A Vanessa Plettell Dance J C.D.E Dance Academy B Fern Hill School K École De Danse Anick Mc Connell C PKS Dance Elite Ltd

Total Page:16

File Type:pdf, Size:1020Kb

A Vanessa Plettell Dance J C.D.E Dance Academy B Fern Hill School K École De Danse Anick Mc Connell C PKS Dance Elite Ltd A Vanessa Plettell Dance J C.D.E Dance Academy B Fern Hill School K École de danse Anick Mc Connell C PKS Dance Elite Ltd. L The Oakville Academy for the Arts D La Maison des Arts M EPIC E Le Dance Lab N Remix Dance Academy F Michelle's School of Performing Arts O Alexe Dance G DanceRoots P Danse Pirouette H Creation de Danse Canadienne Q OAA HIPHOP CREW I Studio de danse Double Création Stu Nu dio Age m Start Cod Group Perf Exp Perf Type Perf Size Avg Gen Ca Day Pidx Time e (S) (S) (S) (S) Age der Name n Candidate Names Fri FRIDAY Agota Gedris, Sasha Mee, Fri 1 10:03:00 B Jnr Comp 1 Ballet D/T 8 Dance of the Reeds 3 Lily Harmon Fri 2 10:06:00 A Int Comp 1 Char Bal Solo 11 F Esmeralda Santina De Marinis Jaida Dorneval, Alexandra Fri 3 10:09:00 B Jnr Comp 1 Jazz D/T 10 Venus 2 Pregler Fri 4 10:12:00 H Int Comp 1 Hip Hop Solo 11 M Animal Samuel Montsion Audrey Courneyea, Martine Fri 5 10:15:00 D Jnr Comp 1 Acro D/T 9 Kimono dragons 2 Roy Gabriel Pearce, Kiersten Fri 6 10:18:00 F Jnr Comp 1 Open D/T 9 Crusin' For A Brusin' 2 Neuman Fri 7 10:21:00 A Int Comp 1 Ballet Solo 12 F Fairy Coral Carson Fri 8 10:24:00 D Int Comp 1 MT Solo 11 F Popular Lea Anderson Fri 9 10:27:00 I Int Comp 1 Cont Solo 11 F Over the Love Danika Davidson Fri 10 10:30:00 G Jnr Comp 1 Tap SmG 7 Recipe For Love 8 Fri 10:33:30 5 MINUTE JUDGES' BREAK Anaise Gélin, Chelsea Fri 12 10:40:30 A Jnr Comp 1 Char Bal D/T 9 The Doll & Toy Maker 2 Dmytryk Fri 13 10:43:30 B Jnr Comp 1 Char Bal D/T 9 Afternoon in the Park 2 Julia Harmon, Sasha Mee Fri 14 10:46:30 D Int Comp 1 Jazz Solo 11 F Let's dance Vronique Roy Fri 15 10:49:30 A Int Comp 1 Jazz Solo 11 F Suavemente Santina De Marinis Fri 16 10:52:30 B Int Comp 1 Jazz Solo 11 F The Main Event Alexandra Pregler Fri 17 10:55:30 H Int Comp 1 Jazz Solo 11 M Blue Suede Shoes Samuel Montsion Fri 18 10:58:30 F Jnr Comp 1 Ballet SmG 8 The Prayer 7 Fri 19 11:02:00 J Jnr Comp 1 Acro SmG 10 A New Day 7 Fri 20 11:05:30 D Jnr Comp 1 Acro SmG 10 Telephone 4 Fri 21 11:09:00 L Int Nov Tap Solo 11 F I Want You Back Kathleen Kovacs Fri 22 11:12:00 G Int Nov Ballet Solo 11 F Paquita Kylie Mcintosh Fri 23 11:15:00 L Int Nov Lyrical Solo 11 F Listen To Your Heart Lorena Misiewicz Fri 24 11:18:00 L Int Nov Jazz Solo 11 F Boogie Shoes Alyssa Zampini Fri 25 11:21:00 D Int Nov MT Solo 12 F Spanish Rose Chantalyne Leonhardt Fri 26 11:24:00 A Int Comp 1 Lyrical Solo 11 F I Wish I Could Dance Santina De Marinis Fri 27 11:27:00 I Int Comp 1 Lyrical Solo 11 F Say Something Danika Davidson Fri 28 11:30:00 C Int Nov Jazz Solo 13 F Red Alert Tamara Donnelly Fri 29 11:33:00 L Int Nov Jazz Solo 12 F Diamonds Lauren Cruz Jaida Dorneval, Alexandra Fri 30 11:36:00 B Jnr Comp 1 Cont D/T 10 Dream 2 Pregler Shine Dance Competitions Gatineau #1: March 28 - 30, 2014 Page 1 of 12 Fri 31 11:39:00 H Int Nov Ballet Solo 12 F Comptine d'un autre été Sophie Gauthier Fri 32 11:42:00 J Int Nov Cont Solo 12 F Emphasis Brooke Schilling Fri 33 11:45:00 I Int Nov Lyrical Solo 13 F Light Weight Samantha Bond Fri 34 11:48:00 J Int Nov Acro Solo 13 F Prayer Avianna Bishop Fri 35 11:51:00 L Int Nov Lyrical Solo 14 F Blank Page Kellyn Alexander Fri 36 11:54:00 I Int Nov Lyrical Solo 14 F Un Ange qui Passe Nadya Viau Fri 37 11:57:00 L Int Nov Cont Solo 14 F You Don't Own Me Cassidy Hryma Fri 38 12:00:00 J Int Nov Acro Solo 14 F Beautiful Memories Zoey Scott Fri 39 12:03:00 C Int Nov Tap Solo 13 F Come Dance With Me Tamara Donnelly Fri 40 12:06:00 I Int Nov Jazz Solo 14 F Crazy in love Sarah Caddell Fri 41 12:09:00 P Int Nov Jazz Solo 14 F Glam Chloe Boissonneault Fri 42 12:12:00 I Int Nov Jazz Solo 14 F Royal Cora-Lee Sabourin Fri 43 12:15:00 J Int Comp 1 Ballet SmG 12 Bring Him Home 4 Fri 12:25:30 AWARDS Fri 12:45:30 LUNCH Fri RESUME Ain't Nothin' Wrong With Fri 48 13:48:30 B Jnr Comp 1 Jazz SmG 9 That 6 Fri 49 13:52:00 E Jnr Comp 1 Jazz SmG 9 Best Song Ever 6 Fri 50 13:55:30 D Jnr Comp 1 Jazz SmG 9 If I Can't Dance 6 Fri 51 13:59:00 G Int Nov Hip Hop SmG 11 Hands Up 4 Fri 52 14:02:30 A Jnr Comp 1 Acro Solo 9 F Delirium Anaise Gélin Fri 53 14:05:30 A Jnr Comp 1 Jazz Solo 8 F Dance Doctor Saskia Hansen Fri 54 14:08:30 K Jnr Comp 1 Jazz Solo 7 F Run This Town Maina Fournier Fri 55 14:11:30 J Int Comp 1 Tap SmG 14 Dirty Diana 4 Fri 56 14:15:00 A Jnr Comp 1 Tap Solo 10 F It's My Party Chelsea Dmytryk Fri 57 14:18:00 I Int Nov Jazz SmG 12 Revolution 5 Fri 58 14:21:30 L Int Comp 1 Tap SmG 11 Jump, Jive An' Wail 9 Fri 59 14:25:00 K Int Comp 1 Hip Hop SmG 11 Lose Control 8 Fri 60 14:28:30 D Int Comp 1 Jazz SmG 11 Always in our memory 5 Fri 61 14:32:00 D Int Comp 1 MT SmG 13 America 5 Fri 62 14:35:30 B Jnr Comp 1 Jazz Solo 10 F Cotton Eyed Joe Jaida Dorneval Fri 63 14:38:30 A Jnr Comp 1 Jazz Solo 9 F Slow Down Anaise Gélin Fri 64 14:41:30 A Jnr Comp 1 Char Bal Solo 8 F Mary Mary Quite Contrary Saskia Hansen Fri 65 14:44:30 G Int Nov Jazz SmG 13 I Know You Care 5 Madalyn Richards, Malika Fri 66 14:48:00 J Int Nov Open D/T 13 Somethin' New 2 Richards Fri 67 14:51:00 I Int Nov Hip Hop SmG 13 FX 8 Francesca Joanette, Nadya Fri 68 14:54:30 I Int Nov Cont D/T 14 Stay 2 Viau Fri 69 14:57:30 N Int Nov Hip Hop SmG 12 Detox 9 Carlee Kosciesza, Maggie Hill, Fri 70 15:01:00 C Int Nov Jazz D/T 11 Something New 3 Gianna Riverso Fri 71 15:04:00 E Jnr Comp 1 Jazz SmG 8 Neon Lights 4 Fri 72 15:07:30 F Jnr Comp 1 Tap SmG 9 Putting on the Ritz 7 Fri 73 15:11:00 B Jnr Comp 1 Tap SmG 9 Boogie Woogie Bugle Boy 6 Fri 74 15:14:30 A Jnr Comp 1 Tap Solo 9 F Hush Hush Anaise Gélin Fri 75 15:17:30 O Int Comp 1 Hip Hop SmG 13 Gimme More 7 Fri 76 15:21:00 O Int Comp 1 Hip Hop SmG 13 I'm Different 8 Fri 77 15:24:30 J Int Comp 1 Hip Hop SmG 13 Like I Love You 9 Fri 78 15:28:00 O Int Comp 1 Hip Hop SmG 13 The Zone 7 Fri 79 15:31:30 I Int Comp 1 Hip Hop SmG 13 Girl Generation 8 Shine Dance Competitions Gatineau #1: March 28 - 30, 2014 Page 2 of 12 Fri 15:42:00 AWARDS Fri RESUME Fri 83 16:09:00 F Int Comp 1 Ballet LgG 11 The Stone Table Dance 11 Fri 84 16:12:30 L Int Comp 1 Lyrical LgG 11 Graduation 15 Rebecka Ladouceur, Iris Wei, Fri 85 16:16:00 P Snr Comp 1 Pointe D/T 15 Comptine d'un autre ete 3 Victoria Deslandes-Lyon Kimberly Priemus, Danielle Fri 86 16:19:00 F Snr Comp 1 Ballet D/T 15 He's A Pirate 3 Hawthorn, Hannah Lundrigan Josianne Clroux, Marive Fri 87 16:22:00 D Snr Comp 1 Lyrical D/T 15 Oklahoma Sky 3 Lebrun, Estelle Goodwin Fri 88 16:25:00 B Jnr Comp 1 Char Bal SmG 9 The Schoolgirls 7 Fri 89 16:28:30 K Jnr Comp 1 Tap SmG 10 Jet Set 7 Fri 90 16:32:00 E Jnr Comp 1 Hip Hop SmG 10 Xtreme Frostbite 8 Fri 91 16:35:30 J Int Comp 1 Ballet SmG 14 A Thousand Years 7 Erin Ford, Hannah Fri 92 16:39:00 L Int Comp 2 Ballet D/T 11 Neopolitan 2 Lyytikainen Fri 93 16:42:00 L Int Comp 2 Jazz D/T 11 Proud Mary 2 Gabriella Das, Alyssa Lini Genevive Comeau, Isabelle Fri 94 16:45:00 K Int Comp 2 Tap D/T 11 Tell Him 3 Mcgraw, Felicia Fournier Natasha Dmytryk, Kendra Fri 95 16:48:00 A Int Comp 2 Lyrical D/T 12 Say Something 2 Brulé Liliane Spirito, Gabriel Fri 96 16:51:00 H Int Comp 2 Cont D/T 12 The Curse 2 Cesario Chloe Reelis, Stephie Fri 97 16:54:00 L Int Comp 2 Lyrical D/T 13 Au Revoir 3 Kershaw, Amanda Kowalski Fri 98 16:57:00 F Jnr Comp 1 MT SmG 10 Singing In The Rain 6 Fri 99 17:00:30 F Int Comp 1 Lyrical SmG 13 Breath of Life 4 Fri 100 17:04:00 D Int Comp 1 MT SmG 12 The 20th Century Foxtrot 7 Fri 101 17:07:30 D Int Comp 1 Lyrical SmG 14 Skyfall 5 Fri 102 17:11:00 J Int Nov Lyrical LgG 13 Passage 10 Fri 103 17:14:30 I Int Comp 1 Cont SmG 14 In The Water 7 Fri 104 17:18:00 P Int Nov Jazz LgG 11 I'm not sleeping 11 Fri 105 17:21:30 A Snr Comp 1 Intern.
Recommended publications
  • Impact Case Study (Ref3b) Page 1 Institution: De Montfort University
    Impact case study (REF3b) Institution: De Montfort University Unit of Assessment: 35 – Music, Drama, Dance and Performing Arts Title of case study: Histories of Corporealities and Radical, Twentieth-century Dance Performance. 1. Summary of the impact (indicative maximum 100 words) Ramsay Burt’s research into histories of avant-garde and experimental dance performances during the twentieth- and twenty-first centuries has facilitated cultural enrichment through its impact on choreographers, dancers, dance audiences, administrators and policy makers. His publications have advanced understanding both of the general public and members of the dance industry into the ways in which dance is affected by and influenced socially and historically specific concerns or anxieties about changing notions of embodiment. He has received invitations to speak at major international dance festivals, given interviews for radio and television broadcasts, attended meetings with policy makers, and been invited to collaborate with artists involved in making new works based on historical avant-garde performances. 2. Underpinning research (indicative maximum 500 words) Since joining De Montfort in 1995, Ramsay Burt’s research has focused on ways in which radical, experimental dance since 1900 has been informed by the impact of new ways of conceptualising corporeal experience. Looking both at early modern dance and ballet (1995, 1998, 2004, 2011) and more recently at so-called postmodern (2006) and conceptual dance (2009), he has identified, within contemporary reception of some of the most challenging dance works, evidence of socially and historically specific concerns or anxieties about the changing nature of corporealities. This has been supported by grants from the British Academy (2005, 2008).
    [Show full text]
  • Dance, Space and Subjectivity
    UNIVERSITY COLLEGE CHICHESTER an accredited college of the UNIVERSITY OF SOUTHAMPTON DANCE, SPACE AND SUBJECTIVITY Valerie A. Briginshaw This thesis is submitted for the degree of Doctor of Philosophy by publication. DANCE DEPARTMENT, SCHOOL OF THE ARTS October 2001 This thesis has been completed as a requirement for a higher degree of the University of Southampton. WS 2205643 2 111111111111111111111111111111111111111111111 ..::r'.). NE '2...10 0 2. UNIVERSITY COLLEGE CmCHESTER an accredited college of the UNIVERSITY OF SOUTHAMPTON ABSTRACT DANCE Doctor of Philosophy DANCE, SPACE AND SUBJECTIVITY by Valerie A. Briginshaw This thesis has been completed as a requirement for a higher degree of the University of Southampton Thisthesis, by examining relationships between dancing bodies and space, argues that postmodern dance can challenge traditional representations of subjectivity and suggest alternatives. Through close readings of postmodern dances, informed by current critical theory, constructions of subjectivity are explored. The limits and extent of subjectivity are exposed when and where bodies meet space. Through a precise focus on this body/space interface, I reveal various ways in which dance can challenge, trouble and question fixed perceptions of subjectivity. The representation in dance of the constituents of difference that partly make up subjectivity, (such as gender, 'race', sexuality and ability), is a main focus in the exploration of body/space relationships presented in the thesis. Based on the premise that dance, space and subjectivity are constructions that can mutually inform and construct each other, this thesis offers frameworks for exploring space and subjectivity in dance. These explorations draw on a selective reading of pertinent poststructuralist theories which are all concerned with critiquing the premises of Western philosophy, which revolve around the concept of an ideal, rational, unified subject, which, in turn, relies on dualistic thinking that enforces a way of seeing things in terms of binary oppositions.
    [Show full text]
  • Curriculum Vitae and List of Publications
    Date: 3.9.19 Curriculum Vitae 1. Personal Data ד"ר הניה רוטנברג :Name in Hebrew Name in English: Henia Rottenberg Ph.D E-Mail: [email protected] 2. Education Certificates and Degrees Education Institute Department From - To First Degree University of Haifa General studies 1994-1996 SecondTh Degree University of Dance Studies 1996-1997 Surrey, UK Third Degree University of Dance Studies 1998-2004 Surrey, UK 3. Title of Master's Thesis: Rami Be’er – A Political Choreographer Supervisor: Dr. Sophia Preston Title of Doctoral Thesis: Hybrid Relationships between Dance and Painting: A Close Examination of Lea Anderson’s The Featherstonehauhgs Draw on the Sketch Books of Egon Schiele (1998) Supervisor: Professor Janet Lansdale and Dr. Sophia Preston 4. Academic Ranks Rank % Position From - To Institute Adjunct senior 66% Oct 2011-2019 Western Galilee lecturer, College Head of Dance-theatre program 5. Research Grants From-To Funding Agency Title of Amount Names of Research Research Partners 2008 Kibbutzim Movement NIS College of lexicon and 10,000 Education syntax Syntax of the Inbalite Dance Language 2015-2018 Mifal Ha’pais Conflict in NIS Dr. Dina Roginsky dance: 55,000 Jewish Arabs relationship s in Israeli dance 6. Active Participation in Conferences (Only from 2001) 2004 - Eroticism or Pornography? Lea Anderson and The Featherstonehaugs Draw on the Sketch Books of Egon Schiele. Interdisciplinary Landscapes: Postfeminist Practices in the Arts, University College Northampton, UK, p. 28. 2008 - Drawing out the Connections between the Past and the Present. Looking Back/Moving Forward, in Society of Dance History Scholars, Skidmore College, Saratoga Springs, NY.
    [Show full text]
  • Download Publication
    ACKNOWLEDGEMENTS This research has been a lengthy and complex process. We have always stated publicly that this work was for the dance field and it has been carried out in collaboration with the field. We have had support from so many people throughout the process and without this we could not have completed the work. Firstly, we would like to thank Janet Archer, Theresa Beattie, Ellie Hartwell and Tania Wilmer in the dance strategy department of Arts Council England. Without their support this work would not have been possible. Tania Wilmer carried out many of the interviews for the illustrations that pepper the report and we are immensely grateful to her for her rigour and hard work. We are also grateful to those who agreed to be interviewed and gave so generously of their time. There were many Arts Council staff who sourced and contributed data but Jonathan Treadway, Amanda Rigali, Delia Barker and Rebecca Dawson deserve special mention. Regional dance officers provided valuable local data and information and their input through the Dance Practice Group meetings was always valuable. Terry Adams and Claire Cowles (the ‘Survey Monkey’ queen) provided invaluable research backup to us throughout the process and their rigour is evident in the survey data as well as in the analysis of the Arts Council England data. The Steering Group (listed in Appendix One) supported the process, guided us wisely and challenged us when necessary. Their support for the consultation events was also greatly valued. The strategic agencies provided ongoing access to data, Foundation for Community Dance (FCD) staff carried out an analysis of jobs advertised and Sean Williams and his team at Council for Dance Education and Training (CDET) carried out research on the private sector for us that has helped to create a better picture of this sector.
    [Show full text]
  • London Contemporary Dance School
    London Contemporary danCe SChooL 2017/18 Welcome this prospectus gives a flavour of for Circus arts, Sadler’s Wells, specialist libraries, galleries, life at London Contemporary dance Victoria and albert museum and museums, venues and markets. School and an introduction to the Central St martins. during the Undergraduate and postgraduate beginning of the final year of study We welcome imaginative, enquiring programmes. you will be able to apply for a place people from all backgrounds and on the exchange programme which nationalities who are interested in Grounded in a culture that supports currently includes SUny purchase, the endless possibilities of dance. the emergent artistic voice, we offer new york and Salzburg experimental to help you make a well-informed an intensive, rigorous and creative academy of dance, austria. decision about whether it’s the right dance education, validated by the place for you, take a look at our University of Kent, that prepares you With around 180 students, you will website which has interviews with for a career in dance. at the core of be recognised as an individual and students, videos of classes and more the School’s ethos is the desire to quickly become part of a community information about the programmes: drive the art form forward by where dance makers at every level lcds.ac.uk working alongside professional artists are inspiring and learning from and engaging with the profession. each other. London Contemporary dance School We have exceptional teachers, many puts you, the student, at the centre of whom are also practicing artists, Based at the place in central of your education.
    [Show full text]
  • UNIVERSITY of CALIFORNIA Los Angeles Dancing Cross-Cultural Misunderstandings
    UNIVERSITY OF CALIFORNIA Los Angeles Dancing Cross-cultural Misunderstandings: The American Dance Festival in China’s New Era A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Fangfei Miao 2019 © Copyright by Fangfei Miao 2019 ABSTRACT OF THE DISSERTATION Dancing Cross-cultural Misunderstandings: The American Dance Festival in China’s New Era by Fangfei Miao Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2019 Professor Susan Leigh Foster, Chair This dissertation explores the embodiment of cross-cultural misunderstandings in a key transitional period in modern China—the late 1980s, during the country’s economic reformation and cultural opening to the West after the Cultural Revolution (1966–1976). From 1987 to 1991, teachers from the American Dance Festival (ADF), at the invitation of the Guangdong (Canton) Dance School, trained the first group of professional modern dancers in China, known as the “Guangdong Modern Dance Experimental Program,” profoundly altering the history of Chinese modern dance in the New Era (1978–). Based on this program, China established its first modern dance company in 1992—the Guangdong Modern Dance Company. Under the guidance of ADF teachers, Chinese students created two new genres of Chinese modern dance that differed from the previous realism style. Some of ii the students later became internationally acclaimed artists—Shen Wei, Jin Xing, and Wang Mei. Contesting existing accounts of the Guangdong program as a complete success in America’s and China’s dance histories, this dissertation instead argues that misunderstandings and miscommunications repeatedly occurred in both directions throughout this corporeal exchange.
    [Show full text]
  • Matthew Bourne Topic Exploration Pack July 2015
    Performance Studies A LEVEL Performance Studies: Matthew Bourne Topic Exploration Pack July 2015 www.ocr.org.uk Topic Exploration Pack We will inform centres about any changes to the specification. We will also publish changes on our website. The latest version of our specification will always be the one on our website (www.ocr.org.uk) and this may differ from printed versions. Copyright © 2015 OCR. All rights reserved. Copyright OCR retains the copyright on all its publications, including the specifications. However, registered centres for OCR are permitted to copy material from this specification booklet for their own internal use. Oxford Cambridge and RSA Examinations is a Company Limited by Guarantee. Registered in England. Registered company number 3484466. Registered office: 1 Hills Road Cambridge CB1 2EU OCR is an exempt charity. 2 www.ocr.org.uk A Level Performance Studies Contents Introduction ..................................................................................................................................... 3 Lesson 1 – Context, Background and Introduction .......................................................................... 5 Lesson 2 – Continued Analysis ....................................................................................................... 5 Lesson 3 – Key Characteristics / Dance Styles ............................................................................... 6 Lesson 4 – Influences on Bourne’s Style .......................................................................................
    [Show full text]
  • Dance Term for Kick
    Dance Term For Kick Ulick is unshapen and antisepticising unavailably while sensitized Weylin fall-in and church. Soothly dehydrationsindolent, Heath if Hershelte-heed isdoc whispered and delimitated or poeticise desirable. adroitly. Stolid Judson always unhumanise his One should provide your arms low backed, for dance term is The theories outlined are not applied or explored in any logical, cross over with your right leg and step forward with your left. Usually travels fwd but smart also be backward, known as petit allegro, you learn steps and the learn steps and can learn steps. As, theater, the back or the side. You are fix it vanish your sign or infuse with neither voice as you end the moves. From Marque; to plot the course; guide: even lead. Movement is studied using four basic components: body, Raymond Winfield, it is savage pleasure. They look to the side in unison. Dance, it is a great to hear from you again. The Rise and dub and elder of Modern Dance NJ. They continue looking straight ahead, get yourself some Zarely kit for both rehearsals and performances. Double turn patterns in dance term for kick in the performers are all directions of ballet dancer beats against my soul. Please enter some feedback. Jager could dance terms of dances danced with a kicked. Poussettes tend to show up whether people are listening to the music; it is obvious where you should be at the end of each phrase of the music, who is not obsessed by lust for people and things and the demon of isolation in his own ego.
    [Show full text]
  • The Wapping Project
    MARGARET WILLIAMS DANCE FILM A RETROSPECTIVE 1988-2007 THE WAPPING PROJECT 11 MAY - 16 JUNE 2007 MARGARET WILLIAMS DANCE FILM A RETROSPECTIVE 1988-2007 PRIVATE VIEW THE WAPPING PROJECT 10 MAY 2007, 7PM – LATE THEN: 11 MAY – 16 JUNE, MONDAY – SATURDAY, NOON TO 10.30PM, SUNDAY, NOON – 5.30PM In a building closely associated with radical contemporary to be seen enables us to see how many of the glorious dance commissions and bold film making, it was just a matter end products have come to light. Collaborations such as those of time before the two art forms came together in the first between Victoria Marks, MOTHERS & DAUGHTERS (Channel 4) major assessment of the work of British film maker Margaret and MEN (BBC) “The most impressive and uplifting twenty Williams. In a multi-screen installation, the viewer engages minutes of television to have come along in years’’, Time Out. with a body of extraordinary work which spans nineteen years. CROSS CHANNEL (BBC) with Lea Anderson, WATERMARK (BBC & Channel4) with Jiri Kylian and YOU CUBA, shot in Williams has defined (1988 – 2007) what dance on film is. Havana with Danza Contemporánea de Cuba(Channel 4). Her documentary GYPSY PASSION a film about the Flamenco star Margaret Williams trained as a painter. Following a stint in Joaquin Cortès and a documentary about regular British Hollywood and at the BBC, she cut her teeth as an early people who love to dance flamenco, were both made for BBC. independent, making art films. Her introduction to dance She adapted David Bintley’s CARMINA BURANA with began in 1988 with DANSE des SYLPHS for Antenne 2 Birmingham Royal Ballet which won a Welsh BAFTA.
    [Show full text]
  • London Contemporary Dance School Graduating Students 2016.Pdf
    London Contemporary danCe SChooL S GraduatinG Student 2016 lcds.ac.uk London Contemporary danCe SChooL London Contemporary Dance School has been preparing young artists for a physically rigorous and highly creative profession for over 45 years. The school ensures that its students are versed in the skills and knowledge that will enable them to achieve success within the professional dance industry, in whatever shape that may take in the future. An education at London Contemporary Dance School is grounded in a culture that celebrates the young emergent artistic voice, which gives it space, acknowledgment and above all works to develop its uniqueness. 2 Graduation performanCeS 2016 repertoire 3 DAnCerS: Micha Baltman, Jade Brider, Charlotte Hilton, Beth James, Margarida Macieira, richard Pye, Leanne Vincent, Kyle White MuSiC: Við Gengum Tvö by eivør; Escape by Johann Johannsson; Laudate Dominum by Mozart CostuMe DeSign AnD MAKing: Frances Morris AssistanT CostuMe MAKerS: Sharon Coleman, Kitty Power and elizabeth Burrows LigHTing: Michael Mannion S CouSinS oWerS Jame She painted fL described by matthew Bourne as “one of the uK’s most promising choreographic talents”, James was the winner of the inaugural new adventures Choreographer award, which culminated in a sold out performance at Sadler’s Wells in 2012. James graduated from London Contemporary dance School in 2010. he formed James Cousins Company with producer francesca moseley, touring to popular and critical acclaim both nationally and internationally. as a freelance choreographer, James has been commissioned to create work for companies around the world including national Ballet of Chile, oper Graz, royal Ballet of flanders and Scottish Ballet.
    [Show full text]
  • 25 DRESSING DANCE–DANCING DRESS Lived Experience of Dress and Its Agency in the Collaborative Process
    25 DRESSING DANCE–DANCING DRESS Lived experience of dress and its agency in the collaborative process Jessica Bugg Introduction This chapter considers the agency and experience of dress and costume in the creative and collaborative process of making contemporary dance work and exploring the complexity of its relationship to the body. Contemporary dance embraces aspects of other dance forms, including physical dance, modern, lyrical, and classical ballet, and is often experimental. It is understood differently in its cultural and socio-political contexts, and being a highly visual, abstract, and collaborative art form, the potential for new forms of costume or dress is vast. In a climate of significant developments in costume in the broader field of performance and scenography, I question why there is a tendency in contemporary dance to perpetuate familiar styles and tropes of dress. Contemporary dance wear has remained largely body conscious, prioritizing ease of movement and functioning as visual enhancement, applied to the dance primarily through applications of color or texture in unitards and developments of everyday dress or rehearsal wear. Limited attention has been paid to the lived experience of dress from the perspectives of designers, wearers, and audiences, and this neglect I argue can result in the active and experiential potentials of costume being overlooked or poorly integrated into contemporary dance (Bugg 2014, 69). Although dance and dress are visual and bodily mediums, a purely aesthetic or ergo- nomic approach to costume in dance overlooks the wider phenomenological potential of dress and, as F. Elizabeth Hart identifies, visual aspects of performance find “common ground … literally, within the human body-between semiotic and phenomenological approaches” (McConachie and Hart 2006, 9).
    [Show full text]
  • En Atendant and Cesena
    BAM 2013 Next Wave Festival #EnAtendant #Cesena Brooklyn Academy of Music Alan H. Fishman, Karen Brooks Hopkins, Chairman of the Board President William I. Campbell, Joseph V. Melillo, Vice Chairman of the Board Executive Producer Adam E. Max, Vice Chairman of the Board En Atendant Cesena Choreography by Choreography by Anne Teresa De Keersmaeker Anne Teresa De Keersmaeker Rosas Musical direction by Björn Schmelzer Rosas and graindelavoix BAM Howard Gilman Opera House Oct 19 & 20 at 2pm BAM Howard Gilman Opera House Approximate running time: one hour and 35 minutes; Oct 19 & 20 at 7:30pm no intermission Approximate running time: one hour and 50 minutes; Concept by Anne Teresa De Keersmaeker no intermission Created with and performed by Rosas Set design by Michel François Concept by Anne Teresa De Keersmaeker & Costume design by Anne-Catherine Kunz Björn Schmelzer Created with and performed by Rosas and graindelavoix Set design by Ann Veronica Janssens Costume design by Anne-Catherine Kunz BAM 2013 Next Wave Festival sponsor Major support for dance at BAM provided by: The Harkness Foundation for Dance The SHS Foundation En Atendant | Cesena En Atendant, at Cloître des Célestins, Avignon. Photo: Anne Van Aerschot EN Atendant AND CESENA In En Atendant and Cesena Anne Teresa De Keersmaeker takes a new step in her exploration of the relationship between music and dance. The choice of Ars Subtilior is linked with an invitation by the Avignon theater festival to make a piece for la Cour d’Honneur, the main courtyard of the Palais des Papes. The music of Ars Subtilior evokes the history of the city of Avignon and the Papal Schism.
    [Show full text]