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Tempos Modernos Orquestra Gulbenkian

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Tempos Modernos Orquestra Gulbenkian Tempos Modernos Orquestra Gulbenkian 17 + 18 mai 2019 17 MAIO SEXTA Tempos Modernos Timothy Brock de Câmara de Los Angeles), Burlesque on 21:00 — Grande Auditório Carmen (Teatro de la Zarzuela, Madrid), O maestro e compositor norte-americano e The Cabinet of Dr. Caligari (Filarmónica 18 MAIO Timothy Brock é um especialista nas de Bruxelas / BMG). Ao longo de uma longa SÁBADO Orquestra Gulbenkian obras de concerto do início do século relação com a Cineteca di Bologna compôs 19:00 — Grande Auditório Timothy Brock Maestro XX, na prática orquestral dos anos 20 e sete partituras, incluindo Nosferatu (1922), 30 e na direção ao vivo da música para Lady Windermere’s Fan (1925), Feu Mathias filmes mudos. Em função da sua liderança Pascal (1926) e 3 Bad Men (1926). artística nestes domínios, foi convidado Em 2016 dirigiu a Tönkunstler Orchester a dirigir muitas das mais prestigiadas na estreia mundial da nova partitura orquestras mundiais. As suas notáveis para o épico de ficção científica de Fritz contribuições no campo da música para Lang, Frau im Mond (1929), uma encomenda o cinema mudo incluem os restauros e do Wiener Konzerthaus. Em 2018 dirigiu publicações de A Nova Babilónia (1929) – uma nova produção de West Side Story, a única partitura de Dmitri Chostakovitch de Bernstein, no Teatro Comunale de para um filme mudo –, do épico italiano Bolonha. Em novembro de 2019 dirigirá de Manilo Mazza, Cabiria (1913), da Lady Be Good, de Gerwshwin, no Teatro partitura dadaísta de Erik Satie, Entr’acte San Carlo de Nápoles. (1924), e da famosa partitura de George Antheil para Ballet mécanique (1924). O trabalho nas partituras de Charles Orquestra Gulbenkian Chaplin começou em 1998 quando Brock recebeu uma encomenda para a Fundada em 1962, a Orquestra Gulbenkian recuperação da música do filme Modern já percorreu mais de 55 anos de atividade. Times (1936). Até 2012 recuperou 12 Inicialmente constituída por 12 músicos, partituras, incluindo City Lights (1931), foi sendo progressivamente alargada, The Gold Rush (1924) e The Circus (1928). contando hoje com um efetivo de 60 Em 2004 transcreveu cerca de 13 horas de instrumentistas. Esta constituição permite- música original de Chaplin, recuperada -lhe tocar um amplo repertório, que abrange a partir da descoberta recente de uma os principais períodos da história da música. gravação em 78 rpm do próprio Chaplin Em cada temporada realiza uma série compondo ao piano. Este processo resultou regular de concertos no Grande Auditório Tempos Modernos na recriação da partitura para o drama Gulbenkian, em colaboração com alguns Projeção do filme de Charlie Chaplin (1936) de Chaplin A Woman of Paris (1923), uma dos mais reputados maestros e intérpretes. obra que Brock dirigiu várias vezes Sendo uma referência musical no nosso país, Interpretação ao vivo da música de Charlie Chaplin, em concerto. Timothy Brock compôs distinguiu-se também, ao longo dos anos, imagens: modern times © roy export s.a.s restaurada em 1999-2000 por Timothy Brock mais de 60 obras orquestrais, incluindo em muitas das principais salas de concertos sinfonias e concertos, além de duas do mundo. A sua relevante discografia óperas. Ao longo de trinta anos, compôs recebeu importantes prémios internacionais. 27 partituras originais para filmes mudos. Lorenzo Viotti é o Maestro Titular da Modern Times © Roy Export S.A.S As encomendas incluíram Prix de beauté Orquestra Gulbenkian. Giancarlo Guerrero Duração total prevista: 1h 30 min. Music for Modern Times Copyright (Orquestra Nacional de Lyon), Steamboat é Maestro Convidado Principal, Leonardo Concerto sem intervalo © Roy Export Company Ltd. and Bourne Co. Bill, Jr. (Sinfónica de Berna), Sunrise (20th García Alarcón é Maestro Associado All rights reserved Century Fox), The Cameraman (Orquestra e Nuno Coelho é Maestro Convidado. GULBENKIAN.PT mecenas mecenas mecenas mecenas mecenas mecenas principal música e natureza estágios gulbenkian para orquestra concertos de domingo ciclo piano coro gulbenkian gulbenkian música.
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