© in This Web Service Cambridge University Press

Total Page:16

File Type:pdf, Size:1020Kb

© in This Web Service Cambridge University Press Cambridge University Press 978-0-521-11173-7 - The Cambridge Companion to Choral Music Edited by André de Quadros Index More information Index A Cappella Choir of the Northwestern American Boychoir, 122 University Conservatory of Music, 119 American Choral Directors Association, 126, A Coeur Joie, 91 129, 157 Abbott, Patricia, 3, 114 American Guild of Organists, 127, 129 Abejo, Rosalina, 54 American Society of Composers, Authors, and Abeleda-Piquero, Anna Tabitha, 167 Publishers, 127 Abreu, José Antonio, 138, 145 Amsterdam Baroque Choir, 83 Academy of Music (London), 31 Amsterdam Baroque Orchestra, 83 Accentus, 82, 83, 92 Amu, Ephraim, 196 ACDA. See American Choral Directors Anacrusis, 107 Association Anderson, Julian, 99 Acevedo Lucio, Carmen, 143 Anderson, W. H., 110 Adams, John, 59, 112, 125 Andrade, Mario, 136 Adelaider Liedertafel (Australia), 180 Andrenacci, Néstor, 143 Adler, Samuel, 59 Andreo, Dante, 146 Adolf Fredriks Girls’ Choir, 96 Anerio, Giovanni Francesco, 14 Adolf Fredriks Musikklasser, 96 Angelica, 208 Advis, Luis, 142 Angelorum Choir, 165 Aequalis, 143 Anglo-Chinese Junior College Choir, 167 Aeschylus, 62 Anima (USA), 208 Afghanistan, 160, 165, 171, 173, 176 Anna Crusis Women’s Choir, 123 Afghanistan National Institute of Music, 165 Anyang City Choir, 157 African-American spiritual, 54 Aranguiz, Waldo, 142 African Children’s Choir, 208 Araujo, Juan de, 131, 302 AGEC. See Arbeitsgemeinschaft Europäischer Arbeitsgemeinschaft Deutscher Chorverbände, 93 Chörverbände Arbeitsgemeinschaft Europäischer AGO. See American Guild of Organists Chörverbände, 84 Aguiar, Ernani, 145 Archer, Violet, 111 Air Force Singing Sergeants, 124 Argentina, 131, 132, 133, 134, 142, 143, 145, Alarco, Rosa, 146 146, 303 Alarcón, Víctor, 143 Argento, Dominick, 125 Aldana, Mario Kuri, 146 Arismendi, Luimar, 143 Aldema, Gil, 53 Aristotle, 62, 65, 248, 262 All Saints Choir (Pakistan), 165 Armstrong, Anton, 120, 294 Allegri, Gregorio, 19 Arnold Schoenberg Chor, 79, 92 Allende, Pedro Humberto, 141 Arqueróns, Miguel, 137 Alliance Music Publications, Inc., 127 Arredondo, José María, 141 Alwes, Chester, 2 Arredondo-Muira, Clodomior, 141 Amabile, 105, 207 Arriechi, José Geraldo, 143 Amabile Youth Choir, 105 Ars Nova, 94 AMAS Choir, 167 Artaria, 39 Amerasinghe, Sureka, 167 artsACCESS, 121 America, 43. See United States of America Ashrafi, Uzbek Mukhtar, 173 America Cantat, 144 Asian Institute of Liturgical Music, 163 [323] © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-11173-7 - The Cambridge Companion to Choral Music Edited by André de Quadros Index More information 324 Index Asociación Argentina para la Música Coral, 144 Beijing University Chorus, 152 Association nationale des chorales liturgique, 91 bekbekey, 171 Association of Canadian Choral Communities, bel canto, 216, 217, 218, 221, 223, 224, 225, 227, 105, 107, 113 228, 229, 231, 232, 233, 308, 309 Association of Canadian Choral Conductors, Belarus, 85 107, 111, 114 Belgium, 94, 96 Association of Irish Choirs, 97, 102 belting, 230, 231, 309 Associazione Culturale Cantosospeso, 90 Ben-Haim, Paul, 52 Astor, Miguel, 145 Bergman, Erik, 58 Aswatuna, 174 Berio, Luciano, 46, 47, 48, 305 ataba, 171 Berkshire Choral Festival, 123 Atehortúa, Blas Emilio, 141 Berlin Philharmonic, 31 Ateneo de Manila College Glee Club, 165 Berlioz, Hector, 28, 47, 105 Atlanta Symphony Orchestra Chorus, 124 Bernius, Frieder, 81 Atmodjo, Subronto, 164 Bernstein, Leonard, 47, 125, 253, 254, 264 Auber, D. F. E., 30 Bertalot, John, 256 Australia, 3, 53, 59, 179, 180, 181, 182, 183, 184, Bertini, Gary, 89 303, 304, 305 Besau, Ivan, 165 Australian Voices, 182 Bethlehem Bach Festival, 31, 116 Austria, 27, 36, 43, 92, 101 Better Music Movement, 115, 122 Austrian Choral Federation, 92 beur, 209 Auz, Eugenio, 146 Bevan, Allan, 112, 113 Aviola, Alvin, 165 bhangra, 209 Azerbaijan, 169, 170, 171, 173, 175, 176, 230 Bhatia, Vanraj, 164 Bilbao, Beatriz, 146 B minor Mass, 116 Bilencko, Michael. See Anderson, W. H. Bach Gesellschaft,40 Billings, William, 31, 115, 125 Bach, Johann Sebastian, 7, 20, 21, 22, 31, 34, 39, Birmingham Festival, 30 40, 46, 72, 97, 116, 156, 179, 211, 245, 296 Blacher, Boris, 49, 54 Bach–Abel Concerts, 30 Black Gospel, 55, 116 Baeza, Mario, 142 Bliss, Arthur, 55 Bahrain, 170, 176 Bloch, Ernest, 59, 125 Balkans, the, 88 blues, 116, 251, 309, 310 Ballade, 35 Boda-Rechner, Gabriella, 165 Balzanelli, Alberto, 145 Bodorová, Sylvie, 54, 59 Banchieri, Adriano, 8, 22 bodu beru group singing, 159 Bandung Choral Society, 163 Body, Jack, 182 Bang, Carlos Tuxen, 135 Boero, Felipe, 135 Bangkok Music Society Choir, 167 Bolcom, William, 47, 125 Bangkok Voices, 167 Bolivia, 131, 134, 141, 143, 147, 302 Bangladesh, 160, 163, 165 Bombay Madrigal Singers Organisation, 161 Barber, Samuel, 125, 251 Bonds, Margaret, 54 barbershop, 90, 122, 127, 129 Boosey, 39 Barbershop Harmony Society, 127, 129 Boosey & Hawkes, 127 Bardi, Giovanni, 65, 300 Bor, Modesta, 138 Barnett, Ray, 208 Bosco, Mwenda-Jean, 197 Bartók, Béla, 43, 44, 52, 53, 111, 175 Boston Academy of Music, 115 Bartolucci, Domenico, 52 Boston Symphony Orchestra, 31 Basler Madrigalisten, 92 Bote und Bock, 39, 40 Basler, Paul, 92, 187, 198, 294, 313 Boulanger, Nadia, 52, 110, 111 Batavia Madrigal Singers, 162, 165 Boulez, Pierre, 48 Baykadamov, Bakhitzhan, 173 Bowman, Wayne, 249, 250 BBC Singers, 98 Boyd, Anne, 182 Beach, Amy, 43, 53, 125 Brahms, Johannes, 35, 37, 38, 40, 41, 42, 55, Beatles, 81 122, 211 Beer, Johann, 20 Bratislava City Choir, 88 Beethoven, Ludwig van, 28, 29, 33, 40, 41, 42, 47, Brazil, 131, 132, 133, 134, 135, 137, 142, 143, 144, 55, 72, 92, 132, 155 145, 146, 147, 230, 302, 303 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-11173-7 - The Cambridge Companion to Choral Music Edited by André de Quadros Index More information 325 Index Breitkopf, J. G. I., 39 Cantus (choir), 124 Breitkopf und Härtel, 39, 40 capella,21 Brescia, Domenico, 141 Capilla Virreinal de la Nueva España, 143 Brewer, Mike, 4 Cappella Amsterdam, 83, 97 Briones, María Beatriz de, 143 Carbajal, Ana Patricia, 143 Britten, Benjamin, 44, 49, 58, 99, 206 Carbonell, Alberto, 146 Brouwer, Leo, 145 Carissimi, Giacomo, 160, 292 Brown, Elaine, 120, 123, 128, 253 Carmel Bach Festival, 124 Brubeck, Dave, 54, 125 Carmina Burana,46 Bruch, Max, 50 Carmina Slovenica, 207 Bruckner, Anton, 28, 36, 38, 41, 251 Carpio, Mark Anthony, 167 Brunelle, Philip, 117, 125 Carreño, Inocente, 138 Buchenberg, Wolfram, 48 Carrillo, Cesar Alejandro, 145 BuCor Love Foundation Choir, 165 Carrington, Simon, 4 Budapest Philharmonic, 31 Carter, Elliot, 52 Bulgaria, 88, 230 Casa Editorial Ricordi Argentina, 135 Burkhanov, Mutal, 173 Casals, Pablo, 140 Burleigh, Harry T., 125 Castellanos, Gonzalo, 138 Burma, 160, 161, 164, 165 Castelnuovo-Tedesco, Mario, 59 Burney, Charles, 20, 23, 296, 297 castrato, 12, 15, 20, 22, 23, 293, 294, 298 Butler University, 121 Castro, Juan José, 135, 184 Buxtehude, Dieterich, 15 Caturla, Alejandro García, 140 Byrd, William, 19, 23, 72 Cavalieri, Emilio de’,19 Cayabyab, Ryan, 164 C. F. Peters, 39 CBC. See Canadian Broadcasting Corporation Caamaño, Roberto, 135 Cecilian Movement, 41 Caba, Eduardo, 141 CeleBRation Choir, 182 cabaret, 47, 57, 58 Central America and the Caribbean Choral caboclinhos, 144 Federation, 144 Caccini, Giulio, 65, 297 Central Presbyterian Church (NY), 117 Cadenza Kantori, 165 Centre for Intercultural Music Arts, 196 cadomblé, 132 Cesar, Emilio de, 143 Cage, John, 44 Cesis, Sulpitia, 22 Calalang, Jr., Fidel, 167 Chamber Choir of the Hungarian Radio, 88 Calcaño, José Antonio, 137, 138, 147, 303 Chambers, Norah, 58 Caluza, Reuben T., 197 Champagne, Claude, 110 Calvert, Stuart, 112 chant, 7, 8, 9, 25, 45, 60, 68, 69, 109, 125, 131, 155, Cambiata, 98 177, 178, 183, 263, 292, 298, 304 Cambodia, 161, 165 Chanticleer, 124, 126 Cambodia Baptist Bible College Choir, 165 Chao, Yuen-Ren, 152 Cambodian Christian Children’s Choir, 165 Chapel Royal, 17, 24, 25, 297, 298 Camerata Antigua de Curitiba, 143 Charpentier, Gabriel, 52 Camerata de Caracas, 143 Charpentier, Marc-Antoine, 7, 23 Campos Parsi, Héctor, 140 Chatman, Stephen, 111, 112 Camuzis, Eder, 143 Chávez, Carlos, 51, 139, 140 Canada, 3, 104, 105, 106, 107, 108, 109, 110, 111, Chen, Yi, 52, 54, 125, 153 112, 113, 114, 207, 236, 301, 308 Chesnokov, Pavel, 50 Canadian Broadcasting Corporation, 108 Chew, Hock Peng, 165 candomblé, 144 chiavette,13 Cangiano, Liliana, 146 Chicago All-City High School Chorus, 251 Cantamus, 207 Chicago Children’s Chorus, 122 Cantare Audire, 189 Chicago Symphony Chorus, 124, 244 cantata, 21 Chicago Symphony Orchestra, 251 Cantata Choir, Mumbai, 165 Chichester Cathedral, 19 Cantilon Choirs, 105 Chihara, Hideki, 156 Canto em Canto, 143 Chile, 133, 134, 141, 142, 143, 302 Cantoría Alberto Grau, 142, 143 China, 3, 149, 150, 151, 152, 153, 157, 158, 182, Cantoría de Mérida, 143 230, 308 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-11173-7 - The Cambridge Companion to Choral Music Edited by André de Quadros Index More information 326 Index Cho, Gene, 3 Copenhagen Royal Chapel Choir. See Choir of Visakha Vidyalaya, 167 Copenhagen Boys Choir Chor des Bayerischen Rundfunks, 93 Copland, Aaron, 52, 111, 125 Choral Arts Society of Washington, DC, 121 Cor de Cambra del Palau de la Música choral blend, 260 Catalana, 90 choral styles, 268 Coral Ars Nova, 142 choral tuning, 262 Coral Brasilia, 143 ChoralFest, 105 Coral Femenino San Justo, 143 Choralies in Vaison-la-Romaine, 91 Coral Paulistano, 137 Chorister’s Guild, 127 Coral Venezuela, 138 Chorus America, 1, 115, 117, 126, 128, 129, 292, Cordana Choir, 163 301, 302 Cordana Youth Choir, 162, 165 Chorus Impact Study, 1, 115, 117, 128, 292, Corelli, Arcangelo, 25 301, 302 Cornelius, Peter, 38 Chorverband Österreich. See Austrian Choral Coro 1492, 90 Federation Coro Casa da Música, 91 Chou, Wen-Chung, 152 Coro de Cámara de Córdoba, 135, 143 Christ the King Choir, 192 Coro de Cámara de la Provincia de Córdoba, 143 Christiansen, F.
Recommended publications
  • FULLTEXT01.Pdf
    1 MISSA SOLEMNIS FOR CHOIR, ORGAN, SOLI, PIANO AND CELESTA ANDREAS HALLÉN I. KYRIE 9:23 choir II. GLORIA 15:46 choir, soli SATB III. CREDO 14:07 choir, tenor solo IV. SANCTUS 13:16 choir V. AGNUS DEI 10:06 choir, soli SATB Total playing time: 62:39 Soloists Pia-Karin Helsing, soprano Maria Forsström, alto Conny Thimander, tenor Andreas E. Olsson, bass Lars Nilsson, organ James Jenkins, piano Lars Sjöstedt, celesta 2 The Erik Westberg Vocal Ensemble Soprano Virve Karén (2) Jonatan Brundin (1,2) Linnea Pettersson (1) Olle Sköld (2) Christina Fridolfsson (1,2) Rickard Collin (1) Lotta Kuisma (1,2) Anders Bek (1,2) Alva Stern (1,2) Victoria Stanmore (2) Lars Nilsson, organ Alto James Jenkins, piano Kerstin Eriksson (2) Lars Sjöstedt, celesta Anu Arvola (2) Cecilia Grönfelt (1,2) (1) 11–12 October 2019 Katarina Karlsson (1,2) Kyrie, Sanctus Anna Risberg (1,2) Anna-Karin Lindström (1,2) (2) 28 February–1 March 2020 Gloria, Credo, Agnus Dei Tenor Anders Lundström (1) Anders Eriksson (2) Stefan Millgård (1,2) Adrian Rubin (2) Mattias Lundström (1,2) Örjan Larsson (1,2) Mischa Carlberg (1) Bass Martin Eriksson (1,2) Anders Sturk Steinwall (1) Andreas E. Olsson (1,2) Mikael Sandlund (2) 3 Andreas Hallén © The Music and Theatre Library of Sweden 4 A significant musical pioneer Johan [Johannes1] Andreas Hallén was born on 22 December 1846 in Göteborg (Gothenburg), Sweden. His musical talent was discovered at an early age and he took up playing the piano and later also the organ. As a teenager he set up a music society that gave a very successful concert, inspiring him to invest in becoming a professional musician.
    [Show full text]
  • Programme Registration Is Open Everday 08:15 – 19:15
    28th International Conference on Yeast Genetics and Molecular Biology (ICYGMB) August 27 – September 1, 2017 Prague, Czech Republic Programme Registration is open everday 08:15 – 19:15 Partners Programme 28th International Conference on Yeast Genetics and Molecular Biology Welcome to Prague On behalf of the Organizing Committee is my pleasure to welcome you to the 28th International Conference on Yeast Genetics and Molecular Biology and to Prague. Every conference organized by the international yeast community in the last two decades (Stellenbosch 1997, Rimini 1999, Prague 2001, Gothenburg 2003, Bratislava 2005, Melbourne 2007, Manchester 2009, Olsztyn 2011, Frankfurt 2013, Levico 2015) was guided by high scientific standards and was an opportunity to exchange ideas, renew old acquaintances, make new friends and promote collaborations in research. The programme of this conference has been also designed to provide an effective forum for discussing the progress of front-line yeast genetics and molecular biology research. The meeting also offers a chance to discover Prague which is indeed a focal point and heart of the continent. However, the city is not only a geographical centre of Europe, but also a place were for centuries different nations were mixing and different cultures were merging, influencing each other. Those who will walk through the narrow streets of old Prague will follow the history of Europe and its political, cultural and architectural streams. I trust that you will enjoy your stay in this city with its lively atmosphere and long tradition in hospitality. I would like to take this opportunity to express my thanks to the keynote and symposia speakers, to chairpersons of workshops as well as to all who will contribute by their presentation to workshops and poster sessions.
    [Show full text]
  • Report on the Foreign Policy of the Czech Republic 2002
    Introduction In the international arena, the Czech Republic strives to act as a democratic and politically, economically and socially stable Central European country, pursuing not only its own particular interests but also assuming its share of responsibility for the development of Europe and the entire international community. The international environment in which the Czech Republic pursues its foreign policy is a product of the interaction of a number of factors – sovereign countries, associations of countries at different levels of integration in international organisations and institutions, and non-governmental entities, ranging from non- governmental organisations to various non-transparent lobbying groups not respecting the rules of international relations, including organised crime groups and terrorist organisations. The role, import and influence of these factors fluctuate, often within a very short time span. Following the end of the cold war and the disintegration of the bi-polar world, and as a result of changes in the security environment, the intensification of globalisation processes, the liberalisation of the global economy, the increasing mutual dependence of countries, and the accelerating development of science and technology, there has been significant growth in the importance of multilateral co-operation within the framework of international organisations and integration groupings. At the same time, in the face of new threats posed by certain non- transparent entities, and terrorist organisations in particular, all international mechanisms designed to protect against such dangerous phenomena are rapidly gaining in importance. The Czech Republic, as a country which, by size and population, ranks among medium- sized countries in the European area, and as a country with an open economy, a high proportion of exports and services in the generation of its gross domestic product, and with limited natural resources, is markedly dependent on international co-operation.
    [Show full text]
  • June 2019 Catalogue Issue 38 Prices Valid Until Friday 26 July 2019 Unless Stated Otherwise
    June 2019 Catalogue Issue 38 Prices valid until Friday 26 July 2019 unless stated otherwise Birmingham Town Hall in an 1830s engraving, 0115 982 7500 similar to that featured on the cover of ‘Mendelssohn in Birmingham vol.5’, released by Chandos this month (CHSA5235). [email protected] Your Account Number: {MM:Account Number} {MM:Postcode} {MM:Address5} {MM:Address4} {MM:Address3} {MM:Address2} {MM:Address1} {MM:Name} 1 Welcome! Dear Customer, Young Norwegian soprano Lise Davidsen has gradually been garnering attention in recent years, perhaps making the leap to a wider awareness following her award of Gramophone’s ‘Young Artist of the Year’ in 2018 and her sublime performance of Strauss’s ‘Morgen’ at the ceremony. Ariadne was her major role last year; 2019 sees her take on the part of Elisabeth in Tannhauser - Zurich and Munich have already had the pleasure and she will be taking it to Bayreuth in July, under the baton of Valery Gergiev in a brand new production. Pleasingly for those of us who won’t manage to catch her live, her debut album on Decca has just been released, featuring two arias from Tannhauser plus orchestral lieder (and one aria) by Richard Strauss. We have been hugely impressed, especially considering her mere 32 years of age, making it a clear choice for Disc of the Month. Please see our website for our full review. Other new releases to highlight for June include a second lieder recital from Decca, performed by none other than Renee Fleming; Hyperion issue the latest in their series of ‘Romantic Violin Concertos’, this volume featuring works by Lassen, Scharwenka and Langgaard; the Vaughan Williams Society offer us his works for viola and piano via the Albion label; the final instalment in the Halle’s superb Ring Cycle (Siegfried) is released on the Halle’s own label; and stunning vocal ensemble Vox Luminis give us a treat in the shape of works by the Bach Family.
    [Show full text]
  • Missouri Music Educators 78Th Annual In-Service Workshop/Conference
    MISSOURI MUSIC EDUCATORS 78TH ANNUAL IN-SERVICE WORKSHOP/CONFERENCE - - 1 probably a tan tar a ad here? or nafme something or other 2 TABLE OF CONTENTS From the President .................................................................................4 Conference Schedule Wednesday ............................................................................................5 Thursday .................................................................................................7 All State Rehearsal Schedule ............................................................... 17 Friday .................................................................................................. 22 Saturday .............................................................................................. 37 All-State Concert Programs .................................................................. 40 Leadership MMEA Board of Directors/Administrative Personnel ............................44 MMEA Advisory Council .......................................................................45 District Leadership ...............................................................................46 Affliate Organizations .........................................................................49 Supporting Organizations ...................................................................50 Schedule of Organization Business Meetings .....................................51 MMEA Past Presidents .........................................................................52 Awards
    [Show full text]
  • New Music Festival November 5-9, 2018
    University of Louisville School of Music Presents the Annual New Music Festival November 5-9, 2018 FEATURED GUEST COMPOSER Amy Williams GUEST ARTISTS Sam Pluta Elysian Trombone Consort A/Tonal Ensemble New Music Festival November 5-9, 2018 Amy Williams featured composer Table of Contents Greetings From Dr. Christopher Doane, Dean of the School of Music 3 Biography Amy Williams, Featured Composer 5 Sunday, November 4 Morton Feldman: His Life & Works Program 6 Monday, November 5 Faculty Chamber Music Program 10 Tuesday, November 6 Electronic Music Program 18 Wednesday, November 7 University Symphony Orchestra Program 22 Personnel 25 Thursday, November 8 Collegiate Chorale & Cardinal Singers Program 26 Personnel 32 Friday, November 9 New Music Ensemble & Wind Ensemble Program 34 Personnel 40 Guest Artist Biographies 41 Composer Biographies 43 1 Media partnership provided by Louisville Public Media 502-852-6907 louisville.edu/music facebook.com/uoflmusic Additional 2018 New Music Festival Events: Monday, November 5, 2018 Music Building Room LL28 Computer Music Composition Seminar with Sam Pluta Wednesday, November 7, 2018 Music Building Room 125 Composition Seminar with Amy Williams Thursday, November 8, 2018 Bird Recital Hall Convocation Lecture with Amy Williams To access the New Music Festival program: For Apple users, please scan the accompanying QR code. For Android users, please visit www.qrstuff.com/scan and allow the website to access your device’s camera. The New Music Festival Organizing Committee Dr. John Ritz, chair Dr. Kent Hatteberg Professor Kimcherie Lloyd Dr. Frederick Speck Dr. Krzysztof Wołek 2 The School of Music at the University of Louisville is strongly identified with the performance of contemporary music and the creation of new music.
    [Show full text]
  • Lineage Curated by Julia Bullock Soundbox
    LINEAGE CURATED BY JULIA BULLOCK SOUNDBOX 1 julia bullock on lineage “I’ve found that musicians often share a lot about the various influences in their lives— whether they be historical, political, philosophical, personal, or based on other mediums of art. They let diverse influences not only impact their work, but find ways to let them register explicitly. It’s like musicians are hyper conscious of their lineage—they honor it and value it. So, as I continue to follow along the path and legacy of artists that came before me, lineage has become increasingly important—it’s a part of knowing from where I originated and letting that inform where I envision myself going. The musicians on this SoundBox program could not make music all together in one place, or even at one time, but the very nature of this program—which links material that spans across almost 900 years—captures an audio and visual snapshot of how lineage can inform, influence, impact, and express itself in a musical context.” 2 Esa-Pekka Salonen SAN FRANCISCO SYMPHONY MUSIC DIRECTOR San Francisco Symphony Music Director Esa-Pekka Salonen has, through his many high-profile conducting roles and work as a leading composer, shaped a unique vision for the present and future of the contemporary symphony orchestra. Salonen is currently the Principal Conductor & Artistic Advisor for London’s Philharmonia Orchestra and is Artist in Association at the Finnish National Opera and Ballet. He is a member of the faculty of the Colburn School in Los Angeles, where he developed and directs the pre-professional Negaunee Conducting Program.
    [Show full text]
  • BEKANNTMACHUNG Die Preisträger Des Polar Music Prize
    BEKANNTMACHUNG Die Preisträger des Polar Music Prize 2014 sind: CHUCK BERRY UND PETER SELLARS Die Begründung für Chuck Berry Der Polarpreis 2014 wird Chuck Berry von St. Louis, USA, verliehen. An jenem Tag im Mai 1955, als Chuck Berry seine Debutsingel "Maybellene" einspielte, wurden die Parameter der Rockmusik definiert. Chuck Berry war der Pionier des Rock'n'Roll, der der E-Gitarre als Hauptinstrument der Rockmusik den Weg bereitete. Alle Riffs und Soli, die Rockgitarristen in den letzten 60 Jahren gespielt haben, enthalten DNA- Spuren, die sich auf Chuck Berry zurückführen lassen. The Rolling Stones, The Beatles und eine Million andere Bands haben ihr Handwerk erlernt, indem sie Stücke von Chuck Berry eingeübten. Daneben ist Chuck Berry ein meisterhafter Songwriter. In drei Minuten kann er Bilder aus dem Alltag eines Jugendlichen und dessen Träume skizzieren, nicht selten mit einem Auto im Zentrum. Chuck Berry, geboren 1926, war der erste, der auf den Highway hinausgefahren ist um zu verkünden: Wir alle sind "born to run". Preisbegründung für Peter Sellars: Der Polarpreis 2014 geht an Peter Sellars aus Pittsburgh, USA. Der Regisseur Peter Sellars ist das beste lebende Beispiel dafür, um was es beim Polarpreis geht: Musik sichtbar zu machen und sie in einem neuen Kontext zu präsentieren. Mit seinen kontroversen Inszenierungen von Opern und Theaterstücken hat Peter Sellars alles, von Krieg und Hunger bis hin zu Religion und Globalisierung, auf die Bühne gebracht. Sellars hat Mozart in den Luxus des Trump Tower und in den Drogenhandel von Spanish Harlem versetzt, eine Oper über Nixons Besuch in China inszeniert und Kafkas Sauberkeitswahn vertont.
    [Show full text]
  • Record Series 1121-105.4, W. W. Law Music Collection-Compact Discs, Inventory by Genre
    Record Series 1121-105.4, W. W. Law Music Collection-Compact Discs, Inventory by Genre Genre Album title Contributor (s) Date Final Box # Item # Additional Notes Original CD Blues (music) James Cotton Living the Blues James Cotton; Larry McCray; John Primer; Johnny B. Gayden; Brian Jones; Dr. John; Lucky Peterson; Joe Louis Walker 1994 1121-105-242 19 Blues (music) Willie Dixon Willie Dixon; Andy McKaie; Don Snowden 1988 1121-105-249 01 Oversized case; 2 CD box set Blues (music) Cincinnati Blues (1928-1936) Bob Coleman's Cincinnati Jug Band and Associates; Walter Coleman; Bob Coleman no date 1121-105-242 17 Found with CD album in Box #10, Item #28; Case was found separately Blues (music) Willie Dixon, The Big Three Trio Willie Dixon; The Big Three Trio 1990 1121-105-242 18 Blues (music) The Best of Muddy Waters Muddy Waters 1987 1121-105-242 08 Blues (music) The Roots of Robert Johnson Robert Johnson 1990 1121-105-242 07 Blues (music) The Best of Mississippi John Hurt Mississippi John Hurt; Bob Scherl 1987 1121-105-242 06 Blues (music) Bud Powell: Blues for Bouffemont Bud Powell; Alan Bates 1989 1121-105-242 36 Friday, May 11, 2018 Page 1 of 89 Genre Album title Contributor (s) Date Final Box # Item # Additional Notes Original CD Blues (music) Big Bill Broonzy Good Time Tonight Big Bill Broonzy 1990 1121-105-242 04 Blues (music) Bessie Smith The Collection Bessie Smith; John Hammond; Frank Walker 1989 1121-105-242 38 Blues (music) Blind Willie Johnson Praise God I'm Satisfied Blind Willie Johnson 1989 1121-105-242 20 Post-it note was found on the back of this CD case, photocopy made and placed in envelope behind CD.
    [Show full text]
  • PRESSRELEASE the Laureates of the Polar Music Prize 2013 Are
    PRESSRELEASE The Laureates of the Polar Music Prize 2013 are: YOUSSOU N’DOUR & KAIJA SAARIAHO Youssou N’Dour Citation: The Polar Music Prize 2013 is awarded to Youssou N’Dour from Senegal. A West African griot is not just a singer, but a storyteller, poet, singer of praise, entertainer and verbal historian. Youssou N’Dour is maintaining the griot tradition and has shown that it can also be changed into a narrative about the entire world. With his exceptionally exuberant band Super Étoile de Dakar (Dakar star) and his musically ground breaking and political solo albums, Youssou N’Dour has worked to reduce animosities between his own religion, Islam, and other religions. His voice encompasses an entire continent's history and future, blood and love, dreams and power. Kaija Saariaho Citation: The Polar Music Prize 2013 is awarded to Kaija Saariaho from Finland. After studying at IRCAM in Paris, an institution for research and study of electro-acoustic music, Kaija Saariaho has developed into a unique composer, a metal worker's daughter who re- examines what music can be. When she was growing up, the music that inspired her came not from the radio but from the pillow; that was where she found the music she dreamt of. Kaija Saariaho combines acoustic instruments with electronics and computers. She has written chamber music, orchestral works and operas. Kaija Saariaho is a modern maestro who opens up our ears and causes their anvils and stirrups to fall in love. On Tuesday 27th of August the Laureates will receive the prize from His Majesty King Carl XVI Gustaf of Sweden at a gala ceremony at the Stockholm Concert Hall to be followed by a celebratory banquet at Grand Hôtel.
    [Show full text]
  • Handel-Brockes-Passion-Mortensen
    Lars Ulrik Mortensen (© Mathias Løvgreen) cpo 555 286–2 Booklet.indd 2 28.08.2019 11:16:56 Georg Friedrich Händel (1685–1759) BROCKES-PASSION HWV 48 Der für die Sünden der Welt gemarterte und sterbende Jesus Maria Keohane – Soprano (MK), Tochter Zion, Ancilla I, Maria Joanne Lunn – Soprano (JL), Tochter Zion, Ancilla III Hanna Zumsande – Soprano (HZ), Tochter Zion, Gläubige Seele, Johannes, Ancilla II Daniel Carlsson – Alto (DC), Judas Daniel Elgersma – Alto (DE), Kriegsknecht, Jakobus Ed Lyon – Tenor (EL), Evangelist Gwilym Bowen – Tenor (GB), Petrus Peter Harvey – Bass (PH), Jesus Jakob Bloch Jespersen – Bass (JJ), Caiphas, Pilatus, Hauptmann Lars Ulrik Mortensen, Harpsichord & Musical Direction cpo 555 286–2 Booklet.indd 3 28.08.2019 11:16:56 SACD 1 1 Sinfonia 2'44 2 1. Chorus Mich vom Stricke meiner Sünden zu entbinden 4'30 3 2a. Recitativo Als Jesus nun zu Tische saße (EL) 0'28 4 2b. Accompagnato Das ist mein Leib (PH) 1'09 5 3. Aria Der Gott, dem alle Himmelskreise (MK) 2'13 6 4a. Recitativo Und bald hernach (EL) 0'15 7 4b. Accompagnato Das ist mein Blut (PH) 1'00 8 4c. Aria Gott selbst, der Brunnquell alles Guten (MK) 2'18 9 5. Chorus Ach, wie hungert mein Gemüte 2'04 10 6a. Recitativo Drauf sagten sie dem Höchsten Dank (EL) 0'39 11 6b. Chorus Wir wollen alle eh’ erblassen 0'31 12 7a. Recitativo Es ist gewiß (PH) 0'10 13 7b. Aria Weil ich den Hirten schlagen werde (PH) 1'16 14 8a. Recitativo Aufs wenigste will ich (GB, PH) 1'12 15 8b.
    [Show full text]
  • Courier Gazette
    Issued ■Rjesduw Thurs my Saturday The Courier-Gazette Entered u Second CUM Mall Matter THREE CENTS A COPY Established January, 1846 By The Courier-Gaaette. MS Main St. Rockland, Maine, Saturday, December 23, 1939 Volume 94............... Number 153. The Courier-Gazette i Fights For Finland [EDITORIAL] “THE BLACK CAT" THREE-TIMES-A-WEEK BAN ON SUNDAY TRUCK DRIVING FINNISH RELIEF FUND Editor Eric Ericson Is Doing It In (Kennebec Journal) WM O FULLER Ascoctate Editor This Country By Raising A recent poll has shown majority public sentiment in favor of banning trucks from the highways altogether on Sundays. Clifford Smith Heads List Of Voluntary Con­ FRANK A. WINSLOW Funds The advantage of this Is obvious and if done It may result In Subacrlptlons S3 OC per year payable further restrictions that will make the trucks less of a nuis­ n advance: single copies three cent* William Erickson of St. George ance than they are. Unless the trucks are restrained, and tributors With $25 Advertising rates baaed upon clrcula- , •Ion and very reasonable , *s Jl**tly proud Of the work being that rather drastically, they promise to dominate the roads completely before long. newspaper history done in behalf of his countrymen While truck drivers, by and large, undoubtedly are the With a check for (25 as an enclo­ eral directions in this locality, and The Rockland Gazette was estab- IL.hed in 1848. In 1874 the Courier was by his brother, Eric Erickson of first class drivers their sponsors claim, there are so many ele­ sure The Courier-Oazette this which have been freely publicized •stabltshed and consolidated with the ments In their favor they can hardly help being a nuisance.
    [Show full text]