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San José Studies, November 1975
San Jose State University SJSU ScholarWorks San José Studies, 1970s San José Studies 11-1-1975 San José Studies, November 1975 San José State University Foundation Follow this and additional works at: https://scholarworks.sjsu.edu/sanjosestudies_70s Part of the American Literature Commons, and the Literature in English, North America Commons Recommended Citation San José State University Foundation, "San José Studies, November 1975" (1975). San José Studies, 1970s. 3. https://scholarworks.sjsu.edu/sanjosestudies_70s/3 This Journal is brought to you for free and open access by the San José Studies at SJSU ScholarWorks. It has been accepted for inclusion in San José Studies, 1970s by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. Portrait by Uarnaby Conrad (Courtesy of Steinbeck Research Center) John Steinbeck SAN JOSE STUDIES Volume I, Number 3 November 1975 ARTICLES Warren French 9 The "California Quality" of Steinbeck's Best Fiction Peter Lisca 21 Connery Row and the Too Teh Ching Roy S. Simmonds 29 John Steinbeck, Robert Louis Stevenson, and Edith McGillcuddy Martha Heasley Cox 41 In Search of John Steinbeck: His People and His Land Richard Astro 61 John Steinbeck and the Tragic Miracle of Consciousness Martha Heasley Cox 73 The Conclusion of The Gropes of Wroth: Steinbeck's Conception and Execution Jaclyn Caselli 83 John Steinbeck and the American Patchwork Quilt John Ditsky . 89 The Wayward Bus: Love and Time in America Robert E. Work 103 Steinbeck and the Spartan Doily INTERVIEWS Webster F. Street 109 Remembering John Steinbeck Adrian H. Goldstone 129 Book Collecting and Steinbeck BOOK REVIEWS Robert DeMott 136 Nelson Valjean. -
Steinbeck's East of Eden: Redefining the Evil Within Cathy Ames
International Letters of Social and Humanistic Sciences Submitted: 2018-03-24 ISSN: 2300-2697, Vol. 82, pp 19-23 Revised: 2018-05-07 doi:10.18052/www.scipress.com/ILSHS.82.19 Accepted: 2018-05-10 CC BY 4.0. Published by SciPress Ltd, Switzerland, 2018 Online: 2018-06-11 Steinbeck’s East of Eden: Redefining the Evil within Cathy Ames 1,a* Bianca Saputra 1James B. Conant High School, Hoffman Estates, USA a*[email protected] Keywords: Archetypes, Feminism, East of Eden, Cathy Ames, John Steinbeck, Literary Theory Abstract. East of Eden, published in 1952, has been criticized as both feminist and misogynistic in nature. This contrasting criticism can be attributed to the varied interpretations of female roles in the novel. This paper aims to examine East of Eden using feminist and archetypal theory. Archetypal theory studies roles characters play through fundamental and inherited symbols. These symbols are thematic associations that are common to humanity in general. Feminist theory analyzes texts based on how power is manipulated to establish the dominance or subordination of either gender. In particular, feminist theory studies how females claim, assert or subvert power for themselves. Coupled together, the theories seek to understand how established conventions influence the female experience. By analyzing the intersection between the roles portrayed by the women in the Salinas Valley and societal expectations, this paper intends to explore the influence of tradition on decision making. 1. Introduction Children are taught from a young age to fear monsters; in fact, part of the reason monsters are so alarming is due to the fact that they represent inner darkness that no one wishes to acknowledge. -
READING JOHN STEINBECK ^ Jboctor of $Iitldfi
DECONSTRUCTING AMERICA: READING JOHN STEINBECK ABSTRACT OF THE THESIS SUBMITTED FOR THE AWARD OF THE DEGREE OF ^ JBoctor of $IitlDfi;opI)p IN ENGLISH \ BY MANISH SINGH UNDER THE SUPERVISION OF DR. MADIHUR REHMAN DEPARTMENT OF ENGLISH ALIGARH MUSLIM UNIVERSITY ALIGARH (INDIA) 2013 Abstract The first chapter of the thesis, "The Path to Doom: America from Idea to Reality;'" takes the journey of America from its conception as an idea to its reality. The country that came into existence as a colony of Great Britain and became a refuge of the exploited and the persecuted on one hand and of the outlaws on other hand, soon transformed into a giant machine of exploitation, persecution and lawlessness, it is surprising to see how the noble ideas of equality, liberty and democracy and pursuit of happiness degenerated into callous profiteering. Individuals insensitive to the needs and happiness of others and arrogance based on a sense of racial superiority even before they take root in the virgin soil of the Newfoundland. The effects cf this degenerate ideology are felt not only by the Non-White races within America and the less privileged countries of the third world, but even by the Whites within America. The concepts of equality, freedom, democracy and pursuit of happiness were manufactured and have been exploited by the American ruling class.The first one to experience the crawling effects of the Great American Dream were original inhabitants of America, the Red Indians and later Blacks who were uprooted from their home and hearth and taken to America as slaves. -
The Grapes of Wrath by John Steinbeck
The Grapes of Wrath by John Steinbeck 1 Table of Contents The Grapes of Wrath “Literature is as old About the Book.................................................... 3 as speech. It grew About the Author ................................................. 5 out of human need Historical and Literary Context .............................. 6 for it, and it has not Other Works/Adaptations ..................................... 8 Discussion Questions.......................................... 10 changed except to Additional Resources .......................................... 11 become more Credits .............................................................. 12 needed.” Preface John Steinbeck's The Grapes of Wrath is not merely a great American novel. It is also a significant event in our national history. Capturing the plight of millions of Americans whose lives had been crushed by the Dust Bowl and the Great Depression, Steinbeck awakened the nation's comprehension and compassion. Written in a style of peculiarly democratic majesty, The What is the NEA Big Read? Grapes of Wrath evokes quintessentially American themes of A program of the National Endowment for the Arts, NEA Big hard work, self-determination, and reasoned dissent. It Read broadens our understanding of our world, our speaks from assumptions common to most Americans communities, and ourselves through the joy of sharing a whether their ancestors came over in a stateroom, in good book. Managed by Arts Midwest, this initiative offers steerage, or were already here to greet the migrants. grants to support innovative community reading programs designed around a single book. A great book combines enrichment with enchantment. It awakens our imagination and enlarges our humanity. It can offer harrowing insights that somehow console and comfort us. Whether you’re a regular reader already or making up for lost time, thank you for joining the NEA Big Read. -
A Gender Study of John Steinbeck's East of Eden: an Analysis of Cathy Ames, Sibling Rivalry, Marriage, Women, and Masculinit
Copyright By Christopher James De La Mater 2019 A Gender Study of John Steinbeck’s East of Eden: An Analysis of Cathy Ames, Sibling Rivalry, Marriage, Women, and Masculinity By Christopher James De La Mater A Thesis Submitted to the Department of English California State University, Bakersfield In Partial Fulfillment for the Degree of Masters of English Spring 2019 Table of Contents Acknowledgments I. Introduction II. Cathy Ames: An Analysis of Steinbeck’s Femme Fatale III. Of Mice and Men: An Analysis of Masculinity as Defined by John Steinbeck in East of Eden IV. Two Generations of Sibling Rivalry: The Trask Brothers and an Analysis of Their Cain and Abel Dynamic in Relation to Gender V. East of Eve(n): Analysis of the Marriages and the Idea of an Ideal Woman in East of Eden VI. Works Cited Acknowledgments I would like to take this opportunity to thank those individuals that offered me guidance and support in pursuit of my Master’s Degree in English and the culminating project of this thesis. I would like to first give a number of thanks and extend the upmost appreciation to my committee members, Dr. Steven Frye and Dr. Monica Ayuso. Without their guidance, this thesis would not have come to fruition and I cannot imagine any other individuals I would have rather consulted during this process. I would also like to thank my parents for their support during my academic endeavors. Both committing their lives to education, it was almost impossible for me to choose any other professional career than education. They are the models that I intend to mold the educator that I will ultimately become. -
John Steinbeck
John Steinbeck Authors and Artists for Young Adults, 1994 Updated: July 19, 2004 Born: February 27, 1902 in Salinas, California, United States Died: December 20, 1968 in New York, New York, United States Other Names: Steinbeck, John Ernst, Jr.; Glasscock, Amnesia Nationality: American Occupation: Writer Writer. Had been variously employed as a hod carrier, fruit picker, ranch hand, apprentice painter, laboratory assistant, caretaker, surveyor, and reporter. Special writer for the United States Army during World War II. Foreign correspondent in North Africa and Italy for New York Herald Tribune, 1943; correspondent in Vietnam for Newsday, 1966-67. General Literature Gold Medal, Commonwealth Club of California, 1936, for Tortilla Flat, 1937, for novel Of Mice and Men, and 1940, for The Grapes of Wrath; New York Drama Critics Circle Award, 1938, for play Of Mice and Men; Academy Award nomination for best original story, Academy of Motion Picture Arts and Sciences, 1944, for "Lifeboat," and 1945, for "A Medal for Benny"; Nobel Prize for literature, 1962; Paperback of the Year Award, Marketing Bestsellers, 1964, for Travels with Charley: In Search of America. Addresses: Contact: McIntosh & Otis, Inc., 310 Madison Ave., New York, NY 10017. "I hold that a writer who does not passionately believe in the perfectibility of man has no dedication nor any membership in literature." With this declaration, John Steinbeck accepted the Nobel Prize for Literature in 1962, becoming only the fifth American to receive one of the most prestigious awards in writing. In announcing the award, Nobel committee chair Anders Osterling, quoted in the Dictionary of Literary Biography Documentary Series, described Steinbeck as "an independent expounder of the truth with an unbiased instinct for what is genuinely American, be it good or ill." This was a reputation the author had earned in a long and distinguished career that produced some of the twentieth century's most acclaimed and popular novels. -
Cathy Trask, Monstrosity, and Gender-Based Fears in John Steinbeckâ•Žs East of Eden
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2014-06-01 Cathy Trask, Monstrosity, and Gender-Based Fears in John Steinbeck’s East of Eden Claire Warnick Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Classics Commons, and the Comparative Literature Commons BYU ScholarsArchive Citation Warnick, Claire, "Cathy Trask, Monstrosity, and Gender-Based Fears in John Steinbeck’s East of Eden" (2014). Theses and Dissertations. 5282. https://scholarsarchive.byu.edu/etd/5282 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Cathy Trask, Monstrosity, and Gender-Based Fears in John Steinbeck’s East of Eden Claire Warnick A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Carl H. Sederholm, Chair Francesca R. Lawson Kerry D. Soper Department of Humanities, Classics, and Comparative Literature Brigham Young University June 2014 Copyright © 2014 Claire Warnick All Rights Reserved ABSTRACT Cathy Trask, Monstrosity, and Gender-Based Fears in John Steinbeck’s East of Eden Claire Warnick Department of Humanities, Classics, and Comparative Literature, BYU Master of Arts In recent years, the concept of monstrosity has received renewed attention by literary critics. Much of this criticism has focused on horror texts and other texts that depict supernatural monsters. However, the way that monster theory explores the connection between specific cultures and their monsters illuminates not only our understanding of horror texts, but also our understanding of any significant cultural artwork. -
EAST of EDEN DISCUSSION QUESTIONS Part One 1. How Do
EAST OF EDEN DISCUSSION QUESTIONS Part One 1. How do the contrasting values in the landscape affect a reader's sense of the valley? 2. There is an epic scope to the opening chapter, as if Steinbeck is announcing to the reader the grandness of his the me. Comment on how he suggests the grandness of his conception. 3. Steinbeck describes the inhabitants of the valley —Indians, Spanish, Americans —in rather unattractive terms, as if he's echoing an "official" history. Why would he do so? 4. How do the p atriarchs, Samuel Hamilton and Cyrus Trask —and their respective families — differ? Compare their different moral environments. 5. How do Samuel and Cyrus contrast as storytellers? Why does storytelling play such a major role in this novel? What kind of sto ryteller is the character Steinbeck? 6. How are children in Part One influenced by perceived flaws in their fathers, and how do they respond? What are the consequences of parental love, neglect or rejection among the Hamiltons and Trasks? 7. Regardless of Charles's brutal beating of Adam and his infidelity with Adam's wife, does he love his brother? Why? Are the brothers close? Why might they be closer through letters? Why does Charles' handwriting change in the strange letter he writes to Adam at the e nd of Chapter 4? And why might Steinbeck say that this letter is a "key" to the novel? 8. Is Cathy Ames doomed by nature to be who she is, or does she have a choice? Cathy is introduced as a monster in Chapter 8; in Chapter 12 she's described slightly di fferently. -
Biography John Ernst Steinbeck
JJoohhnn SStteeiinnbbeecckk جونجون شتايشتايننبكبك 1 1 John Sherffius, ill., “Grapes of Wrath Author, John Steinbeck”, under “Wyandotte County Celebrates the Big Read: Steinbeck's Grapes of Wrath”, Kansas City, Kansas Public Library, www.kckpl.lib.ks.us/thebigread 091234 Bibliotheca Alexandrina Compiled by Manar Badr, Mervat Abdelfattah & Rasha Mohsen Biography John Ernst Steinbeck was born on February 27, 1902, in Salinas, California. He was of German and Irish descent. John’s father, John Steinbeck Sr., served as Monterey County Treasurer. John's mother, Olive Hamilton, a former school teacher, shared Steinbeck's passion of reading and writing. 1 Steinbeck lived in a small rural town that was essentially a frontier settlement, set amid some of the world's most fertile land. He spent his summers working on nearby ranches and later with migrant workers on Spreckels ranch. He became aware of the harsher aspects of migrant life and the darker side of human nature, which he later expressed in such works as Of Mice and Men. He also explored his surroundings, walking across local forests, fields, and farms. In 1919, Steinbeck graduated from Salinas High School and attended Stanford University intermittently until 1925, eventually leaving without a degree. He travelled to New York City and held odd jobs while pursuing his dream of becoming a writer. When he failed to get his work published, he returned to California and worked for a time in 1928 as a tour guide and caretaker at a fish hatchery in Tahoe City, where he would meet tourist Carol Henning, his future first wife. Steinbeck and Henning were married in January, 1930. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International A Bell & Howell Information Company 3 0 0 North Z eeb R oad. Ann Arbor, Ml 4 8 1 06-1346 USA 313/761-4700 800/521-0600 Order Number 9227259 Contexts of development in John Steinbeck’s “The Journals of the Grapes of Wrath” and “Journal of a Novel” Dillman, Mary Alice, Ph.D. -
Interview with Elizabeth George
INTERVIEW Demystifying the writing processBy Kathy Pohl >>>>> >>>>>>>> Just as she has solved the most puzzling murder mysteries, author Elizabeth George has tried to take the mystery out of writing >>>>>>>>>>>>>>>>>>>>>> lizabeth George is fascinated by the dark said. “People were devastated by the death of that character, side of human nature. In her psychological just as the characters in the book were devastated.” mysteries, she examines the landscape of the In her latest novel, What Came Before He Shot Her, she human heart and its many motivations for examines the events leading up to the horrific crime in her murder. Her lengthy tomes are full of sus- previous book, although, as is often the case in an Elizabeth pense, peopled with fascinating characters, George novel, things in the end are not really what they seem. and are all about not only whodunit but, more The themes vary, but the constant in each book is the enor- importantly, why? mous amount of meticulous research that goes into it. George All 14 of the Detective Lynley mysteries in travels often to England where, with camera and tape recorder George’s bestselling series are set in England, a country she in hand, she searches out settings and landscapes for her nov- fell in love with when she visited there as a teenager. Indeed, els. Back home, she goes through an incredibly detailed pro- readers are often surprised to learn that George is an Ameri- cess of writing, a process that she shares in amazing detail in E can, so richly detailed are her settings in the English country- her nonfiction book Write Away. -
In His Image: East of Eden, Genesis IV and Steinbeck's Philosophy of The
In His Image: East of Eden, Genesis IV and Steinbeck’s Philosophy of the “Human” Karl Schlobohm MA in Literary Studies Aberystwyth University Department of English Advisor: Martin Padget, Ph. D September 2011 2 [In a book] I am aware of a rational being, or a consciousness; the consciousness of another, no different from the one I automatically assume in every human being I encounter, except that in this case the consciousness is open to me, lets me look deep inside itself, and even allows me, with unheard license, to think what it thinks and feel what it feels. – Georges Poulet, “What is Literature?” And I will tell them one of the greatest, perhaps the greatest story of all – the story of good and evil, of strength and weakness, of love and hate, of beauty and ugliness. I shall try to demonstrate to them how these doubles are inseparable – how neither can exist without the other, and how out of these groupings creativeness is born. – John Steinbeck, Journal of a Novel: The East of Eden Letters If a story is not about the hearer, he will not listen…No story has power nor will it last, unless we feel in ourselves that it is true and true of us. – John Steinbeck, East of Eden The most meaningful and fascinating commonality between all forms of literature is that everything tells the story of us – that is to say, novels, poetry drama or whatever form operates upon the profound notion that literature is about what it means to be human. John Steinbeck realizes this human nature of literature as he notes above in his Journal of a Novel (1969).