Trustees Comply with Sunshine Legislation SA Meeting
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Two Louies September 2003
OREGON MUSIC photo Chauncene Page 2 - TWO LOUIES, September 2003 TWO LOUIES, September 2003 - Page 3 photo David Ackerman Beauty Stab upstairs at Eli’s. The band lasted about a year but earned drummer Courtney Taylor a reputation as a rocker on the rise. “He always said he was going to the top,” says former Beauty Stab manager Tony DeMicoli. Taylor also worked the door at Tony’s club the Key Largo. “Courtney says the wide variety of acts at the Key had a big infl uence on his musical tastes”. This month Courtney and the Dandy Warhols set out to conquer the world with their new Capitol album “Welcome To The Monkey House” (See Jonny Hollywood page 8.) the music business. part of MusicFest NW, an expert from the AFM I wondered if any of these bands would like to (American Federation of Musicians) will be sitting regain the song rights that they signed away. At fi rst on a panel at the Roseland Grill. The panel discus- glance, there seems to be no legal way to achieve sion is titled “Sign on the Dotted Line”. The date this. Certainly, there could be a public outcry and is September 6, 2003, from 12-4 PM. As one of an attempt to shine some light on these predatory six panelists, there should be much insight offered promoters. Strangely, however, no one that entered regarding protection of your music. Secondly, I AFM ON KUFO this contest seems to be outraged. They should be. would like to invite all musicians interested in Dear Editor, The music business offers enough challenges with- improving their working environment to join me I was stunned upon learning the details of the “It’s Your Fault Band Search” contest, sponsored “I was stunned upon learning the details of the ‘It’s by Infi nity Broadcasting’s KUFO. -
Steppenwolf Live Mp3, Flac, Wma
Steppenwolf Live mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Live Country: Canada Style: Classic Rock MP3 version RAR size: 1976 mb FLAC version RAR size: 1286 mb WMA version RAR size: 1603 mb Rating: 4.1 Votes: 442 Other Formats: RA MMF AUD MP1 FLAC VOC AU Tracklist A1 Sookie, Sookie 3:09 A2 Don't Step On The Grass, Sam 6:01 A3 Tighten Up Your Wig 4:23 B1 Monster 10:00 B2 Draft Resister 4:00 B3 Power Play 5:35 C1 Corina, Corina 3:47 C2 Twisted 5:01 C3 From Here To There Eventually 6:52 D1 Hey Lawdy Mama 2:57 D2 Magic Carpet Ride 4:13 D3 The Pusher 6:01 D4 Born To Be Wild 5:51 Credits Engineer – Ray Thompson Performer – Goldy McJohn, Jerry Edmonton, John Kay, Larry Byron*, Nick St. Nicholas Photography By, Design – Tom Gundelfinger Producer – Gabriel Mekler Notes Recorded live at various concerts during early 1970. Barcode and Other Identifiers Matrix / Runout (Runout Side A): 62 ABC 464 - 1L 28 6 78 J-24022 - A Matrix / Runout (Runout Side B): 62 ABC 464 - 2L 28 6 78 J-24022 - B Matrix / Runout (Runout Side C): 62 ABC 464 - 3L 29 6 78 J-24022 - 3 Matrix / Runout (Runout Side D): 62 ABC 464 - 4L 29 6 78 4 Rights Society: S.I.A.E. Other versions Category Artist Title (Format) Label Category Country Year Live (2xLP, DSD 50075 Steppenwolf Dunhill DSD 50075 US 1970 Album) ABC/Dunhill DSD50075 Steppenwolf Live (2xLP) DSD50075 US Unknown Records Live Vol.1 (LP, DS-50075-1 Steppenwolf Probe DS-50075-1 Venezuela 1970 Album) Live (LP, 1J 062-91.206 Steppenwolf Stateside 1J 062-91.206 Spain 1970 Album) Live (2xLP, 250 424-1 250 424-1 Steppenwolf Album, RE, MCA Records Germany Unknown (MCA 2-6013) (MCA 2-6013) Gat) Related Music albums to Live by Steppenwolf Steppenwolf - 16 Original World Hits Steppenwolf - Early Steppenwolf Steppenwolf - Magic Carpet Ride / Sookie, Sookie Steppenwolf - The Greatest Hits - Born To Be Wild Steppenwolf - Steppenwolf Live Steppenwolf - Monster Steppenwolf - 16 Greatest Hits Steppenwolf - Magic Carpet Ride Steppenwolf - Born To Be Wild / Magic Carpet Ride Steppenwolf - Steppenwolf. -
Scotland's Economic Future
SCOTLAND’S ECONOMIC FUTURE EDITED BY PROFESSOR SIR DONALD MACKAY 2011 First published October 2011 © Reform Scotland 2011 7-9 North St David Street, Edinburgh, EH2 1AW All rights reserved SCOTLAND’S ECONOMIC FUTURE EDITED BY PROFESSOR SIR DONALD MACKAY Published by Reform Scotland Reform Scotland is an independent, non-party think tank that aims to set out a better way to deliver increased economic prosperity and more effective public services based on the traditional Scottish principles of limited government, diversity and personal responsibility. The views expressed in this publication are those of the contributors and not those of Reform Scotland, its managing Trustees, Advisory Board or staff. October 2011 Reform Scotland is a charity registered in Scotland (No SCO39624) and is also a company limited by guarantee (No SC336414) with its Registered Office at 7-9 North St David Street, Edinburgh, EH2 1AW. Cover design and typesetting by Cake Graphic & Digital Printed in Scotland by Allander CONTENTS BIOGRAPHIES V PREFACE by PROFESSOR SIR DONALD MACKay IX CHAPTER 1 by PROFESSOR SIR DONALD MACKay 1 The framework, the authors and Home Rule. CHAPTER 2 by PROFESSOR JOHN Kay 11 Is recent economic history a help? CHAPTER 3 by PROFESSOR DAVID SIMPSON 23 An environment for economic growth: is small still beautiful? CHAPTER 4 by JIM & MARGARET CUTHBERT 35 GERS: where now? CHAPTER 5 by PROFESSOR DREW Scott 45 The Scotland Bill: way forward or cul de sac? CHAPTER 6 by PROFESSOR DAVID BELL 65 The Scottish economy: seeking an advantage? CHAPTER 7 by -
{Download PDF} Steppenwolf Ebook, Epub
STEPPENWOLF PDF, EPUB, EBOOK Hermann Hesse,David Horrocks | 272 pages | 05 Apr 2012 | Penguin Books Ltd | 9780141192093 | English | London, United Kingdom Steppenwolf PDF Book Play album Buy Loading. Wikimedia Commons Wikiquote. Steppenwolf fights Wonder Woman. In October we gave our last performance. A Girl I Knew. Live In Louisville! Friday 2 October Wednesday 7 October Born to Be Wild. Wednesday 29 July Hermann Hesse. Release Date January 29, This episode confirms to Harry that he is, and will always be, a stranger to his society. Thursday 25 June Iron Butterfly. Romantic Sad Sentimental. Following Darkseid's orders, Steppenwolf invaded Earth about 5 thousand years before the Battle of Metropolis with and his vast army of Parademons and attempted to conquer the planet but were forced into their first retreat ever by the combined armies of the Humans , Amazons , Atlanteans , and the Olympian Gods , losing 3 Mother Boxes with him. The quality of the acting is also difficult to gauge because the interactions between characters are already supposed to be so far removed from the kinds of things that people in your life most likely say and do. Add image 10 more photos. Cancel Save. The… read more. Now with the 3 Mother Boxes on his power, Steppenwolf decided that it was time to seal the Earth's fate via destroying it as he did in the past with several other planets under the orders of Darkseid's Elite. Darkseid with Steppenwolf at his side led his forces to Earth in search of the Anti Life Equation , where he met resistance from an alliance of Old Gods , Humans , Amazons , Atlanteans and Lanterns , who stopped him from uniting the three Mother Boxes and turning the planet into a copy of Apokolips. -
John Kay & Steppenwolf
JOHN KAY & STEPPENWOLF Biography CELEBRATE THEIR 50TH ANNIVERSARY "The central theme of Feed The Fire," says John Kay, "is, 'don't let the bastards get you down!'" Lyrically, songs such as "Rock & Roll Rebels" and "Hold On" focus on the resiliency of the human spirit in spite of life's many setbacks. The title song speaks to the needs of the inner flame that burns in all of us and drives us in our quest for fulfillment. Other tracks, such as "Man On A Mission", "Rock Steady" and "Rage", are songs of defiance and passion, while "Bad Attitude" and "Give Me News I Can Use", rely on tongue-in-cheek and at times sardonic humor to make their point. In Kay's words: "This album is about and for all the rock and roll rebels, be they 14 or 54, who refuse to throw in the towel and who struggle to keep their dreams alive in the face of ever diminishing freedom." With "Feed The Fire," their most potent album in years, Kay and company have written the newest chapter of the Steppenwolf legend. Kay has certainly lived the life of a rock and roll rebel himself. After a perilous midnight escape from post-war East Germany as a child, he grew up with a steady diet of Armed Forces Radio and became inspired by the likes of Little Richard and Chuck Berry. At age 13, John decided to make rock and roll his life. "Considering I was only 13, legally blind, spoke the wrong language and was on the wrong side of the ocean, maybe I was a little optimistic," he says. -
TWO LOUIES, March 2001 John Fahey 1939-2001
Joanna Bolme of the Stephen Malkmus Band 2 – TWO LOUIES, March 2001 John Fahey 1939-2001 ohn Fahey was a giant influence on the cultur- Chants, Breakdowns, and Military Waltzes, I al development of America. He was the first asked, “Who are these two guitar players?” I pic- Jperformer to expand American folk-blues tured a couple of 50-year-old masters whose melodies into a concert style similar to Segovia— vision of music and spatial technique reminded that is, one man, one guitar, and one grand vision me of pianist Glenn Gould. Here was a performer that encompassed the spiritual essence of Delta who carried his genre to a higher level, whose Blues, cosmic folk, and classical music. probes were deeper, whose vision was wider, “Here was a performer who carried his genre to a higher level, whose probes were deeper, whose vision was wider, whose understanding of the universe was more complete and profound than any before him.” Without John Fahey, there may not have whose understanding of the universe was more been a Windham Hill label of acoustic guitar mas- complete and profound than any before him. John ters. There would have been no Takoma label, gave us the same kind of breakthroughs that we which featured John’s first seven albums and got from Debussy and Stravinsky. It may not have more. There may not have been a Music been possible without him. Millennium... certainly not as we know it. It was It’s incredible that so much talent was John Fahey’s music that inspired the Millennium brought out in a guitarist in his twenties from a founders to open their little Portland record shop little town in Maryland. -
KLASSICS LIST Criteria
KLASSICS LIST criteria: 8 or more points (two per fan list, two for U-Man A-Z list, two to five for Top 95, depending on quartile); 1984 or prior release date Sources: ten fan lists (online and otherwise; see last page for details) + 2011-12 U-Man A-Z list + 2014 Top 95 KSHE Klassics (as voted on by listeners) sorted by points, Fan Lists count, Top 95 ranking, artist name, track name SLCRPS UMan Fan Top ID # ID # Track Artist Album Year Points Category A-Z Lists 95 35 songs appeared on all lists, these have green count info >> X 10 n 1 12404 Blue Mist Mama's Pride Mama's Pride 1975 27 PERFECT KLASSIC X 10 1 2 12299 Dead And Gone Gypsy Gypsy 1970 27 PERFECT KLASSIC X 10 2 3 11672 Two Hangmen Mason Proffit Wanted 1969 27 PERFECT KLASSIC X 10 5 4 11578 Movin' On Missouri Missouri 1977 27 PERFECT KLASSIC X 10 6 5 11717 Remember the Future Nektar Remember the Future 1973 27 PERFECT KLASSIC X 10 7 6 10024 Lake Shore Drive Aliotta Haynes Jeremiah Lake Shore Drive 1971 27 PERFECT KLASSIC X 10 9 7 11654 Last Illusion J.F. Murphy & Salt The Last Illusion 1973 27 PERFECT KLASSIC X 10 12 8 13195 The Martian Boogie Brownsville Station Brownsville Station 1977 27 PERFECT KLASSIC X 10 13 9 13202 Fly At Night Chilliwack Dreams, Dreams, Dreams 1977 27 PERFECT KLASSIC X 10 14 10 11696 Mama Let Him Play Doucette Mama Let Him Play 1978 27 PERFECT KLASSIC X 10 15 11 11547 Tower Angel Angel 1975 27 PERFECT KLASSIC X 10 19 12 11730 From A Dry Camel Dust Dust 1971 27 PERFECT KLASSIC X 10 20 13 12131 Rosewood Bitters Michael Stanley Michael Stanley 1972 27 PERFECT -
Douglass Notable Burials
If you picnic at Blue Lake or take your kids to the Oregon Zoo, enjoy symphonies at the Schnitz or auto shows at the convention center, put out your trash or drive your car – we’ve already crossed paths. So, hello. We’re Metro – nice to meet you. In a metropolitan area as big as Portland, we can do a lot of things better together. Join us to help the region prepare for a happy, healthy future. Metro Council President Lynn Peterson Metro Councilors Shirley Craddick, District 1 Douglass Christine Lewis, District 2 Craig Dirksen, District 3 Juan Carlos González, District 4 notable Sam Chase, District 5 Bob Stacey, District 6 Auditor burials Brian Evans For more information call Metro Cemeteries at 503-797-1709 or visit oregonmetro.gov/cemeteries oregonmetro.gov/cemeteries Writing credit and special thanks to Troutdale Historical Society Sharon Nesbit, Historian LeAnn Stephan, Executive Director 13. Kent 14. Mary Tibbets Henry Plischke Burial location unknown Though her grave has not been Columbarium located, Mary Tibbets, of the Kent Henry Columbia River Indians, lived and Plischke, worked as a housekeeper in local known homes. She died of tuberculosis at 1. Clara Latourell Larsson 2. John Larsson professionally age of 40 at the Multnomah Block 1, Lot 50 Block 1, Lot 50 as Kent Henry, was a guitarist in County Farm. Much respected by the music group Blues Image, best Clara Latourell Larsson, daughter In a town with many saloons, John the residents of Troutdale, the known for the hit, “Ride Captain of Joseph and Grace Latourell, Larsson’s tavern in Troutdale, costs of her funeral and grave Ride,” which reached Number 4 on was born in the Columbia Gorge owned in partnership with his were paid by local residents and the Billboard Pop Chart in 1970. -
Print Profile
We have seen the future of annual meeting entertainment and it is World Classic Rockers--a super-group featuring members of Journey, Lynyrd Skynyrd, Santana, World Classic Rockers Boston, Toto and Steppenwolf. They play nothing but the hits, and after a day of lectures, breakout sessions, discussions, and debates, this is exactly what conference-goers are craving. Speech Topics Nick St.Nicholas Entertainment Nick St.Nicholas' music career began in Toronto when he first formed a band Celebrity called the Mynah Birds, a group of unknowns that would begin the careers of the king of funk, Rick James, and Neil Young of Crosby, Stills, Nash & Young. One year later he would assemble another band called the Sparrow. Using an unknown lead singer, John Kay, as their front man, and little money in their pockets, Nick drove the band from Toronto to the Sunset Strip in search of a record deal. Once in Hollywood, the Sparrow would soon change their name to Steppenwolf and a film that would become an instant classic, Easy Rider, would launch their biker anthem, "Born To Be Wild" into rock and roll history. Nick toured and recorded on many of their gold and platinum albums including Early Steppenwolf, Steppenwolf Live; At Your Birthday Party; and Monster. Some years later, he began his quest to form another band that would appeal to an entire generation. But this time it would not be a group of unknowns, he would instead seek to combine the talents of several of the most prominent musicians, singers and songwriters whose work represented a number of smash, popular chart-topping hits from the greatest bands in the world. -
STEPPENWOLF 1968 Dunhill Records #4138
GO 4 ROCK BORN TO BE WILD Mars Bonfire STEPPENWOLF 1968 Dunhill Records #4138 The third single from the album STEPPENWOLF. Chart: #2. Time - 3:02 / 3:30. Flip Side: "Everybody's Next One". Released in U.S.A. A million seller. Recorded at The American Recording Studio, Los Angeles, California, USA. Produced by Gabriel Mekler. Engineered by Richard Podolor and Bill Cooper. Bonfire was an early member of Steppenwolf when they were known as the Sparrows, and his brother was the drummer in the current band. Although inspired by a poster of a motorcycle with a phrase 'Born to Ride', the song was actually written about a car as he had just purchased his first one. It was only the next year when it became the theme of 'Easy Rider' that it became a bikers tune. This is the first song to use the term 'Heavy Metal', although it was talking about a motorcycle. No one, the writer, the band or the record company viewed this as a potential hit. It was only released as a third single after the first two bombed. - Larry - MARS BONFIRE "The demo tape that Steppenwolf originally heard of 'Born to be Wild' was not from the demo Personnel sessions for my solo album that Jerry and a few others played on. It was just one guitar and one voice. There was a guy who was kind of like John Kay, a solo blues player named John Hammond Jr. John Kay - lead vocals and I liked his style of guitar. I was fooling around with some of his riffs and guitar patterns, Micheal Monarch - guitar changing them around into my own thing. -
TWO LOUIES, May 2000
Y 2000 OREGON MUSIC / MA VOTE 4 JAKE KID NAPSTER ELLIOTT SMURF EC ABORT BRANDON SUMMERS photo Pat Snyder HELIO SEQUENCE OREGON LABEL GUIDE Drunk at Abi’s. photo Pat Snyder Page 2 - TWO LOUIES, May 2000 December 1979 to 1999 One Long Journey Through The Portland Music Scene By SP Clarke Part Six: An Outline of the ‘90s t the dawn of the final decade of the last Other gossip targeted George Tahouliotis of Satyricon, fidious biddings. Larry kept his hands clean. Larry cov- century of the millennium, change although that was perceived to be a smokescreen di- ered his tracks. Still a pall hung over him and his fea- Awhisked like a cloud shadow across the version devised by Larry Hurwitz of Starry Night, who sible connection to the market bombing. Portland music landscape. Three significant events was also suspected of possible involvement. More than Yet, these events were mere preludes to the in- served to portend that change, occurring in quick suc- anyone, Hurwitz was the most aggressive in attempt- trigues that were soon to follow. On the 23rd of Janu- cession within the first four months of 1990. And even ing to rid Northwest Sixth Avenue of its more unsa- ary 1990, Paul deLay was arrested, charged with hav- before that, something happened in Old Town near the vory elements. George’s attitude always seemed far ing sold over thirteen pounds of cocaine in 1988. deLay, end of the ‘80s, which seemed to set the storm into more conciliatory towards the minions of the streets. whose local career was swinging into its third decade, motion. -
The Geometry of Songwriting : the 4 Dimensions of a Song and the Importance of Time. by Bill Pere
The concepts discussed in this article are a part of the comprehensive analysis of songwriting presented in the complete book "Songcrafters' Coloring Book: The Essential Guide to Effective and Successful Songwriting" , by Bill Pere. For additional information or to order a copy, visit http://www.songcrafterscoloringbook.com The Geometry of Songwriting : The 4 Dimensions of a Song and the Importance of Time. by Bill Pere "Time management" is a phrase you hear used all the time as a core principle for good business practice. It is also as core principle for maximizing the impact of your songs, but with an entirely different meaning. Music, by its very nature, moves in 4 dimensions: Melodies move up and down in pitch. The phrases move forward, building tension toward release and resolution. They move closer to and farther away from the ear as the dynamics grow loud and soft. They move through time with rhythm. It is usually easy to incorporate all four dimensions into the music of a song, because they are inherent components of music itself. But when it comes to the lyrics, you're starting out with a dimensionless idea, an abstract concept that you have to fill with image, meaning, motion, and emotion. It's a much more difficult task to think in 4-dimensional words, and thus, songs are often stuck in a one or two dimensions, when there are really four that you can use to create a memorable experience for your listeners. Steven Pinker, one of my favorite authors on the relationship between words and meaning, in his book "The Stuff of Thought: Language as a Window Into Human Nature, discusses the importance of our perception of 3-dimensional space (height, width, depth) and its influence on how we use and perceive verbs.