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Curriculum Vitae and List of Publications Date: 3.9.19 Curriculum Vitae 1. Personal Data ד"ר הניה רוטנברג :Name in Hebrew Name in English: Henia Rottenberg Ph.D E-Mail: [email protected] 2. Education Certificates and Degrees Education Institute Department From - To First Degree University of Haifa General studies 1994-1996 SecondTh Degree University of Dance Studies 1996-1997 Surrey, UK Third Degree University of Dance Studies 1998-2004 Surrey, UK 3. Title of Master's Thesis: Rami Be’er – A Political Choreographer Supervisor: Dr. Sophia Preston Title of Doctoral Thesis: Hybrid Relationships between Dance and Painting: A Close Examination of Lea Anderson’s The Featherstonehauhgs Draw on the Sketch Books of Egon Schiele (1998) Supervisor: Professor Janet Lansdale and Dr. Sophia Preston 4. Academic Ranks Rank % Position From - To Institute Adjunct senior 66% Oct 2011-2019 Western Galilee lecturer, College Head of Dance-theatre program 5. Research Grants From-To Funding Agency Title of Amount Names of Research Research Partners 2008 Kibbutzim Movement NIS College of lexicon and 10,000 Education syntax Syntax of the Inbalite Dance Language 2015-2018 Mifal Ha’pais Conflict in NIS Dr. Dina Roginsky dance: 55,000 Jewish Arabs relationship s in Israeli dance 6. Active Participation in Conferences (Only from 2001) 2004 - Eroticism or Pornography? Lea Anderson and The Featherstonehaugs Draw on the Sketch Books of Egon Schiele. Interdisciplinary Landscapes: Postfeminist Practices in the Arts, University College Northampton, UK, p. 28. 2008 - Drawing out the Connections between the Past and the Present. Looking Back/Moving Forward, in Society of Dance History Scholars, Skidmore College, Saratoga Springs, NY. 2010- Critical junctures in spectator/performer interactions in contemporary dance. Dance & Spectacle. Society of Dance History Scholars, University of Surrey, UK. 2013- The interplay between creating Hebrew culture in the British Mandate of Palestine and the dance of Yardena Cohen. Dance ACTions – Traditions and Transformations, Society of Dance History Scholars & NOFOD, Norwegian University of Science and Technology in Trondheim, Norway. 2015- Batsheva Dance Company – Studying and Dancing Graham Style. Jewish Arts: Jewish/American/Israeli: Intertwined Identities. Conney Conference University of Wisconsin-Madison. University of Southern California. 2017 – The Jewishness of Israeli Theatrical Dance. Is there a Jewish art (Yet)? Conney Conference on Jewish Arts. University of Wisconsin-Madison. 2018 – Artistic Activism: Politics and Dance in the Work of Rami Be’er and Arkadi Zaides. Contra: Dance & Conflict. Dance Studies Association. University of Malta. 7. Positions Held From-To Institute Position % Position 2000-2007 University of haifa Dance teacher 2010-2011 Master’s degree in lecturer 40% Creative Art Therapies, Univ. of Haifa 2004-Today Kibbutzim college lecturer 33.3% of education 8. Additional Professional Experience (Public Positions) 2000-2008 Member of Dance Repertoire Committee, Sal Tarbut, Ministry of Education 2004-2005 Deputy Editor of Dance Today, the Dance Magazine of Israel 2004-2006 Member of Dance Repertoire Committee, Omanut La’am 2008-2010 Co-Editor of Dance Today, the Dance Magazine of Israel 2008 -2011 Initiator and a steering committee member of the project - Sarah Levi-Tanai, a collaboration between the Dance School of Kibbutzim College of Education and Inbal Dance Theater (include: Inbalite style workshops, courses, lectures, and seminars) 2008 - 2017 Member of the Society of Dance History Scholars 2011 Committee member of the Selma Jeanne Cohen Award for Students for the Society of Dance History Scholars 2012 - Today Founder & committee member of the Israeli Society for Dance Research 2013 Member of the Ministry of Culture and Sport Prize committee for artistic judgment of dance choreography 9. Scientific Areas of Specialization Relationships between dance and painting, dance in Israel, dance and politics in Israel, dance analysis Publications Henia Rottenberg Ph.D A. Refereed Publications Books (as Editor) 1. Rottenberg, H. & Roginsky D. (Eds.) (2009). Dance Discourse in Israel. Tel Aviv: Resling. [Hebrew] 2. Rottenberg, H. & Roginsky D. (Eds.) (2015). Sara Levi-Tanai: A Life of Creation. Tel Aviv: Resling. [Hebrew] 3. Rottenberg, H. & Roginsky, D. (Eds.) (2018). Conflict in Dance: Jewish-Arab Relationships in Israeli Dance. Tel Aviv: Resling. [Hebrew] Articles and chapters in Books 1. Rottenberg, H. (2008). Lea Anderson, Dancing and Drawing the Past into the Present. In: Janet Lansdale (Ed.), Decentring Dancing Texts: The Challenge of Interpreting Dance. Palgrave and Macmillan, pp. 143-159. 2. Rottenberg, H. (2009). Oyster: The Enigma of the Pearl. In: Henia Rottenberg & Dina Roginsky (Eds.), Dance Discourse in Israel. Tel Aviv: Resling, pp. 321-350. [Hebrew] 3. Rottenberg, H. (2015). The Inbalite Language: The Creation of Sara Levi- Tanai. In: Henia Rottenberg & Dina Roginsky (Eds.), Sara Levi-Tanai: A Life of Creation. (pp. 251-280). Tel Aviv: Resling. [Hebrew] 4. Rottenberg, H. (2018). “Artistic Activism: Politics and Dance in the Works of Rami Be’er and Arkadi Zaides”. In: Henia Rottenberg & Dina Roginsky (Eds.), Points of Contact: Dance, Politics and Jewish-Arab Relations in Israel, Tel Aviv: Resling, pp. 185-216. [Hebrew] Articles in Periodicals 5. Rottenberg, H. (2012). Intersecting Looks: Performers and Spectators in Noa Dar’s Tetris (2006). Israeli Sociology, 13 (2): 401-418. [Hebrew] 6. Rottenberg, H. (2013) Anna Sokolow: A Seminal Force in the Development of Theatrical Dance in Israel. Dance Chronicle. 36 (1): 36-58. 7. Rottenberg, H. (2017) Yardena Cohen - Creating Hebrew Dance in the British Mandate of Palestine. Israeli Affairs, 23 (6): 1024-1042. 8. Rottenberg, H. (2018) Batsheva Dance Company: Learning and Dancing Graham. Dance Chronicle, 41 (1): 51-77. Accepted for publication Books (as editor) 1. Rottenberg, H. & Roginsky, D. (Eds.) Moving through Conflict: Dance and Politics in Israel. London & New York: Routledge. [Due: 2019] 2. Rottenberg, H. (Ed.) Bat-Dor Dance Company. Tel Aviv: Resling [Hebrew, Due: 2020] Articles 3. Rottenberg. H. Bat-Dor Dance Company: Promises for a new stylistic horizon. In H. Rottenberg (Ed.) Bat-Dor Dance Company. Tel Aviv: Resling [Hebrew, due: 2020] Review of Books in Periodicals 1. Rottenberg, H. (2011). A Journey through Palestinian Dance, Raising Dust: a Cultural History of Dance in Palestine by Nicholas Rowe. Dance Chronicle, 34(2), 306-310. 2. Rottenberg, H. (2014). Dancing and Creating Hebrew National Culture, Embodying Hebrew Culture by Aesthetics, Athletics, and Dance in the Jewish Community of the Mandate Palestine by Nina Spiegel. Dance Chronicle, 37(2), 263-266. B. Non-refereed Publications 1. Rottenberg, H. (1993). The Art of Dance in Hong Kong. Israel Dance, 2, pp. 30-32. [Hebrew] 2. Rottenberg, H. (1994). Chinese on Pointe. Israel dance, 4, pp. 36-39. [Hebrew] 3. Rottenberg, H. (1996). The Ga’aton School – Something Unique. Israel Dance, 9, pp. 101-103. [Hebrew] 4. Rottenberg, H. (1997). Gaite Israelienne – Jewish Joy in Rambert dance Company. Israel Dance, 11, pp. 18-19. [Hebrew] 5. Rottenberg, H. (1998). Rami Be’er’s Dance Props. Israel Dance, 13, pp. 16- 21. [Hebrew] 6. Rottenberg, H. (2000). Between Abstraction and Expression – the Choreography of Rami Be’er. Dance Today, 1, pp. 12-17. [Hebrew] 7. Rottenberg, H. (2000). Mechanized Puppets and Virtual Spaces – Effects of Technical Changes on Dance from Coppelia to Virtual Reality. Dance Today, 2, pp. 14-17. [Hebrew] 8. Rottenberg, H. (2000). A Surrender to Impressions – About the New World Dance Festival in London. Dance Today, 2, pp. 44-47. [Hebrew] 9. Rottenberg, H. (2000). Ground Breading Dance – Perusal of Selected Works by Lea Anderson. Dance Today, 3, pp. 43-47. [Hebrew] 10. Rottenberg, H. (2001). Fokine’s Third Sex – Modern Readings in “Le Spectre de la Rose”. Dance Today, 4, pp. 27-31. [Hebrew] 11. Rottenberg, H. (2002). Relations between the Arts. Dance Today, 7, pp. 36-41. [Hebrew] 12. Rottenberg, H. (2002). All the Options within One Totality – An Interview with Rami Be’er. Dance Today, 9, pp. 25-27. 13. Rottenberg, H. (2003). A non-Nostalgic View of Egon Schiele. Dance Today, 10, pp. 22-26. [Hebrew] 14. Rottenberg, H. (2005). Text Adaptation – The Rite of Spring be Emanuel Gat. Dance Today, 12, pp. 35-39. [Hebrew] 15. Rottenberg, H. (2005). The Present Body and the Body’s Presence: Three by Ohad Naharin. Dance Today, 13, pp. 35-39. [Hebrew] 16. Rottenberg, H. (2007). Hypocrisy Goes on and On: Political Dissent as Expressed in Dance. Kaveret, 14, pp. 48-51. [Hebrew] 17. Rottenberg, H. (2008). White Noise – Ecological dance By Vertigo Dance Company. Dance Today, 14, pp. 8-11. [Hebrew] 18. Rottenberg, H. Gevanim Bemachol – Shades of Dance, 2009. Dance Today, 16, pp. 35-37. [Hebrew] 19. Rottenberg, H. (2009). Fringes at the Center – “Tetris” at the Center by Noa Dar. Dance Today, 16, pp. 55-59. 20. Rottenberg, H. (2011). Ohad Naharin. Entry in: Martha Bremser., & Lorna Sanders (Eds.), Fifty Contemporary Choreographers (pp. 291-296). London: Routledge. 21. Rottenberg, H. (2013). Re-engagement in the Art of Dance: A Two-Room Apartment by Niv Schenfeld and Oren Laor. Dance Today, 24, pp. 9-11. [Hebrew]* 22. Rottenberg, H. (2013) Gertrud Kraus. The Routledge Encyclopedia of Modernism. UK: Routledge. https://www.rem.routledge.com/articles/kraus- gertrud-1901-1977 Scientific editing of a series of dance books translated into Hebrew 1. Cohen, S. J. (Ed.). (2010) Dance as a Theatre Art: Source Readings in dance History from 1581 to the Present. Trans. Niv Savariego, Scientific Editing: Aldor, G., Rottenberg, H., Lana Iris. Ramat Ha’Sharon: Asia. 2. Banes, S. (2010). Terpsichore in Sneakers. Trans. Niv Savariego, Scientific Editing: Aldor, G., Rottenberg, H., Lana Iris. Ramat Ha’Sharon: Asia. 3. Servos, N. (2012). Pina Bausch Tanztheater. Trans: Aya Breuer, Scientific Editing: Aldor, G., Rottenberg, H., Lana Iris. Ramat Ha’Sharon: Asia. 4. Garafola, L. (2012). Diaghilev’s Ballets Russes. Trans. Niv Savariego, Scientific Editing: Aldor, G., Rottenberg, H., Lana Iris. Ramat Ha’Sharon: Asia. 5. Copland, R. (2013). Merce Cunningham: the Modernizing of Modern Dance. Trans.
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