Alums Named to Power 100 List
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Spanish Language Broadcasting Collection
Spanish Language Broadcasting Collection NMAH.AC.1404 IrMarie Fraticelli, Edwin A. Rodriguez, and Justine Thomas This collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center. Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 4 Series 1: Gilda Mirós, (bulk 1950 - 2016, undated) (bulk 1950 - 2016, undated).................................................................................................................... 4 Series 2: Hector Aguilar, 1940 - 2002, undated.................................................... -
Dance Design & Production Drama Filmmaking Music
Dance Design & Production Drama Filmmaking Music Powering Creativity Filmmaking CONCENTRATIONS Bachelor of Master of Fine Arts Fine Arts The School of Filmmaking is top ranked in the nation. Animation Cinematography Creative Producing Directing Film Music Composition Picture Editing & Sound Design No.6 of Top 50 Film Schools by TheWrap Producing BECOME A SKILLED STORYTELLER Production Design & Visual Effects Undergraduates take courses in every aspect of the moving image arts, from movies, series and documentaries to augmented and virtual reality. Screenwriting You’ll immediately work on sets and experience firsthand the full arc of film production, including marketing and distribution. You’ll understand the many different creative leadership roles that contribute to the process and discover your strengths and interests. After learning the fundamentals, you’ll work with faculty and focus on a concentration — animation, cinematography, directing, picture editing No.10 of Top 25 American and sound design, producing, production design and visual effects, or Film Schools by The screenwriting. Then you’ll pursue an advanced curriculum focused on your Hollywood Reporter craft’s intricacies as you hone your leadership skills and collaborate with artists in the other concentrations to earn your degree. No.16 of Top 25 Schools for Composing for Film and TV by The Hollywood Reporter Filmmaking Ranked among the best film schools in the country, the School of Filmmaking produces GRADUATE PROGRAM experienced storytellers skilled in all aspects of the cinematic arts and new media. Students Top 50 Best Film Schools direct and shoot numerous projects alongside hands-on courses in every aspect of modern film Graduate students earn their M.F.A. -
Mkt in the News (14851)
1 613,300,000+ Online Video Subscriptions in 2018 2 Streaming Wars Cut-throat race to secure content: Disney+, Amazon Prime, Hulu, HBO Max, Apple TV, Comcast Peacock 2-front war: acquiring classics and building successful original content Sights set on Netflix massive market share — 150+ million subscribers 3 Comcast. 4 I am here because I love to give presentations. You can find me at @username Welcome Comcast Peacock. Service announced last week — set to debut April 2020 Comcast pivoting to tarket Netflix market share — 150+ million subscribers Leveraging subsidiary NBC Universal 5 Applied Marketing Mix 6 Product “I’m not sure anybody else out there can do what we can do. We expect to have great content and a great product” — Bonnie Hammer, NBCUniversal Exec. - 15,000 hours of content - Major Classics: The Office, Parks and Recreation, Brooklyn Nine Nine - Exciting New Content: Seth Meyers, Jimmy Fallon, Alec Baldwin, Battlestar Galactica Reboot 7 Place Integrated into Comcast’s existing platforms ⬡ Smart TV Integration ⬡ Xbox, PS4 Applications ⬡ Laptop, Tablet, etc. Compatibility ⬡ Mobile Devices Online Platform Designed to be Accessible from Anywhere at Any Time ⬡ Online Instantaneous Streaming ⬡ Downloads for Offline Viewing 8 Price ⬡ Free for existing Comcast TV subscribers ⬡ TBD Price for New Subscribers ⬡ (Similar competitors range from anywhere between $4.99 and $14.99) 9 Promotion - Force loyal fans of classics to the platform ($500+ million deal for The Office) - Hiring legends: Fallon, Mike Schur (produced the Office), Lorne Michaels (SNL), Alec Baldwin - Hype Build (Released April 2020) 10 SWOT. Strengths: Weaknesses: ● Soon to reacquire extremely ● Platform is Untested, Widely popular classic shows Unknown ● Network of celebrities, ● Low Current Engagement actors, and writers to build with Comcast original content ● Leverage 22+ million active Threats: pay-TV subscribers ● Intense Competition and Industry Giants Make Up Opportunities: large Portion of Market ● Target new segment: OTT ● Streaming Services are sticky 11 Netflix. -
National Journalism Awards
George Pennacchio Carol Burnett Michael Connelly The Luminary The Legend Award The Distinguished Award Storyteller Award 2018 ELEVENTH ANNUAL Jonathan Gold The Impact Award NATIONAL ARTS & ENTERTAINMENT JOURNALISM AWARDS LOS ANGELES PRESS CLUB CBS IN HONOR OF OUR DEAR FRIEND, THE EXTRAORDINARY CAROL BURNETT. YOUR GROUNDBREAKING CAREER, AND YOUR INIMITABLE HUMOR, TALENT AND VERSATILITY, HAVE ENTERTAINED GENERATIONS. YOU ARE AN AMERICAN ICON. ©2018 CBS Corporation Burnett2.indd 1 11/27/18 2:08 PM 11TH ANNUAL National Arts & Entertainment Journalism Awards Los Angeles Press Club Awards for Editorial Excellence in A non-profit organization with 501(c)(3) status Tax ID 01-0761875 2017 and 2018, Honorary Awards for 2018 6464 Sunset Boulevard, Suite 870 Los Angeles, California 90028 Phone: (323) 669-8081 Fax: (310) 464-3577 E-mail: [email protected] Carper Du;mage Website: www.lapressclub.org Marie Astrid Gonzalez Beowulf Sheehan Photography Beowulf PRESS CLUB OFFICERS PRESIDENT: Chris Palmeri, Bureau Chief, Bloomberg News VICE PRESIDENT: Cher Calvin, Anchor/ Reporter, KTLA, Los Angeles TREASURER: Doug Kriegel, The Impact Award The Luminary The TV Reporter For Journalism that Award Distinguished SECRETARY: Adam J. Rose, Senior Editorial Makes a Difference For Career Storyteller Producer, CBS Interactive JONATHAN Achievement Award EXECUTIVE DIRECTOR: Diana Ljungaeus GOLD International Journalist GEORGE For Excellence in Introduced by PENNACCHIO Storytelling Outside of BOARD MEMBERS Peter Meehan Introduced by Journalism Joe Bell Bruno, Freelance Journalist Jeff Ross MICHAEL Gerri Shaftel Constant, CBS CONNELLY CBS Deepa Fernandes, Public Radio International Introduced by Mariel Garza, Los Angeles Times Titus Welliver Peggy Holter, Independent TV Producer Antonio Martin, EFE The Legend Award Claudia Oberst, International Journalist Lisa Richwine, Reuters For Lifetime Achievement and IN HONOR OF OUR DEAR FRIEND, THE EXTRAORDINARY Ina von Ber, US Press Agency Contributions to Society CAROL BURNETT. -
2021 Matrix Awards
SPONSORSHIP OPPORTUNITIES 2021 MATRIX AWARDS VIRTUAL EVENT | MONDAY, OCTOBER 18, 2021 | 12:00 P.M. ET Combining the success of last year’s virtually produced event with the return to normalcy we’re all feeling, we are thrilled to offer a hybrid awards ceremony this year. A professionally produced event broadcast for all to attend coupled with an invitation-only VIP reception for honorees, their guests, and exclusive sponsors. PRESENTED BY HOSTED BY New York Women in Communications (NYWICI) celebrates the 51st Anniversary of its Matrix Awards in 2021 Since 1971, the Matrix Awards have been given annually to a group of outstanding women leaders who exemplify excellence, the courage to break boundaries and steadfast commitment to champion the next generation of trailblazers, creatives and communicators. But this year will be different, bigger and better. The 2021 Matrix Awards will be delivered as a virtual event, on Monday, October 18 at 12pm ET. This digital presentation offers many new exciting possibilities, breaking down barriers of time and geography to reach a wider audience and new communities. We’ll be able to expand the audience and influence of the usual in-person gathering several-fold. NYWICI will welcome back past winners and presenters, celebrate our scholarship winners and spotlight our longstanding and newly engaged partners who make this all possible. Over the past 50 years, we’ve celebrated some iconic women like Gloria Steinem, Padma Lakshmi, Norah O’Donnell, Halle Berry, Kirsten Gillibrand, Andrea Mitchell, Joanna Coles, Bonnie Hammer, Sheryl Sandberg and Tina Fey, among many more. This event is NYWICI’s largest fundraiser and we invite you to join us as an event sponsor, demonstrating your support of NYWICI, women in the communications field and the incredible class of 2021 Matrix honorees. -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
Brad Pitt from Wikipedia, the Free Encyclopedia
Brad Pitt From Wikipedia, the free encyclopedia For the Australian boxer, see Brad Pitt (boxer). Brad Pitt Pitt at Sydney's red carpet for World War Zpremiere in 2013 Born William Bradley Pitt December 18, 1963 (age 50) Shawnee, Oklahoma, U.S. Occupation Actor, film producer Years active 1987–present Religion None Spouse(s) Jennifer Aniston (m. 2000–05) Partner(s) Angelina Jolie (2005–present; engaged) Children 6 William Bradley "Brad" Pitt (born December 18, 1963) is an American actor and film producer. He has received a Golden Globe Award, a Screen Actors Guild Award, and three Academy Award nominations in acting categories, and received two further Academy Award nominations, winning one, for productions of his film production company Plan B Entertainment. He has been described as one of the world's most attractive men, a label for which he has received substantial media attention.[1][2] Pitt first gained recognition as a cowboy hitchhiker in the road movie Thelma & Louise (1991). His first leading roles in big-budget productions came with A River Runs Through It (1992), Interview with the Vampire (1994), and Legends of the Fall (1994). He gave critically acclaimed performances in the crime thriller Seven and the science fiction film 12 Monkeys (both 1995), the latter earning him a Golden Globe Award for Best Supporting Actor and an Academy Award nomination. Pitt starred in the cult filmFight Club (1999) and the major international hit Ocean's Eleven (2001) and its sequels, Ocean's Twelve (2004) and Ocean's Thirteen (2007). His greatest commercial successes have been Troy (2004), Mr. -
The Hollywood Reporter November 2015
Reese Witherspoon (right) with makeup artist Molly R. Stern Photographed by Miller Mobley on Nov. 5 at Studio 1342 in Los Angeles “ A few years ago, I was like, ‘I don’t like these lines on my face,’ and Molly goes, ‘Um, those are smile lines. Don’t feel bad about that,’ ” says Witherspoon. “She makes me feel better about how I look and how I’m changing and makes me feel like aging is beautiful.” Styling by Carol McColgin On Witherspoon: Dries Van Noten top. On Stern: m.r.s. top. Beauty in the eye of the beholder? No, today, beauty is in the eye of the Internet. This, 2015, was the year that beauty went fully social, when A-listers valued their looks according to their “likes” and one Instagram post could connect with millions of followers. Case in point: the Ali MacGraw-esque look created for Kendall Jenner (THR beauty moment No. 9) by hairstylist Jen Atkin. Jenner, 20, landed an Estee Lauder con- tract based partly on her social-media popularity (40.9 million followers on Instagram, 13.3 million on Twitter) as brands slavishly chase the Snapchat generation. Other social-media slam- dunks? Lupita Nyong’o’s fluffy donut bun at the Cannes Film Festival by hairstylist Vernon Francois (No. 2) garnered its own hashtag (“They're calling it a #fronut,” the actress said on Instagram. “I like that”); THR cover star Taraji P. Henson’s diva dyna- mism on Fox’s Empire (No. 1) spawns thousands of YouTube tutorials on how to look like Cookie Lyon; and Cara Delevingne’s 22.2 million Instagram followers just might have something do with high-end brow products flying off the shelves. -
Answer Key the Business of Film
THE BUSINESS OF FILM Answer key WORD BANK indies trade newspapers three Hollywood studio system job production companies Pixar film festivals 1) There are THREE basic ways to get a film made and into theaters. 2) TOY STORY 2 is an example of the first (and least-used) way to do this. From start to finish, it was created by PIXAR employees. The Disney Company distributed the film to movie theaters. 3) At the Pixar website, you can learn more about their company’s history, film development, employees, and current JOB openings. 4) During the Golden Age of Hollywood, the HOLLYWOOD STUDIO SYSTEM used to run something like this, with actors, writers, directors and others under contract with a particular studio and only working for that studio. 5) Today, movies like THE PRINCESS BRIDE are created in another way: The individual PRODUCTION COMPANIES hire a different crew for each project and bring their projects to a studio for distribution. 6) Movies like MAD HOT BALLROOM are called “INDIES,” a short term for “independent films.” 7) Indies use a third approach…Individuals create the film and enter the completed films into FILM FESTIVALS, where they hope distribution companies will see them, buy the films and get them into movie theaters. The film festivals held at Sundance, Toronto, Austin, and Cannes have their own websites where you can learn how to enter and how to attend. 8) Those in the film business rely on the two main TRADE NEWSPAPERS Variety and The Hollywood Reporter, which have online websites, where you can find the latest news, promotions, and box office statistics for the entertainment industry. -
5 Things We Learned from Adweek's Bonnie Hammer Profile
5 Things We Learned from AdWeek's Bonnie Hammer Profile 04.21.2014 ​AdWeek published a lengthy profile of the normally press-shy NBCU Cable Entertainment boss Bonnie Hammer on Monday, and it's packed with insight into the direction the executive has been moving her properties in the year since she being elevated to her current gig. If there's one thing that AdWeek's Sam Thielman stresses over and over again, it's Hammer's laser-focus on the brand identity of each of the properties under her command, and how those clearer identities have made the properties more lucrative for the company. Hammer oversees USA, SyFy, Bravo, E!, Oxygen, G4, and Sprout, among other networks. "She's given Syfy a real identity and an audience, and she's done the same for USA," NBCU Vice Chairman Ron Meyer told the magazine. "It could have been a potpourri of miscellaneous shows that had nothing in common." The entire piece is worth a read. But our five key takeaways: 1. Hammer knows Oxygen needs fixing. And she's on it. Her team realized there was a problem when they did some research that showed Oxygen's viewers were all over the demographic map. Some shows drew 12-year olds, while others skewed 55-plus. "From an ad-sales perspective, it was hard to sell," Hammer told AdWeek. So her team is forging a new brand identity for the female-centic network: aspirational twenty-somethings, just out of school or starting their adult lives. This group has some discretionary money, but not a lot, and are less secure in their positions. "They're a bit more authentic and real because they're coming out of the millennial world," she says. -
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Bonnie Hammer Shakes up Nbcuniversal Cable Entertainment
Bonnie Hammer Shakes Up NBCUniversal Cable Entertainment 02.09.2016 NBCUniversal Cable Entertainment Chairman Bonnie Hammer on Tuesday restructured the organization to more aptly handle the challenges of the current content climate. A big part of the reorg is around creating a more centralized reporting structure that will be able to develop and create content for the whole organization and send it through relevant pipelines. Bill McGoldrick is moving up from Syfy's executive VP of original content to executive VP of scripted content for NBCU's entire cable group, which includes Bravo, Chiller, Cloo, E!, Esquire, Oxygen, Sprout, Syfy and USA. In his new role, McGoldrick will oversee original scripted programming for all of these networks, reporting to Jeff Wachtel, NBCU Cable's chief content officer and head of Universal Cable Productions. McGoldrick's new role represents the company's effort to create a more efficient process for writers, producers, agents and talent to pitch NBCU's cablers, reports Variety. In this way, shows can be bought based on their creative potential and placed on the network where McGoldrick and his team think they have the best chance of success. "Shows crossover so easily now," Hammer told Variety. "Now the determination won't be made because of the president who put it into development but rather where the show should live in our group based on reach, demos and monetization options." Syfy and Chiller President Dave Howe will be president of strategy and commercial growth, overseeing business affairs and business development for all of the networks in the NBCU Cable group.