DOCSLIB.ORG

YEATS ANNUAL No. 8 in the Same Series

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

YEATS ANNUAL No. 8 In the same series YEATS ANNUAL Nos I, 2 Edited by Richard J. Finneran YEATS ANNUAL Nos 3, 4, 5, 6, 7 Edited by Warwick Gould THOMAS HARDY ANNUALS Nos I, 2, 3, 4 Edited by Norman Page O'CASEY ANNUALS Nos I, 2, 3, 4 Edited by Robert G. Lowery T. S. ELIOT ANNUAL No. I Edited by Shyamal Bagchee Further titles in preparation Series Standlna Order H you would like to receive future titles in this series as they are published, you can make use of our standing order facility. To place a standing order please contact your bookseller or, in case of difficulty, write to us at the address below with your name and address and the name of the series. Please state with which title you wish to begin your standing order. (If you live outside the UK we may not have the rights for your area, in which case we will forward your order to the publisher concerned.) Standing Order Service, Macmillan Distribution Ltd, Houndmills, Basingstoke, Hampshire, RG212XS, England. W. B. Yeats reading, Dublin, 24 January 1908. Photograph by Alvin Langdon Coburn, Private Collection, London. YEATS ANNUAL No.8 Edited by Warwick Gould M Editorial matter and selection© Warwick Gould 1991 Text© The Macmillan Press Ltd 1991 Softcover reprint of the hardcover 1st edition 1991 978-0-333-42112-3 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 33-4 Alfred Place, London WC1E 7DP. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. First published 1991 Published by MACMILLAN PRESS LTD Houndmills, Basingstoke, Hampshire RG21 2XS and London Companies and representatives throughout the world British Library Cataloguing in Publication Data Yeats annual. 1. Yeats, W. B.-Societies, periodicals, etc. 821'.8'19 PR5907 ISBN 978-1-349-08863-8 ISBN 978-1-349-08861-4 (eBook) DOI 10.1007/978-1-349-08861-4 ISBN 0278-7688 Contents List of Abbreviations Vlll Editorial Board X Notes on the Contributors Xl List of Plates XlV Editor's Note XV Acknowledgements xvn ARTICLES Technique in the Earlier Poems of Yeats HELEN VENDLER 3 Metrical Variation in Yeats's Verse RICHARD TAYLOR 21 Giving Birth to Oneself: Yeats's Late Sexuality TIM ARMSTRONG 39 The Miltonic Crux of "The Phases of the Moon" WAYNE K. CHAPMAN 59 Four Lectures by W. B. Yeats, 1902-4 Edited by RICHARD LONDRAVILLE 78 "The Poet and the Actress": An Unpublished Dialogue by W. B. Yeats Edited by DAVID R. CLARK 123 "The Irish National Theatre": An Uncollected Address by W. B. Yeats Edited by DAVID R. CLARK 144 "MASTERING WHAT IS MOST ABSTRACT": A FORUM ON A VISION A Vision: Ideas of God and Man NEIL MANN 157 v VI Contents SHORTER NOTES Ian Fletcher, 1920--1988 JOHN STOKES 179 Checklist of Portraits of W. B. Yeats WILLIAM H. O'DONNELL 184 Notes on the Yeats Library, 1904 and 1989 WAYNE K. CHAPMAN 199 "Seven Paters" One More Time WARWICK GOULD 203 Francis Stuart, W. B. Yeats and To-mo"ow F. C. MOLLOY 214 W. B. Yeats, W. J. Turner and Edmund Dulac: The Broadsides and Poetry Broadcasts WAYNE MCKENNA 225 Memories and Prophecies: A Prospectus for the Yeats Project at the Abbey Theatre JAMES W. FLANNERY 235 REVIEWS The Poems ofJohn Gray and Some Unpublished Poems ofJohn Gray, ed. Ian Fletcher MURRAY G. H. PITTOCK 245 The Hollow Man: Humphrey Carpenter, A Serious Character: The Life of Ezra Pound; James Langenbach, Stone Cottage: Pound, Yeats and Modernism JOHN HARWOOD 249 Carmel Jordan, A Terrible Beauty: The Easter Rebellion and Yeats's "Great Tapestry"; David Young, Troubled Mi"or: A Study of Yeats's The Tower; Richard J. Finneran (ed.), Yeats: An Annual of Critical and Textual Studies, No. 5; Keith M. May, Nietzsche and Modem Literature: Themes in Yeats, Rilke, Mann and Lawrence; Patrick]. Keane, Yeats's Interactions with Tradition STAN SMITH 258 Lady Gregory, The Journals, vol. II, ed. Daniel]. Murphy JAMES PETHICA 265 Contents vu David G. Wright, Yeats's Myth of Self: A Study of the Autobiographical Prose; Robert Welch and Suheil B. Bushrui ( eds), Literature and the Art of Creation: Essays and Poems in Honour of A. Normanje.ffares TIM ARMSTRONG 270 Paul Scott Stanfield, Yeats and Politics in the 1930s KIERAN QUINLAN 272 Thomas Parkinson, Poems, Poets, Movements; Wolfgang Zach and Heinz Kosok (eds), Literary Interrelations: Ireland, England and the World RICHARD TAYLOR 275 Vive Le Roi: Robert Ackerman,]. G. Frazer: His Life and Work ROBERT FRASER 279 Michael J. Sidnell, Dances of Death: The Group Theatre of London in the Thirties ROBERTJ.GORDON 284 Peter Alderson Smith, W. B. Yeats and the Tribes of Danu ROSALIND CLARK 288 Imre Salusinszky, Criticism in Sociery; M. H. Abrams, The Correspondent Breeze: Essays on English Romanticism CHARLOTTESTOUDT 294 BIBLIOGRAPHICAL MATERIALS Publications Received 305 Recent and Forthcoming Publications 307 List of Abbreviations The works listed below are cited in the texts by abbreviation and page number. Some individual essays use additional abbreviations, as explained in the appropriate notes. Au Autobiographies (London: Macmillan, 1955). AVA A Critical Edition of Yeats's A Vision ( 1925), ed. George Mills Harper and Walter Kelly Hood (London: Macmillan, 1978). AVB A Vision (London: Macmillan, 1962). CL1 The Collected Letters of W. B. Yeats, vol. I: 1865-95, ed. John Kelly and Eric Domville (Oxford: Clarendon Press, 1986). E&1 Essays and Introductions (London and New York: Macmillan, 1961 ). Ex Explorations, sel. Mrs W. B. Yeats (London: Macmillan, 1962; New York: Macmillan, 1963). L The Letters of W. B. Yeats, ed. Allan Wade (London: Rupert Hart-Davis, 1954; New York: Macmillan, 1955). LDW Letters on Poetry from W. B. Yeats to Dorothy Welleslry, intro. Kathleen Raine (London and New York: Oxford Univer­ sity Press, 1964). LMR "Ah, Sweet Dancer": W. B. Yeats/Margot Ruddock, a Correspon­ dence, ed. Roger McHugh (London and New York: Mac­ millan, 1970). LNI Letters to the New Island, ed. Horace Reynolds (Cambridge, Mass.: Harvard University Press, 1934). LRB The Correspondence of Robert Bridges and W. B. Yeats, ed. Richard J. Finneran (London: Macmillan, 1977; Toronto: Macmillan of Canada, 1978). LTSM W. B. Yeats and T. Sturge Moore: Their Correspondence, 1901- 1937, ed. Ursula Bridge (London: Routledge and Kegan Paul; New York: Oxford University Press, 1953). LTWBY Letters to W. B. Yeats, ed. Richard J. Finneran, George Mills Harper and William M. Murphy (London: Macmillan; Vlll List of Abbreviations lX New York: Columbia University Press, 1977). Mem Memoirs, ed. Denis Donoghue (London: Macmillan, 1972; New York: Macmillan, 1973). Myth Mythologies (London and New York: Macmillan, 1959). OBMV The Oxford Book of Modern Verse, 1892-1935, chosen by W. B. Yeats (Oxford: Clarendon Press, 1936). SB The Speckled Bird, With Variant Versions, ed. William H. O'Donnell (Toronto: McClelland and Stewart, 1976). ss The Senate Speeches of W. B. Yeats, ed. Donald R. Pearce (London: Faber and Faber, 1961). UP1 Uncollected Prose by W. B. Yeats, vol. 1, ed. John P. Frayne (London: Macmillan; New York: Columbia University Press, 1970). UP2 Uncollected Prose by W. B. Yeats, vol. 2, ed. John P. Frayne and Colton Johnson (London: Macmillan, 197 5; New York: Columbia University Press, 1976). VP The Variorum Edition of the Poems ofW. B. Yeats, ed. Peter Alit and Russell K. Alspach (New York and London: Macmil­ lan, 1957). (To be cited from the corrected third printing [1966] or later printings). VPl The Variorum Edition of the Plays ofW. B. Yeats, ed. Russell K. Alspach (London and New York: Macmillan, 1966). (To be cited from the corrected second printing [1966] or later printings.) VSR The Secret Rose: Stories by W. B. Yeats: A Variorum Edition, ed. Phillip L. Marcus, Warwick Gould and Michael J. Sidnell (Ithaca, NY: Cornell University Press, 1981). Wade Allan Wade, A Bibliography of the Writings of W. B. Yeats, 3rd edn, rev. Russell K. Alspach (London: Rupert Hart-Davis, 1968). YA Yeats Annual (to be followed by number and date). YAACTS Yeats: An Annual of Critical and Textual Studies (to be followed by number and date). YL Edward O'Shea, A Descriptive Catalog ofW. B. Yeats's Library (New York and London: Garland, 1985). YO Yeats and the Occult, ed. George Mills Harper (Toronto: Macmillan of Canada, 1975; London: Macmillan, 1975). YT Yeats and the Theatre, ed. Robert O'Driscoll and Lorna Rey­ nolds (Toronto: Macmillan of Canada, 1975; London: Macmillan, 1975). Editorial Board Seamus Deane Yukio Oura Denis Donoghue Marjorie Perloff t Ian Fletcher Kathleen Raine Jacqueline Genet Ronald Schuchard A. Norman J effares Michael J. Sidnell K. P. S. Jochum Colin Smythe John S. Kelly C. K. Stead Phillip L. Marcus Katharine Worth William H. O'Donnell Research Editor: Deirdre Toomey X Notes on the Contributors Tim Armstrong is Lecturer in English at the University of Sheffield, having previously lectured at University College, Cork. He was Quain Student at University College, London, where he wrote his doctoral thesis on Hardy, Yeats and Stevens. Wayne K. Chapman has taught in the English Department at Washington State University, Pullman. He is the author of Yeats and English Renaissance Poetry (Macmillan, 1990) . David R. Clark is Emeritus Professor of English of the University of Massachusetts. He is the author of many studies of Yeats, including Yeats at Songs and Choruses (1983).
Recommended publications
  • Yeats's White Vellum Notebook, 1930–1933

    Yeats's White Vellum Notebook, 1930–1933

    International Yeats Studies Volume 2 Issue 2 Article 4 May 2018 Yeats’s White Vellum Notebook, 1930–1933 Wayne K. Chapman Follow this and additional works at: https://tigerprints.clemson.edu/iys Part of the English Language and Literature Commons Recommended Citation Chapman, Wayne K. (2018) "Yeats’s White Vellum Notebook, 1930–1933," International Yeats Studies: Vol. 2 : Iss. 2 , Article 4. DOI: https://doi.org/10.34068/IYS.02.02.03 Available at: https://tigerprints.clemson.edu/iys/vol2/iss2/4 This Article is brought to you for free and open access by TigerPrints. It has been accepted for inclusion in International Yeats Studies by an authorized editor of TigerPrints. For more information, please contact [email protected]. Yeats’s White Vellum Notebook, 1930–1933 Wayne K. Chapman n 1985, Michael Yeats made a significant deposit of manuscript materials in the National Library of Ireland, neither the first nor last act of generosity on behalf of the W. B. Yeats Estate. Prior to that act, those materials had been Iexamined and inventoried for him by a cadre of Yeats scholars, who collectively produced a typescript entitled “A Partial List of Manuscripts in the Collection of Senator Michael B. Yeats,” an aid to sustain the editorial work that has domi- nated Yeats studies for more than two generations already. Better known as the “MBY List,” this device consisted of 1,105 core items, many auxiliary ones, and an index, the whole of which essentially mirrored the Estate’s 1985 gift to the NLI and which accompanied the manuscripts—that is, all but 130 items that were crossed off the list.1 Half of these were batches of letters that Yeats and Lady Gregory had written to each other between 1897 and 1932.
  • Austin Clarke Papers

    Austin Clarke Papers

    Leabharlann Náisiúnta na hÉireann National Library of Ireland Collection List No. 83 Austin Clarke Papers (MSS 38,651-38,708) (Accession no. 5615) Correspondence, drafts of poetry, plays and prose, broadcast scripts, notebooks, press cuttings and miscellanea related to Austin Clarke and Joseph Campbell Compiled by Dr Mary Shine Thompson 2003 TABLE OF CONTENTS Introduction 7 Abbreviations 7 The Papers 7 Austin Clarke 8 I Correspendence 11 I.i Letters to Clarke 12 I.i.1 Names beginning with “A” 12 I.i.1.A General 12 I.i.1.B Abbey Theatre 13 I.i.1.C AE (George Russell) 13 I.i.1.D Andrew Melrose, Publishers 13 I.i.1.E American Irish Foundation 13 I.i.1.F Arena (Periodical) 13 I.i.1.G Ariel (Periodical) 13 I.i.1.H Arts Council of Ireland 14 I.i.2 Names beginning with “B” 14 I.i.2.A General 14 I.i.2.B John Betjeman 15 I.i.2.C Gordon Bottomley 16 I.i.2.D British Broadcasting Corporation 17 I.i.2.E British Council 17 I.i.2.F Hubert and Peggy Butler 17 I.i.3 Names beginning with “C” 17 I.i.3.A General 17 I.i.3.B Cahill and Company 20 I.i.3.C Joseph Campbell 20 I.i.3.D David H. Charles, solicitor 20 I.i.3.E Richard Church 20 I.i.3.F Padraic Colum 21 I.i.3.G Maurice Craig 21 I.i.3.H Curtis Brown, publisher 21 I.i.4 Names beginning with “D” 21 I.i.4.A General 21 I.i.4.B Leslie Daiken 23 I.i.4.C Aodh De Blacam 24 I.i.4.D Decca Record Company 24 I.i.4.E Alan Denson 24 I.i.4.F Dolmen Press 24 I.i.5 Names beginning with “E” 25 I.i.6 Names beginning with “F” 26 I.i.6.A General 26 I.i.6.B Padraic Fallon 28 2 I.i.6.C Robert Farren 28 I.i.6.D Frank Hollings Rare Books 29 I.i.7 Names beginning with “G” 29 I.i.7.A General 29 I.i.7.B George Allen and Unwin 31 I.i.7.C Monk Gibbon 32 I.i.8 Names beginning with “H” 32 I.i.8.A General 32 I.i.8.B Seamus Heaney 35 I.i.8.C John Hewitt 35 I.i.8.D F.R.
  • Download (12MB)

    Download (12MB)

    https://theses.gla.ac.uk/ Theses Digitisation: https://www.gla.ac.uk/myglasgow/research/enlighten/theses/digitisation/ This is a digitised version of the original print thesis. Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] THE LITERARY WORKS OF JACK B. YEATS by JOHN WHITLEY PURSER Submitted for the degree of Doctor of Philosophy at the Department of English Literature University of Glasgow Scotland. Copyright (0 John Whitley Purser 1988 ProQuest Number: 10970945 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10970945 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC.
  • The Building of the State the Buildingucd and the Royal College of Scienceof on Merrionthe Street

    The Building of the State the Buildingucd and the Royal College of Scienceof on Merrionthe Street

    The Building of the State The BuildingUCD and the Royal College of Scienceof on Merrionthe Street. State UCD and the Royal College of Science on Merrion Street. The Building of the State Science and Engineering with Government on Merrion Street www.ucd.ie/merrionstreet Introduction Although the Government Buildings complex on Merrion Street is one of most important and most widely recognised buildings in Ireland, relatively few are aware of its role in the history of science and technology in the country. At the start of 2011, in preparation for the centenary of the opening of the building, UCD initiated a project seeking to research and record that role. As the work progressed, it became apparent that the story of science and engineering in the building from 1911 to 1989 mirrored in many ways the story of the country over that time, reflecting and supporting national priorities through world wars, the creation of an independent state and the development of a technology sector known and respected throughout the world. All those who worked or studied in the Royal College of Science for Ireland or UCD in Merrion Street – faculty and administrators, students and porters, technicians and librarians – played a part in this story. All those interviewed as part of this project recalled their days in the building with affection and pride. As chair of the committee that oversaw this project, and as a former Merrion Street student, I am delighted to present this publication as a record of UCD’s association with this great building. Professor Orla Feely University College Dublin Published by University College Dublin, 2011.
  • Ancient Greek Tragedy and Irish Epic in Modern Irish

    Ancient Greek Tragedy and Irish Epic in Modern Irish

    MEMORABLE BARBARITIES AND NATIONAL MYTHS: ANCIENT GREEK TRAGEDY AND IRISH EPIC IN MODERN IRISH THEATRE A Dissertation Submitted to the Graduate School of the University of Notre Dame in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Katherine Anne Hennessey, B.A., M.A. ____________________________ Dr. Susan Cannon Harris, Director Graduate Program in English Notre Dame, Indiana March 2008 MEMORABLE BARBARITIES AND NATIONAL MYTHS: ANCIENT GREEK TRAGEDY AND IRISH EPIC IN MODERN IRISH THEATRE Abstract by Katherine Anne Hennessey Over the course of the 20th century, Irish playwrights penned scores of adaptations of Greek tragedy and Irish epic, and this theatrical phenomenon continues to flourish in the 21st century. My dissertation examines the performance history of such adaptations at Dublin’s two flagship theatres: the Abbey, founded in 1904 by W.B. Yeats and Lady Gregory, and the Gate, established in 1928 by Micheál Mac Liammóir and Hilton Edwards. I argue that the potent rivalry between these two theatres is most acutely manifest in their production of these plays, and that in fact these adaptations of ancient literature constitute a “disputed territory” upon which each theatre stakes a claim of artistic and aesthetic preeminence. Partially because of its long-standing claim to the title of Ireland’s “National Theatre,” the Abbey has been the subject of the preponderance of scholarly criticism about the history of Irish theatre, while the Gate has received comparatively scarce academic attention. I contend, however, that the history of the Abbey--and of modern Irish theatre as a whole--cannot be properly understood except in relation to the strikingly different aesthetics practiced at the Gate.
  • National Library of Ireland Nuacht Leabharlann Náisiúnta Na Héireann IMPORTANT NOTICES Noted

    National Library of Ireland Nuacht Leabharlann Náisiúnta Na Héireann IMPORTANT NOTICES Noted

    NEWS Number 41: Winter 2010 The sun shone out brilliantly…the Highlanders presented arms, the band struck up ‘God Save the Queen’, and then, when the Viceregal Equipage, attended by a dashing crowd of Hussars, had rolled through the cheering crowds that surrounded the entrance gates of the new Museum and Library…these magnificent buildings had been formally and in fact thrown open to the use of the public. The Irish Times, Saturday 30 August, 1890 It was 120 years ago this year that the National Library of Ireland first began welcoming visitors to our landmark Kildare Street building. Although founded in 1877, for our first 13 years we remained based in nearby Leinster House, then owned by the Royal Dublin Society. The contract to design new buildings for the Library, and for the National Museum, was awarded to the Dublin firm of Thomas Deane and Son, and on 29 August 1890 our doors were officially opened. Leabharlann Náisiúnta na hÉireann From 11am the next morning, when all visitors were admitted, until the present day, the architecture and design of National Library of Ireland our building has been a constant source of admiration. It features a magnificent domed Reading Room reminiscent of the British Museum in London, and fine examples of craftsmanship throughout, including carved doors by Mulligan of Dublin, fireplaces by Carlo Cambi of Sienna, stained glass by Jones & Wallis of Birmingham and a tiled NUACHT mosaic floor in the entrance hall, including the word ‘Sapientia’ or wisdom. Building on this first, beautiful public space, we now also offer visitors a major exhibition area (currently home to our award-winning Yeats exhibition) and a lecture theatre in our main building, a Manuscripts Reading Room and exhibition space at 2/3 Kildare Street, and the National Photographic Archive in Temple Bar, which houses our photographic collections.
  • Inside the Election of Pope Francis an Exclusive Report Why Jesus Gerard O’Connell Movies Should P20 Be Strange P40

    Inside the Election of Pope Francis an Exclusive Report Why Jesus Gerard O’Connell Movies Should P20 Be Strange P40

    APRIL 1, 2019 THE JESUIT REVIEW OF FAITH AND CULTURE Inside the Election of Pope Francis An exclusive report Why Jesus Gerard O’Connell Movies Should p20 Be Strange p40 The Kickstarter Business Model p26 The Moral Limits of Markets p32 2 | AMERICAMAGAZINE.ORG APRIL 1, 2019 AMERICA | 3 2019-02_Brand-Ad-Campaign_america_v01_jg.indd 1 2/15/19 11:29 AM A First Draft of History Phil Graham, the late publisher of The fell, many of us had started to head for students and scholars for decades Washington Post, is often credited out of the square, looking for a place to come. Indeed, it is the first and so with popularizing the notion that to dry off and have a hot drink, when far definitive draft of this history. newspapers are “the first rough draft a roar from the crowd washed over us. ••• of history.” That was certainly true White smoke! But who? I am hard of Many of the folks who make in Mr. Graham’s day, the mid-20th hearing, and when the name was first America such a special place to work century, a time when newspapers so announced I thought the camerlengo are listed on our masthead in every dominated the national discourse had said “Broglio” rather than “Bergo- issue, but there are many more be- that New Yorkers saw fit to name two glio.” For a moment I wondered why yond that, including you, our readers, of our most famous squares for The the College of Cardinals would have as well as our board of directors and New York Times and The New York elected an American archbishop who our benefactors.
  • Boston College Collection of Yeats Family Papers 1891-1964, Undated (Bulk 1900-1940) MS.1986.054

    Boston College Collection of Yeats Family Papers 1891-1964, Undated (Bulk 1900-1940) MS.1986.054

    Boston College Collection of Yeats Family Papers 1891-1964, undated (bulk 1900-1940) MS.1986.054 http://hdl.handle.net/2345.2/MS1986-054 Archives and Manuscripts Department John J. Burns Library Boston College 140 Commonwealth Avenue Chestnut Hill 02467 library.bc.edu/burns/contact URL: http://www.bc.edu/burns Table of Contents Summary Information .................................................................................................................................... 3 Administrative Information ............................................................................................................................ 4 Related Materials ........................................................................................................................................... 4 Biographical note: W. B. Yeats ..................................................................................................................... 6 Biographical note: Lily Yeats ........................................................................................................................ 7 Biographical note: Elizabeth Corbet Yeats ................................................................................................... 7 Biographical note: Jack B. Yeats .................................................................................................................. 8 Biographical note: John Butler Yeats ............................................................................................................ 8 Biographical note:
  • Sleepwalking Our Way to a Rubberstamp Parliament

    Sleepwalking Our Way to a Rubberstamp Parliament

    Sleepwalking our way to a Rubberstamp Parliament Practically nobody who intends voting “yes” on Friday will be aware of exactly what is contained in the 57 page Bill to Amend the Constitution to Abolish the Seanad. Hidden away in the small print are constitutional amendments of which 95% of the voters will probably never have heard. This is among the 7 entire Articles and 70 amendments to the text that no newspaper has even listed, let alone examined. This amendment is a proposal to remove from the President the right under Article 27 to refer legislation to the people for their decision. It is a proposal to abolish the Article 28 right of the Taoiseach to nominate non-TD experts to be members of the cabinet, such as James Dooge. It is a proposal to amend Article 29 of the Constitution to remove the “double-lock” we were promised at the Lisbon referendum on our surrender of our veto in EU matters of fundamental importance such as our veto in respect of corporation tax. The new Article 29 will allow Dáil Éireann alone to surrender this right by a single vote of a single chamber without any referendum decision by the Irish people. This is a proposal that a Government with the majority which this Government has can remove a member of the judiciary by the vote of a single chamber under an amended Article 35. A “yes” vote will end for the possibility of having people like Gordon Wilson, Seamus Mallon and Bríd Rogers from being members of our national parliament.
  • The Accommodation of Science in the Occult, Political.And

    The Accommodation of Science in the Occult, Political.And

    THE SPIRING TREADMILL AND THE PREPOSTEROUS PIG: THE ACCOMMODATION OF SCIENCE IN THE OCCULT, POLITICAL.AND POETIC DEVELOPMENT OF W B YEATS, . 1'885-'‘^C)5 Richard Edmund Burton PhD Royal Holloway College RHBNC a302 1 4 0 i 5 79 i Lit'6b - 1 - ProQuest Number: 10097560 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10097560 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 ABSTRACT Johnson defined metaphysical poetry as a violent yoking together of heterogeneous ideas. Such a process, I suggest, is developed in Yeats’s / work. The early desire to "hammer" his conflicting "thoughts into unity" bears fruit in the mature verse. The "thoughts long knitted into a single thought" of ’Coole Park, 1929’ are echoed, for instance, by the overwhelming desire in 'The Tower’ to make the "moon and sunlight seem/One inextricable beam". The argument continues, as in ’A Dialogue of Self and Soul', say, or the seventh section of 'Vacillation', but it is played out against a long history of reconciliation. We remember the Irish airman who "balanced all, brought all to mind" in 1919.
  • Anne Yeats Gift, 1996 (Fonds)

    Anne Yeats Gift, 1996 (Fonds)

    Anne Yeats gift (1996) National Gallery of Ireland: Yeats Archive IE/NGI/Y1 Anne Yeats gift, 1996 (fonds) 1. Identity statement area ................................................................................................ 6 2. Context area ................................................................................................................ 6 3. Content and structure area ........................................................................................... 7 4. Conditions of access and use ........................................................................................ 8 5. Allied materials area .................................................................................................... 8 6. Description control area ............................................................................................... 8 1. Anne Yeats’s catalogues to the collection .......................................................................... 10 Jack Butler Yeats archives (sub-fonds) 1. Identity statement area .............................................................................................. 12 2. Context area .............................................................................................................. 12 3. Content and structure area ......................................................................................... 14 4. Allied materials area .................................................................................................. 15 1. Original art by Jack Butler
  • A Bibliography THESIS MASTER of ARTS

    A Bibliography THESIS MASTER of ARTS

    3 rlE NO, 6 . Articles on Drama and Theatre in Selected Journals Housed in the North Texas State University Libraries: A Bibliography THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS By Jimm Foster, B.A. Denton, Texas December, 1985 Foster, Jimm, Articles on Drama and Theatre in Texas State Selected Journals Housed in the North Master of Arts University Libraries: A Bibliography. 33 (Drama), December, 1985, 436 pp., bibliography, titles. The continued publication of articles concerning has drama and theatre in scholarly periodicals to the resulted in the "loss" of much research due to lack of retrieval tools. This work is designed the articles partially fill this lack by cassifying Trussler's found in fourteen current periodicals using taxonomy. Copyright by Jimm Foster 1985 ii - - - - - - - - - -- - -- - - - 4e.1J.metal,0..ilmis!!,_JGhiin IhleJutiJalla 's.lltifohyf;')Mil ;aAm"d="A -4-40---'+ .' "--*-0- -'e-"M."- - '*- -- - - -- - -" "'--- -- *- -"- TABLE OF CONTENTS Page * . - . v INTRODUCTION Chapter . - . - - - . I. REFERENCE - '. 1 OF THE 10 II. STUDY AND CRITICISM 10 PERFORMING ARTS . .. *. - - - * - 23 III. THEATRE AND EDUCATION IV. ANCIENT AND CLASSICAL DRAMA 6161-"-" AND THEATRE.. 67 THEATRE . - - - * V. MODERN DRAMA AND THEATRE . " - - 70 VI. EUROPEAN DRAMA AND THEATRE . * . - 71 VII. ITALIAN DRAMA AND THEATRE . - - 78 VIII. SPANISH DRAMA AND 85 THEATRE . - . IX. FRENCH DRAMA AND . 115 AND THEATRE . - - X. GERMAN DRAMA AND DUTCH DRAMA 130 XI. BELGIAN - 1 AND THEATRE . - THEATRE . " - - 133 XII. AUSTRIAN DRAMA AND 137 THEATRE . - - - XIII. SWISS DRAMA AND DRAMA XIV. EASTERN EUROPEAN ANDTHEATRE . -. 140 THEATRE . 147 XV. MODERN GREEK DRAMA AND 148 AND THEATRE .