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Líneas Actuales De Investigación En Paleoarte Interacción Líneas Actuales de Investigación en Paleoarte i Líneas Actuales de Investigación en Paleoarte ii Líneas Actuales de Investigación en Paleoarte Líneas Actuales de Investigación en Paleoarte Marco Ansón Ramos, Marta Pernas Hernández, Rafael Menéndez Muñiz, Pedro Alberto Saura Ramos. (Editores) iii Líneas Actuales de Investigación en Paleoarte © Todas las imágenes que aparecen en este volumen pertenecen a sus autores, quienes han decidido incluirlas en este trabajo. Los derechos sobre las imágenes son de sus respectivos autores y cualquier intención de uso o exhibición de las mismas debe ser acordada con el autor original de la obra. Se permite la distribución libre de este volumen y los trabajos contenidos siempre que se respeten los derechos de autoría y la no extracción de las imágenes en él contenidas. © La autora del logo original del I Encuentro de Paleoarte, Isabella Jones ([email protected]) Maquetación: Marta Pernas Hernández Colabora: Departamento de Dibujo II, Facultad de Bellas Artes, Universidad Complutense de Madrid Referecia: Ansón, M., Pernas Hernández, M., Menéndez Muniz, R. & Saura Ramos, P. A. (Eds) 2016. Líneas Actuales de Investigación en Paleoarte, 146 pp, Madrid. Ejemplo de cita: San Juan Palacios, R. 2016.La transformación de un icono: evolución de la representación científica del Tyrannosaurus rex a lo largo del tiempo. En: Líneas Actuales de Investigación en Paleoarte (Ansón, M., Pernas Hernández, M., Menéndez Muniz, R. & Saura Ramos, P. A. Eds), 146 pp., Madrid, España. ISBN: 978-84-617-5478-6 iv Líneas Actuales de Investigación en Paleoarte Comité Organizador Marco Ansón Ramos (Universidad Complutense de Madrid, PMMV) Ángela Benitez Setién (Universidad Complutense de Madrid) Isabella Jones (Universidad Complutense de Madrid) Rafael León (Universidad Complutense de Madrid) Paula Marcos Gutiérrez (UCM) Cristina Medina Vílchez (UCM) Rafael Menéndez Muñiz (Departamento de dibujo II UCM) María Pérez Pacheco (UCM) Marta Pernas Hernández (UCM) Pedro Saura Ramos (Departamento de dibujo II UCM) Colaboradores: Acciones Complementarias Facultad de Bellas Artes Universidad Complutense de Madrid Decanato Facultad de Bellas Artes Universidad Complutense de Madrid Grupo de Biología Evolutiva Facultad de Ciencias Universidad Nacional de Educación a Distancia Comité Honorífico: Mauricio Antón Mark Hallett Ramón López v Líneas Actuales de Investigación en Paleoarte Comité Científico y Evaluador: Dr. Juan Abella (Universidad Estatal de la Península de Santa Elena), Ecuador Marco Ansón (Universidad Complutense de Madrid), España Raquel Asiaín Román (Universidad Complutense), España Dra. Xana Álvarez Kahle (Universidad Complutense de Madrid), España Mauricio Antón (Museo Nacional de Ciencias Naturales), España Mattia Baiano ( Museo Carmen Funes), Argentina Josep Francesc Bisbal-Chinesta (IPHES- Institut Català de Paleocologia Humana i Evolució Social), España Alejandro Blanco (Institut Català de Paleontologia Miquel Crusafont), España Candela Blanco (Universidad Autónoma de Madrid), España Elena Cuesta Fidalgo (Universidad Autónoma de Madrid), España Dra. Soledad Domingo (Universidad Complutense de Madrid), España Dr. Fernando Escaso (Universidad Nacional de Educación a Distancia) España Humberto Ferrón (Universidad de Valencia), España Dr. Omid Fesharaki (Universidad Complutense de Madrid), España Borja Holgado Palacios (Museu Nacional/Universidade Federal do Rio de Janeiro), Brasil Daniel Hontecillas Tamayo (Museo Nacional de Ciencias Naturales), España Dr. Josep Fortuny (Institut Català de Paleontologia Miquel Crusafont ), España Patricia García Castañar (Centro de Formación Cice) Dr. Francesc Gascó, España Dr. Manuel Hernández Fernández (PMMV, Universidad Complutense de Madrid), España Dr. Hugo Martín Abad (Universidad Autónoma de Madrid/ Jurassica Museum), España/Suiza Dr. Rafael Menéndez Muñiz (Universidad Complutense de Madrid), España Guillermo Navalón (University of Bristol - Universidad Autónoma de Madrid), Reino Unido vi Líneas Actuales de Investigación en Paleoarte Dr. Francisco Ortega (Universidad Nacional de Educación a Distancia), España Mariano Padilla Cano (Universidad Complutense de Madrid), España Sergio Pérez (Universidad Complutense de Madrid), España Dr. Jonathan S. Pelegrin Ramírez (Universidad Antonio José Camacho), Colombia Marta Pernas Hernández (Universidad Complutense de Madrid), España Marta Plaza Beltrán (Universidad Complutense de Madrid), España Javier Ramírez Serrano (Universidad Complutense de Madrid), España Guillermo Rey (Fundación Conjunto Paleontológico de Teruel-Dinópolis), España Dr. Pedro Alberto Saura Ramos (Universidad Complutense de Madrid), España Dr. Oscar Sanisidro (Museo Nacional de Ciencias Naturales - CSIC), España Mar Simonet Roda (Ludwig-Maximilians-Universität München), Alemania Daniel Vidal (Universidad Autónoma de Madrid), España vii Líneas Actuales de Investigación en Paleoarte Índice PRESENTACIÓN 1 EXPOSICIÓN: Paleoarte, una retrospectiva 2 COMITÉ HONORÍFICO: Mauricio Antón……………………………………………...…………………… 6 Ramón López………….……………………………………...……………......... 8 Mark Hallett...……………………………………………...……………………. 9 CONFERENCIAS: El Paleoartista Perplejo Mauricio Antón………………………………...………………………………… 14 Paleoescultura, una trayectoria Ramón López…………………………………………………………………….. 18 TRABAJOS PRESENTADOS: Importancia de la paleobotánica en las reconstrucciones paleoambientales Oscar Sanisidro & Eduardo Barrón………………………………………………. 20 Paleoart reconstruction of the environment and fauna from La Cinta-Portalitos, late Pleistocene Michoacán, Mexico Marco Ansón & Alejandro H. Marín-Levya……………..……………………… 24 Reconstrucción filogenética y paleoartística de los Paleomerycidae (Mammalia, Cetartiodactyla, Ruminantia): el caso de Xenokeryx amidalae Sánchez, Cantalapiedra, Ríos, Quiralte & Morales, 2015 Israel M. Sánchez………………………………………………………………… 31 Reconstrucción de Deinonychusantirrhopus como adulto terrestre y juvenil con capacidad para el vuelo. Pedro José Salas Fontelles……………..…………………………………………. 37 viii Líneas Actuales de Investigación en Paleoarte Trayendo a la vida a Morelladon beltrani: aciertos y fallos en la reconstrucción de un nuevo dinosaurio ornitópodo del Cretácico Inferior de Castellón (España) Carlos de Miguel Chaves, Eloy Manzanero, Fernando Escaso & Francisco Ortega…… 45 The importance of ecomorphological inferences on palaeoartistic reconstructions: Dunkleosteus terrelli as a case of study Hugo Salais, Humberto G. Ferrón, Carlos Martínez Pérez & Héctor Botella…… 51 Ilustración científica de Plithocyon ursinus mediante la técnica de polvo de grafito Cristina Sausor & Daniel Hontecillas…………………………………………………… 56 Paleorreconstrucción osteológica del cráneo de Lohuecosuchus megadontos (Crocodyliformes, Eusuchia. Cretácico Superior). Eloy Manzanero, David Martín-Perea, Daniel Vidal, Iván Narváez & Francisco Ortega… 63 Paleogeomorfología y registro paleoflorístico en la paleorreconstrucción artística de los yacimientos de Somosaguas Eloy Manzanero, Daniel Alonso-Torres, David Martín-Perea & Omid Fesharaki…….. 70 A proposed methodology for the use of geological studies and geographic information systems (GIS) in extensive paleolandscape depictions David Manuel Martín-Perea & David Uribelarrea……………………………….......... 78 Estudio preliminar sobre los Paleoartistas, un análisis a través de internet Iris Menéndez & Rafael Menéndez Muñiz……………………………………………. 84 Paleoarte, trayectoria y compromisos Ángela D. Buscalioni... ………………………………………………………………… 91 El paleoarte como herramienta de difusión de la ciencia y su aplicación al marketing turístico: La ruta de los Dinosaurios de Cuenca Sonia Martínez Bueno, Fátima Marcos-Fernández, Francisco P. de Ledesma, Ana Parra, Irene Prieto & Francisco Ortega………..………………………………………………………... 94 La transformación de un icono: evolución de la representación científica del Tyrannosaurus rex a lo largo del tiempo Raúl San Juan Palacios…………....…………………………………………...…. 102 Building DinoScience 3D: paleoart, science and education Daniel Vidal Calés, Javier Bollaín, Francisco Ortega & José Luis Sanz ………………. 108 ix Líneas Actuales de Investigación en Paleoarte Evolución de la representación de Dromaeosauridae en el paleoarte y la cultura popular Raúl San Juan Palacios & Marco Ansón……………………………………....…….. 113 Los pterosaurios y su representación popular Cristina Medina Vilchez.……………………………………………………….…….. 120 Evolución estética del Tyrannosaurus rex a lo largo de la historia Paula Marcos Gutierrez…………………………………………………………... 126 El mamut lanudo: la evolución de su representación artística María Pérez Pacheco……………………………………………………………... 131 Paleoarte en el MAN: El apoyo visual en las exposiciones museísticas Ángela Benitez Setién…………………………………………………………… 137 x Líneas Actuales de Investigación en Paleoarte Presentación El Primer Encuentro de Paleoarte, celebrado del 9 al 11 de marzo, es un Congreso único, resultando el primero de sus características en ser celebrado.Paleoarte es aquella manifestación artística original que pretende representar o reconstruir la vida del pasado de acuerdo a las evidencias científicas y conocimiento contemporáneo en el momento de generar la obra. Nos sentimos muy satisfechos de haber contado con tanta diversidad de trabajos de investigación, que han utilizado y visto en el Paleoarte una herramienta indispensable para poder ―devolver a la vida‖ no sólo a criaturas pretéritas, sino también, realizar reconstrucciones paleoambientales. Para este Encuentro hemos tenido la inmensa fortuna de contar con tres de los autores más relevantes a nivel mundial, que han conformado
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