Domoney-Lyttle, Zanne (2018) Drawing (non)tradition: matriarchs, motherhood and the presentation of sacred text in "The Book of Genesis, Illustrated by R. Crumb". PhD thesis. https://theses.gla.ac.uk/9098/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/
[email protected] Drawing (non)Tradition: Matriarchs, Motherhood and the Presentation of Sacred Text in The Book of Genesis, Illustrated by R. Crumb Zanne Domoney-Lyttle MA (Hons), MTh Submitted in fulfilment of the requirements for the Degree of Ph.D. Theology & Religious Studies Word Count: 89,614 School of Critical Studies College of Arts University of Glasgow May 2018 © Zanne Domoney-Lyttle Abstract In 2009, Robert Crumb produced a singular work, The Book of Genesis, Illustrated by R. Crumb, which purports to be a faithful, graphical interpretation of the book of Genesis from the Hebrew Bible. Among other sources, Crumb states that he used Robert Alter’s translation and commentary on Genesis to inform his work, along with the King James Version (KJV), the Jewish Publication Society Version (JPS) and Sarah the Priestess: The First Matriarch of Genesis by Savina J.