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Folsom Telegraph
THURSDAY, FEBRUARY 20, 2020 Kitchen & Bath Top Five Newspaper Remodeling CNPA California Journalism Awards Painting THE FOLSOM Cabinets Counters Flooring Remodeling Jobs completed before April 1, 2020 * only while openings last * not to be combined with any other offer Your community news by a dam site since 1856 Serving the communities of Folsom and El Dorado Hills 916.774.6416 www.PerrymanPainting.com FOLSOMTELEGRAPH.COM Lic # 948889 (C33 & B) Exoneration, new arrest in 1985 EDH murder case BY BILL SULLIVAN The 1985 case went “This is the first case in occurred on July 7, 1985. OF THE FOLSOM TELEGRAPH unsolved for 14 years before California and only the For all these years, investigators said DNA second in this country Davis has been behind Since his conviction, evidence and an incrim- where investigative genetic bars awaiting retrial, for Ricky Davis continued inating statement by a genealogy has not only led a crime he didn’t commit. to plead his innocence resident of the home tied to the freeing on an individ- El Dorado Superior Court in an El Dorado Hills Davis to the slaying back in ual from prison for a crime Judge Kenneth Mele- murder that took place 35 November of 1999. He was he did not commit, but the kian ended that when he years ago. Last Thursday, then sentenced in 2005 to identification of the true threw out his second-de- 54-year-old Davis walked 16 years-to-life, accused of source,” said Sacramento gree murder conviction in out of El Dorado County stabbing Hylton 29 times County District Attorney the emotional court hear- Superior Court a free man in what was described as a Anne Marie Schubert. -
Ladies and Gentlemen ... the Circus I
6 REVIEW February 12, 2019 Ladies and gentlemen ... the circus is back in town No circus like Cirque du Soleil to hold its breath while watching one of the Cirque du Soleil, in its big blue and yellow goddesses as she balanced 13 palm leaf ribs. tent, opened a five-week run at Lone Star Park There is no music playing. The only sound in Grand Prairie. This time the circus presents is the heavy breathing of the artist as she the tale “Amaluna,” based on Shakespeare’s concentrates. “The Tempest.” The show opened Jan. 23 and One of the most touching acts involves a runs through March 3. scene between Miranda and her lover. Romeo “Amaluna” is the story of a magical island watched Miranda enjoy herself in choreogra- ruled by goddesses. Miranda, the daughter of phy that moved between playing in the water the Queen and shaman Prospera, is a happy bowl and displaying her strength skills in a dreamer and a romantic young girl who is difficult hand-balancing routine. The artists about to reach womanhood. also excel in their acting as the audience The queen creates a big storm that brings a watches the couple share a first kiss. group of young men to the island. The leader, “Amaluna” combines the theatrical story Prince Romeo and his men are trapped. with remarkable acrobatic acts. Watching the The show evolves into a love story between show likely gives viewers hope that dreams Romeo and Miranda. can come true. The couple confronts challenges to be The spectacle is one of more than 23 shows together, including dealing with the jealousy of by Cirque du Soleil. -
Flute Concerto (Symphonic Tale), Op
Clarinet Concerto No. 1 in F minor, Op. 73 Carl Maria von Weber I. Allegro (1786-1826) Taylor Heap, clarinet Lara Urrutia, piano Cello Concerto in B minor, Op. 104, B. 191 Antonin Dvorák SOLO CONCERTO COMPETITION I. Allegro (1841-1904) Finals Xue Chen, cello Monday, November 3, 2014 - 2 p.m. Stephanie Lovell, piano MEMORIAL CHAPEL The Bell Song Léo Delibes SET I (1836-1891) Flute Concerto (Symphonic Tale), Op. 43a Peter Benoit Caro Nome Guiseppe Verdi Movements I & II (excerpt) (1834-1901) Mayu Uchiyama, soprano Victoria Jones, flute Edward Yarnelle, piano Lara Urrutia, piano - BREAK - Di Provenza il mar, il suol Giuseppe Verdi from La Traviata (1813-1901) SET II Ein Madehen oder Weibchen Wolfgang Amadeus Mozart Piano Concerto No. 2 in F minor, Op. 21 Frédéric Chopin from Die Zauberflöte (1756-1791) I. Maestoso (1810-1849) Justin Brunette, baritone Michael Malakouti, piano Richard Bentley, piano Lara Urrutia, piano Piano Concerto in A minor, Op. 16 Edvard Grieg I. Allegro molto moderato (1843-1907) Amy Rooney, piano Stephanie Lovell, piano Que fais-tu, blanche tourterelle Charles Gounod ABOUT THE CONCERTO COMPETITION from Roméo et Juliette (1818-1893) Beginning in 1976, the Concerto Competition has become an annual event Cruda Sorte Gioacchino Rossini for the University of Redlands School of Music and its students. Music from L’Ataliana in Algeri (1792-1868) students compete for the coveted prize of performing as soloist with the Redlands Symphony Orchestra, the University Orchestra or the Wind Jordan Otis, soprano Ensemble. Twyla Meyer, piano This year the Preliminary Rounds of the Competition took place on Friday, October 31st and Saturday, November 1st. -
JUNE 27–29, 2013 Thursday, June 27, 2013, 7:30 P.M. 15579Th
06-27 Stravinsky:Layout 1 6/19/13 12:21 PM Page 23 JUNE 2 7–29, 2013 Two Works by Stravinsky Thursday, June 27, 2013, 7:30 p.m. 15, 579th Concert Friday, June 28, 2013, 8 :00 p.m. 15,580th Concert Saturday, June 29, 2013, 8:00 p.m. 15,58 1st Concert Alan Gilbert , Conductor/Magician Global Sponsor Doug Fitch, Director/Designer Karole Armitage, Choreographer Edouard Getaz, Producer/Video Director These concerts are sponsored by Yoko Nagae Ceschina. A production created by Giants Are Small Generous support from The Andrew W. Mellon Foundation, Clifton Taylor, Lighting Designer The Susan and Elihu Rose Foun - Irina Kruzhilina, Costume Designer dation, Donna and Marvin Matt Acheson, Master Puppeteer Schwartz, the Mary and James G. Margie Durand, Make-Up Artist Wallach Family Foundation, and an anonymous donor. Featuring Sara Mearns, Principal Dancer* Filming and Digital Media distribution of this Amar Ramasar , Principal Dancer/Puppeteer* production are made possible by the generos ity of The Mary and James G. Wallach Family This concert will last approximately one and Foundation and The Rita E. and Gustave M. three-quarter hours, which includes one intermission. Hauser Recording Fund . Avery Fisher Hall at Lincoln Center Home of the New York Philharmonic June 2013 23 06-27 Stravinsky:Layout 1 6/19/13 12:21 PM Page 24 New York Philharmonic Two Works by Stravinsky Alan Gilbert, Conductor/Magician Doug Fitch, Director/Designer Karole Armitage, Choreographer Edouard Getaz, Producer/Video Director A production created by Giants Are Small Clifton Taylor, Lighting Designer Irina Kruzhilina, Costume Designer Matt Acheson, Master Puppeteer Margie Durand, Make-Up Artist Featuring Sara Mearns, Principal Dancer* Amar Ramasar, Principal Dancer/Puppeteer* STRAVINSKY Le Baiser de la fée (The Fairy’s Kiss ) (1882–1971) (1928, rev. -
By Peter Hinton and August Schellenberg
Master List of CASP 2012 Database Entries King Lear (2012) by Peter Hinton and August Schellenberg Hamlet (2012) by Kevin O’Day - National Ballet of Canada Shakespeare’s Will (2007 & 2011) by Vern Thiessen [updated] MacHomer (2012 )by Rick Miller [updated] Henry V (2012) by Company of Fools Mr. Shakespeare’s Bastard (2010) by Richard B. Wright When That I Was (2008 & 2012) by John Mortimer and Edward Atienza [updated] DEADLY SIN, Macbeth: A Cabaret (2011) by Paul Hopkins Love’s Labour’s Lost (2005) by Corinne Jaber and Stephen Landrigan Hamlet: An Opera (2007) by Mark Richards Lucrece (2007) by Angus McLellan and Grayden Laing Tout Shakespeare Pour Les Nuls (2005) by Jean-Guy Legault Prospero (?) by NSJ The Comedy of Errors (2010) by Peter Hinton BASH’d: A Gay Rap Opera (2007) by Chris Craddock and Nathan Cuckow The Other, Haitian Macbeth (2010) by Stacey Christodoulou Romeo and Juliet (2005) Twelfth Night (2007) Macbeth (2006) A Midsummer Night’s Dream (2006) King Lear (2006) Othello (2006) Hamlet (2005) by Paul Illidge No Beast So Fierce: A Retelling of William Shakespeare’s Tragedy of King Richard the Third (2011) Crowns and Roses: Shakespeare’s Tales of the Lancasters and the Yorks (2011) Plantagenet Plots: Shakespeare’s Stories of the Middle Ages (2010) God’s Chosen King?: A Retelling of William Shakespeare’s Tragedy of King Richard II (2010) Foreign Wars: A Retelling of William Shakespeare’s History of King Henry V (2010) The Education of a Prince: A Retelling of William Shakespeare’s History of King Henry IV Part One (2010) The -
Treatise Draft
Florida State University Libraries 2016 A Survey and Guide to United States Military Band Trumpet Auditions James Johnson Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC A SURVEY AND GUIDE TO UNITED STATES MILITARY BAND TRUMPET AUDITIONS By JAMES T. JOHNSON A Treatise submitted to the College of Music in partial fulfillment of the requirements of the Doctor of Music 2016 James Johnson defended this treatise on 5 April 2016. The members of the supervisory committee were: Christopher Moore Professor Directing Treatise Richard Clary University Representative John Drew Committee Member Paul Ebbers Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the treatise has been approved in accordance with university requirements. ii ACKNOWLEDGMENTS This treatise would not have been possible without the help of my committee members, whom helped guide me through this process and degree, along the members of the military bands who gave their knowledge and experience in this field to make this treatise a reality. I would like to thank the publishing companies who granted permission to use their materials in this document. I would also like to thank my fiancée for supporting me in every step of this process. Finally, I would like to thank my family for their continued support in my quest for musical enlightenment. iii TABLE OF CONTENTS List of Tables ...................................................................................................................................v -
Dress for Success to Partner with Amaluna by Cirque Du Soleil to Showcase Empowered Women
FOR IMMEDIATE RELEASE Directed by Tony Award Winning Director Diane Paulus DRESS FOR SUCCESS TO PARTNER WITH AMALUNA BY CIRQUE DU SOLEIL TO SHOWCASE EMPOWERED WOMEN Atlanta, GA - Monday October 13 – Amaluna by Cirque du Soleil will partner with the local branch of Dress for Success to celebrate the strength, beauty and grace of women; while raising donations for the local organization. This exclusive event will take place from 12:00Pm to 1:30Pm on Wednesday October 22, under Cirque du Soleil’s iconic Blue and Yellow Big Top at Atlantic Station. Guests will be encouraged to donate an item of gently used or new professional clothing to be granted access. Attendees will be treated to a special preview performance by the cast of Amaluna, followed by a Q&A forum featuring members of Amaluna in collaboration with some of Atlanta’s most well-respected businesswomen and personalities – Mara Davis, Melissa Long and Mary Moore. The mission of Dress for Success is to promote the economic independence of disadvantaged women by providing professional attire, a network of support and the career development tools to help women thrive in work and in life. The forum will explore the individual stories of the panelists, discussing career goals, empowerment and overcoming obstacles to achieve success in the workplace. ABOUT THE PANELISTS A personality known for her humor, honesty and love of pop culture, Mara Davis is the Executive Producer for Tastemade Atlanta, a global community connecting the world through food. She also is the co-host of the Atlanta Eats TV and radio shows all about dining in Atlanta. -
LATE 20Th and EARLY 21St CENTURY CLOWNING's
CLOWNING ON AND THROUGH SHAKEPEARE: LATE 20th AND EARLY 21st CENTURY CLOWNING’S TACTICAL USE IN SHAKESPEARE PERFORMANCE by David W Peterson BA, University of Michigan, 2007 Masters, Michigan State University, 2009 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2014 UNIVERSITY OF PITTSBURGH THE KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by David W Peterson It was defended on April 16, 2014 and approved by Dr. Attilio “Buck” Favorini, Professor Emeritus, Theatre Arts Dr. Bruce McConachie, Professor, Theatre Arts Dr. Jennifer Waldron, Associate Professor, English Dissertation Advisor: Dr. Lisa Jackson-Schebetta, Assistant Professor, Theatre Arts ii Copyright © by David Peterson 2014 iii CLOWNING ON AND THROUGH SHAKEPEARE: LATE 20th AND EARLY 21st CENTURY CLOWNING’S TACTICAL USE IN SHAKESPEARE PERFORMANCE David Peterson, PhD University of Pittsburgh, 2014 This dissertation argues that contemporary clown performance (as developed in the latter half of the 20th century) can be understood in terms of three key performance practices: the flop, interruption, and audience play. I further argue that these three features of flop, interruption, and audience play are distinctively facilitated by Shakespeare in both text and performance which, in turn, demonstrates the potential of both clown and Shakespeare to not only disrupt theatrical conventions, but to imagine new relationships to social and political power structures. To this end, I ally the flop with Jack Halberstam’s sense of queer failure to investigate the relationship between Macbeth and 500 Clown Macbeth. -
“Flowers in the Desert”: Cirque Du Soleil in Las Vegas, 1993
“FLOWERS IN THE DESERT”: CIRQUE DU SOLEIL IN LAS VEGAS, 1993-2012 by ANNE MARGARET TOEWE B.S., The College of William and Mary, 1987 M.F.A., Tulane University, 1991 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Doctor of Philosophy Department of Theatre & Dance 2013 This thesis entitled: “Flowers in the Desert”: Cirque du Soleil in Las Vegas 1993 – 2012 written by Anne Margaret Toewe has been approved for the Department of Theatre & Dance ______________________________________________ Dr. Oliver Gerland (Committee Chair) ______________________________________________ Dr. Bud Coleman (Committee Member) Date_______________________________ The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above mentioned discipline. iii Toewe, Anne Margaret (Ph.D., Department of Theatre & Dance) “Flowers in the Desert”: Cirque du Soleil in Las Vegas 1993 – 2012 Dissertation directed by Professor Oliver Gerland This dissertation examines Cirque du Soleil from its inception as a small band of street performers to the global entertainment machine it is today. The study focuses most closely on the years 1993 – 2012 and the shows that Cirque has produced in Las Vegas. Driven by Las Vegas’s culture of spectacle, Cirque uses elaborate stage technology to support the wordless acrobatics for which it is renowned. By so doing, the company has raised the bar for spectacular entertainment in Las Vegas I explore the beginning of Cirque du Soleil in Québec and the development of its world-tours. -
The New Victory Theater 2017-18 Season Features Three World Premieres from American Companies
Allison Mui | Director of PR | [email protected] | 646.223.3067 Kevin Bradley Jr. | PR Associate | [email protected] | 646.223.3065 The New Victory Theater 2017-18 Season Features Three World Premieres from American Companies Jason Bishop’s BELIEVE IN MAGIC Created Especially for The New Victory Theater this Holiday Opens December 1 Ping Chong + Company’s 25th Anniversary of UNDESIRABLE ELEMENTS Brand New Work of Interview-based Theater Amplifying the Voices of Young New Yorkers Opens January 13 Rennie Harris Puremovement’s FUNKEDIFIED Choreographed by Rennie Harris Featuring The Hood Lockers and a Live, Funk Band Opens June 1 Season Also Includes Step Afrika!, Children’s Theatre Company of Minneapolis, the Acrobuffos, Reduced Shakespeare Company and Five U.S. Premieres New York, NY (June 15, 2017) – The New Victory Theater announces its 22nd season as New York’s premier performing arts venue entirely devoted to kids and families. From October 13, 2017 through June 17, 2018, The New Victory Theater will feature seven American companies amongst its 15 productions from around the globe, including three world premieres and five U.S. premieres. “This year, we celebrate the incredible work made here in the U.S.,” says Mary Rose Lloyd, Director of Artistic Programming. “You’ll discover shows with distinctly American voices, stories and art, showcasing a range of disciplines from companies across the country.” American Highlights include: ● Celebrate the holiday season with the world premiere of JASON BISHOP: BELIEVE IN MAGIC (December 1 - 30, 2017). With consultation from Broadway’s greatest illusion designer, Jim Steinmeyer (Pippin, Into the Woods, Disney’s Aladdin and Mary Poppins), Jason Bishop returns with jaw-dropping new tricks and illusions designed especially for New Victory festive fun for the whole family. -
Edition 4 | 2018-2019
BROADWAY AT THE TENNESSEE 9 WORK LIGHT PRODUCTIONS STEPHEN GABRIEL, PRODUCER PRESENT BOOK BY KAREY KIRKPATRICK AND JOHN O’FARRELL MUSIC AND LYRICS BY WAYNE KIRKPATRICK AND KAREY KIRKPATRICK CONCEIVED BY KAREY KIRKPATRICK AND WAYNE KIRKPATRICK STARRING MATTHEW BAKER MATTHEW MICHAEL JANISSE GREG KALAFATAS EMILY KRISTEN MORRIS MARK SAUNDERS JENNIFER ELIZABETH SMITH RICHARD SPITALETTA DREW ARISCO ABBY BARTISH EMMA BENSON ZACHARY BIGELOW KATIE SCARLETT BRUNSON JULIAN BURZYNSKI JR. BRIAN COWING ALEX EISENBERG TIM FUCHS ROBERT HEAD DEVIN HOLLOWAY DANNY LOPEZ KEELEY ANNE McCORMICK NICK PANKUCH AVEENA SAWYER ALLISON C. SCOTT PETER SURACE DORSEY ZILLER SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN SCOTT PASK GREGG BARNES JEFF CROITER PETER HYLENSKI CASTING HAIR DESIGN MAKEUP DESIGN PRODUCTION MANAGER WOJCIK | SEAY CASTING JOSH MARQUETTE MILAGROS PORT CITY TECHNICAL MEDINA-CERDEIRA PRODUCTION STAGE MANAGER ASSOCIATE DIRECTOR MUSIC DIRECTOR & CONDUCTOR KRISTIN SUTTER STEVE BEBOUT MATTHEW CROFT TOUR MARKETING TOUR BOOKING AGENCY GENERAL MANAGEMENT ALLIED TOURING THE BOOKING GROUP WORK LIGHT PRODUCTIONS RICH RUNDLE, BRIAN BROOKS MUSIC SUPERVISOR & VOCAL ARRANGEMENTS ORCHESTRATIONS MUSIC ARRANGEMENTS ASSOCIATE MUSIC SUPERVISOR PHIL RENO LARRY HOCHMAN GLEN KELLY BRIAN P. KENNEDY DIRECTED AND CHOREOGRAPHED BY CASEY NICHOLAW ORIGINALLY PRODUCED ON BROADWAY BY KEVIN McCOLLUM, BROADWAY GLOBAL VENTURES, CMC, MASTRO/GOODMAN, JERRY & RONALD FRANKEL, MORRIS BERCHARD, KYODO TOKYO INC., WENDY FEDERMAN, BARBARA FREITAG, LAMS PRODUCTIONS, WINKLER/DESIMONE, -
NAVMC 2922 Unit Awards Manual (PDF)
DEPARTMENT OF THE NAVY HEADQUARTERS UNITED STATES MARINE CORPS 2008 ELLIOT ROAD QUANTICO, VIRGINIA 22134-5030 IH REPLY REFER TO: NAVMC 2 922 MMMA JAN 1 C IB# FOREWORD 1. Purpose. To publish a listing of all unit awards that have been presented to Marine Corps units since the beginning of World War II. 2. Cancellation. NAVMC 2922 of 17 October 2011. 3. Information. This NAVMC provides a ready reference for commanders in determining awards to which their units are entitled for specific periods of time, facilitating the updating of individual records, and accommodating requests by Marines regarding their eligibility to wear appropriate unit award ribbon bars. a . Presidential Unit Citation (PUC), Navy Unit Citation (NUC), Meritorious Unit Citation (MUC) : (1) All personnel permanently assigned and participated in the action(s) for which the unit was cited. (2) Transient, and temporary duty are normally ineligible. Exceptions may be made for individuals temporarily attached to the cited unit to provide direct support through the particular skills they posses. Recommendation must specifically mention that such personnel are recommended for participation in the award and include certification from the cited unit's commanding officer that individual{s) made a direct, recognizable contribution to the performance of the services that qualified the unit for the award. Authorized for participation by the awarding authority upon approval of the award. (3) Reserve personnel and Individual Augmentees <IAs) assigned to a unit are eligible to receive unit awards and should be specifically considered by commanding officers for inclusion as appropriate, based on the contributory service provided, (4) Civilian personnel, when specifically authorized, may wear the appropriate lapel device {point up).