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FMI Wholesale 2006 Price List
FMI Wholesale 2006 Price List T 800.488.1818 · F 480.596.7908 Welcome to the launch of FMI Wholesale, a division of Fender Musical Instruments Corp. We are excited to offer you our newest additions to our family of great brands and products. Meinl Percussion, Zildjian®, Tribal Planet, Hal Leonard®, Traveler Guitar, Practice Tracks, Pocket Rock-It, are just a few of the many great names that you’ll find in this Winter Namm Special Product Guide. You’ll find page after page of new and exciting profit opportunities to take advantage of as we welcome the new year. In the coming weeks, you will also be receiving our brand new product catalog showcasing all of the great products that FMI Wholesale will be offering to you in 2006. Our goal, along with that of our strategic business partners, is to provide you with a new and easy way to do business. In the enduring Fender tradition, we aim to provide best-in-class products, superior service and our ongoing commitment to excellence that will be second to none. Our programs will be geared towards your profitability, so in the end, doing business with FMI Wholesale will always make good sense. Thank you for the opportunity to earn your business. We look forward to working with you in 2006. Sincerely, The FMI Wholesale Sales and Marketing Team Dealer Dealer Number Contact PO Number Ship To Date Terms: Open Account GE Flooring Notes FREIGHT POLICY: 2006 brings new opportunities for savings in regards to freight. To maximize your profitability‚ our newly revamped freight program continues to offer freight options for both small and large goods. -
HYPEBEAST UNVEILS FENDER® X HYPEBEAST STRATOCASTER
HYPEBEAST UNVEILS FENDER® x HYPEBEAST STRATOCASTER Download assets HERE Hypebeast today announces the launch of the HYPEBEAST Stratocaster®, presented in collaboration with Fender®, the iconic global guitar brand. Hypebeast shares strong bonds with a global network of content creators, and is dedicated to maintaining close interactions with established musicians across genres, as well as discovering emerging talent and bringing that to Hypebeast’s cultural realm. Constantly inspired by such meaningful connections, Hypebeast is thrilled to be joining hands with Fender to present this vintage-style guitar in Hypebeast’s signature navy. “Fender has always been closely connected to musical culture since its founding in 1946. Similarly, Hypebeast is one of the most influential online media in lifestyle and culture. Through this collaboration, we’re looking forward to bringing music closer to other cultural realms, as we share a passion for music amongst a generation immersed in fashion and lifestyle,” said Edward Cole President of APAC, Fender Music Corporation. www.hypebeast.com [email protected] Page 1 of 2 The model is based on the globally acclaimed Made in Japan Stratocaster featuring a 9.5" radius and 22 Medium Jumbo frets, delivering a sophisticated playability with modern feel optimal for any musical genres and playing style. The guitar painted in Hypebeast’s signature navy color from top to bottom - including the fingerboard and headstock - is sure to catch the attention of any culture-sensitive player. This special edition guitar is available exclusively at Fender.com in Japan, US and UK regions, as well as HBX.com in extremely limited quantities. To read full product specifications, please visit fender.com for more information. -
5.2 Humbuckers
5.2 Humbucker 5-9 5.2 Humbuckers The interference occurring with single-coil pickups motivated the development of the Humbucker. Single-coil pickups do not only pickup the vibration of the strings and generate a corresponding electric voltage, but they are also sensitive to magnetic fields as they are radiated by transformers, fluorescent lamps, or mains cables. Instead of having one coil, the "Hum-Bucker" consists of two coils connected to form a dipole and wired such that they are out of phase. The magnetic field generated by external interference sources induces in each coil the same voltage. Because of the anti-phase connection of the two coils the voltages cancel each other out. If the field generated by the permanent magnet would also flow through both coils with the same polarity, the signals generated by the vibrating string also be cancelled – this of course must not happen. For this reason the permanent field flows through the two coils in an anti-parallel manner such that the voltages induced by the vibrating strings are out of phase. Because the coils are connected out of phase, the voltages are turned twice by 180° i.e. they are again in phase (180° +180° = 360° corresp. to 0°). With this arrangement the signal-to-noise ratio can be improved somewhat compared to single-coil pickups (chapter 5.7). As early as the 1930s designers sought to develop a marketable pickup based on compensation principles which were generally already known. Seth Lover, technician with the guitar manufacturer Gibson, achieved the commercial break-through. -
Guitar Body Shapes May 14, 2020
Guitar Virtual Learning Guitar Body Shapes May 14, 2020 Guitar Lesson: May 14, 2020 Objective/Learning Target: What different guitar shapes are there, and what are the differences between those shapes? Warm-Up Activity Watch the following video by YouTuber “Minor7thb5” (which is a music theory reference!). In it, he plays the same piece of music two times with two different guitars. The guitars are of similar build quality and materials, but they are different shapes. One is a parlor guitar and the other is a dreadnaught. How do they sound different to you? These differences are subtle. It might be easier to hear by using headphones. 2nd Warm-Up Activity These were the two guitars he played. The one on the left is an Eastman parlor guitar, the one on the right is a Martin dreadnought. How do they look different? How do they look the same? Guitar Shapes For the lesson today, we are going to do a brief overview of the different guitar shapes and styles you can find today. This lesson will build on the lessons from earlier in the week where we discussed the differences between classical, steel-string, and electric guitars. Now, we will see what different body shapes there are, especially for the steel-string and electric guitars, and what makes them different! A Brief history of guitar shapes The word “guitar” comes from the Greek word “kithara,” which shows up in Greek mythology from thousands of years ago. These stringed instruments didn’t look much like our guitars now, but they were strummed like our guitars. -
Fender VG Stratocaster Issue 57
REVIEW FENDER VG STRATOCASTER Fender and Roland have joined forces again, this time to produce a Stratocaster with a difference. Text: Brad Watts It’s not all that often we review a guitar in you’ve got a spare $2.5k to drop on a guitar. And while the AudioTechnology – that’s a job best left to the guitar VG Strat comes with either a rosewood or maple fretboard, magazines. But every now and then an instrument hits the colour options are limited to black or three-tone the streets that truly embraces some of the technological sunburst (the sunburst is a tad pricier, as per usual). Fender advances we’ve all witnessed during the last 10 years or so. also supplies American series guitars with a solid moulded DSP modelling is one such field, and an area that ‘serious’ case rather than the padded gig bags that arrive with the guitarists do their best to steer clear of. But in the last lower-priced models. They’re a very nice guitar and well couple of years systems such as Line 6’s Variax range, along worth the extra lolly if you can stretch your budget. with various incarnations of the Roland ‘GK’ standard The VG model up for review possessed an extremely nice and the digital Les Paul from Gibson, have infiltrated the maple neck, which for me is the ultimate neck – standard ‘wood & steel’ domain. headstock design of course! The body, however, (black in The big drawcard of these guitars is versatility. I’m not this case) looked as though it hadn’t been sanded correctly. -
The Fender Custom Shop and “Blackie” Your Questions Answered…
The Fender Custom Shop and “Blackie” Your questions answered… A few days before the launch of the Fender Eric Clapton “Blackie” Reissue, Mike Eldred – Director of Sales and Marketing for the Fender Custom Shop, was interviewed by Guitar Center for his personal account of the “Blackie” Reissue project. GC: So Mike, what’s your role at Fender, and in the Custom Shop specifically? Mike: I’m Director of Sales and Marketing for the FMIC Custom Division, and that encompasses all brands: Tacoma, Guild, Gretsch, Fender, Charvel, Jackson, and the amplifiers. GC: What is it about “Blackie” that makes it so special, even within that special world? Mike: It’s an iconic Stratocaster. The story about the guitar is really such a great story about how Eric bought the guitar--bought several guitars--and then pieced together basically just one guitar from a bunch of different parts. So he actually built the guitar, which is very unique when it comes to iconic guitars like this. A lot of times they’re just bought at a store or something like that. But here, an artist actually built the guitar, and then used it on so many different recordings, and it was so identified with Eric Clapton and his musical legacy. GC: Then, after 35 years of ownership, he offered it up for sale. What did Fender think when they heard that Guitar Center had bought Blackie at auction for almost a million dollars? Mike: Just that we were glad that it was sold to someone we have a relationship with. The concern that we had was that somebody was going to buy it and then just lock it away and that would be that, or some private collector would buy it or something like that. -
U.S.A. Retail Price List Prices Effective January 1, 2012
U.S.A. Retail Price List Prices effective January 1, 2012 Suggested List Guitars (Price includes free standard case) Price 620 Deluxe bound body & neck, inlays, 21 fret, 2 pickups, wired for stereo 1829 620/12 Like 620 but with 12 strings 2209 650C "Colorado", 24 fret, solid body, 2 humbucking pickups, chrome parts, all standard colors 1829 660 Charactered Maple body, checked binding, vintage pickups and knobs, wide neck, gold pickguard and 2649 nameplate, trapeze tailpiece 660/12 Like 660, but with 12 strings, 12 saddle bridge 3109 330 Thinline semi-acoustic, 24 fret, 2 pickups, dot inlays, mono 1999 330/12 Like 330 but with 12 strings,"R" tailpiece 2459 360 Deluxe thinline, semi-acoustic hollow body, inlaid neck, wired for stereo 2499 360/12 Like 360 but with 12 strings 2939 370/12 Like 360/12 but with 3 pickups 3129 C Series (Price includes free vintage reissue case) 325C64 “Miami”, 3 pickup, semi-hollow, white pickguard, RIC vibrato, 21 fret, short scale (JG only) 3599 360/12C63 2 pickup, semi-acoustic, trapeze tailpiece, double bound, 21 fret, full scale (FG Only) 3839 Vintage Reissue Series (Price includes free vintage reissue case) 350V63 “Liverpool”, 3 pickup, semi-hollow, white pickguard, 21 fret, full size neck 3059 381V69 Hand carved deep double cutaway body, charactered Maple top & back, fully bound with checked binding 4949 on body, 21 frets, vintage pickups (FG, MG, JG colors only) 381/12V69 Like 381V69 but with 12 strings, 12 saddle bridge 5409 5002V58 Mandolin, 8 strings in 4 pairs, charactered Maple front, Walnut back -
Humbucker Wiring 2014 Final A4
HUMBUCKER INSTALLATION GUIDE Thanks for purchasing a Tonerider Humbucker. This guide provides wiring and installation information for all our four-conductor humbuckers. This included Alnico II Classics, Alnico IV Classics, Rocksong, and Generator models We’ve included several common guitar wiring configurations; however if you need any extra information, don't hesitate to contact us. We are musicians at heart and no question is too large or too small. All Tonerider pickups have a lifetime warranty when purchased new. Please see your warranty card for details. POLARITY AND WIRING: NORTH North/Slug Coil Start North/Slug Coil Finish South/Screw Coil Start South/Screw Coil Finish SOUTH THE QUICK GUIDE: * Install with screw coils facing outwards. * Pressing the strings against the high frets, set the pickup heights to 3mm from the strings (neck) and 2mm (bridge). * The RED wire is “hot” and connects to the input lug of the volume pot or switch. * The GREEN wire and SHIELD are “ground” and connect to the back of a grounded pot. * The BLACK & WHITE wires should be soldered together. This is done at our workshop. * Test the guitar through an amplifier and make final adjustments to the height of the pickups. FROM NECK PICKUP 3-WAY TOGGLE SWITCH FROM “HOT”/ BRIDGE PICKUP SIGNAL OUT GROUND Diagram 2 DPDT (on/on) COIL SPLITTING: This wiring option leaves one coil on, making the pickup work like a true single coil. It is a useful modification to increase your tonal options. “Hot” - SPLITTING TO THE SLUG COIL (Diagram 3): This is gives a fuller sound than the screw Diagram 3 coil, especially in the bridge position. -
Patented Electric Guitar Pickups and the Creation of Modern Music Genres
2016] 1007 PATENTED ELECTRIC GUITAR PICKUPS AND THE CREATION OF MODERN MUSIC GENRES Sean M. O’Connor* INTRODUCTION The electric guitar is iconic for rock and roll music. And yet, it also played a defining role in the development of many other twentieth-century musical genres. Jump bands, electric blues and country, rockabilly, pop, and, later, soul, funk, rhythm and blues (“R&B”), and fusion, all were cen- tered in many ways around the distinctive, constantly evolving sound of the electric guitar. Add in the electric bass, which operated with an amplifica- tion model similar to that of the electric guitar, and these two new instru- ments created the tonal and stylistic backbone of the vast majority of twen- tieth-century popular music.1 At the heart of why the electric guitar sounds so different from an acoustic guitar (even when amplified by a microphone) is the “pickup”: a curious bit of very early twentieth-century electromagnetic technology.2 Rather than relying on mechanical vibrations in a wire coil to create an analogous (“analog”) electrical energy wave as employed by the micro- phone, “pickups” used nonmechanical “induction” of fluctuating current in a wire coil resulting from the vibration of a metallic object in the coil’s magnetized field.3 This faint, induced electrical signal could then be sent to an amplifier that would turn it into a much more powerful signal: one that could, for example, drive a loudspeaker. For readers unfamiliar with elec- tromagnetic principles, these concepts will be explained further in Part I below. * Boeing International Professor and Chair, Center for Advanced Studies and Research on Inno- vation Policy (CASRIP), University of Washington School of Law (Seattle); Senior Scholar, Center for the Protection of Intellectual Property (CPIP), George Mason University School of Law. -
Christie's to Offer Les Paul's Personal “Number One” ~ the Guitar That
PRESS RELEASE | NEW YORK I FOR IMMEDIATE RELEASE : 18 A U G U S T 2021 CHRISTIE’S TO OFFER LES PAUL’S PERSONAL “NUMBER ONE” ~ THE GUITAR THAT STARTED IT ALL THE FIRST GIBSON LES PAUL GUITAR OWNED & APPROVED BY THE FATHER OF THE SOLID-BODY ELECTRIC GUITAR ~ OFFERED AT CHRISTIE’S ‘EXCEPTIONAL SALE’ ON OCTOBER 13 IN NEW YORK Gibson Incorporated, Kalamazoo, Michigan, Circa 1951-52 The solid-Body Electric Guitar, Known as Les Paul’s “Number One” Les Paul Model Artist's Prototype Estimate: $100,000-150,000 Les Paul “is part of a homespun tradition of scientific wizards that includes Benjamin Franklin and Thomas Edison.” ~The Rock & Roll Hall of Fame New York— Christie’s announces Les Paul’s own personal ‘Number One,’ the very earliest approved production model of the famed Gibson Les Paul electric guitar which monumentally changed the development of Rock’n’Roll in the 20th Century will be featured in The Exceptional Sale on October 13 in New York. Along with Mr. Paul, Gibson Incorporated developed this innovative solid body electric guitar circa 1951-1952 to meet the demanding standards of guitar virtuoso and inventor, Les Paul, who designated this his Number One; the first solid electrified guitar that met with his approval, and was the culmination of his lifelong dream. Kerry Keane, Christie’s consultant and Musical Instruments Specialist, remarks, “In any creation narrative there are always multiple protagonists, but the name Les Paul ranks at the pinnacle when discussing the electric guitar. His development of multi-track recording, and audio effects like delay, echo, and reverb all profoundly influenced how music is reproduced and heard. -
VERTEX-M Www
VERTEX-M www. a rtecs ound .com Mic/Piezo Blender - Neodymium Stack Soundhole pickup Features: Clamp Clamp fastener fastener - Neodymium Stack bobbin - Humbucker pickup - MIC mix level - PIEZO mix level - MAGNETIC PICKUP mix level - MASTER VOLUME - ENN Endpin Jack included Clamp MASTER Clamp - Built-in Microphone VOLUME Low Batt. Indicator - AP50 PIEZO transducer MIC mix level - Battery bag included PIEZO mix level MAGNETIC - Battery: 9V Alkaline PICKUP - Power consumtion: 1.3mA mix level MICROPHONE OUTPUT JACK PIEZO transducer INSTALLATION 1. Endpin jack - Make a hole for endpin jack. Use 12 drill bit for wood. - Install the ENN endpin jack from inside. * Endpin jack has power switch function. System will turn on when plug in. MICROPHONE Battery bag PIEZO transducer 2. Battery Bag - Make clean the surface for battery bag - Stick the included battery bag to neck-joint-block 3. Piezo Transducer setting - Make clean the inside of top surface near bridge - Stick the AP50 Piezo Transducer using attached double sided tape. 4. VERTEX-M Soundhole Pickup Setting - Release both clamp - Insert output jack - Connect a 9V Alkaline Battery and put to battery bag - Seat the pickup over soundhole - Move forward - Align the pickup’s pole-pieces with strings - Fasten both fastener screw * VERTEX pickups are designd for RIGHT-HAND guitar. If you want use it for Left-hand guitar, seat the pickup on bridge side of sound-hole. * Pull out guitar cable from jack to prevent unwanted battery consumption. REV-VTXM_17LT. -
Gretsch Setup Specs
Page 1 of 2 www.gretschguitars.com Acoustic and Electric Guitar and Bass Guitar Set-up Specifications All of the following specifications are for guitars/basses with the standard gauges of Gretsch strings that the guitar or bass is equipped with from the factory. Compensations may need to be made, if you plan to change string gauges. Modifications of the specifications can be made (within limited parameters) to adjust for player application (how hard the player picks or frets the guitar), or other considerations. Note: These are minimum specifications, meant to guide you, not to be taken as hard and fast rules. Always refer to your Gretsch Guitar Guide (owner's manual) for additional information and/or instruction. Acoustic Guitar Nut Height Relief String height at 12th fret (Without “Zero” fret) (At 8th fret) (From top of fret to bottom of string) Bass side Treble side .008” Bass side Treble side .020” .018” 6/64” 5/64” Electric Guitar Nut Height Relief String height at 12th fret (Without “Zero” fret) (At 8th fret) (From top of fret to bottom of string) Bass side Treble side .008” Bass side Treble side .020” .018” 4/64” 4/64” Pickup Height This specification is for humbucking and single coil pickups with height adjustments. Filtertron and Dynasonic pickups are mounted directly to the guitar’s top, and are not adjustable. Bass side Treble side 3/32 2/32 Page 2 of 2 Bass Guitar Nut Height Relief String height at 12th fret (Without “Zero” fret) (At 8th fret) (From top of fret to bottom of string) Bass side Treble side .008” Bass side Treble side .022” .022” 4/64” 4/64” Pickup Height This specification is for humbucking and single coil pickups with height adjustments.