Horror Subgenres

Total Page:16

File Type:pdf, Size:1020Kb

Horror Subgenres Horror Subgenres By Gabrielle Steffler Though horror is a well-known genre in specifically a favourite subject of teen itself, it is a genre that encompasses many literature. Two current popular teen vampire different subgenres. As horror has become a series are the Morganville Vampire series by more popular genre in young adult fiction, Rachel Caine and the House of Night series these subgenres have been explored more by P. C. Cast and Kristin Cast. widely. This article presents some of these Zombies horror subgenres, including some examples of the more popular young adult works. Zombies are currently one of the most popular horror creatures, found in books, TV Creatures shows, and movies for all ages. This trend Horror books featuring legendary and continues in YA literature. Zombies are also mythic creatures are currently very popular. a common topic for cross-genre works, often Three of the most popular examples of this paired with apocalyptic or post-apocalyptic subgenre are explored here. horror, or inserted in already existing stories to form alternative literature. Some works Vampires that may be especially of interest to teens are Though some John Maberry’s Rot & Ruin and Dust & debate whether Decay. Stephanie Meyer’s Werewolves Twilight series should be Though perhaps not considered part of found quite as the horror genre, it widely as vampires is undeniable that and zombies, the books play a sizeable role in the recent werewolves are a resurgence in the popularity of the vampire classic horror genre, especially among young adults. Since creature. With the high profile of YA horror Bram Stoker’s Dracula, vampires have been creature literature today, books with a staple of the horror genre, but they are now werewolves are easily found, often in series. Bree Despain’s Dark Divine series and Edo Paranormal and Supernatural Van Belkom’s Wolf Pack and Lone Wolf are The paranormal and supernatural horror examples of this particular subgenre. genres encompass horror books with an Psychological extraordinary element. In reality, any creature horror literature featuring A popular horror subgenre for all ages, mythological or legendary creatures like psychological thrillers and horror novels are vampires and werewolves would also fall usually void of any supernatural, fantasy, or into this wider category. However, there are paranormal elements. Instead, they are set in many paranormal and supernatural books real places and times, and usually feature a that do not feature horror creatures. Nancy human as the villain or subject of interest. Holder’s Possessions series features teens One of the most commonly found topics in who are possessed, as indicated by its title. this subgenre are serial killers and Melissa Marr’s Ink Exchange centres on the psychopaths. Barry Lyga’s YA novel, I Hunt main character’s discovery of faeries. Killers, features the son of a serial killer trying to distance himself from his father. Dark Fantasy Apocalyptic The dark fantasy genre is really a cross- genre between fantasy and horror. These Apocalyptic (or post-apocalyptic) novels are books are primarily fantasy, but have a tone set during or after a global event that that is fitting with the horror genre. Some drastically changes the world’s landscape. suggestions for this genre are the Abarat Depending on the harshness of the quintet by Clive Barker and Pure by apocalyptic process and new realities, these Julianna Baggott. sorts of novels often have elements that allow them to fall in the horror genre. Apocalyptic books can often be cross-genre References stories; for example, certain creatures, like zombies, can be responsible for the Barry Lyga Dot Com. (2013). I hunt killers. apocalypse. Others, like Mike Mullin’s Retrieved from Ashfall, feature natural disasters that http://barrylyga.com/novels/i-hunt- perpetrate an apocalypse. killers/ Mike Mullin. (2013). Information about ASHFALL, a young adult novel by Mike Mullin. Retrieved from http://www.ashfallbook.com/ Monster Librarian. (2013). Horror fiction lists for young adults. Retrieved from http://www.monsterlibrarian.com/hor rorfictionlistya.htm .
Recommended publications
  • Cyberpunking a Library
    Cyberpunking a Library Collection assessment and collection Leanna Jantzi, Neil MacDonald, Samantha Sinanan LIBR 580 Instructor: Simon Neame April 8, 2010 “A year here and he still dreamed of cyberspace, hope fading nightly. All the speed he took, all the turns he’d taken and the corners he’d cut in Night City, and he’d still see the matrix in his sleep, bright lattices of logic unfolding across that colorless void.” – Neuromancer, William Gibson 2 Table of Contents Table of Contents ................................................................................................................................................ 2 Introduction ......................................................................................................................................................... 3 Description of Subject ....................................................................................................................................... 3 History of Cyberpunk .................................................................................................................................................... 3 Themes and Common Motifs....................................................................................................................................... 3 Key subject headings and Call number range ....................................................................................................... 4 Description of Library and Community .....................................................................................................
    [Show full text]
  • Fafnir – Nordic Journal of Science Fiction and Fantasy Research Journal.Finfar.Org
    ISSN: 2342-2009 Fafnir vol 2, iss 1, pages 29–30 Fafnir – Nordic Journal of Science Fiction and Fantasy Research journal.finfar.org A Book review: Andrzej Wicher, Piotr Spyra & Joanna Matyjaszczyk (eds.) – Basic Categories of Fantastic Literature Revisited. Markku SoikkeliSoikeli Andrzej Wicher, Piotr Spyra, and Joanna Matyjaszczyk (eds.). Basic Categories of Fantastic Literature Revisited. Newcastle upon Tyne: Cambridge Scholars Publishing, 2014. ISBN-13: 978-1443866798. A collection of academic articles is like a collection of short stories: the differences between articles (or stories) are more interesting than the thematic similarities. The free play of imagination is breaking even the genre rules, and that is exactly what makes the stories (or articles on genre texts) so interesting. This Polish-British collection Basic Categories of Fantastic Literature Revisited (2014) is aiming to rethink the concept of the fantastic as it is defined in the theory of Tzvetan Todorov. As stated in Todorov's Introduction à la littérature fantastique (1970), there are three modes of fiction outside the great barrier of mainstream literature: the marvellous (with recognizable supernatural elements), the uncanny (with explanations about exceptional things), and the fantastic (with ambivalent signs of the non-natural). Todorov's definition of the fantastic is usually considered to be more anachronistic than the texts that it is used for, but there still remains the mystery of readers’ pleasure in the kind of "Todorovian hesitation". And it is here where this Polish-British collection of twelve researchers steps in. According to the publisher's info-blurb, the articles are "unified by a highly theoretical focus." But is there anything "highly theoretical" in Todorov's legacy? It may be a valuable goal to rethink the usability of Todorov's view of the fantastic, but the articles in this collection consist of quite usual academic matter with emphasis on case studies.
    [Show full text]
  • Irish Gothic Fiction
    THE ‘If the Gothic emerges in the shadows cast by modernity and its pasts, Ireland proved EME an unhappy haunting ground for the new genre. In this incisive study, Jarlath Killeen shows how the struggle of the Anglican establishment between competing myths of civility and barbarism in eighteenth-century Ireland defined itself repeatedly in terms R The Emergence of of the excesses of Gothic form.’ GENCE Luke Gibbons, National University of Ireland (Maynooth), author of Gaelic Gothic ‘A work of passion and precision which explains why and how Ireland has been not only a background site but also a major imaginative source of Gothic writing. IRISH GOTHIC Jarlath Killeen moves well beyond narrowly political readings of Irish Gothic by OF IRISH GOTHIC using the form as a way of narrating the history of the Anglican faith in Ireland. He reintroduces many forgotten old books into the debate, thereby making some of the more familiar texts seem suddenly strange and definitely troubling. With FICTION his characteristic blend of intellectual audacity and scholarly rigour, he reminds us that each text from previous centuries was written at the mercy of its immediate moment as a crucial intervention in a developing debate – and by this brilliant HIST ORY, O RIGI NS,THE ORIES historicising of the material he indicates a way forward for Gothic amidst the ruins of post-Tiger Ireland.’ Declan Kiberd, University of Notre Dame Provides a new account of the emergence of Irish Gothic fiction in the mid-eighteenth century FI This new study provides a robustly theorised and thoroughly historicised account of CTI the beginnings of Irish Gothic fiction, maps the theoretical terrain covered by other critics, and puts forward a new history of the emergence of the genre in Ireland.
    [Show full text]
  • Teaching Speculative Fiction in College: a Pedagogy for Making English Studies Relevant
    Georgia State University ScholarWorks @ Georgia State University English Dissertations Department of English Summer 8-7-2012 Teaching Speculative Fiction in College: A Pedagogy for Making English Studies Relevant James H. Shimkus Follow this and additional works at: https://scholarworks.gsu.edu/english_diss Recommended Citation Shimkus, James H., "Teaching Speculative Fiction in College: A Pedagogy for Making English Studies Relevant." Dissertation, Georgia State University, 2012. https://scholarworks.gsu.edu/english_diss/95 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. TEACHING SPECULATIVE FICTION IN COLLEGE: A PEDAGOGY FOR MAKING ENGLISH STUDIES RELEVANT by JAMES HAMMOND SHIMKUS Under the Direction of Dr. Elizabeth Burmester ABSTRACT Speculative fiction (science fiction, fantasy, and horror) has steadily gained popularity both in culture and as a subject for study in college. While many helpful resources on teaching a particular genre or teaching particular texts within a genre exist, college teachers who have not previously taught science fiction, fantasy, or horror will benefit from a broader pedagogical overview of speculative fiction, and that is what this resource provides. Teachers who have previously taught speculative fiction may also benefit from the selection of alternative texts presented here. This resource includes an argument for the consideration of more speculative fiction in college English classes, whether in composition, literature, or creative writing, as well as overviews of the main theoretical discussions and definitions of each genre.
    [Show full text]
  • Gender Represented in the Gothic Novel
    IOSR Journal Of Humanities And Social Science (IOSR-JHSS) Volume 22, Issue 11, Ver. 3 (November. 2017) PP 73-77 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org Gender Represented In the Gothic Novel Asmat Nabi Contractual lecturer Department of English Govt Degree College For Women Baramulla. Corresponding Author: Asmat Nabi Abstract: The genre of Gothic became one of the most popular of the late 18th and early 19th century, and the novel usually regarded as the first Gothic novel is Horace Walpole's The Castle of Otranto, first published in 1764.1 The first great practitioner of the Gothic novel, as well as the most popular novelist of the eighteenth century in England, was Ann Radcliffe.2 She added suspense, painted evocative landscapes and moods or atmosphere, portrayed increasingly complex, fascinatingly-horrifying, evil villains, and focused on the heroine and her struggle with the male tyrant. Her work The Italian (1797) have the ability to thrill and enthrall readers. Inspired by Radcliffe, a more sensational type of Gothic romance, exploiting horror and violence, flourished in Germany and was introduced to England by Matthew Gregory Lewis with The Monk (1796). The novel follows the lust- driven monk Ambrosio from one abominable act to another - rape, incest, matricide, burial alive - to his death and well-deserved damnation. The different schools, which are Female Gothic represented by Radcliffe and Male Gothic represented by Lewis, are distinguished by some critics as novel of terror and novel of horror. Sometimes this same distinction is tied to gender, with female equated with terror Gothic, and with male being equated with horror Gothic because both female and male writers can produce female and male Gothic.
    [Show full text]
  • LONE STAR READING LIST • Escape from Mr
    The Van Gogh Deception by Deron Hicks [Art Forgeries, Mystery, Action] Formats: Book You might also like: • The Great Shelby Holmes — Elizabeth Eulberg LONE STAR READING LIST • Escape from Mr. Lemoncello’s Library— Chris Grabenstein 2018-2019 • Chasing Vermeer — Blue Balliett The Lone Star reading list encourages reading for pleasure and is aimed at students in grades 6-8. Each Warcross by Marie Lue year, 20 books exploring a variety of topics, reading [Science Fiction, Computer Crimes] tastes, and maturity levels are chosen by a committee Formats: Book, Audio CD, eBook of school and public librarians from across Texas. You might also like: • Renegades — Marissa Meyer Beanstalker & Other Hilarious Scarytales • Epic — Conor Kostick by Kiersten White • In Real Life — Cory Doctorow [Twisted Fairy Tale, Humorous/Horror Fiction] Well, That Was Awkward by Rachel Vail Formats: Book [Dating, Friendship, Texting, Identity] You might also like: Formats: Book, Audio CD • Attack of the Vampire Weenies—David Lubar You might also like: • Coraline—Neil Gaiman • A Tale Dark & Grimm—Adam Gidwitz • Goodbye Stranger— Rebecca Stead • The Swap—Megan Shull Between Two Skies by Joanne O’Sullivan [Love, Hurricane Katrina, Refugees, Romance Fiction] Wild Bird by Wendelin Van Draanen [Realistic Fiction, Wilderness Survival] Formats: Book Formats: Book, Audio CD You might also like: You might also like: • Zane & the Hurricane—Rodman Philbrick • Eleanor & Park —Rainbow Rowell • Touching Spirit Bear—Ben Mikaelsen • This is the Story of You—Beth Kephart • We Were
    [Show full text]
  • Notions of the Gothic in the Films of Alfred Hitchcock. CLARK, Dawn Karen
    Notions of the Gothic in the films of Alfred Hitchcock. CLARK, Dawn Karen. Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/19471/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version CLARK, Dawn Karen. (2004). Notions of the Gothic in the films of Alfred Hitchcock. Masters, Sheffield Hallam University (United Kingdom).. Copyright and re-use policy See http://shura.shu.ac.uk/information.html Sheffield Hallam University Research Archive http://shura.shu.ac.uk Sheffield Hallam University Learning and IT Services Adsetts Centre City Campus Sheffield S1 1WB Return to Learning Centre of issue Fines are charged at 50p per hour REFERENCE ProQuest Number: 10694352 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10694352 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Notions of the Gothic in the Films of Alfred Hitchcock Dawn Karen Clark A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Master of Philosophy July 2004 Abstract The films of Alfred Hitchcock were made within the confines of the commercial film industries in Britain and the USA and related to popular cultural traditions such as the thriller and the spy story.
    [Show full text]
  • Universidade Federal De Santa Catarina Pós
    UNIVERSIDADE FEDERAL DE SANTA CATARINA PÓS-GRADUAÇÃO EM LETRAS/INGLÊS E LITERATURA CORRESPONDENTE WEIRD FICTION AND THE UNHOLY GLEE OF H. P. LOVECRAFT KÉZIA L’ENGLE DE FIGUEIREDO HEYE Dissertação Submetida à Universidade Federal de Santa Catarina em cumprimento dos requisitos para obtenção do grau de MESTRE EM LETRAS Florianópolis Fevereiro, 2003 My heart gave a sudden leap of unholy glee, and pounded against my ribs with demoniacal force as if to free itself from the confining walls of my frail frame. H. P. Lovecraft Acknowledgments: The elaboration of this thesis would not have been possible without the support and collaboration of my supervisor, Dra. Anelise Reich Courseil and the patience of my family and friends, who stood by me in the process of writing and revising the text. I am grateful to CAPES for the scholarship received. ABSTRACT WEIRD FICTION AND THE UNHOLY GLEE OF H. P. LOVECRAFT KÉZIA L’ENGLE DE FIGUEIREDO HEYE UNIVERSIDADE FEDERAL DE SANTA CATARINA 2003 Supervisor: Dra. Anelise Reich Corseuil The objective of this thesis is to verify if the concept of weird fiction can be classified not only as a sub-genre of the horror literary genre, but if it constitutes a genre of its own. Along this study, I briefly present the theoretical background on genre theory, the horror genre, weird fiction, and a review of criticism on Lovecraft’s works. I also expose Lovecraft’s letters and ideas, expecting to show the working behind his aesthetic theory on weird fiction. The theoretical framework used in this thesis reflects some of the most relevant theories on genre study.
    [Show full text]
  • A Horror Novel a Thesis Submitted to the College of Graduate And
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Saskatchewan's Research Archive MERRY A Horror Novel A Thesis Submitted to the College of Graduate and Postdoctoral Studies In Partial Fulfillment of the Requirements For the Degree of Master of Fine Arts in Writing University of Saskatchewan Saskatoon By SIMON BÖHM Copyright Simon Böhm, June 2018. All rights reserved. PERMISSION TO USE In presenting this thesis in partial fulfillment of the requirements for an MFA in Writing degree from the University of Saskatchewan, I agree that the Libraries of the university may make its Preliminary Pages freely available for inspection as outlined in the MFA in Writing Thesis License/Access Agreement accepted by the College of Graduate Studies and Research in June, 2013. Requests for permission to make use of material beyond the Preliminary Pages of this thesis should be addressed to the author of the thesis, or: Coordinator, MFA in Writing University of Saskatchewan Department of English Room 509 9 Campus Drive Saskatoon, Saskatchewan S7N 5A5 or: Dean, College of Graduate and Postdoctoral Studies University of Saskatchewan Room 116 Thorvaldson Building 110 Science Place Saskatoon, Saskatchewan S7M 5C9 i ABSTRACT Merry is a rural horror novel set in contemporary Saskatchewan. The fictional town of Merry, set about forty miles south-southwest of Saskatoon, is slowly being occupied by a satanic-like cult which is trying to gain power over a magic rock called the Shebbea, buried underneath Merry’s church. The novel opens with the arrival of Lou, the leader of the cult and satanic figure arriving at the gas station of Richard Walsh and his son Chad, located on the edges of Merry.
    [Show full text]
  • Release Source: David J Rodger
    Release Source: David J Rodger FOR IMMEDIATE RELEASE Sci-Fi Dark Fantasy Author David J Rodger Finishes His 9th novel, After 25 Years! BRISTOL, UK—MARCH, 2015— David J Rodger has previously published eight novels since 2007. But simmering away in the background for all that time, in fact, since 1989, was one novel he only finished writing last year: Oakfield. Which, Rodger is pleased to announce the launch of this month. David J Rodger is known for writing fast-paced thrillers that crossover into Science Fiction & Dark Fantasy. Cyberpunk and the Cthulhu Mythos are key themes. With excellent reviews, he is also the creator of the role-playing game “Yellow Dawn – The Age of Hastur”. He has written non-fiction for magazines such as SFX and had short stories published in UK, US, Canada and Japan. The Guardian recently linked to his blog in an article about William Gibson and Cyberpunk 30 years on from Neuromancer. The Guardian also favourably reviewed his post-apocalyptic haunting The Black Lake. His RPG Yellow Dawn has a deal on the table with game publishers Modiphius (Achtung! Cthulhu), under their licence with Chaosium (Call of Cthulhu). He is currently writing a 3rd edition towards meeting requirements. In January this year a US screenwriter approached Rodger regarding Yellow Dawn and now plans to write a movie this summer based on Rodger’s post-apocalyptic setting. Like the majority of Rodger’s novels, Oakfield is set before Yellow Dawn takes place. Oakfield is ultimately a story of redemption. The main character is trying to adjust to the reality of a new body after being killed in action during military conflict.
    [Show full text]
  • NVS 3-1-5 M-Perschon
    Steam Wars Mike Perschon (Grant MacEwan University/University of Alberta, Canada) Abstract: While steampunk continues to defy definition, this article seeks to identify a coherent understanding of steampunk as an aesthetic. By comparing and contrasting well-known cultural icons of George Lucas’s Star Wars with their steampunk counterparts, insightful features of the steampunk aesthetic are suggested. This article engages in a close reading of individual artworks by digital artists who took part in a challenge issued on the forums of CGSociety (Computer Graphics Society) to apply a steampunk style to the Star Wars universe. The article focuses on three aspects of the steampunk aesthetic as revealed by this evidentiary approach: technofantasy, a nostalgic interpretation of imagined history, and a willingness to break nineteenth century gender roles and allow women to act as steampunk heroes. Keywords: CGSociety (Computer Graphics Society), digital art, gender roles, George Lucas, Orientalism, Star Wars , steampunk, technofantasy, visual aesthetic ***** It has been over twenty years since K.W. Jeter inadvertently coined the term ‘steampunk’ in a letter to Locus magazine in 1987. Jeter jokingly qualified the neo-Victorian writings he, James P. Blaylock, and Tim Powers were producing with the ‘-punk’ appendix, playing off the 1980s popularity of cyberpunk. Ironically the term stuck, both as descriptor for nearly every neo-Victorian work of speculative fiction since Jeter’s Infernal Devices (1987), while retroactively subsuming works such as Keith Roberts’s Pavane (1968), Michael Moorcock’s The Warlord of the Air (1971) , the 1960s television series Wild, Wild West (1965-1969, created by Michael Garrison), and even the writings of H.G.
    [Show full text]
  • Vampire Figures in Anglo-American Literature And
    Jihočeská univerzita v Českých Budějovicích Pedagogická fakulta Katedra anglistiky Diplomová práce Vampire Figures in Anglo-American Literature and Their Metamorphosis from Freaks to Heroes Charakteristika a příčiny posunu vnímání postav upírů v Anglo-americké literatuře, tj. literární přeměna negativní zrůdy v hrdinskou postavu vypracovala: Alžběta Němcová vedoucí práce: Mgr. Linda Kocmichová České Budějovice 2014 Prohlašuji, že svoji diplomovou práci jsem vypracovala samostatně pouze s použitím pramenů a literatury uvedených v seznamu citované literatury. Prohlašuji, že v souladu s § 47b zákona č. 111/1998 Sb. v platném znění souhlasím se zveřejněním své diplomové práce, a to v nezkrácené podobě elektronickou cestou ve veřejně přístupné části databáze STAG provozované Jihočeskou univerzitou v Českých Budějovicích na jejích internetových stránkách, a to se zachováním mého autorského práva k odevzdanému textu této kvalifikační práce. Souhlasím dále s tím, aby toutéž elektronickou cestou byly v souladu s uvedeným ustanovením zákona č. 111/1998 Sb. zveřejněny posudky školitele a oponentů práce i záznam o průběhu a výsledku obhajoby kvalifikační práce. Rovněž souhlasím s porovnáním textu mé kvalifikační práce s databází kvalifikačních prací Theses.cz provozovanou Národním registrem vysokoškolských kvalifikačních prací a systémem na odhalování plagiátů. V Českých Budějovicích dne 24. 6. 2014 Alžběta Němcová Acknowledgements I would hereby like to thank to my diploma thesis supervisor, Mgr. Linda Kocmichová, for her valuable advice, patience and supervision regarding the compilation of this diploma thesis. Poděkování Chtěla bych poděkovat vedoucí mé diplomové práce, Mgr. Lindě Kocmichové, za její cenné rady, trpělivost a pomoc při psaní této diplomové práce. Abstract The aim of this work is to outline the development of a vampire portrayal in Anglo- American Literature.
    [Show full text]