their hope of blessing and admiration for their understand the symbols of Miao decorative arts scientifically and ancestors. Since the reform and opening up, with the analyze the design ideas of Miao so as to tap the essence of their improvement of traffic conditions, Miao village is no longer thought. Some new ideas will be produced to the modern design. closed and less developed. Miao people welcome the guests And the diversification development of modern design will be from all over the world with a new appearance.