DOCSLIB.ORG

Multi-Voice Pickups for Electric Guitars Multi-Voice Pickups for Electric Guitars

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Multi-Voice Pickups for Electric Guitars Multi-Voice Pickups for Electric Guitars Multi-Voice Pickups For Electric Guitars Multi-Voice Pickups For Electric Guitars Un-wind. The electric guitar pickup has been wound since 1934. SINGLE WIDTH FOR STRAT® 80 years later, we’ve unwound it. Original and totally re-imagined, Fishman Fluence pickups are free from the hum, noise and frustrating inductance issues that plague even the most coveted wire-wound pickups — revealing pure, uncorrupted and musical tone. Historically, pickup “recipes” have been fraught with compromises, a balancing act of design concessions in an effort to combine our favorite elements without giving up too much. However, even after almost a century of refinement, most of us can still think of something we’d like CLASSIC HUMBUCKER to tweak on our current favorites. Each Fishman Fluence pickup has two distinct and useful sounds on-board. These sounds start with the revolutionary Fluence Core, the heart of Fluence tone. From this Fluence Core we then create the classic timbres and tone-colors you expect from great guitar pickups — as well as some you’ve never expected. Fishman Fluence. Everything You Hear Is TrueTM. MODERN HUMBUCKER Multi-Voice Pickups For Electric Guitars Fishman Fluence pickups are the first real re-imagining of electric guitar pickups in over 80 years. Before we embarked on the Fluence journey, our team established some important ground rules. RULE 1 Un-wind.At Fishman, we merge the Technology and Art of Performance. So whether it’s our pickup systems The tones of the great classic and aftermarket pickups are for acoustic guitars, Solo PA systems, Triple Play The electric guitarMIDI pickup guitar system, has been amplifiers wound and sincemore… 1934. you can the benchmarks by which all other® pickups are judged. SINGLE WIDTH FOR STRAT depend on us to cut out the “voodoo” and get 80 years later, we’ve unwound it. Original and totally These tones and timbres are not negotiable; they are the to the true source of great tone. sound of electric guitars. Period. re-imagined, Fishman Fluence pickups are free from the Our Fluence lab is outfitted with sophisticated hum, noise and frustrating inductance issues that plague equipment, some of which we built ourselves RULE 2 even the most covetedspecifically wire-wound for our unique pickups research — needs. revealing But the real testing occurred in the “real world” lab that was pure, uncorruptedFLUENCE and musical tone. With Rule 1 firmly established, we listed the design createdMulti-Voice when we handedPickups the Fluence-equippedfor Electric Guitar guitars over to players like you. Back and forth, the shortcomings of classic pickups and set about to fix them: refinements continued until it was smiles all around… Historically, pickup “recipes” have been fraught with n Fluence pickups are true Multi-Voice. Coil taps and and we eventually got our guitars back! compromises, a balancing act of design concessions in other switching can yield different sounds, but they Fluence — The Technology and Art of an effort to combine our favorite elements without giving can’t transform your pickups from vintage to hot, or Performance infused into electric guitar up too much. However,pickups. Because even after you’ve almost waited a long century enough. of from hot to “line-in” clean... with no losses in output level. refinement, most of us can still think of something we’d like n Fluence pickups are quiet. Single coils hum, and all CLASSIC HUMBUCKER to tweak on our current favorites. standard pickups are susceptible to spurious noise - Comparing even humbuckers! No sacrifice of classic tone for magnetic fields Each Fishman Fluence pickup has two distinct and useful quiet operation. on our proprietary sounds on-board. These sounds start with theanalyzer. revolutionary n Fluence pickups allow you to own the stage. Fluence Core, the heart of Fluence tone. From this Fluence Long cables? No problem. 20’, 30’, 50’ or more, Core we then create the classic timbres and tone-colors with no signal degradation. One of the many you expectFishman from Fluence great pickups guitar are pickups more than — asjust well quiet; as they some are the first real re-imagining of electric guitar pickups in over 80 years. Before we embarked on the Flu- “shuttle” guitars n Fluence pickups let you control your volume, ence journey, our team established some important ground rules. you’ve never expected. used to make in- without sacrificing high end or clarity. Rule #1 - The tones of the great classic and stantaneousaftermarket pickupspickup are the benchmarks by which all others are judged. These tones and timbres are not negotiable; n Fluence pickups will run for days on a standard they are the sound of electric guitars. Period.changes. Using the Fishman Fluence. Everything You Hear Is TruesameTM. guitar for all 9v battery, or with the optional rechargeable Rule #2 - With Rule #1 firmly established, wetests listed removed the shortcomings this of these designs and set about to fix them: t$PJMUBQTBOEPUIFSTXJUDIJOHDBOZJFMETPNFEJGGFSFOUTPVOET CVUUIFZDBOUUSBOTGPSNZPVSQJDLVQTGSPNWJOUBHFUPIPU PSGSPNIPUUPiMJOFJOwDMFBO significant variable. lithium-ion pack – never change batteries again. with no losses in output level like the Fluence true Multi Voice circuitry can. t4JOHMFDPJMTIVN BOEBMMTUBOEBSEQJDLVQTBSFTVTDFQUJCMFUPTQVSJPVTOPJTFFWFOIVNCVDLFST t5IFMPOHFSUIFDBCMF UIFNPSFZPVSUPOFEFHSBEFT MODERN HUMBUCKER Fishman Fluence pickups deliver the tone you love, t4NBMMDIBOHFTJOZPVSWPMVNFDPOUSPMDSFBUFIVHFDIBOHFTJOZPVSUPOBMSFTQPOTFBOEDMBSJUZ t"DUJWFQJDLVQTTBDSJmDFDMBTTJDUPOFFluenceGPSPVUQVU prototypesBOERVJFU PQFSBUJPO and leave the rest of the baggage behind. t"DUJWFQJDLVQTCBUUFSZJNQMFNFOUBUJPOin their JTshuttlesTPMBTUDFOUVSZ ready for listening Fishman Fluence pickups deliver the tone youtests. love, and leave the rest of the baggage behind. SINGLESINGLE WIDTH WIDTH FOR FOR STRAT STRAT®® CLASSICCLASSIC HUMBUCKER HUMBUCKER NECK NECK SINGLE WIDTH FOR STRAT® CLASSIC HUMBUCKER NECK TheThe most most coveted, coveted, historical historical Strat Strat® ®tones tones TheThe vintage vintage neck neck humbucker humbucker tone tone we we The most coveted, historical Strat® tones The vintage neck humbucker tone we withoutwithout the the hum. hum. From From vintage vintage allall love, love, combined combined with with the the up-front up-front without the hum. From vintage all love, combined with the up-front sweetnesssweetness and and clarity clarity to to muscular muscular dynamicsdynamics only only Fluence Fluence can can deliver. deliver. sweetness and clarity to muscular dynamics only Fluence can deliver. overwoundoverwound punch, punch, in in the the same same guitar. guitar. overwound punch, in the same guitar. AllAll Fishman Fishman Fluence Fluence Electric Electric All Fishman Fluence Electric GuitarGuitar Pickups... Pickups... Guitar Pickups... nn AreAre Multi-Voice. Multi-Voice. Set Set and and n Are Multi-Voice. Set and forget,forget, or or wire-up wire-up to to toggle toggle forget, or wire-up to toggle betweenbetween two two musically musically SingleSingle Width Width for for Strat Strat (White) (White) PRF-STR-WH1 PRF-STR-WH1 ClassicClassicbetween Humbucker Humbucker Necktwo Neck (Black) (Black)musically PRF-CHB-NB1 PRF-CHB-NB1 Single Width for Strat (White) PRF-STR-WH1 Classic Humbucker Neck (Black) PRF-CHB-NB1 complimentarycomplimentary voices. voices. complimentary voices. nn DropDrop right right in. in. Replaces Replaces n Drop right in. Replaces standardstandard humbucking humbucking and and standard humbucking and singlesingle coil coil pickups. pickups. single coil pickups. nn AreAre rechargeable rechargeable on on your your n Are rechargeable on your guitar.guitar. Optional Optional lithium-ion lithium-ion guitar. Optional lithium-ion SingleSingle Width Width for for Strat Strat (Black) (Black) PRF-STR-BK1 PRF-STR-BK1 ClassicClassic Humbucker Humbucker Neck Neck (Nickel) (Nickel) PRF-CHB-NN1 PRF-CHB-NN1 Single Width for Strat (Black) PRF-STR-BK1 Classic Humbucker Neck (Nickel) PRF-CHB-NN1 batterybattery pack pack offers offers days, days, battery pack offers days, notnot hours hours of of playing playing time.* time.* not hours of playing time.* * *Standard Standard 9V 9V battery battery can can also also be be used used * Standard 9V battery can also be used † †Strat Strat® ®is isa a registered registered trademark trademark of of FMIC FMIC † Strat® is a registered trademark of FMIC AllAll specifications specifications areare subject subject to to changechange withoutwithout notice. notice. AllClassicClassic specifications Humbucker Humbucker are Neck subjectNeck (Gold) (Gold) to change PRF-CHB-NG1 PRF-CHB-NG1 without notice. Classic Humbucker Neck (Gold) PRF-CHB-NG1 VOICEVOICE 1 1 VintageVintage Single-Coil Single-Coil VintageVOICEVintage 1 P.A.F. P.A.F. Vintage VintageSingle-CoilVintage P.A.F. P.A.F. Vintage ModernP.A.F.Modern Active Active Metal Metal ModernVintageModern Active P.A.F.Active Metal Metal Modern Active Metal Modern Active Metal VintageVintage tone, tone, clear clear and and present, present, The The ideal, ideal, elusive elusive vintage vintage P.A.F. P.A.F. neck neck Vintage tone,TheThe ideal, ideal,clear calibrated andcalibrated present, vintage vintage P.A.F. P.A.F. The ideal,The Theelusive ideal ideal vintage active active AlnicoP.A.F. Alnico neck sound. sound. Full, Full, round, round, TheThe ideal ideal,ideal ceramic ceramiccalibrated active active vintage tone. tone. P.A.F. Crisp, Crisp, The ideal active Alnico sound. Full, round, The ideal ceramic active tone. Crisp, seamlesslyseamlessly fused
Load more

Recommended publications
  • 5.2 Humbuckers
    5.2 Humbucker 5-9 5.2 Humbuckers The interference occurring with single-coil pickups motivated the development of the Humbucker. Single-coil pickups do not only pickup the vibration of the strings and generate a corresponding electric voltage, but they are also sensitive to magnetic fields as they are radiated by transformers, fluorescent lamps, or mains cables. Instead of having one coil, the "Hum-Bucker" consists of two coils connected to form a dipole and wired such that they are out of phase. The magnetic field generated by external interference sources induces in each coil the same voltage. Because of the anti-phase connection of the two coils the voltages cancel each other out. If the field generated by the permanent magnet would also flow through both coils with the same polarity, the signals generated by the vibrating string also be cancelled – this of course must not happen. For this reason the permanent field flows through the two coils in an anti-parallel manner such that the voltages induced by the vibrating strings are out of phase. Because the coils are connected out of phase, the voltages are turned twice by 180° i.e. they are again in phase (180° +180° = 360° corresp. to 0°). With this arrangement the signal-to-noise ratio can be improved somewhat compared to single-coil pickups (chapter 5.7). As early as the 1930s designers sought to develop a marketable pickup based on compensation principles which were generally already known. Seth Lover, technician with the guitar manufacturer Gibson, achieved the commercial break-through.
    [Show full text]
  • Fender VG Stratocaster Issue 57
    REVIEW FENDER VG STRATOCASTER Fender and Roland have joined forces again, this time to produce a Stratocaster with a difference. Text: Brad Watts It’s not all that often we review a guitar in you’ve got a spare $2.5k to drop on a guitar. And while the AudioTechnology – that’s a job best left to the guitar VG Strat comes with either a rosewood or maple fretboard, magazines. But every now and then an instrument hits the colour options are limited to black or three-tone the streets that truly embraces some of the technological sunburst (the sunburst is a tad pricier, as per usual). Fender advances we’ve all witnessed during the last 10 years or so. also supplies American series guitars with a solid moulded DSP modelling is one such field, and an area that ‘serious’ case rather than the padded gig bags that arrive with the guitarists do their best to steer clear of. But in the last lower-priced models. They’re a very nice guitar and well couple of years systems such as Line 6’s Variax range, along worth the extra lolly if you can stretch your budget. with various incarnations of the Roland ‘GK’ standard The VG model up for review possessed an extremely nice and the digital Les Paul from Gibson, have infiltrated the maple neck, which for me is the ultimate neck – standard ‘wood & steel’ domain. headstock design of course! The body, however, (black in The big drawcard of these guitars is versatility. I’m not this case) looked as though it hadn’t been sanded correctly.
    [Show full text]
  • Humbucker Wiring 2014 Final A4
    HUMBUCKER INSTALLATION GUIDE Thanks for purchasing a Tonerider Humbucker. This guide provides wiring and installation information for all our four-conductor humbuckers. This included Alnico II Classics, Alnico IV Classics, Rocksong, and Generator models We’ve included several common guitar wiring configurations; however if you need any extra information, don't hesitate to contact us. We are musicians at heart and no question is too large or too small. All Tonerider pickups have a lifetime warranty when purchased new. Please see your warranty card for details. POLARITY AND WIRING: NORTH North/Slug Coil Start North/Slug Coil Finish South/Screw Coil Start South/Screw Coil Finish SOUTH THE QUICK GUIDE: * Install with screw coils facing outwards. * Pressing the strings against the high frets, set the pickup heights to 3mm from the strings (neck) and 2mm (bridge). * The RED wire is “hot” and connects to the input lug of the volume pot or switch. * The GREEN wire and SHIELD are “ground” and connect to the back of a grounded pot. * The BLACK & WHITE wires should be soldered together. This is done at our workshop. * Test the guitar through an amplifier and make final adjustments to the height of the pickups. FROM NECK PICKUP 3-WAY TOGGLE SWITCH FROM “HOT”/ BRIDGE PICKUP SIGNAL OUT GROUND Diagram 2 DPDT (on/on) COIL SPLITTING: This wiring option leaves one coil on, making the pickup work like a true single coil. It is a useful modification to increase your tonal options. “Hot” - SPLITTING TO THE SLUG COIL (Diagram 3): This is gives a fuller sound than the screw Diagram 3 coil, especially in the bridge position.
    [Show full text]
  • Patented Electric Guitar Pickups and the Creation of Modern Music Genres
    2016] 1007 PATENTED ELECTRIC GUITAR PICKUPS AND THE CREATION OF MODERN MUSIC GENRES Sean M. O’Connor* INTRODUCTION The electric guitar is iconic for rock and roll music. And yet, it also played a defining role in the development of many other twentieth-century musical genres. Jump bands, electric blues and country, rockabilly, pop, and, later, soul, funk, rhythm and blues (“R&B”), and fusion, all were cen- tered in many ways around the distinctive, constantly evolving sound of the electric guitar. Add in the electric bass, which operated with an amplifica- tion model similar to that of the electric guitar, and these two new instru- ments created the tonal and stylistic backbone of the vast majority of twen- tieth-century popular music.1 At the heart of why the electric guitar sounds so different from an acoustic guitar (even when amplified by a microphone) is the “pickup”: a curious bit of very early twentieth-century electromagnetic technology.2 Rather than relying on mechanical vibrations in a wire coil to create an analogous (“analog”) electrical energy wave as employed by the micro- phone, “pickups” used nonmechanical “induction” of fluctuating current in a wire coil resulting from the vibration of a metallic object in the coil’s magnetized field.3 This faint, induced electrical signal could then be sent to an amplifier that would turn it into a much more powerful signal: one that could, for example, drive a loudspeaker. For readers unfamiliar with elec- tromagnetic principles, these concepts will be explained further in Part I below. * Boeing International Professor and Chair, Center for Advanced Studies and Research on Inno- vation Policy (CASRIP), University of Washington School of Law (Seattle); Senior Scholar, Center for the Protection of Intellectual Property (CPIP), George Mason University School of Law.
    [Show full text]
  • VERTEX-M Www
    VERTEX-M www. a rtecs ound .com Mic/Piezo Blender - Neodymium Stack Soundhole pickup Features: Clamp Clamp fastener fastener - Neodymium Stack bobbin - Humbucker pickup - MIC mix level - PIEZO mix level - MAGNETIC PICKUP mix level - MASTER VOLUME - ENN Endpin Jack included Clamp MASTER Clamp - Built-in Microphone VOLUME Low Batt. Indicator - AP50 PIEZO transducer MIC mix level - Battery bag included PIEZO mix level MAGNETIC - Battery: 9V Alkaline PICKUP - Power consumtion: 1.3mA mix level MICROPHONE OUTPUT JACK PIEZO transducer INSTALLATION 1. Endpin jack - Make a hole for endpin jack. Use 12 drill bit for wood. - Install the ENN endpin jack from inside. * Endpin jack has power switch function. System will turn on when plug in. MICROPHONE Battery bag PIEZO transducer 2. Battery Bag - Make clean the surface for battery bag - Stick the included battery bag to neck-joint-block 3. Piezo Transducer setting - Make clean the inside of top surface near bridge - Stick the AP50 Piezo Transducer using attached double sided tape. 4. VERTEX-M Soundhole Pickup Setting - Release both clamp - Insert output jack - Connect a 9V Alkaline Battery and put to battery bag - Seat the pickup over soundhole - Move forward - Align the pickup’s pole-pieces with strings - Fasten both fastener screw * VERTEX pickups are designd for RIGHT-HAND guitar. If you want use it for Left-hand guitar, seat the pickup on bridge side of sound-hole. * Pull out guitar cable from jack to prevent unwanted battery consumption. REV-VTXM_17LT.
    [Show full text]
  • TZ Fender Humbucker Pt 1
    "Wide-Range"!? A discussion of the Fender Humbucking Pickup Original, Clones & Competition Tilmann Zwicker GITEC (https://www.gitec-forum-eng.de) Part 1 History, Build and Measurements: Original CuNiFe & Reissues 1 Preface by the author: For quite a while, the Fender Humbucking pickup was kind of a mystery to me. I was aware that Fender made some guitars sporting that device (Starcaster, Telecaster Deluxe, Telecaster Custom, and the 2nd version of the Telecaster Thinline - and the 2nd version of the Telecaster Bass) but no one in my circles played anything like that. I remember playing a jam session (maybe 1975) where the other two guitarists incidentally both played Telecaster Customs (one of them heavily modded with a third Fender Humbucker - quite a feat for the time), but since I was totally nervous (being the junior amongst what I considered much more serious and accomplished musicians) I never paid much attention to whether they got a particular sound. I think I did asked one of the guys and got a response along the lines of "yeah we play these pickups 'cause the give more output but retain more of that Fender sound". Anyway, that was my one and only encounter with the Fender Humbucker for a long time. In the mid 1980's I could finally afford to keep more than just that one main guitar, and with a Les Paul and an ES-335 already at home, I decided that I should finally branch out into the world of Fenders, as well. In a strange coincidence, I found 2 Telecasters within a few days in the want ads in Munich (not a regular occurrence back then): a Vintage Reissue Tele (the first kind they made in the 1980's), and a 1973 Thinline ..
    [Show full text]
  • Gretsch Junior Jet Bass Ii Modifications
    Gretsch Junior Jet Bass Ii Modifications Penn bang-up his ravishments moit winsomely, but varied Jennings never spines so mesially. Allotriomorphic and deductive Matias herries, but Schuyler inauspiciously corduroy her hypoglycaemia. Plenteous and enforced Clayborne reprove exotically and inactivated his groom even and jumpily. Yamaha makes vibrato in very nicely made to the world of electric bass bass junior jet ii, ethereal look and conditions of the They supersize view marshall inspired by gretsch junior jet bass ii modifications. Mediterranean and northern Africa. Your motorcycle enthusiasts and regulated by our second numbers below the jet ii i really fix idling problems that some items bestselling alphabetical: studios memphis decal on! Jazz kit contains affiliate advertising program, food storage kitchen knives to gretsch junior jet bass ii modifications is right to stage; you are hardly played. It cleans up ok with a TON of elbow grease and a normal guitar polishing cloth. Fernandes sustainer in the neck. Very Low output from the neck Pickup and no output from the bridge pickup. Later models are priced electric solid repair project within any given to gretsch junior jet bass modifications is now coming apart from dark magic for an epic adventure or event related products. My first was a few modifications to gretsch junior jet bass ii modifications is the video and modifications to wait for thin piece of the free viewing this. This is without a doubt one of the best modded Marshalls I have ever played. Canada as possible but it is in a tendency to gigs and bass ii examples try to mattresses and map art.
    [Show full text]
  • MSRP Pricelist
    2013 MSRP PRICELIST PRICING EFFECTIVE JULY 1, 2013 17600 North Perimeter Drive • ScottSDale, aZ • 85255 www.GretSchGUITARS.com ©2013 Fmic. all riGhtS reServeD. PriceS aND SPeciFicatioNS SUbject to chaNGe withoUt Notice. 2013 Gretsch MSRP Pricelist MSRP pricing for Gretsch® Instruments and Amplifiers Effective July 1, 2013 Gretsch® Custom Shop | U.S. Custom Collection G6136CST White Falcon™ Part Number Description MSRP 2401404805 G6136CST White Falcon™ Custom, Ebony Fingerboard, White $12,000.00 Professional Collection Hollow Body | Brian Setzer G6136SLBP Brian Setzer Black Phoenix with TV Jones® Pickups Part Number Description MSRP 2400113824 G6136SLBP Brian Setzer Black Phoenix, Ebony Fingerboard, Black Lacquer, with Bigsby® $5,050.00 G6120SSL Brian Setzer Nashville® with TV Jones® Pickups Part Number Description MSRP 2400110822 G6120SSLVO Brian Setzer Nashville®, Ebony Fingerboard, Vintage Orange Lacquer, with Bigsby® $4,650.00 2400110812 G6120SSL Brian Setzer Nashville®, Ebony Fingerboard, Orange Tiger Flame Lacquer, with Bigsby® $4,850.00 G6120SSU / G6120SSUGR Brian Setzer Nashville® with TV Jones® Pickups Part Number Description MSRP 2400109812 G6120SSU Brian Setzer Nashville®, Ebony Fingerboard, Orange Tiger Flame, with Bigsby® $4,300.00 2400109850 G6120SSUGR Brian Setzer Nashville®, Ebony Fingerboard, Green Tiger Flame, with Bigsby® $4,300.00 G6120TV Brian Setzer Hot Rod with TV Jones® Pickups Part Number Description MSRP 2400112806 G6120SHBKTV Brian Setzer Hot Rod, Ebony Fingerboard, Flat Black, with Bigsby® $3,800.00 2400112809
    [Show full text]
  • PICKUP INSTALL COURSE 2 Humbucker Style Guitar
    PICKUP INSTALL COURSE How to Swap Passive for Active Pickups: 2 Humbucker Style Guitar seymourduncan.com 1 © 2020 Seymour Duncan Table of Contents WHAT YOU NEED 3 TROUBLESHOOTING 11 WORKSPACE / STARTING TIPS 4 OTHER CONSIDERATIONS 11 WIRING 5-9 ROCK OUT! USING A REAMER 10 Welcome! This is the companion workbook to your Seymour Duncan Tech Pickup Install Course. HOW TO USE THIS MODULE This course teaches you how to swap passive Download and save the workbook before starting humbucking pickups for active humbuckers in a your installation. We recommend keeping it handy 2-humbucker guitar. This workbook is a supple- throughout your pickup install. ment to the video course and provides additional information to help you along the way. Swapping pickups is an easy process. But take your time going through the course. And always use safety when working with hot irons. Need Help? 1. Join the Community! Go to the introduction section at the beginning of the course and click “How to join the Private Community”. 2. For additional resources on pickups, wiring diagrams, pickup recommendations, and more visit: https://www.seymourduncan.com/re- sources 2 © 2020 Seymour Duncan What you need • Philips head screwdriver • Reamer 3/8” (4.3mm) diameter (if needed) • Flathead “slotted” screwdriver • 9 Volt Battery • Shop Ruler • Socket set 3/8” (4.3mm) to remove and install • Small, electronics-style wire cutters new pots • Guitar string cutters (havy duty dikes) • Small needle-nose pliers or tweezers Optional • Wire strippers (20-30 gauge) • Helping hands
    [Show full text]
  • 5.16 Patents Und Inventions
    5-208 5. Magnetic pickups 5.16 Patents und inventions 5.16.1 American Patents (selection) 1890 435679 Breed: the first guitar pickup? 1890!! 1927 1933299 Vierling: piano-pickup (PU) 1929 1839395 Kauffman: tremolo (vibrato-unit) 1929 1838886 Tuininga: violin-HB 1930 2027073 Vierling: piano-PU (see also 1933299) 1931 1906607 Jacobs: piano-PU 1931 1915858 Miessner: piano-PU 1931 1978583 Kentner: piano-PU 1934 1941870 Severy: synthesizer 1934 2020557 Loar: guitar with structure-borne-sound-PU 1934 2025875 Loar: guitar with structure-borne-sound-PU 1934 2089171 Beauchamp: Rickenbacker Frying Pan, Horseshoe-PU 1935 2026841 Lesti: PU w/out permanent magnet 1935 2119584 Knoblaugh: stacked HB w/out permanent magnet 1936 2087106 Hart/Fuller (Gibson): Charlie-Christian-PU 1936 2170294 Dopyera: National Hawaiian guitar, Blade-PU 1936 2152783 Beauchamp: Rickenbacker Electro Spanish Guitar, Horseshoe-PU 1937 2175325 Sunshine/Epiphone: "Oblong Pickup" 1938 2145490 Miller (Gibson): further development of 2087106 1938 2241911 Kauffman: motorized tremolo for steel-guitar 1939 2262335 Russell: HB w/horseshoe-magnet 1940 2261358 Fuller (Gibson): retrofit-PU 1940 2294861 Fuller (Gibson): retrofit-PU 1944 2455575 Fender/Kauffman: Solidbody guitar w/PU 1946 2455046 DeArmond: PU "Type-1000" 1948 2542271 Alvarez: Piano-HB 1948 2567570 McCarty (Gibson): PU within the pickguard 1948 2686270 Ayres: piano-HB 1949 2557754 Morrison: Solidbody guitar w/PU potted in wax, 6 cylindrical magnets 1950 2573254 Fender: Telecaster-precursor 1950 2612072 DeArmond: PU w/6 adjustable
    [Show full text]
  • P Erformance Series
    Series Radiator SD SDxt Exit 22 LG LG HMB Performance Congratulations and thank you for choosing a Godin guitar. Each Godin guitar is meticulously crafted from the finest materials to provide you with an instrument worthy of a lifetime of music making. Our goal with each Godin guitar is to find the perfect balance between the finest traditions of guitar crafting, the new design concepts that we are developing and the integration of the latest developments in related electronics. From the selection of the wood to the final adjustments to the finished instrument, each Godin gui- tar is designed and built by people who love guitars. Enjoy your new guitar. General Guitar Stuff Acoustics neck into the body. Godin guitars are renowned for tight-fit- Electric guitars are actually acoustic instruments. Perhaps ting neck attachments that support excellent neck/body not particularly loud, but the point here is that if a solid energy transfer and precise neck pitch. body guitar does not sound good un-plugged then it won't be saved by a great set of pickups and a nice amp. There Rock Maple Necks are many factors that contribute to the un-plugged sound There are many grades of maple available, rock maple is of a solid body guitar but most of the response of the the term often used to describe the particularly hard variety instrument comes as a result of the wood used along with of the wood that grows in colder climates. Rock maple fit and finish. necks produce excellent sustain, stability and feel. Rock maple necks also work well with either Rosewood or Maple Godin guitars are made using only solid wood, guitars fingerboards.
    [Show full text]
  • Charvel Price List
    MADE IN U.S.A. MADE IN U.S.A. 20062006 WINTERWINTER PRICEPRICE LISTLIST MANUFACTURER’S U.S. SUGGESTED RETAIL PRICES EFFECTIVE FEBRUARY 1, 2006 UNCOMPROMISING. Model Number U.S. Retail USA Standard San Dimas™ Guitars The USA Standard models are built to the same high quality specifications as the original Charvel® guitars, including the famous "broken in" neck feel. Each guitar is hand built using the finest wood, hardware, and pickups to produce a true Hot Rod Guitar at a mass production price. Many New Old Stock (NOS) Charvel parts are used, along with the newest advances in parts technology, bringing you the best of both worlds. San Dimas Alder body, bolt-on quartersawn Eastern hard rock maple neck with specially formulated oil finish, Pointed headstock, 1 11/16" nut width, 22 Jumbo frets, 25 1/2" scale length, Compound Radius fingerboard, Seymour Duncan® pickups, NOS brass tremolo, and black hardware. 282-1000- USA Charvel San Dimas Guitar, 1 Humbucker, Maple fingerboard, w/case……………$1,999.99 282-1010- USA Charvel San Dimas Guitar, 1 Humbucker, Rosewood fingerboard, w/case……… $1,999.99 282-1020- USA Charvel San Dimas Guitar, 1 Humbucker, Ebony fingerboard, w/case……………$1,999.99 282-2000- USA Charvel San Dimas Guitar, 2 Humbuckers, Maple fingerboard, w/case……………$2,149.99 282-2010- USA Charvel San Dimas Guitar, 2 Humbuckers, Rosewood fingerboard, w/case………$2,149.99 282-2020- USA Charvel San Dimas Guitar, 2 Humbuckers, Ebony fingerboard, w/case……………$2,149.99 282-3000- USA Charvel San Dimas Guitar, H/S/S, Maple fingerboard, w/case……………………$2,149.99
    [Show full text]