NVS 12-1-13-Announcements-Page;
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Modernism and Magic
University of Huddersfield Repository Gledhill, Jennifer Modernism and Magic Original Citation Gledhill, Jennifer (2016) Modernism and Magic. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/29081/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ Modernism and Magic Jennifer Gledhill A Thesis Submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of MA by Research January 2016 2 Contents Introduction………………………………………………………………………………………3 Chapter One: Magicians and Spiritualism…………………………………………… 13 Chapter Two: Fasting and Spiritualism…………………………………………………. 36 Chapter Three: The Freak show and Spiritualism…………………………………. 54 Conclusion………………………………………………………………………………………….. 74 Bibliography………………………………………………………………………………………. 83 Word Count: 25316 3 Introduction This dissertation will look at how modernist writers incorporated the idea of fraud into their work through the use of popular culture spectacles. -
Madhuri Vijay's Vivid
Featuring 372 Industry-First Reviews of Fiction, Nonfiction, Children'sand YA Books KIRKUSVOL. LXXXVII, NO. 4 | 15 FEBRUARY 2019 REVIEWS Madhuri Vijay’s vivid debut novel, The Far Field, moves from Bangalore to a Himalayan village as Shalini, haunted by memories of her restless mother, recounts her painful accumulation of wisdom. Vijay’s goal was to write an unsafe book— something that takes “readers to places that are not the usual places,” she tells us. p. 14 from the editor’s desk: Chairman Excellent February Books HERBERT SIMON President & Publisher BY CLAIBORNE SMITH MARC WINKELMAN # Chief Executive Officer MEG LABORDE KUEHN [email protected] Photo courtesy Michael Thad Carter courtesy Photo Editor-in-Chief Midnight in Chernobyl: The Untold Story of the World’s Greatest CLAIBORNE SMITH Nuclear Disaster by Adam Higginbotham (Feb. 5): “In this vivid and [email protected] Vice President of Marketing exhaustive account, Higginbotham…masterfully re-creates the emo- SARAH KALINA [email protected] tions, intrigue, and denials and disbelief of Communist Party officials, Managing/Nonfiction Editor ERIC LIEBETRAU workers, engineers, and others at every stage. He takes readers directly [email protected] Fiction Editor to the scene: the radioactive blaze, the delayed evacuation of residents LAURIE MUCHNICK from the apartment buildings in ‘workers’ paradise’ Pripyat, the treat- [email protected] Children’s Editor ment of the injured, and the subsequent investigation and ‘show trial’ VICKY SMITH [email protected] of scapegoats in a tragedy caused by both reactor failings and operator Young Adult Editor Claiborne Smith LAURA SIMEON errors….Written with authority, this superb book reads like a classic [email protected] Staff Writer disaster story and reveals a Soviet empire on the brink.” MEGAN LABRISE [email protected] Leading Men by Christopher Castellani (Feb. -
June New Books
BROWNELL LIBRARY NEW TITLES, JUNE 2019 FICTION F ALBERT Albert, Susan Wittig. A plain vanilla murder / Persevero Press, 2019 "China and Ruby Wilcox are presenting their annual ''Not Just Plain Vanilla Workshop,'' always a huge hit with customers at Thyme & Seasons Herb Shop. But someone involved with the workshop is driven by a deadly motive, and China soon finds herself teaming up with the very pregnant Pecan Springs police chief Sheila Dawson to solve a vanilla-flavored murder. Sheila, happy to get out from behind the chief's desk, is investigating the death of a botany professor, a prominent researcher specializing in vanilla orchids. China is trying to help a longtime friend: the dead professor's ex-wife and a prime suspect in his murder. However, there's no shortage of other suspects: a betrayed lover, a disgruntled graduate student, jealous colleagues, and a gang of orchid smugglers. But the lethal roots of this mystery reach back into the dark tropical jungles of Mexico, where the vanilla vine was first cultivated. At stake: a lucrative plant patent, an orchid that is extinct in the wild, and the life of an innocent little girl."--Publisher description. F BLAKE Blake, Sarah. Naamah / Riverhead Books, 2019 With the coming of the Great Flood - the mother of all disasters - only one family is spared, left drifing on the endless waters, waiting for them to subside. We know the story of Noah, moved by divine word to build an ark and launch an escape. Now, in a work of astounding invention, Sarah Blake reclaims the story of his wife, Naamah, the matriarch who kept them alive. -
Belief in Spirits, Entertainment, and Show Business In
Simone Natale, Italian Academy, Columbia University Italian Academy Seminar Papers New York, October 2013 Beliefs in Spirits, Entertainment, and Show Business in the Nineteenth Century 1 In her study on the material culture of Christianity, Colleen McDannell argues that our understanding of religious beliefs is usually informed by a dichotomy between the sacred and the profane, spirit and matter, piety and commerce. Yet, McDannell observes, such dichotomy hinders our capacity to understand how religion works in the real world. Religious practices, rituals, and beliefs cannot be comprehended if we do not take seriously into account how religion’s sphere of influence includes material as much as spiritual things (McDannell 1995). The aim of this essay is to address the cultural history of beliefs in ghosts through a similar perspective, which refuses rigid dichotomies between spiritual and so-called “earthly” matters. As I will argue, the dichotomy criticized by Colleen McDannell and by scholars in material religion has often informed the way the cultural history of beliefs in the supernatural has been told and understood. Phenomena which pertain to the realm of the spiritual have been imagined to be in a relationship of independence or contrast to the realms of entertainment, fiction, and spectacle. I would like to challenge such assumption and demonstrate that much can be gained by discussing the entertaining character of supernatural beliefs and practices. Cultural historians have often underestimated how great of a mark the nineteenth century left on twentieth-century Western societies in areas such as show business, advertisement, and consumerism (Richards 1990, 255). The tendency to disregard the relevance of the Victorian age to the formation of modern popular culture also informs the way spiritualism and beliefs in the supernatural have been studied and understood. -
Means of Conveyance: Spoken Word Pedagogy, Hip Hop Literacies, And
MEANS OF CONVEYANCE: SPOKEN WORD PEDAGOGY, HIP HOP LITERACIES, AND THE CHALLENGES OF FOSTERING POETRY SPACES Adam D. Henze Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Doctor of Philosophy in the School of Education, Indiana University June 2020 ProQuest Number:27999906 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent on the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. ProQuest 27999906 Published by ProQuest LLC (2020). Copyright of the Dissertation is held by the Author. All Rights Reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, MI 48106 - 1346 Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Doctoral Committee _____________________________________ James Damico, Ph.D., Co-Chair _____________________________________ Jessica Lester, Ph.D., Co-Chair _____________________________________ Carmen Medina, Ph.D. _____________________________________ Phil Carspecken, Ph.D. _____________________________________ Adrian Matejka, M.F.A. May 21, 2020 ii For Tavis, Tess, Will, Norris, and Rage iii Acknowledgements Allan Wolf, teaching artist and founder of the Southern Fried Poetry Slam, said: “If you’re not being fed—be the bread.” Near the completion of this dissertation, I asked Allan to elaborate on his mantra. -
Cultural and Historical Aspects of Eating Disorders
JULES R. BEMPORAD CULTURAL AND HISTORICAL ASPECTS OF EATING DISORDERS ABSTRACT. A review of cultural and historical accounts of anorexia nervosa indicates that this disorder is found primarily in Westernized societies during periods of relative af¯uence and greater social opportunities for women. Some hypotheses regarding the vulnerability to eating disorders are proposed to the basis of these data. KEY WORDS: eating disorders, anorexia nervosa, history of disease, culture and psy- chopathology 1. CULTURE AND EATING DISORDERS It has been long believed that Anorexia Nervosa (AN) is a disorder found primarily in industrialized societies. This clinical impression has been substantiated by cross-cultural studies1;2 which have reported few, if any, cases in rural areas of Africa, the middle east or the orient (with the exception of Japan). For example, Dolan1 could ®nd only two case reports of AN in Africa, and one of these patients had lived in England during her childhood before returning to her native Zimbabwe where she attended a private, mostly white boarding school. DiNocola2 quotes Sharma, who attempted to ®nd evidence of AN in India as concluding ªI am now more convinced than ever about the relative absence of anorexia nervosa in this part of the world.º Similarly, Burton-Bradley (cited in DiNicola,2) who cared for some 3 million natives of Papua New Guinea for 23 years, reported that ªat no time did I ever see a case I could categorize as suffering from Anorexia Nervosa.º DiNicola2 also cites the epidemiological studies of Buhrich in Malaysia which revealed only 30 cases of AN among 60,000 psychiatric referrals. -
Self-Mutilation and Psychiatric Identity
Self-Mutilation and Psychiatry: Impulse, Identity and the Unconscious in British Explanations of Self-Inflicted Injury, c. 1864 – 1914 Sarah Chaney PhD History of Medicine University College London 2013 2 DECLARATION I, Sarah Chaney, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 3 Abstract Modern accounts of “self-harm” commonly attribute self-inflicted wounds with emotional or other psychological “meaning”, while assuming that these acts are a product of twentieth- century concerns. While self-harm is certainly a modern concept, the attribution of meaning to self-inflicted injury – above and beyond the physical existence of the wounds themselves – is not new. This thesis explores the way in which medical writers in the later nineteenth century understood and explained what they called “self-mutilation”, situating this debate within the history of asylum psychiatry (where most discussion occurred). Self-mutilation as a concept, it is argued, could only exist within the context of a prior understanding of “the self” as a specific physical and psychological entity, and physiological, anthropological and psychological approaches to selfhood are closely associated with medical attention to self- injury. While it might have been expected that writing on self-mutilation emerged from the bureaucratic nature of the contemporary asylum system, and psychiatric concern with the expansion of diagnostic nosologies, this was not necessarily the case. In fact, most of the alienists writing on this topic did not embrace “medical materialism” and hereditary models of illness wholeheartedly, but drew on a wide variety of fields – including anthropology, normal psychology, spiritualism and religious and literary allegory – in their efforts to understand self-injurious acts. -
Ten Answers About Evolution Critical Thinking and Parenting Hollywood
Moving Science’s Goalposts | Climate Report | Roswell at 70 | Human Germline Editing | Anti-Vax Arguments the Magazine for Science and Reason Vol. 41 No.6 | November/December 2017 Ten Answers REVIEWS: about Evolution Inconvenient Sequel Gardner and Truzzi Critical Thinking Food Evolution and Parenting Nail in Nessie’s Coffin Hollywood Curse Legends A Pioneer Published by the Center for Inquiry in association with the Committee for Skeptical Inquiry Science Communicator a program of the Robyn E. Blumner, President and CEO Benjamin Radford, Research Fellow Bar ry Karr, Ex ec u tive Di rect or Richard Wiseman, Research Fellow Joe Nickell, Senior Research Fellow Massimo Polidoro, Research Fellow www.csicop.org Fellows James E. Al cock*, psy chol o gist, York Univ., Tor on to David H. Gorski, cancer surgeon and re searcher at Barbara Jay M. Pasachoff, Field Memorial Professor of Mar cia An gell, MD, former edi tor-in-chief, Ann Kar manos Cancer Institute and chief of breast surgery Astronomy and director of the Hopkins New Eng land Jour nal of Med i cine section, Wayne State University School of Medicine. Observatory, Williams College Kimball Atwood IV, MD, physician; author; Newton, MA Wendy M. Grossman, writer; founder and first editor, John Pau los, math e ma ti cian, Tem ple Univ. Steph en Bar rett, MD, psy chi a trist; au thor; con sum er ad vo cate, The Skeptic magazine (UK) Clifford A. Pickover, scientist, au thor, editor, IBM T.J. Watson Al len town, PA Sus an Haack, Coop er Sen ior Schol ar in Arts and Re search Center. -
Revelations of a Spirit Medium; Facsimile Edition, with Notes
UNIVERSITY Of CM..-FORN1A SAN DFEGO J Revelations of a Spirit Medium REVELATIONS OF A SPIRIT MEDIUM FACSIMILE EDITION, WITH NOTES, BIBLIOGRAPHY, GLOSSARY AND INDEX HARRY PRICE, F.R.N.S. of the for (Member Society Psychical Research ; Hon. Librarian, of the of Magicians' Club, London ; Member Society American Magicians, etc.) ERIC J. DINGWALL, M.A. of the for of the (Member Society Psychical Research ; Member Inner Magic Circle, London, etc.) LONDON : KEGAN PAUL, TRENCH, TRUBNER & Co., LTD. NEW YORK: E. P. BUTTON & CO. 1922 CONTEiNTS PAGE COMPILERS' PREFACE . vii BIBLIOGRAPHICAL NOTE . xii NOTES ON THE TEXT .... xvii BIBLIOGRAPHY ..... xxix GLOSSARY ..... Ix *AUTHOR'S PREFACE ... 1 *SPIRITUAL MYSTERIES EXPOSED. 7 INDEX 325 *Reproduced in facsimile by photography. PREFACE THE stir in the spiritualistic w6rld which accompanied the publication of this book will be easily understood when its contents have been analysed and adequately digested. In 1891 when it was first published, fraudulent mediumship had attained a vogue which it would be difficult to over-estimate. The class of so-called physical phenomena of which the book treats has always been more popular amongst public mediums in the United States than in this country, and has at all times been regarded with suspicion by serious students of the subject. The reason for this is not far to seek. If genuine physical phenomena exist (and we believe such phenomena to be ex- cessively rare), it is scarcely conceivable that such manifestations could take place at the will of any medium on whom a sitter happens to call. Public mediums therefore are to be especially guarded against, and any apparently successful results obtained with them should vii viii REVELATIONS OF A SPIRIT MEDIUM be scrutinised with the greatest care. -
3 Theatre/Archaeology
3 THEATRE/ARCHAEOLOGY It has so often been said that history does not exist, it is created by historians ... and then of course, decorated perhaps, if you are fortunate, even illuminated by poets, writers, painters, composers. (Greenaway 1993) In a third phase, what we term 'theatre/archaeology', the two disciplines are no longer held discrete. They coexist within a blurred genre (Gregory 1993: 296; Tilley 1994: 1) or a science/ fiction, a mixture of narration and scientific practices, an integrated approach to recording, writing and illustrating the material past. Here archaeology and performance are jointly active in mobilising the past, in making creative use of its various fragments in forging cultural memory out of varied interests and remains, in developing cultural ecologies (relating different fields of social and personal experience in the context of varied and contradictory interests) and in their joint address to particular sites and themes, a significant resource in constructing and energising contemporary identities, personal, communal and regional. This necessitates a broader definition of possible objects of retrieval, new approaches to the characterisation of behaviour and action, different ways of telling and different types of recording and inscription, which can incorporate different orders of narrative. It suggests mutual experiments with modes of documentation which can integrate text and image, new approaches to museum practice and the creation of joint forms of presentation to address that which is, at root, ineffable. In theatre/archaeology documents, ruins and traces are reconstituted as real-time event. In this chapter we attempt to show what this may involve. But we do not present theory, method and case study separately. -
Sensibility, Early Gothic and Nineteenth-Century Gothic Texts Are the Focus
DEVOURING THE GOTHIC: FOOD AND THE GOTHIC BODY Elizabeth Andrews Submitted in partial fulfilment of the requirements for the award of Doctor of Philosophy English Studies University of Stirling January 2008 Declaration I declare that this thesis is my own work and that all critical or other sources (literary and electronic) have been specifically and properly acknowledged, as and when they occur in the body of my text. Signed Dated Abstract At the beginnings of the Gothic, in the eighteenth century, there was an anxiety or taboo surrounding consumption and appetite for the Gothic text itself and for the excessive and sensational themes that the Gothic discussed. The female body, becoming a commodity in society, was objectified within the texts and consumed by the villain (both metaphorically and literally) who represented the perils of gluttony and indulgence and the horrors of cannibalistic desire. The female was the object of consumption and thus was denied appetite and was depicted as starved and starving. This also communicated the taboo of female appetite, a taboo that persists and changes within the Gothic as the female assumes the status of subject and the power to devour; she moves from being ethereal to bestial in the nineteenth century. With her renewed hunger, she becomes the consumer, devouring the villain who would eat her alive. The two sections of this study discuss the extremes of appetite and the extremes of bodily representations: starvation and cannibalism. Contents Introduction______________________________________________________________ -
The-Mediums-Book.Pdf
THE MEDIUMS’ BOOK ALLAN KARDEC THE MEDIUMS’ BOOK BEING THE SEQUEL TO “THE SPIRITS’ BOOK” BY A L L A N K A R D E C Translated from the Eighty-fourth Thousand BY A N N A B L A C K W E L L __________ FEDERAÇÃO ESPÍRITA BRASILEIRA DEPARTAMENTO EDITORIAL Rua Souza Valente, 17 20941 - Rio - RJ - Brasil e Av. L-2 Norte - Q.603 - Conjunto F 70830 - Brasília - DF - Brasil 2 2ª edição (1ª edição FEB) Do 4º ao 8 º milheiro Capa de CECCONI 67 - AA; 001.5-O; 11/1986 FEDERAÇÃO ESPÍRITA BRASILEIRA (Casa-Máter do Espiritismo) Av. L-2 Norte - Q.603 - Conjunto F 70830 - Brasília - DF - Brasil Reprodução fotomecânica. Impressão offset das Oficinas do Departamento Gráfico da FEB 20941 - Rio - RJ - Brasil C.G.C. nº 33.644.857/0002-84 I.E. nº 81.600.503 Impresso no Brasil PRESITA EN BRAZILO 3 THE MEDIUMS’ BOOK Edição especialmente cedida pelo Núcleo Espírita Caminheiros do Bem Departamento Editorial: LAKE - Livraria Allan Kardec Editora Rua Monsenhor Anacleto, 199 - Brás Fones: 229-0935, 229-0526 e 229-1227 CEP 03003 - Cx. Postal 15.190 São Paulo - Brasil 5 TRANSLATOR'S PREFACE. THE second volume of the Kardec series, which the translator has now the satisfaction of placing within the reach of English readers, treats of the experimental application of the theoretic principles laid down in The Spirits’ Book, the first volume of that series. Not only do these two books mutually elucidate each other, but each of them may be said to imply the other as its necessary complement.