DOCSLIB.ORG

Imperial Productions® Ronan Specialty Paints

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Imperial Productions® Ronan Specialty Paints Imperial Productions® Ronan Specialty Paints Specialty Paints for Stocked in Signage, Theatre, Artists, Industry Toronto & New York Metallic Leaf - Silvers, Bronze, Golds all water based Specialty Mattes - Renaissance & Japan Colors High Gloss Enamels - Exterior Applications Flourescents - Theatre & Safety (non spray) Bulletin - Interior Graphic Arts Paints Block Outs & Primer - Start on a Flat Platform 1 Stroke Lettering Enamels UV Clear Coats - Non Yellowing Interior & Exterior Imperial Productions & Distribution Inc. 800-399-7585 Toronto / New York email [email protected] copyright 2016 MRDCI All Rights Reserved Imperial Productions® Paint -Whatz Hot! 2021 Color Fields Segments of Bold Colors Neo Geo Bright Colors - Geometics Darkness 1 Blacks & Grays Numbers Metallics Inked Graphics Renaissance Revival Gold / Bronze / Silver Hand Painted Brush Strokes Muted Earth Tones Imperial Productions & Distribution Inc. 800-399-7585 Toronto / New York email [email protected] copyright 2016 MRDCI All Rights Reserved Imperial Productions & Distribution Inc. email: [email protected] APR-21 10-1220 Ellesmere Rd Toronto ON M1P 2X5 1-800-399-7585 416-264-6096 Exclusive Canadian Distributor to the Trade Ronan Japan Colors Matte Paints for Furniture, Cabinets, Graphics, Paintings Oil Based, Matte Finish, Lead Free, Ideal tones for flat paints, Can be added to oil based gloss paints to create a semi-gloss finish, 1) Background for Gilders 2) Graphic artists for lettering, striping, stenciling 3) Paintings: Portrait, Landscapes, Modern, Furniture & cabinet makers. Scenic artists can create aging 4) Scenic Artists: Aging, Faux Finish, Marbelizing, Dirt, Aging, Smoke Damage, Simulated Marble and wood grain, 4) Mix with Stains & Glazes for Wet-in-Wet US Metric List US Metric List Quart .946 Liters 65.13 Quart .946 Liters 52.35 8 Oz .215 Liters 26.52 8 Oz .215 Liters 21.19 IPA2000 Vermillion IPA2002 Ronan J421 Indian Sincoor Ronan J354 Burnt Sienna Renaissance Color Renaissance Color US Metric List US Metric List Quart .946 Liters 52.35 Quart .946 Liters 52.35 8 Oz .215 Liters 21.19 8 Oz .215 Liters 21.19 IPA2014 IPA2021 Ronan J328 French Yellow Ochre Ronan J358 Raw Sienna Renaissance Color Renaissance Color US Metric List US Metric List Quart .946 Liters 52.35 Quart .946 Liters 53.87 8 Oz .215 Liters 21.19 8 Oz .215 Liters 21.79 IPA2022 IPA2029 Van Dyke Brown Ronan J359 Raw Umber Ronan J363 Cassel/Cologne Earth Renaissance Color Renaissance Color US Metric List US Metric List Quart .946 Liters 52.35 Quart .946 Liters 52.35 8 Oz .215 Liters 21.19 8 Oz .215 Liters 21.19 IPA2030 Venetian Red IPA2003 Ronan J441 English Red, Red Earth Ronan J355 Burnt Umber Renaissance Color Renaissance Color US Metric List US Metric List Quart .946 Liters 71.97 Quart .946 Liters 65.13 8 Oz .215 Liters 29.56 8 Oz .215 Liters 26.52 IPA2024 IPA2027 Ronan J4026 Rose Pink Ronan J435 Turkey Red Graphic Color Rouge d'Andrinople Renaissance Color US Metric List US Metric List Quart .946 Liters 65.13 Quart .946 Liters 53.87 8 Oz .215 Liters 26.52 8 Oz .215 Liters 21.79 IPA2025 IPA2019 Ronan J818 Sign Craft Red Ronan J3754 Poster Red Graphic Color Graphic Color US Metric List US Metric List Quart .946 Liters 65.13 Quart .946 Liters 65.13 8 Oz .215 Liters 26.52 8 Oz .215 Liters 26.52 IPA2026 IPA2001 Ronan J434 Liberty Red Ronan J491 Bulletin Red Graphic Color Graphic Color US Metric List US Metric List Quart .946 Liters 62.40 Quart .946 Liters 75.62 8 Oz .215 Liters 25.45 8 Oz .215 Liters 31.08 IPA2020 IPA2010 Ronan J350 Prussian Blue Ronan J340 Chinese Ceramic Blue Graphic Color Cobalt Blue Graphic Color Paint contains chemicals that can cause cancer, birth defects or other reproductive harm, use gloves & protective masks * All prices & specs subject to change without notice - request Real Samples on Flatstock or Profiled All Price FOB Toronto PAGE 1 Imperial Productions & Distribution Inc. email: [email protected] APR-21 10-1220 Ellesmere Rd Toronto ON M1P 2X5 1-800-399-7585 416-264-6096 Exclusive Canadian Distributor to the Trade Japan Colors Matte Paints for Furniture, Cabinets, Graphics, Paintings Oil Based, Matte Finish, Lead Free, Ideal tones for flat paints, Can be added to oil based gloss paints to create a semi-gloss finish, 1) Background for Gilders 2) Graphic artists for lettering, striping, stenciling 3) Paintings: Portrait, Landscapes, Modern, Furniture & cabinet makers. Scenic artists can create aging 4) Scenic Artists: Aging, Faux Finish, Marbelizing, Dirt, Aging, Smoke Damage, Simulated Marble and wood grain, 4) Mix with Stains & Glazes for Wet-in-Wet US Metric List US Metric List Quart .946 Liters 61.33 Quart .946 Liters 67.56 8 Oz .215 Liters 25.00 8 Oz .215 Liters 27.57 IPA2017 IPA2004 Ronan J3836 Permanent Blue Ronan J316 Green CP Light Graphic Color Graphic Color US Metric List US Metric List Quart .946 Liters 75.62 Quart .946 Liters 67.56 8 Oz .215 Liters 31.08 8 Oz .215 Liters 27.57 IPA2028 IPA2005 Ronan J353 Ultra Marine Blue Ronan J313 Green GP Medium Graphic Color Graphic Color US Metric List US Metric List Quart .946 Liters 67.56 Quart .946 Liters 70.00 8 Oz .215 Liters 27.57 8 Oz .215 Liters 28.64 IPA2006 IPA2012 Ronan J388 Green CP Dark Ronan J536 Emerald Green Graphic Color Graphic Color US Metric List US Metric List Quart .946 Liters 79.13 Quart .946 Liters 79.13 8 Oz .215 Liters 32.60 8 Oz .215 Liters 32.60 IPA2008 IPA2009 Ronan J321 Chrome Yellow Medium Ronan J322 Chrome Yellow Orange Graphic Color Graphic Color US Metric List US Metric List Quart .946 Liters 54.48 Quart .946 Liters 79.13 8 Oz .215 Liters 22.10 8 Oz .215 Liters 32.60 IPA2011 IPA2007 Ronan J306 Drop Black C Chrome Yellow Light Graphic Color Ronan J319 Graphic Color US Metric List US Metric List Quart .946 Liters 65.73 Quart .946 Liters 56.60 8 Oz .215 Liters 26.81 8 Oz .215 Liters 23.01 Zinc White IPA2015 Clean & Bright IPA2023 Ronan J691 Graphic Color Ronan J305 Refined Black Lamp Graphic Color US Metric List US Metric List Quart .946 Liters 65.73 Quart .946 Liters 56.60 8 Oz .215 Liters 26.81 8 Oz .215 Liters 23.01 IPA2026 IPA2018 Ronan J3615 Ronan J692 Permanent Striping White Graphic Color Solid Cover Lamp US Metric List Quart .946 Liters 58.59 8 Oz .215 Liters 23.77 Graphic Artists for Lettering, Striping and Stenciling IPA2013 Paintings: Portrait, Landscapes, Modern Creations - Esp Renaissance Colors Ronan J3787 Snow Flake White Back ground for Gilders Graphic Color Scenic Artists can create Effects: Aging, Faux Finishes, Marbleizing, Glazing Mix with Stains or glazes for wet-in-wet techniques Create Artistic effects: Dirt, Aging, Smoke Damage, Sim Marble Wood Grain Paint contains chemicals that can cause cancer, birth defects or other reproductive harm, use gloves & protective masks * All prices & specs subject to change without notice - request Real Samples on Flatstock or Profiled All Price FOB Toronto PAGE 2 Imperial Productions & Distribution Inc. email: [email protected] APR-21 10-1220 Ellesmere Rd Toronto ON M1P 2X5 1-800-399-7585 416-264-6096 Exclusive Canadian Distributor to the Trade Metallic Collection: Water Base, Lead Free UV Protection US Metric List View Dead on Gallon 3.785 Liters 323.48 from View Quart .946 Liters 99.95 Above 8 Oz .215 Liters 39.44 IPA1008 Ronan WP09 Gold Leaf Rich Gold US Metric List View Dead on Gallon 3.785 Liters 323.48 from View Quart .946 Liters 99.95 Above 8 Oz .215 Liters 39.44 IPA1002 Ronan WP03 Gold Leaf Inca Gold US Metric List View Dead on Gallon 3.785 Liters 323.48 from View Quart .946 Liters 99.95 Above 8 Oz .215 Liters 39.44 IPA1011 Ronan WP18 Gold Leaf Real Gold US Metric List View Dead on Gallon 3.785 Liters 323.48 from View Quart .946 Liters 99.95 Above 8 Oz .215 Liters 39.44 IPA1003 Ronan WP04 Gold Leaf Mayan Gold US Metric List Gallon 3.785 Liters 323.48 Quart .946 Liters 99.95 8 Oz .215 Liters 39.44 IPA1006 Ronan WP07 AZTEC GOLD Copper / Gold US Metric List Gallon 3.785 Liters 323.48 Quart .946 Liters 99.95 8 Oz .215 Liters 39.44 IPA1014 Ronan WP22 Penny Copper US Metric List Gallon 3.785 Liters 323.48 Quart .946 Liters 99.95 8 Oz .215 Liters 39.44 IPA1004 Ronan WP05 Copper US Metric List Gallon 3.785 Liters 323.48 Quart .946 Liters 99.95 8 Oz .215 Liters 39.44 IPA1005 Ronan WP06 Bronze * All prices & specifications subject to change without notice - request Real Samples on Flatstock or Profiled FOB Toronto PAGE 3 Imperial Productions & Distribution Inc. email: [email protected] APR-21 10-1220 Ellesmere Rd Toronto ON M1P 2X5 1-800-399-7585 416-264-6096 Exclusive Canadian Distributor to the Trade Metallic Collection Aqua Leaf Aquacote Bulletin (Water Based) Water Base, Lead Free UV Protection Low Odor, Lead Free, UV Protection US Metric List US Metric List Gallon 3.785 Liters 335.92 Gallon 3.785 Liters 205.44 Quart .946 Liters 103.80 Quart .946 Liters 62.23 8 Oz .215 Liters 40.96 Pint .431 Liters 36.74 8 Oz .215 Liters 24.53 Ronan WP02 Brass Ronan WB102 Red IPA6003 IPA1001 US Metric List Gallon 3.785 Liters 210.31 US Metric List Quart .946 Liters 63.76 Gallon 3.785 Liters 323.48 Pint .431 Liters 37.66 Quart .946 Liters 99.95 8 Oz .215 Liters 25.14 8 Oz .215 Liters 39.44 Ronan WB104 Cherry Red IPA6004 Ronan WP08 Duranodic US Metric List Bronze Gallon 3.785 Liters 207.72 IPA1007 Quart .946 Liters 62.85 Pint .431 Liters 37.05 US Metric List 8 Oz .215 Liters 24.83 Gallon 3.785 Liters 323.48 Ronan WB124 Quart .946 Liters 99.95 Medium Orange IPA6009 8 Oz .215 Liters 39.44 US Metric List Gallon 3.785 Liters 250.62 Ronan WP20 Chocolate Quart .946
Load more

Recommended publications
  • The Maiwa Guide to NATURAL DYES W H at T H Ey a R E a N D H Ow to U S E T H E M
    the maiwa guide to NATURAL DYES WHAT THEY ARE AND HOW TO USE THEM WA L NUT NATURA L I ND IG O MADDER TARA SYM PL O C OS SUMA C SE Q UO I A MAR IG O L D SA FFL OWER B U CK THORN LIVI N G B L UE MYRO B A L AN K AMA L A L A C I ND IG O HENNA H I MA L AYAN RHU B AR B G A LL NUT WE L D P OME G RANATE L O G WOOD EASTERN B RA ZIL WOOD C UT C H C HAMOM IL E ( SA PP ANWOOD ) A LK ANET ON I ON S KI NS OSA G E C HESTNUT C O C H I NEA L Q UE B RA C HO EU P ATOR I UM $1.00 603216 NATURAL DYES WHAT THEY ARE AND HOW TO USE THEM Artisans have added colour to cloth for thousands of years. It is only recently (the first artificial dye was invented in 1857) that the textile industry has turned to synthetic dyes. Today, many craftspeople are rediscovering the joy of achieving colour through the use of renewable, non-toxic, natural sources. Natural dyes are inviting and satisfying to use. Most are familiar substances that will spark creative ideas and widen your view of the world. Try experimenting. Colour can be coaxed from many different sources. Once the cloth or fibre is prepared for dyeing it will soak up the colour, yielding a range of results from deep jew- el-like tones to dusky heathers and pastels.
    [Show full text]
  • Turkey Red Dyeing and Printing
    Turkey red dyeing and printing Mohammad Shahid Centre of Textile Conservation and Technical Art History, University of Glasgow Dumbarton Library, Strathleven Place, Dumbarton 02.03.2019 Turkey red Dyed on cotton with oil, alum, dung, blood, tannins and anthraquinone dyes Much admired for its fiery colour, durability and University of Glasgow Archive Services, Bradford College Textile Archive, fastness. Records of United Turkey Red Co Ltd, Turkey Red Collection, GB248 UGD 13/8/8. BRFCM2005.1.162 Unusual and distinct process that was not fully understood Historical samples found in many collections West Dunbartonshire Council Collection, Day dress (1825-1830) Glasgow T.74-1988 Image courtesy of the V&A Turkey Red Resources in the UK Pattern books, Dyed and printed TR samples, export tickets, Printing blocks, Documents regarding the English Turkey red industry, Board of Trade Design Registers Glasgow Bradford Scottish Business Archives, University of Glasgow Bradford College Textile Archive www.gla.ac.uk/services/archives http://textilearchive.bradfordcollege.ac.uk/ Dumbarton Library, West Dunbartonshire Council Manchester www.west-dunbarton.gov.uk Greater Manchester County Record Office www.manchester.gov.uk Glasgow Museums www.glasgowlife.org.uk Gallery of Costume, Platt Hall, Manchester www.manchestergalleries.org Edinburgh National Museums Scotland Museum of Science and Industry, Manchester www.nms.ac.uk www.mosi.org.uk London The National Archives, Kew www.nationalarchives.gov.uk Victoria and Albert Museum, London www.vam.ac.uk An EU funded project aimed at providing light exposure guidelines for sustainable collections display and access of 19th c. Turkey red. Identify materials and methods for 19th c.
    [Show full text]
  • Indigenous Synthesis of Wetting Agents from Castor Oil for the Finishing of Cotton Fabric
    IMPACT: Journal of Modern Developments in Applied Engineering & Technology Research (IMPACT: JMDAETR) Vol. 1, Issue 2, Dec 2017, 19-34 © Impact Journals INDIGENOUS SYNTHESIS OF WETTING AGENTS FROM CASTOR OIL FOR THE FINISHING OF COTTON FABRIC MELKIE GETNET Program of Textile Engineering, Ethiopian Institute of Textile and Fashion Technology, Bahir Dar University, Bahir Dar, Ethiopia ABSTRACT Castor oil is one of the most versatile plant oils. The various grades of the oil and its derivatives are currently used in over a dozen diverse industries. In future, with the rising environmental concerns and the need for bio-based products to replace synthetic feedstocks, castor oil and oil oleo chemicals have the potential to be used in many newer industries. Many derivatives and oleochwemical of castor oil require relatively simple methods for their production. While higher generation derivatives such as sebatic acid or salts ricvinolweic and undecylenic acid could require more sophisticated production methods. This paper carried out experimental study, through sulfation and neutralization of refined castor oil. Concentrated sulfuric acid will be used as solvent for the sulfation process. The oil produced will be neutralized by caustic soda solution. The characterization analysis revealed that tested parameters, which include concentration, acid value, saponification value and iodine value for refined castor oil produced, were within the ASTM standard specifications. In fact the iodine value obtained (82-88) for the refined oil indicates that the oil could certainly be used as lubricant, wetting agent. The oil was modified via sulphation method to produce Turkey – red oil that was tested on cotton cloth. The test revealed that the Turkey – red oil produced is suitable for wetting agent for cotton fabric.
    [Show full text]
  • The Transition from Natural Madder to Synthetic Alizarine in the American Textile Industry, 1870-1890 Judith Lopez Iowa State University
    Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1989 The transition from natural madder to synthetic alizarine in the American textile industry, 1870-1890 Judith Lopez Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Home Economics Commons Recommended Citation Lopez, Judith, "The transition from natural madder to synthetic alizarine in the American textile industry, 1870-1890 " (1989). Retrospective Theses and Dissertations. 9070. https://lib.dr.iastate.edu/rtd/9070 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS The most advanced technology has been used to photo­ graph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion.
    [Show full text]
  • Report Turkey Red – Annotated Bibliography Mohammad Shahid, Anita Quye Centre of Textile Conservation and Technical Art History, University of Glasgow, Glasgow, UK
    Report Turkey red – Annotated bibliography Mohammad Shahid, Anita Quye Centre of Textile Conservation and Technical Art History, University of Glasgow, Glasgow, UK Description Full Text Link 1765. Mémoire contenant le procédé de la teinture du coton rouge- incarnat d'Andrinople sur le coton filé. Paris: l'Imprimerie Royale. First publicly available method for dyeing Turkey red published by French Government. Provides description of typical ‘old process’ for Turkey red dyeing. 1776. L. d'Apligny, L'art de la teinture des fils et étoffes de coton : précédé d'une théorie nouvelle des véritables causes de la fixité des couleurs de bon teint, & suivi des Cultures du pastel, de la gaude, de la garance. Paris: Chez Servière, Libraire Another French description of the ‘old’ Turkey red process as practiced in Darnetal, and in other manufactories of France. 1789. The Art of Dying Wool, Silk, and Cotton. Translated from the French of M Hellot, M. Macquer, and Le Pileur d'Apligny. London: Printed for R. Baldwin This English translation of works of Hellot, Macquer, and d'Apligny provides the process described by d'Apligny for dyeing 100 pounds of cotton Turkey red. It further describes the role of oil (source of oil and how it should be applied on the cotton) and dung in the process. 1790. T. Henry, Considerations Relative to the Nature of Wool, Silk, and Cotton, as Objects of the Art of Dying; on the Various Preparations, and Mordants, Requisite for These Different Substances; and on the Nature and Properties of Colouring Matter. Together with Some Observations on the Theory of Dying in General, and Particularly the Turkey Red, Memoirs of the Literary and Philosophical Society of Manchester, 3:343–408.
    [Show full text]
  • Background to Turkey
    Turkey Red Turkey Red is made from the red root of the 'll'lllliilP'Vc1 madder plant (left), related to the coffee and quinine plant, native to southern Europe It has small yellow flowers and, later in the year red­ black berries. -------. The root was used by the ancient Egyptians to dye mummy blankets and was mentioned by Pliny the Elder (right above), who was killed when Mount Vesuvius erupted and buried Pl!....._•:.._•..;::•,...~..::a: -::..="!.~':.~~':• Pompeii (79CE) and has been found in the Viking levels at .,.. York. The earliest trace of the dye in European textiles was found in the burial robes of the Merovingian queen Arnegundis (565-570CE). Hildegard of Bingen (right below) also mentions madder in her herbal. Madder was introduced into Asia Minor in the tenth century, arriving in Europe by the thirteenth century, and eventually became used for British soldiers' uniforms in the American War of Independence (left). The French used the root to make alcohol. Turkey Red I I The Turkey Red process was introduced into Scotland by Pierre Jacques Papillon in 1785. He was a dyer in Rauen, invited to Glasgow by George Mackintosh and David Dale. The Turkey Red process originated in China and was a foul, costly and complex process involving extracting red dye from the madder root. The process involved animalising - that is adding urine, milk, dung, L~!!!!!!!!!!!!:i::.....-=-=o!!!!!!!!!-==--.::.:.::..11 blood or egg albumen. The roots were washed, dried and ground into a fine powder. Cloth fibres were covered with a cheap vegetable oil, called Turkey Red oil, dressed and treated with tannic acid, before being steamed.
    [Show full text]
  • 218 Color Names Used in Palindromes
    218 COLOR NAMES USED IN PALINDROMES JIM PUDER Saratoga, California People who persist for very long in the composition of palindromes sooner or later acquire a good fa mil­ iarity with the most easily accessible vocabulary available to such writing, and are sometimes moved to remark upon its seeming paucity. In his 1973 book Palindromes and Anagrams, for example, Howard W. Bergerson cited the category of color names as an example of the palindromic lexicon's seeming relat ive poverty, noting that while red is readily utilized in palindromes, blue is not. (He might have added that the other primary color,yel!ow, is no easier than blue to decently palindromize.) And indeed, with the exceptions of red and tan, color names do seem to be anomalously underrepresented in pal indromes; in fact, J don't think that in three decades J have seen more than about a dozen different ones used in published palindromes, including my own. But this is hardly a necessary state of affairs. Although the most basic vocabulary of palindromes may offer li ttle in the way of color names, a great many Engl ish words which are not a part of this basic vocabulary, including color names, may nonetheless be worked into in palindromic passages if a parti­ cular effort is made to incorporate them. Hence this article, whose uncomplicated object was simply to see how many different dictionary-listed color names J could utilize in decent palindromic passages before J either ran out of such names or else retired exhausted from the fray. In the event, the latter turned out to be more or less the case, as J eventuall y found that the sheer number of different pa lindrome- uti li z­ able color nam es in an unabridged dictionary made a complete cataloging of them an unrealistic goal.
    [Show full text]
  • Colouring the Nation
    Edinburgh Research Explorer Colouring the nation Citation for published version: Tuckett, S & Nenadic, S 2012, 'Colouring the nation: A new in-depth study of the Turkey red pattern books in the National Museums of Scotland', Textile History, vol. 43, no. 2, pp. 161-182. https://doi.org/10.1179/0040496912Z.00000000016 Digital Object Identifier (DOI): 10.1179/0040496912Z.00000000016 Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: Textile History Publisher Rights Statement: © Tuckett, S., & Nenadic, S. (2012). Colouring the nation: A new in-depth study of the Turkey red pattern books in the National Museums of Scotland. Textile History, 43(2), 161-182. 10.1179/0040496912Z.00000000016 General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 23. Sep. 2021 Colouring the Nation: A New In-Depth Study of the Turkey Red Pattern Books in the National Museums Scotland SALLY TUCKETT AND STANA NENADIC The production of Turkey red dyed and printed cottons was a major industry in the west of Scotland, particularly in the mid to late nineteenth century.
    [Show full text]
  • Turkey Red an INTRODUCTION Introduction
    Turkey Red AN INTRODUCTION introduction The first printed fabrics were produced in India and China around 4000 years ago although it was only in the tenth century that textile printing arrived in Europe. It was not until printing became cheaper that it became popular; patterns were usually the result of embroidery or weaving. The industrial revolution produced huge advances in technology which made the production of fabric much cheaper and easier. As the industrial revolution in Glasgow summer months. Seasonal workers from gained pace, the textile industry became Argyll were employed as there were very affected by the pollution in the air and few inhabitants of the Vale at this time. water. Clean air and water were needed so that cloth and yarn could be washed Cotton was becoming increasingly and dried, a process that had to be done popular as fashion changed from heavy outdoors. The Vale of Leven provided materials, especially linen, to light, easily plenty of clean water as the fast-flowing washable fabrics. This was partly due to River Leven originated in Loch Lomond the expansion of trade with the US, which and the rural air was clear. increased the amount of cotton available. The first cotton arrived in Glasgow in the Andrew Johnstone established the first 1760s and by the 1830s linen bleachfields in the Vale at Dalquhurn in manufacture had disappeared from 1715 these were acquired, in 1728, by Glasgow as cotton took over. As the Walter Stirling and Archibald Buchanan fashion for cotton developed, demand who established the Dalquhurn Bleaching grew for it to be dyed and printed so Company and extended the bleachfields that the cloth could be made into to more than 12 acres.
    [Show full text]
  • 218 Color Names Used in Palindromes
    218 COLOR NAMES USED IN PALINDROMES JIM PUDER Saratoga, California People who persist for very long in the composition of palindromes sooner or later acquire a good fa mil­ iarity with the most easily accessible vocabulary available to such writing, and are sometimes moved to remark upon its seeming paucity. In his 1973 book Palindromes and Anagrams, for example, Howard W. Bergerson cited the category of color names as an example of the palindromic lexicon's seeming relat ive poverty, noting that while red is readily utilized in palindromes, blue is not. (He might have added that the other primary color,yel!ow, is no easier than blue to decently palindromize.) And indeed, with the exceptions of red and tan, color names do seem to be anomalously underrepresented in pal indromes; in fact, J don't think that in three decades J have seen more than about a dozen different ones used in published palindromes, including my own. But this is hardly a necessary state of affairs. Although the most basic vocabulary of palindromes may offer li ttle in the way of color names, a great many Engl ish words which are not a part of this basic vocabulary, including color names, may nonetheless be worked into in palindromic passages if a parti­ cular effort is made to incorporate them. Hence this article, whose uncomplicated object was simply to see how many different dictionary-listed color names J could utilize in decent palindromic passages before J either ran out of such names or else retired exhausted from the fray. In the event, the latter turned out to be more or less the case, as J eventuall y found that the sheer number of different pa lindrome- uti li z­ able color nam es in an unabridged dictionary made a complete cataloging of them an unrealistic goal.
    [Show full text]
  • Edinburgh Research Explorer
    Edinburgh Research Explorer Selling printed cottons in mid-nineteenth century India Citation for published version: Nenadic, S 2019, 'Selling printed cottons in mid-nineteenth century India: John Matheson of Glasgow and Scottish Turkey Red', Enterprise and Society: The International Journal of Business History, vol. 20, no. 2, pp. 328-365. https://doi.org/10.1017/eso.2018.77 Digital Object Identifier (DOI): 10.1017/eso.2018.77 Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: Enterprise and Society: The International Journal of Business History Publisher Rights Statement: This article has been published in a revised form in Enterprise and Society https://doi.org/10.1017/eso.2018.77. This version is free to view and download for private research and study only. Not for re-distribution, re-sale or use in derivative works. ©Cambridge University Press. General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 24. Sep. 2021 Selling Printed Cottons in Mid-Nineteenth Century India. John Matheson of Glasgow and Scottish Turkey Red.
    [Show full text]
  • Effect of Climate on the Quality and Berry Coloration of Red Globe Grape Variety with Cold Storage Ability in Egirdir/Isparta˘
    BIO Web of Conferences 7, 01007 (2016) DOI: 10.1051/bioconf/20160701007 39th World Congress of Vine and Wine Effect of climate on the quality and berry coloration of red globe grape variety with cold storage ability in Egirdir/Isparta˘ Seckin Gargin1 and Ahmet Altindisli2 1 Egirdir Horticultural Research Institute Egirdir/Isparta, Turkey 2 Aegean University, Faculty of Agriculture, Department of Horticulture, Izmir,˙ Turkey Abstract. Regional climatic conditions can have a dramatic effect on the degree and rate of natural grape coloration and quality parameters. In this study it was aimed to evaluate effect of the climate for Red Globe variety cultivated in Lakes Region which is in Egirdir˘ town of Isparta city in Turkey. Red Globe grape variety was evaluated for quality and especially for berry skin coloration and cold storage ability. Study was done between 2013–2015. Vineyard was designed according to randomized block design with three replicates. Rational pergola system was used. Excellent berry coloration for Red Globe grape variety was determined and average quality parameters yield per vine (7.0–9.8 kg), soluble sugar content %16.–17.6) titratable acidity (4.2–4.4 g/lt), single berry weight (9.0–10.2 g), and phenological observations were done. Yield and other quality parameters were evaluated well in this period. Grapes were stored in cold storage (NA) conditions with SO2 and without SO2 pads after harvest. Quality changes were determined in storage period by 1 month interval, it was carried out with weight loses, fruit skin color, fruit firmness, total soluble solids, pH, titratable acidity, sensual evaluations, microbiological and shelf life analyzes.
    [Show full text]