Guide to the Jenkin Lloyd Jones Papers 1861-1932
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Jenkin Lloyd Jones Jr
Jenkin Lloyd Jones Jr. Through the headlines of the Tulsa Tribune the Jones family has been a part of local and national history. Chapter 01 – 1:15 Introduction Announcer: The grandfather of Jenkin Lloyd Jones Jr., Richard Lloyd Jones, bought the Tulsa Democrat from Sand Springs founder Charles Page, and turned it into the Tribune. The Tulsa Tribune was an afternoon newspaper and consistently republican; it never endorsed a democrat for U.S. president and did not endorse a democrat for governor until 1958. Jenkin Lloyd Jones Sr. was editor of the Tribune from 1941 to 1988, and publisher until 1991. Jenkin Jones brother Richard Lloyd Jones was the Tribune’s president. Jones Airport in Tulsa is named for Richard Lloyd Jones Jr. Other Jones family members served in various capacities on the paper, including Jenkin’s son, Jenkin Lloyd Jones Jr., who was the last publisher and editor of the paper which closed September 30, 1992. Like other large city evening newspapers, its readership had declined, causing financial losses. Jenk Jones spent thirty-two years at the Tulsa Tribune in jobs ranging from reporter to editor and publisher. He is a member of the Oklahoma Journalism Hall of Fame and the Universtiy of Tulsa Hall of Fame. And now Jenk Jones tells the story of his family and the Tulsa Tribune on Voices of Oklahoma, preserving our state’s history, one voice at a time. Chapter 02 – 12:05 Jones Family John Erling: My name is John Erling and today’s date is February 25, 2011. Jenk, state your full name, please, your date of birth, and your present age. -
Authors on Architecture 1
SOCIETY OF ARCHITECTURAL January/February HISTORIANS/ SOUTHERN CALIFORNIA CHAPTER NEWS 2019 Authors on Architecture 1 President’s Letter 2 2018 Year in Review 3 SAH/SCC Publications for Sale 5 IN THIS ISSUE DLTA Revival Tour 6 Authors on Architecture: Smith on Wright SAH/SCC Lecture & Book Signing, Santa Monica Sunday, March 17, 2019, 2-4PM Join SAH/SCC as we explore a fascinating aspect of the legacy of Frank Lloyd Wright. Author Kathryn Smith will deliver a lecture on her latest book, Wright on Exhibit (Princeton University Press, 2017), at Santa Monica Public Library (Moore Ruble Yudell, 2006). More than 100 exhibitions of Frank Lloyd Wright’s work were mounted between 1894 and his death in 1959. Wright organized the majority of these exhibitions himself and viewed them as crucial to his self-presentation, as he did his extensive writings. He used them to promote his designs, appeal to new viewers, and persuade his detractors. Wright on Exhibit presents the first history of this neglected aspect of the architect’s influential career. Drawing extensively from Wright’s unpublished correspondence, Smith challenges the preconceived notion of Wright as a self-promoter who displayed his work in search of money, clients, and fame. She shows how he was an artist-architect projecting an avant-garde program, an innovator who expanded the palette of installation design “Sixty Years of Living Architecture” at the Guggenheim Museum in 1953. as technology evolved, and a social activist driven to revolutionize Photo: Pedro E. Guerrero society through design. Wright on Exhibit features color renderings, photos, and plans, as well as a checklist of exhibitions and an illustrated catalog of extant and lost models made under Wright’s supervision. -
Frank Lloyd Wright - Wikipedia, the Free Encyclopedia
Frank Lloyd Wright - Wikipedia, the free encyclopedia http://en.wikipedia.org/w/index.php?title=Frank_... Frank Lloyd Wright From Wikipedia, the free encyclopedia Frank Lloyd Wright (born Frank Lincoln Wright, June 8, 1867 – April 9, Frank Lloyd Wright 1959) was an American architect, interior designer, writer and educator, who designed more than 1000 structures and completed 532 works. Wright believed in designing structures which were in harmony with humanity and its environment, a philosophy he called organic architecture. This philosophy was best exemplified by his design for Fallingwater (1935), which has been called "the best all-time work of American architecture".[1] Wright was a leader of the Prairie School movement of architecture and developed the concept of the Usonian home, his unique vision for urban planning in the United States. His work includes original and innovative examples of many different building types, including offices, churches, schools, Born Frank Lincoln Wright skyscrapers, hotels, and museums. Wright June 8, 1867 also designed many of the interior Richland Center, Wisconsin elements of his buildings, such as the furniture and stained glass. Wright Died April 9, 1959 (aged 91) authored 20 books and many articles and Phoenix, Arizona was a popular lecturer in the United Nationality American States and in Europe. His colorful Alma mater University of Wisconsin- personal life often made headlines, most Madison notably for the 1914 fire and murders at his Taliesin studio. Already well known Buildings Fallingwater during his lifetime, Wright was recognized Solomon R. Guggenheim in 1991 by the American Institute of Museum Architects as "the greatest American Johnson Wax Headquarters [1] architect of all time." Taliesin Taliesin West Robie House Contents Imperial Hotel, Tokyo Darwin D. -
Data Sheet State
DATA SHEET STATE-. Form 10-300 UNITED STATES DEPARTMENT OF THE INTERIOR (July 1969) NATIONAL PARK SERVICE Oklahoma COUNTY: NATIONAL REGISTER OF HISTORIC PLACES INVENTORY - NOMINATION FORM ENTRY NUMBER (Type all entries — complete applicable sections) COMMON: Jones, Richard Lloyd, House AND/OR HISTORIC: Westhope STREET AND NUMBER: 304- S. Birminham Street CITY OR TOWN: Tulsa No. 1 Hon. James R. Jones STATE COUNTY: QkJlafoQma 40 Tulsa liipliiiijiiijii CATEG° RY OWNERSHIP STATUS (Check One) TO THE PUBLIC n District JC] Building D Public Public Acquisition: gg Occupied Y«s: S Re»tricted D Site Q Structure IS Private Q In Process Q Unoccupied D Unrestricted D Object D Both D Bein fl Considered Q Pre,ervation work ... ,... .___ a No PRESENT USE (Check One or More as Appropriate) I I Agricultural | 1 Government D Pork fl Transportation r~l Commercial [~1 Industrial PQ". Private Residence n Other (Specify) I | Educational Q Military I I Religious I I Entertainment [~~| Museum [~~1 Scientific OWNER'S NAME: M. Murra McGune STREET AND NUMBER: n f:T: fSTFR 30^- S. Birminham Street CTY OR TOWN: STATE: Oklahoma i^^^^MMi^Ji^iMiii... ....^Ujlga,. „____ ..„.. ......____ COURTHOUSE. REGISTRY OF DEEDS, ETC: OffMe« of -the Count Clerk STREET AND NUMBER: sa. Cpunty nmrr-hhouse CITY OR TOWN: pklahoma 40 TITLE OF SURVEY: Westhoe Surve DATE OF SURVEY: 1Q6? Federal Q State County Loca DEPOSITORY FOR SURVEY RECORDS: Tulsa Metropolitan Area Planning Commission STREET AND NUMBER: 200 Civic Center CITY OR TOWN: STATE: Tulsa Oklahoma 40 (Check One) Q3 Excel! ent D Good (3 Foir I Deteriorated a Ruins f~l Unexposed CONDITION (Check One) Essentially (Check One) D Altered is Unaltered O Moved Qg Original Site DESCRIBE THE PRESENT AND ORIGINAL (if known) PHYSICAL APPEARANCE Westhope is larger than most Frank Lloyd Wright-designed houses, containing 12,000 square feet of floor space. -
A Profession Worked Along (Unorthodox) Spiritual Lines
Marion Mahony Griffin Lecture 2015 Text © Dr Jennifer McFarlane 21 October 2015 A profession worked along (unorthodox) spiritual lines: Marion Mahony Griffin and Walter Burley Griffin Marion Mahony Griffin Lecture 2015 delivered by Dr Jennifer McFarlane1 at the National Archives of Australia, Barton ACT on 21 October 2015 I need to start with the disclaimer that I am not a Griffin scholar2, I am just visiting because I have seen a gap in the field from my own small area of research into the relationship of art and the Theosophical Society. However as you will come to see it is not a simple gap. I would like to start in the best of traditions with some poetry. On the screen is an excerpt from Bernard O’Dowd’s Bacchus from 1907, a work that shares the big themes of democracy, Theosophy and millennial utopianism that this paper will explore. At the same time I have put on the screen the frontispiece of Christian Waller’s book The Great Breath of 1932.3 I want to show you where I am coming from as a cultural historian. O’Dowd was a member of the Theosophical Society, Waller was not - although she was a member of the Melbourne Theosophical Library. I would describe her as a fellow traveller with the Theosophical Society. Her work can only be read with access to esoteric Theosophical teachings. Yet it was not published by the Theosophical Society and was only ever received in the press as the rather obscure work of a fine artist. Waller must have conceived the work to operate almost talismanically on its readers. -
A Great Architect
A GREAT ARCHITECT WITH LOVE FOR NATURE AND LOTS OF FIGHT by Marilyn Secrest, Smithsonian, February, 1994 His reputation thrown into doubt after early success with his Prairie houses, Frank Lloyd Wright had a stunning finish Westhope, the house he built for his cousin Richard Lloyd Jones, is the subject of one of the many telling incidents in Frank Lloyd Wright's long career. Almost as soon as it was built, the roof began to leak. Lloyd Jones, in a fury, went to his desk and called his cousin. "Damn it, Frank," he raged, "it's leaking on my desk!" To which Wright calmly replied, "Richard, why don't you move your desk?" Wright, imperious and cocksure, the architect whose roofs always leaked: this view coalesced during his lifetime. If he was anything, the great and flamboyant architect was considered a law unto himself, an aberration, a historical anachronism; hardly the seminal figure he loudly proclaimed himself to Fallingwater—its concrete terraces cantilevered over swift-moving Bear be. That was the verdict when he died in 1959. Run in Pennsylvania, is known worldwide. Wright's 1936 perspective But Wright's reputation has experienced a view of the house is in the exhibition at the Museum of Modern Art. strong revival; nowadays, few contest the claim that he is the greatest American architect of the 20th century. In recognition of his new eminence, on February 20 the Museum of Modern Art in New York City will open the largest retrospective exhibition it has ever devoted to an architect. Curated by Terence Riley and Peter Reed, it will give a complete historical overview of Wright's work. -
Abraham Lincoln Birthplace NHS: Administrative History
Abraham Lincoln Birthplace NHS: Administrative History Abraham Lincoln Birthplace Administrative History An Administrative History of ABRAHAM LINCOLN BIRTHPLACE NATIONAL HISTORIC SITE Hodgenville, Kentucky by Gloria Peterson September 20, 1968 DIVISION OF HISTORY Office of Archeology and Historic Preservation National Park Service U.S. Department of the Interior TABLE OF CONTENTS abli/adhi/adhi.htm Last Updated: 10-Feb-2003 http://www.nps.gov/history/history/online_books/abli/adhi/adhi.htm[5/30/2012 4:46:00 PM] Abraham Lincoln Birthplace NHS: Administrative History (Table of Contents) Abraham Lincoln Birthplace Administrative History TABLE OF CONTENTS Cover List of Figures Foreword Chapter I: Thomas Lincoln Buys a Farm Chapter II: As a Monument to his Memory Chapter III: In Trust for the Nation - The Lincoln Farm Association Chapter IV: Lincoln Farm and the War Department, 1916-1933 Chapter V: The Park under the Department of the Interior, 1933-1948 Chapter VI: The Park Under the Department of the Interior, 1950-1968 Chapter VII: The Birthplace Cabin Question: The Development of Policy Appendix A: HR 8351 Appendix B: Deed of Conveyance, Lincoln Farm Association to the United States Appendix C: HR 15657 Appendix D: S. 2046 Appendix E: HR 3259 Appendix F: HR 5764 Bibliography Endnotes LIST OF FIGURES Plate I: View of Rock Spring Farm, 1895 Plate II: "The Original Birthplace Cabin," 1895 Plate III: Place where the Cabin Stood Marked by Flagpole, 1905 Plate IX: The Logs on the Train to Louisville, 1906 Plate V: "The Lincoln Log Cabin on its -
National Historic Landmark Nomination First
NATIONAL HISTORIC LANDMARK NOMINATION NFS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 FIRST UNITARIAN SOCIETY MEETING HOUSE Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 1. NAME OF PROPERTY Historic Name: First Unitarian Society Meeting House Other Name/Site Number: N/A 2. LOCATION Street & Number: 900 University Bay Drive Not for publication: N/A City/Town: Shorewood Hills, Village of Vicinity:_ State: Wisconsin County: Dane Code: 25 Zip Code: 53705 3. CLASSIFICATION Ownership of Property Category of Property Private: x Building(s): x Public-Local: _ District: _ Public-State: _ Site: _ Public-Federal: Structure: _ Object:_ Number of Resources within Property Contributing Noncontributing 1 _]_ buildings __ sites __ structures __ objects 1 1 Total Number of Contributing Resources Previously Listed in the National Register: J_ Name of Related Multiple Property Listing: N/A NFS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 FIRST UNITARIAN SOCIETY MEETING HOUSE Page 2 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 4. STATE/FEDERAL AGENCY CERTIFICATION As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this ___ nomination ___ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property ___ meets ___ does not meet the National Register Criteria. -
Unity Temple: Frank Lloyd Wright and Architecture for Liberal Religion Joseph M
Cambridge University Press 978-0-521-62991-1 - Unity Temple: Frank Lloyd Wright and Architecture for Liberal Religion Joseph M. Siry Frontmatter More information Unity Temple: Frank Lloyd Wright and Architecture for Liberal Religion is the first comprehensive study of one of the seminal works of America's most renowned twentieth-century architect. In this study, Joseph Siry examines Unity Temple in light of Wright's earlier religious architecture, his methods of design, and his innovative construction techniques, particularly the use of reinforced concrete, which he here explored and expressively deployed for the first time. Siry also sets Unity Temple against the tradition of the liberal Unitarian and Univeralist religious culture, the institutional history of the Oak Park congregation that commissioned the building, and the social context in which the structure was conceived and built. Throughout, Unity Temple is treated as a work of art that embodies both Wright's theory of architecture and liberal religious ideals. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-62991-1 - Unity Temple: Frank Lloyd Wright and Architecture for Liberal Religion Joseph M. Siry Frontmatter More information © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-62991-1 - Unity Temple: Frank Lloyd Wright and Architecture for Liberal Religion Joseph M. Siry Frontmatter More information Unity Temple © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-62991-1 - Unity Temple: Frank Lloyd Wright and Architecture for Liberal Religion Joseph M. Siry Frontmatter More information © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-62991-1 - Unity Temple: Frank Lloyd Wright and Architecture for Liberal Religion Joseph M. -
Frank Lloyd Wright's 2019 Media
FRANK LLOYD WRIGHT’S 2019 MEDIA KIT 1 25 YEARS Dear Media Partners: We are grateful for your interest in Taliesin and Taliesin Preservation. We are delighted to host media representatives to help tell the story about the engaging programing and transformative preservation our nonprofit conducts to provide a greater understanding of Taliesin’s architecture and ideas— and we invite you to visit us as part of your editorial research. Taliesin is the home, studio, school, and 800-acre agricultural estate of American architect, graphic designer, writer, farmer, and educator, Frank Lloyd Wright, located in rural Spring Green, Wisconsin. With buildings from nearly every decade of Wright’s life from the 1890s to the1950s, Taliesin is one of the most significant architectural anthologies in the world and is nominated to become a UNESCO World Heritage site. Our public tours and innovative programs welcome more than 24,000 visitors from around the world each season to return to Taliesin time and time again to discover Wright’s legacy in its entirety through meaningful experiences. We look forward to working with you and to answering any questions you may have. Sincerely, Aron Meudt-Thering Communications Manager [email protected] (608) 588-7900 Ext. 231 Taliesin Preservation 5607 County Road C Spring Green, WI 53588 2 MISSION & VISION 4 ABOUT TALIESIN PRESERVATION 5 PRESERVATION OF CULTURE 6 CAFE & CULINARY 7 TIMELINE & STRUCTURES 8-9 TALIESIN QUOTES 10 TALIESIN & WISCONSIN 11 PARTNER ORGANIZATIONS 12 3 VISION MISSION Taliesin is acknowledged as the embodiment As stewards, Taliesin Preservation’s mission is to of American architect Frank Lloyd Wright’s preserve the cultural, built and natural environments commitment to the creation of exceptional that comprise the Taliesin property and to conduct environments that harmonize architecture, art, public educational and cultural programming that culture, and the land. -
A History of the Unitarian Church of Evanston
A History of the Unitarian Church of Evanston THE EARLY YEARS Nellie Brough was the daughter and granddaughter of Unitarian ministers. She and actor-turned-banker Herbert Brough were beginning a family and they wanted their children to grow up in the Unitarian faith. When they moved to the Chicago area, Mrs. Brough went to work to recreate the Unitarian experience here for her children. She met neighbors who were also transplanted New England Unitarians, and together they decided to gather folks interested in hearing Unitarian preaching and perhaps starting a church in Evanston. They contacted the Secretary of the Western Unitarian Conference, J.R. Effinger, who met with their first gathering in September of 1891. He recommended them to the Rev. Jenkin Lloyd Jones who was riding circuit in those days, supporting the establishment of several groups in the greater Chicago area (and beyond). Rev. Jones, in turn, recommended the group to his colleague, the Rev. James Vila Blake of Third Church Chicago. The men preached at the Evanston gathering for the first meetings that fall. In December, Rev. Blake agreed to preach and minister to the small congregation on Sunday afternoons. Mr. Blake drove his horse and buggy from Third Church Chicago north to Evanston every Sunday until 1897, when he resigned his pastorate with Third Church, who were troubled by his stand against the Haymarket convictions, and signed on with the Evanston Unitarians as their first full-time minister. He remained for almost 25 years, resigning in 1916. The little congregation was quite pleased with his work and he did work hard, often for little or no pay. -
On the 100Th Anniversary of the Tulsa Race Massacre the Rev. Dr. J. Carl Gregg 30 May 2021 Frederickuu.Org
The Stories We Tell Matter: On the 100th Anniversary of the Tulsa Race Massacre The Rev. Dr. J. Carl Gregg 30 May 2021 frederickuu.org The stories we tell matter. The choices we make about which stories to teach our children matter. All the stories we tell and retell, year after year matter. Our choices about stories we allow to be neglected or suppressed matter as well. And regarding stories and perspectives most and least prominent in our culture, who decides and who benefits matter. I bring all this up because tomorrow and the next day (May 31 and June 1) will mark the 100th anniversary of the Tulsa Race Massacre of 1921. Although this event is now recognized as “the deadliest outbreak of white terrorist violence against a black community in American history,” the telling of this history was not only neglected, but downright suppressed for many years (Krehbiel xi). “Educators did not teach it. Government offices did not record it. Even archival copies of some newspaper accounts were selectively expunged” (The New York Times). In recent years the tide has started to turn—including the commitment of the Tulsa public school system to finally incorporate this history into their standard curriculum (https://www.tulsaschools.org/tulsaracemassacre). And for the general public, Greenwood Rising, a permanent history center in Tulsa, is opening soon to honor the legacy of all impacted by these events, and to “inspire meaningful, sustainable action” toward a more equitable future. Notice this prominent quote from James Baldwin at the entrance to