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Klsp2018iema Broschuere.Indd
KLANGSPUREN SCHWAZ INTERNATIONAL ENSEMBLE MODERN ACADEMY IN TIROL. REBECCA SAUNDERS COMPOSER IN RESIDENCE. 15TH EDITION 29.08. – 09.09.2018 KLANGSPUREN INTERNATIONAL ENSEMBLE MODERN ACADEMY 2018 KLANGSPUREN SCHWAZ is celebrating its 25th anniversary in 2018. The annual Tyrolean festival of contemporary music provides a stage for performances, encounters, and for the exploration and exchange of new musical ideas. With a different thematic focus each year, KLANGSPUREN aims to present a survey of the fascinating, diverse panorama that the music of our time boasts. KLANGSPUREN values open discourse, participation, and partnership and actively seeks encounters with locals as well as visitors from abroad. The entire beautiful region of Tyrol unfolds as the festival’s playground, where the most cutting-edge and modern forms of music as well as many young composers and musicians are presented. On the occasion of its own milestone anniversary – among other anniversaries that KLANGSPUREN SCHWAZ 2018 will be celebrating this year – the 25th edition of the festival has chosen the motto „Festivities. Places.“ (in German: „Feste. Orte.“). The program emphasizes projects and works that focus on aspects of celebrations, festivities, rituals, and events and have a specific reference to place and situation. KLANGSPUREN INTERNATIONAL ENSEMBLE MODERN ACADEMY is celebrating its 15th anniversary. The Academy is an offshoot of the renowned International Ensemble Modern Academy (IEMA) in Frankfurt and was founded in the same year as IEMA, in 2003. The Academy is central to KLANGSPUREN and has developed into one of the most successful projects of the Tyrolean festival for new music. The high standards of the Academy are vouched for by prominent figures who have acted as Composers in Residence: György Kurtág, Helmut Lachenmann, Steve Reich, Benedict Mason, Michael Gielen, Wolfgang Rihm, Martin Matalon, Johannes Maria Staud, Heinz Holliger, George Benjamin, Unsuk Chin, Hans Zender, Hans Abrahamsen, Wolfgang Mitterer, Beat Furrer, Enno Poppe, and most recently in 2017, Sofia Gubaidulina. -
Roots & Origins
Sunday 16 December 2018 7–9.15pm Tuesday 18 December 2018 7.30–9.45pm Barbican Hall LSO SEASON CONCERT ROOTS & ORIGINS Brahms Violin Concerto Interval ROMANIAN Debussy Images Enescu Romanian Rhapsody No 1 Sir Simon Rattle conductor Leonidas Kavakos violin These performances of Enescu’s Romanian Rhapsody No 1 are generously RHAPSODY supported by the Romanian Cultural Institute 16 December generously supported by LSO Friends Welcome Latest News On Our Blog We are grateful to the Romanian Cultural BRITISH COMPOSER AWARDS MARIN ALSOP ON LEONARD Institute for their generous support of these BERNSTEIN’S CANDIDE concerts. Sunday’s concert is also supported Congratulations to LSO Soundhub Associate by LSO Friends, and we are delighted to have Liam Taylor-West and LSO Panufnik Composer Marin Alsop conducted Bernstein’s Candide, so many Friends with us in the audience. Cassie Kinoshi for their success in the 2018 with the LSO earlier this month. Having We extend our thanks for their loyal and British Composer Awards. Prizes were worked closely with the composer across important support of the LSO, and their awarded to Liam for his Community Project her career, Marin drew on her unique insight presence at all our concerts. The Umbrella and to Cassie for Afronaut, into Bernstein’s music, words and sense of a jazz composition for large ensemble. theatre to tell us about the production. I wish you a very happy Christmas, and hope you can join us again in the New Year. The • lso.co.uk/more/blog elcome to this evening’s LSO LSO’s 2018/19 concert season at the Barbican FELIX MILDENBERGER JOINS THE LSO concert at the Barbican. -
Wuorinen Printable Program
The University at Buffalo Department of Music and The Robert & Carol Morris Center for 21st Century Music present Celebrating Charles Wuorinen at 80 featuring Ensemble SIGNAL Brad Lubman, conductor Tuesday, April 24, 2018 7:30pm Lippes Concert Hall in Slee Hall PROGRAM Charles Wuorinen (b. 1938) iRidule Jacqueline Leclair, oboe soloist Spin 5 Olivia De Prato, violin soloist Intermission Megalith Eric Huebner, piano soloist PERSONNEL Ensemble Signal Brad Lubman, Music Director Paul Coleman, Sound Director Olivia De Prato, Violin Lauren Radnofsky, Cello Ken Thomson, Clarinet, Bass Clarinet Adrián Sandí, Clarinet, Bass Clarinet David Friend, Piano 1 Oliver Hagen, Piano 2 Karl Larson, Piano 3 Georgia Mills, Piano 4 Matt Evans, Vibraphone, Piano Carson Moody, Marimba 1 Bill Solomon, Marimba 2 Amy Garapic, Marimba 3 Brad Lubman, Marimba Sarah Brailey, Voice 1 Mellissa Hughes, Voice 2 Kirsten Sollek, Voice 4 Charles Wuorinen In 1970 Wuorinen became the youngest composer at that time to win the Pulitzer Prize (for the electronic work Time's Encomium). The Pulitzer and the MacArthur Fellowship are just two among many awards, fellowships and other honors to have come his way. Wuorinen has written more than 260 compositions to date. His most recent works include Sudden Changes for Michael Tilson Thomas and the San Francisco Symphony, Exsultet (Praeconium Paschale) for Francisco Núñez and the Young People's Chorus of New York, a String Trio for the Goeyvaerts String Trio, and a duo for viola and percussion, Xenolith, for Lois Martin and Michael Truesdell. The premiere of of his opera on Annie Proulx's Brokeback Mountain was was a major cultural event worldwide. -
Sir John Eliot Gardiner Les Nuits D'été
Sir John Eliot Gardiner Les nuits d’été «El llum et fa de sol i colra les pells tendres i madura les carns de les fruites que guardes.» Narcís Comadira Natura morta Programa Palau 100 DIMARTS 06.03.18 – 20.30 h Sala de Concerts London Symphony Orchestra Ann Hallenberg, mezzosoprano Sir John Eliot Gardiner, director I Part Robert Schumann (1810-1856) Obertura, scherzo i finale, op. 52 18’ Hector Berlioz (1803-1869) Les nuits d’été, op. 7 30’ Villanelle Le spectre de la rose Sur les lagunes: lamento Absence Au cimetière: clair de lune L’île inconnue II Part Robert Schumann Obertura de Genoveva, op. 81 10’ Robert Schumann Simfonia núm. 4, op. 120 (versió original de 1841) 24’ Andante con moto - Allegro di molto Romanza: Andante Scherzo: Presto Largo - Finale: Allegro vivace a l’octubre. Poc després de començar a esbossar- l’agost del 1850. De fet, les dues òperes van Schumann i Berlioz, lo, Schumann va assenyalar: “la propera simfonia sorgir en paral·lel durant el mateix període de es titularà «Clara» i la pintaré amb flautes, oboès temps. De Genoveva, només se’n varen fer tres i arpes”. De totes formes, seria un error buscar representacions. L’actitud adversa de la crítica romanticisme pur vestigis tangibles d’aquest retrat, o tractar de va fer desistir Robert Schumann de repetir mai detectar el nom de Clara amagat al teixit temàtic més una nova experiència operística. D’altra de la Simfonia, com han fet alguns crítics. La banda, Genoveva mai no ha estat popular entre primavera del 1841, tot allò que mirava o el públic, malgrat que, de tant en tant, s’ha escoltava el compositor, acabava associat a la recuperat i fins i tot enregistrat. -
1973-Iceland.Pdf
-----=ca=rn=-.....z:-c, wrn=-:- --. n ===N::ll:-cI - .. • ~ en Place I Monday, June 18 I Tuesday, June 19 I Wednesday, Ju'!e 20 I I Thursday, June 21 I Friday, June 22 I Saturday, June 23 1 Sunday, June 24 10.00--12.00 10.00-12.00 10.00-12.00 Hotel General Assembly General Assembly General Assembly Loftleidir (if necessary) 14.00- 16.00 14.00-16.00 General Assembly General Assembly 12.00 Lvric Arts Trio Charpentier: --- The Symphony --- Nordic 17.00 17.00 22.00 House Norwegian Wood- Harpans Kraft Nonvegian jazz Wind Quintet from Sweden Bibalo, Berge, Salmenhaara, W elin, Mortensen, Nordheim - - -·- [_____ - 20.30 20.00 17.00 14.00 14.00 14.00 Miklatun Reception Tenidis, Kopelent TapeMusic Tape Music Tape Music Tape Music T6masson, Hall- Gilboa, Schurink grlmsson, Leifs Lambrecht, 20.00 20.00 17.00 Benhamou, Kim, Lyric Arts Trio German Trio Gaudeamus Tokunaga, Ishii, Doh!, Quartet Thommesen Zender, de Leeuw I Zimmermann, Raxach I Karkoschka, I Lutoslawski Haubenstock- Ramati, Hoffmann I I ---- --- -- - ' Exhibition of scores sent in by sections daily, at Miklatun --- - ISCM --- --- -- Hask6\abi6 21.00 Iceland Symphony Orchestra ThorarinssQn, Mallnes, Stevens, Endres, Gentilucci, Lachenmann, Krauze - - - - - -- -- -- ~ -- - State 17.00 Radio Icelandic Music on Tape - - - --- - --- -- Arnes Recital: Aitken/ Haraldsson I The President of the ISCM The President of the Icelandic Section In whatever way the 1973 Music Day may enter the history of It is a great pleasure for the Icelandic Section of the ISCM the ISCM, surely it will be remembered as the most Northern to receive the delegates of the sister organisations to the General point ever reached by the Society. -
Operaharmony
#OPERAHARMONY CREATING OPERAS IN ISOLATION 1 3 WELCOME TO #OPERA HARMONY FROM FOUNDER – ELLA MARCHMENT Welcome to #OperaHarmony. #Opera Harmony is a collection of opera makers from across the world who, during this time of crisis, formed an online community to create new operas. I started this initiative when the show that I was rehearsing at Dutch National Opera was cancelled because of the lockdown. Using social media and online platforms I invited colleagues worldwide to join me in the immense technical and logistical challenge of creating new works online. I set the themes of ‘distance’ and ‘community’, organised artist teams, and since March have been overseeing the creation of twenty new operas. All the artists involved in #OperaHarmony are highly skilled professionals who typically apply their talents in creating live theatre performances. Through this project, they have had to adapt to working in a new medium, as well as embracing new technologies and novel ways of creating, producing, and sharing work. #OperaHarmony’s goal was to bring people together in ways that were unimaginable prior to Covid-19. Over 100 artists from all the opera disciplines have collaborated to write, stage, record, and produce the new operas. The pieces encapsulate an incredibly dark period for the arts, and they are a symbol of the unstoppable determination, and community that exists to perform and continue to create operatic works. This has been my saving grace throughout lockdown, and it has given all involved a sense of purpose. When we started building these works we had no idea how they would eventually be realised, and it is with great thanks that we acknowledge the support of Opera Vision in helping to both distribute and disseminate these pieces, and also for establishing a means in which audiences can be invited into the heart of the process too . -
06 20 PROGRAM FULL PAGE.Pdf
About the festival The New Music For Strings Festival (NMFS) is delighted to announce the launch of its second annual season from June 21 to July 1, 2017. Hosted by Stony Brook University in 2017, NMFS brings together performers and composers of contemporary classical music from across the Atlantic. NMFS showcases a roster of world-class musicians, ranging from members of the Grammy Award- winning Emerson String Quartet to faculty from Stony Brook University (NY) and Royal Academy of Music in Aarhus, Denmark. Resident faculty and artists of NMFS 2017 will be showcased alongside accomplished student participants that include graduate students from top conservatories and universities in the U.S. and Europe. The 10-day festival features fourteen events—including six concerts, three masterclasses, five lectures and a composition pre-festival workshop for high-school students. The season will culminate with a tour de force festival performance at Carnegie Hall’s Weill Recital Hall, which will highlight the full roster of 27 festival artists from America and Scandinavia. As the first festival concept of its kind in the world, NMFS seeks to explore the intersections between string playing and composition. NMFS boasts an elite artist faculty for participants to work with, many of whom have established themselves as leaders in their field in the dual role of performer-composer. By highlighting this intersectional perspective throughout the festival, NMFS offers a variety of lectures, masterclasses and concerts on the dynamic interactions between these two intertwined fields of creation and interpretation. Music has the power of bridging cultures and enlightening minds. NMFS is dedicated to sustaining and enriching the vibrant classical music community in Long Island. -
Danish String Quartet Denver February 13, 2017
FREDERIK ØLAND, VIOLIN RUNE TONSGAARD SØRENSEN, VIOLIN ASBJØRN NØRGAARD, VIOLA FREDRIK SCHØYEN SJÖLIN, CELLO DANISH STRING QUARTET DENVER FEBRUARY 13, 2017 LUDWIG VAN Quartet No. 2 in G major, Op. 18, no. 2 BEETHOVEN Allegro (1770-1827) Adagio cantabile Scherzo: Allegro Allegro molto, quasi presto ALFRED Quartet No. 3 SCHNITTKE Andante (1934-1998) Agitato Pesante INTERMISSION BEETHOVEN Quartet in B-flat major, Op. 130, no. 13 Adagio ma non troppo Presto Andante con moto ma non troppo Alla danza tedesca: Allegro assai Cavatina: Adagio molto espressivo Finale: Grosse Fuge, Op. 133 FREDERIK ØLAND DANISH STRING QUARTET violin RUNE TONSGAARD Embodying the quintessential elements of a fine chamber SØRENSEN music ensemble, the Danish String Quartet has established violin a reputation for their integrated sound, impeccable ASBJØRN NØRGAARD intonation, and judicious balance. Since making their debut viola in 2002 at the Copenhagen Festival, the musical friends have demonstrated a passion for Scandinavian composers, FREDRIK SCHØYEN who they frequently incorporate into adventurous SJÖLIN contemporary programs, while also giving skilled and cello profound interpretations of the classical masters. The New York Times selected the quartet’s concerts as highlights of the season during their Chamber Music Society of Lincoln Center Two Residency, and in February 2016 they received the Borletti Buitoni Trust provided to support outstanding young artists in their international endeavors, joining an illustrious roster of past recipients. The Danish String Quartet’s 2016-2017 season includes debuts at the Edinburgh Festival and Zankel Hall at Carnegie Hall. In addition to over thirty North American engagements, the quartet’s robust international schedule takes them to their home country, Denmark, as well as throughout Germany, Austria, the United Kingdom, Poland, Israel, as well as Argentina, Peru, and Colombia. -
The Guardian's Best Classical Music Works of the 21St Century
04/05/2020 The best classical music works of the 21st century | Music | The Guardian The best classical music works of the 1st century Over the coming week, the Guardian will select the greatest culture since 2000, carefully compiled by critics and editors. We begin with a countdown of defining classical music compositions, from Xrated opera to hightech string quartets • Read an interview with our No1 choice by Andrew Clements, Fiona Maddocks. John Lewis, Kate Molleson, Tom Service, Erica Jeal and Tim Ashley Main image: From left: The Tempest, The Minotaur, L’amour de loin, Hamlet Thu 12 Sep 2019 17.20 BST 25 Jennifer Walshe XXX Live Nude Girls 2003 Jennifer Walshe asked girls about how they played with their Barbie dolls, and turned the confessionals into an opera of horrors in which the toys unleash dark sex play and acts of mutilation. Walshe is a whiz for this kind of thing: she yanks off the plastic veneer of commercial culture by parodying then systematically dismembering the archetypes. KM Read our review | watch a production from 2016 BIFEM 24 John Adams City Noir 2009 Adams’s vivid portrait of Los Angeles, as depicted in the film noir of the 1940s and 50s, is a three-movement symphony of sorts, and a concerto for orchestra, too. It’s an in-your-face celebration of orchestral virtuosity that references a host of American idioms without ever getting too specific. It’s not his finest orchestral work by any means (those came last century), but an effective, extrovert showpiece. AC Read our review | Listen on Spotify https://www.theguardian.com/music/2019/sep/12/best-classical-music-works-of-the-21st-century 1/10 04/05/2020 The best classical music works of the 21st century | Music | The Guardian Immediate … the Sixteen and Britten Sinfonia perform Stabat Mater, conducted by Harry Christophers. -
Eighteen Reflections on Icelandic Folksongs
Eighteen Reflections on Icelandic Folksongs • Arrangements for piano students by Ríkharður Örn Pálsson • Most of the songs are from the monumental collections of Icelandic folksongs by Bjarni Þorsteinsson • Music example : “Approach of Autumn” – a well known tune in Iceland A Journey through the history of Icelandic traditional and classical music Music life and population in 1840 and 2015 1840 2016 • Population: • Population: • Iceland 56.000 • Iceland 330.000 • Reykjavík 890 • Reykjavík and surrounding • Hardly any instruments, musicians or municipalities 220.000 teachers • Thousands of concerts, festivals all • The first pipe organ was put in around the country, two symphony Reykjavík Cathedral in 1840 orchestras, icelandic opera company,... • 76.000 went to listen to a • First organist in the Cathedral and one Symphony orchestra in 2014 main piano teacher • 80 music schools, 15.000 students, • Three families moved to Reykjavík 600 music teachers, Iceland Academy who had a fortepiano in 1837 of the Arts, ... What happened in the last 150 years ? Lúðurþeytarafélag Reykjavíkur 1876 Icelandic symphony orchestra 2015 What kind of music was practiced in 870-1870 ? Rímur – Rhymes Söngvadansar – Singing ballads • Singing ballads came from Scandinavia in the 12th century and are mentioned in the medieval nordic litterature • Rhymes are old nordic folk poetry from the 14th century • An epic poem written in any of the so-called rímnahættir ("rímur meters"). • They are rhymed, they alliterate and consist of two to four lines per stanza. • Singing ballads in 40-50 four line stanzas • More than 2000 different types Rhymes and Vikivaki • Rhymes are recited and the tune to a rhyme is called „stemma“, „rímnalag“ or „bragur“ • “rímnalag” – ballad song • “bragur” - melody • Sung at weddings and festivities. -
Opera & Ballet 2017
12mm spine THE MUSIC SALES GROUP A CATALOGUE OF WORKS FOR THE STAGE ALPHONSE LEDUC ASSOCIATED MUSIC PUBLISHERS BOSWORTH CHESTER MUSIC OPERA / MUSICSALES BALLET OPERA/BALLET EDITION WILHELM HANSEN NOVELLO & COMPANY G.SCHIRMER UNIÓN MUSICAL EDICIONES NEW CAT08195 PUBLISHED BY THE MUSIC SALES GROUP EDITION CAT08195 Opera/Ballet Cover.indd All Pages 13/04/2017 11:01 MUSICSALES CAT08195 Chester Opera-Ballet Brochure 2017.indd 1 1 12/04/2017 13:09 Hans Abrahamsen Mark Adamo John Adams John Luther Adams Louise Alenius Boserup George Antheil Craig Armstrong Malcolm Arnold Matthew Aucoin Samuel Barber Jeff Beal Iain Bell Richard Rodney Bennett Lennox Berkeley Arthur Bliss Ernest Bloch Anders Brødsgaard Peter Bruun Geoffrey Burgon Britta Byström Benet Casablancas Elliott Carter Daniel Catán Carlos Chávez Stewart Copeland John Corigliano Henry Cowell MUSICSALES Richard Danielpour Donnacha Dennehy Bryce Dessner Avner Dorman Søren Nils Eichberg Ludovico Einaudi Brian Elias Duke Ellington Manuel de Falla Gabriela Lena Frank Philip Glass Michael Gordon Henryk Mikolaj Górecki Morton Gould José Luis Greco Jorge Grundman Pelle Gudmundsen-Holmgreen Albert Guinovart Haflidi Hallgrímsson John Harbison Henrik Hellstenius Hans Werner Henze Juliana Hodkinson Bo Holten Arthur Honegger Karel Husa Jacques Ibert Angel Illarramendi Aaron Jay Kernis CAT08195 Chester Opera-Ballet Brochure 2017.indd 2 12/04/2017 13:09 2 Leon Kirchner Anders Koppel Ezra Laderman David Lang Rued Langgaard Peter Lieberson Bent Lorentzen Witold Lutosławski Missy Mazzoli Niels Marthinsen Peter Maxwell Davies John McCabe Gian Carlo Menotti Olivier Messiaen Darius Milhaud Nico Muhly Thea Musgrave Carl Nielsen Arne Nordheim Per Nørgård Michael Nyman Tarik O’Regan Andy Pape Ramon Paus Anthony Payne Jocelyn Pook Francis Poulenc OPERA/BALLET André Previn Karl Aage Rasmussen Sunleif Rasmussen Robin Rimbaud (Scanner) Robert X. -
Radio 3 Listings for 2 – 8 January 2016 Page 1
Radio 3 Listings for 2 – 8 January 2016 Page 1 of 10 SATURDAY 02 JANUARY 2016 4:12 AM also for the highly emotional atmosphere of its themes of fate, Bach, Johann Sebastian (1685-1750) despair and heroic triumph over adversity. SAT 01:00 Through the Night (b06sb9qq) Fürchte dich nicht, ich bin bei dir (BWV.228) Jonathan Swain introduces a 2013 BBC Prom given by the Tafelmusik Chamber Choir, Tafelmusik Baroque Orchestra, 1030 Giuseppe Verdi Orchestra of Milan and tenor Joseph Calleja. Ivars Taurins (conductor) As part of New Year New Music, David Owen Norris and Sara Mohr-Pietsch join Andrew to discuss new releases of modern 1:01 AM 4:21 AM and contemporary music, including works by Saariaho, Verdi, Giuseppe [1813-1901] Pärt, Arvo (b. 1935) Martland, Feldman and Ferneyhough. Overture to La Forza del destino Spiegel im Spiegel Orchestra Sinfonica di Milano Giuseppe Verdi; Xian Zhang Morten Carlsen (viola), Sergej Osadchuk (piano) 1140 (conductor) Andrew plays an exciting new release as his Disc of the Week. 4:28 AM 1:09 AM Moniuszko, Stanislaw [1819-1872] Verdi, Giuseppe [1813-1901] Introduction to Act III & Dances of the Highlanders from SAT 12:15 Composer of Tomorrow (b06tgsyg) From Attila, Act 3: 'Oh dolore! ed io vivia' Halka (original vers.) Composer Robert Saxton gives a masterclass to two young Joseph Calleja (tenor); Orchestra Sinfonica di Milano Giuseppe Polish Radio Symphony Orchestra; Lukasz Borowicz composers, Cydonie Banting and Sebastian Black. Verdi; Xian Zhang (conductor) (conductor) Robert Saxton has selected pieces of music he thinks young 1:13 AM 4:36 AM composers should listen to and explains why, with the help of Verdi, Giuseppe [1813-1901] Glinka, Mihail Ivanovic (1804-1857) presenter Sarah Walker.