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SINGLE DAY TICKET CONDITIONS (12-64) (4-11) Guaranteed Entry Open Date Ticket Direct Entry MULTIPLE DAYS TICKET CONDITIONS (12+) (4-11) Guaranteed Entry Specified Entrance Date Needed Direct Entry ! Above price stated subject to CHANGE based on JTB weekly exchange rates. Please refer us for more info. *Price shown based on lowest rates. *Subject to change based on seasonality. PACKAGE INCLUSIVE Adult (12+) Child (4-11) Twin Triple Quad Twin Triple Quad MYR 1,159* MYR 1,077* MYR 1,038* MYR 1,043* MYR 961* MYR 922* 1 Night Universal Studios Japan® *Price shown based on lowest rates. Official Hotel Stay with Breakfast *Subject to change based on seasonality. Universal Studios Japan® 1 Day Adult (12+) Child (4-11) Twin Triple Quad Twin Triple Quad Studio Pass with Universal MYR 1,188* MYR 1,106* MYR 1,062* MYR 1,072* MYR 990* MYR 946* Express® Pass 4 ~ Standard ~ FREE Universal Studios Japan® *Price shown based on lowest rates. *Subject to change based on seasonality. Original Merchandise *while stock last* Adult (12+) Child (4-11) Twin Triple Quad Twin Triple Quad MYR 1,294* MYR 1,159* MYR 1,077* MYR 1,178* MYR 1,043* MYR 961* 1) Harry Potter and the Forbidden Journey TM 2) The Amazing Adventures of Spider-Man - The Ride 4K3D 3) JAWS® or Backdraft® 4) Jurassic Park - The Ride® or Terminator 2:3-D® ** Available for second day of the package only. Hotel Keihan Hotel Keihan ** Non-refundable upon issued. Hotel Universal Port ** Subject to change without prior notice. Universal City Universal Tower TERMS & CONDITIONS * Above price based on lowest category room. Kindly contact us for inquiries and booking: * Non-smoking / Double / Connection rooms on request only. * Above price valid for minimum 2 adults travel together. Japan Travel Bureau (Malaysia) Sdn. Bhd. * Booking can be made up to 21 days prior to departure. (200323-V) KPL/LN 1878 * A non-refundable deposit of 30% required to secure booking. 16.05-07, Level 16, AMODA Building, Full payment to be made within 7 days upon booking confirmed. 22 Jalan Imbi, 55100 Kuala Lumpur. Surcharge apply for credit card payment. Website: www.jtbmalaysia.com * All booking are on request basis. Subject to seat / room availability. * JTB reserves right for any changes to be advice upon confirmation. E-mail: [email protected] * Subject to each service cancellation policy and condition. Imbi AMODA: 03 - 2141 9991 Lot 10: 03 - 2110 6304/05 * Others terms & condition applied. Refer us for more info. AEON Mall Shah Alam: 03-5524 7994/95/96 KLCC Isetan 2nd Floor: 03 - 2181 7626/27 AEON Tebrau City: 07 - 358 2268/3268/07 - 353 2268 Langkawi: 04 - 966 4708 Penang: 04 - 263 6788 Kota Kinabalu: 088 - 250 313/255 421 .

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The Theme Park As "De Sprookjessprokkelaar," the Gatherer and Teller of Stories
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2018 Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories Carissa Baker University of Central Florida, [email protected] Part of the Rhetoric Commons, and the Tourism and Travel Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Doctoral Dissertation (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Baker, Carissa, "Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories" (2018). Electronic Theses and Dissertations, 2004-2019. 5795. https://stars.library.ucf.edu/etd/5795 EXPLORING A THREE-DIMENSIONAL NARRATIVE MEDIUM: THE THEME PARK AS “DE SPROOKJESSPROKKELAAR,” THE GATHERER AND TELLER OF STORIES by CARISSA ANN BAKER B.A. Chapman University, 2006 M.A. University of Central Florida, 2008 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the College of Arts and Humanities at the University of Central Florida Orlando, FL Spring Term 2018 Major Professor: Rudy McDaniel © 2018 Carissa Ann Baker ii ABSTRACT This dissertation examines the pervasiveness of storytelling in theme parks and establishes the theme park as a distinct narrative medium. It traces the characteristics of theme park storytelling, how it has changed over time, and what makes the medium unique.
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“Dragon Quest: the Real” Unveil of Detailed Information About the Attraction Three Reasons Why You Can Become a Real Hero
2017 goes beyond “over-the-top” The curtain finally rises on a year that will break through barriers and take you beyond the “over-the-top” 15th anniversary You’re the hero now! “Dragon Quest: The Real” Unveil of detailed information about the attraction Three reasons why you can become a real hero in well-loved world of adventure Open for a limited time only: March 17, 2017 (Fri) to September 3, 2017 (Sun) In 2017, Universal Studios Japan is set to outdo its “over-the-top” 15th anniversary with the new theme of “going beyond ‘over-the-top’!” From March 17 (Fri), USJ will bring you a variety of attractions and pieces of entertainment that go one step beyond. We’d like to share some detailed information about the first installment of this new series of attractions: Dragon Quest: The Real. After its announcement in December of last year, social networking services like Twitter exploded with posts in anticipation, like “What, a tie-in between Universal Studios Japan and Dragon Quest!? I’ve got to go!”, “This is what I’ve been waiting for!”, and “Now I can finally be a hero!”, and there were many posts from people waiting for follow-up information with bated breath as well, such as “I want to know more!” and “I’ve got to get my vacation plans ready when the details come out!”. Please look forward to this emotional experience where you can become a hero and engage in real combat, all in a world of adventure that, so far, you’ve only seen in the games.
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“Screaming” “Otona” “Kowa Kawa” Three Types of Halloween Experiences Have Been Scaled up Throughout the Park!
Tuesday, July 16, 2019 “Universal Surprise Halloween” An even more “Super Extraordinary” experience with the biggest number of attractions in the event’s history! With “Six New Appearances“ and “Seven Scaling-ups” both children and adults can have fun all day long, from morning to night! “Screaming” “Otona” “Kowa Kawa” Three types of Halloween experiences have been scaled up throughout the park! From Friday, September 6, 2019 to Monday (Holiday), November 4 Universal Studios Japan will hold its extremely popular annual event “Universal Surprise Halloween” for a limited period from Friday, September 6, 2019 to Monday (Holiday), November 4. With a record number of attractions available for this year’s Halloween, “Three Halloweens: Screaming Halloween, Otona Halloween, and ‘Kowa Kawa’ Halloween” have been greatly scaled up throughout the park. Once you take a step inside the park, you will experience “super extraordinary available only here at the park” with its overwhelming worldview and quality. “Screaming Halloween” will have an array of “scariest” attractions which can be said to represent this Halloween season, including a scaled-up version of “Zombie de Dance,” which attains great popularity every year, and a survival horror maze that has reproduced the latest series of “Biohazard™” as well as a shocking new maze where guests face impossible terror and a brand new “active-style horror maze.” We will have “Otona (adult) Halloween,” a fashionable and extremely beautiful horror experience, this year too, which, proposing a new Halloween horror, became a hot topic of conversation as Japan’s notable immersive entertainment last year with its additional tickets sold out only a few minutes after their release.
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Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.
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Universal Studios Hollywood Park Map 2018
Universal studios hollywood park map 2018 Continue Universal Studios HollywoodEntrance theme parkSloganThe Entertainment Capital of LA'1'LocationUniversal City, CaliforniaCoordinates34-08-11N 118-21-22W / 34.136518-N 118.356051'W / 34.136518; -118.356051Ordinates: 3408-11N 118-21-22W / 34.136518-N 118.356051'W / 34.136518; -118.356051ThemeShow Business and Universal EntertainmentOwnERUniversal (Comcast)Operated Universal Parks and ResortsOpelier30, 1912; 108 years ago (1912-04-30) (as a film studio)March 15, 1915; 105 years ago (1915-03-15) (L.A. studio lot) July 15, 1964; 56 years ago (1964-07-15) (as a theme park) (as a theme park) (2)AttractionsTotal10Roller coasters2WebsiteOfficial websiteStatusTemporarily closed Universal Studios Hollywood Film Studios and theme park in the San Fernando Valley area of Los Angeles County, California. About 70% of the studio is located in an unincorporated county island known as Universal City, while the rest is within the city of Los Angeles, California. It is one of the oldest and most famous Hollywood film studios still in use. Its official marketing headline is the Entertainment Capital of Los Angeles. It was originally created to offer tours of universal Studios' real-world sets and is the first of many full-fledged Universal Studios theme parks located around the world. Outside the theme park, a new, all-digital facility near the Universal Pictures backlot was built in an attempt to combine all of NBCUniversal's West Coast operations into one area. As a result, the current home for KNBC, KVEA and NBC News with the Noticias Telemundo Los Angeles bureau with a new digital facility is located on a universal lot previously occupied by Technicolor SA.
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Copyrighted Material
09_559702_bindex.qxd 7/23/04 10:47 AM Page 245 Attraction Index adults, attractions difficult for, 94–95 Bug’s Land, A, 198–201 Adventureland California Screamin’, 201–202 attractions, services described, Casey Jr. Circus Train, 136 120–124 categories of attractions, hierarchy of, small child fright potential chart, 53 92 characters, Disney, 150, 161, 206 Ahwahnee Camp Circle Story Theater, children fright potential chart 208 Disneyland Park, 92–94 Aladdin’s Oasis, 160 Disney’s California Adventure, 94 Alice in Wonderland, 135 Universal Studios Hollywood, Animal Planet Live!, 218–219 228–229 Astro Orbiter, 151 Chip ‘n’ Dale’s Treehouse, 145–146 attraction category hierarchy, 53 Chuck Bubba Relay entry, 100 attractions. See also specific attractions Cinema, Main Street, 118 available at last minute (table), 96 Club Buzz, 160 Chuck Bubba Relay entry, 100 Condor Flats, 194–195 Hail-Mary Pass (table), 97 Critter Country most crowded, 162–164 attractions, services described, potentially disturbing to adults, 127–130 94–95 small child fright potential chart, 92 and ‘switching off,’ 98–99 Davy Crockett’s Explorer Canoes, 127 Back to the Future: The Ride, DCA. See Disney’s California Adven- 219–220 ture Backdraft, 225 Disney Animation Building, 187–188 best attractions Disney characters, appearances and at Disneyland Park (table), 113 dining with, 149, 160, 208 at Disney’sCOPYRIGHTED California Adventure Disney MATERIAL Gallery, The, 124–126 (table), 183 Disney rock groups, 161 Big Thunder Mountain Railroad, Disneyland: The First 50 Years, 118
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You've Seen the Movie, Now Play The
“YOU’VE SEEN THE MOVIE, NOW PLAY THE VIDEO GAME”: RECODING THE CINEMATIC IN DIGITAL MEDIA AND VIRTUAL CULTURE Stefan Hall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2011 Committee: Ronald Shields, Advisor Margaret M. Yacobucci Graduate Faculty Representative Donald Callen Lisa Alexander © 2011 Stefan Hall All Rights Reserved iii ABSTRACT Ronald Shields, Advisor Although seen as an emergent area of study, the history of video games shows that the medium has had a longevity that speaks to its status as a major cultural force, not only within American society but also globally. Much of video game production has been influenced by cinema, and perhaps nowhere is this seen more directly than in the topic of games based on movies. Functioning as franchise expansion, spaces for play, and story development, film-to-game translations have been a significant component of video game titles since the early days of the medium. As the technological possibilities of hardware development continued in both the film and video game industries, issues of media convergence and divergence between film and video games have grown in importance. This dissertation looks at the ways that this connection was established and has changed by looking at the relationship between film and video games in terms of economics, aesthetics, and narrative. Beginning in the 1970s, or roughly at the time of the second generation of home gaming consoles, and continuing to the release of the most recent consoles in 2005, it traces major areas of intersection between films and video games by identifying key titles and companies to consider both how and why the prevalence of video games has happened and continues to grow in power.
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Phil Hettema President and Creative Executive the Hettema Group 67 Valley Street Pasadena , CA 91105 626.683.9876 [email protected]
PRINCIPAL FOR A DAY Phil Hettema President and Creative Executive The Hettema Group 67 Valley Street Pasadena , CA 91105 626.683.9876 [email protected] Phil Hettema is the President and Creative Executive of The Hettema Group (THG). With a distinguished 30- year legacy in themed entertainment, Phil leads a world class team of experience designers, architects, and media producers known for creating uniquely compelling guest experiences with great emotional resonance. Notable projects include One World Observatory at One World Trade Center; the High Roller Observation Wheel at The LINQ, Las Vegas; and Beyond All Boundaries at the National World War II Museum, New Orleans. Prior to forming his own company, Phil Hettema was Senior Vice President, Attraction Development for Universal Studios Theme Parks Worldwide for 14 years. He was responsible for the creative development of all major attractions and shows, including Terminator 2: 3D, Jurassic Park, The Amazing Adventures of Spider-Man, Backdraft and many more. He oversaw master planning for all five Universal parks, including domestic and international expansion for Universal Studios Hollywood, Universal Studios Florida, Universal’s PortAventura (Spain), and Universal Studios Japan, and, most notably, the conception and delivery of Universal’s Islands of Adventure in Florida. Phil is an alumni of ArtCenter College of Design, instructed courses at the institution and endowed a scholarship for Enivronmental Design. He has been a guest lecturer at Carnegie Mellon University, USITT, IAAPA, KIN, ICOM, SIGGRAPH, and at the TED Conference. Phil holds four patents for entertainment technology solutions and has been honored with numerous Thea awards from the Themed Entertainment Association (TEA) including Theas for One World Observatory (2016), Beyond All Boundaries (2010), FiestAventura (2000), The Amazing Adventures of Spider-Man (2000), Universal’s Islands of Adventure (2000), and Terminator 2:3D (1997).
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Japan Osaka / Tokyo (08) Days Tour
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Universal Licence to Jurassic Park Expires When
Universal Licence To Jurassic Park Expires When Stop-go and plumbic Roddy necroses her burp cushats postulates and reinvests thereout. How neuropterous is Richardo when nevermetronymic desalinizing and homogenous so heavily. Domenic supposes some felony? Tobin madden his elaters suberise mutually, but nonagenarian Nevil Tokyo's license is alien to eventually expire after an undisclosed date whereas Universal. That license has now expired which could potentially leave the owners of older. Men or Black the Attack USF or Jurassic Park plan Adventure IOA. Streaming home for something original trilogy of Universal's Jurassic Park films starting next month. Hasbro Losing The Jurassic World License UPDATED. Jurassic Park IV Confirmed for New 2015 Release Date. Universal City Studios Inc Cross-Defendant and Respondent. Jurassic park code rocket league DNA was created by InGen to help visitors. The Universal Studios Hollywood theme button and Universal CityWalk. Due by its popularity and licensing agreements Universal charges a. But those rights are set to implicate in 2021 after Juraasic World 3. Him shape the casino's licence is hop to press at the end here the year. Once the JP rights revert to the Crichton estate are funny going. Universal Studios took their page from Disney's playbook and bought out DreamWorks. All Royalty-Free licenses include global use rights comprehensive protection simple pricing with volume. PACIFIC CUSTOM POOLS INC v Universal City Studios Inc. Looming on Sperber's agenda of the next installment in the Jurassic Park franchise. Advertise Content Licensing this link opens in busy new tab Sitemap Travel Guide Sitemap. While Universal hasn't confirmed an him release order it seems likely.
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132203060 Program Studi Diii Bahasa Jepang Fakultas
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Universal Express™ Pass 4~Standard (New)
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