Allen Young Papers
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Mother-Son Relationships in Confessional and Post-Confessional Lyric
"I AM MADE BY HER, AND UNDONE": MOTHER-SON RELATIONSHIPS IN CONFESSIONAL AND POST-CONFESSIONAL LYRIC HANNAH BAKER PHD THE UNIVERSITY OF YORK DEPARTMENT OF ENGLISH FEBRUARY 2011 11 TABLE OF CONTENTS Page Acknowledgments 111 Declaration v Abstract VI Abbreviations vii INTRODUCTION "When everything and anything suddenly 1 seemed material for poetry" CHAPTER 1 "and moreover my mother told me": Mother-son 26 Relationships in the Confessional Lyric I Introduction 27 11 On John Berryman's Song 14 31 111 On Robert Lowell's "Unwanted" 52 IV Conclusion 78 CHAPTER 2 "Freaked in the Moon Brain": Ginsberg and Bidart 84 Confessing Crazy Mothers I Introduction 85 11 On Allen Ginsberg's "Kaddish" 93 111 On Frank Bidart's "Confessional" 114 IV Conclusion 140 CHAPTER 3 "That was what I craved, to tell on her": Mother-son 144 Relationships in the Post-confessional Lyric i Introduction 145 ii On C.K. Williams' "My Mother's Lips" and 149 "The Cup" 111 On Robert Hass' "My Mother's Nipples" 163 IV Conclusion 183 CHAPTER 4 "I am made by her, and undone": Thorn Gunn's 185 Transatlantic Response to Confessional Poetry I Introduction 186 11 On Thorn Gunn's "My Mother's Pride" 196 111 Coda: On Thorn Gunn's "The Gas-Poker" 217 IV Conclusion 227 BIBLIOGRAPHY 231 iii ACKNOWLEDGMENTS Writing a dissertation would be grimly monastic if not for the support, generous feedback, and voices of my supervisors and thesis advisory panel. I can't thank enough Dr. Reena Sastri for guiding me from the beginning, providing thorough, rapid responses to my drafts, and modeling the rigor and precision the academic life requires of us. -
The Politics of Space: Student Communes, Political Counterculture, and the Columbia University Protest of 1968
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Carolina Digital Repository THE POLITICS OF SPACE: STUDENT COMMUNES, POLITICAL COUNTERCULTURE, AND THE COLUMBIA UNIVERSITY PROTEST OF 1968 Blake Slonecker A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History. Chapel Hill 2006 Approved by Advisor: Peter Filene Reader: Jacquelyn Dowd Hall Reader: Jerma Jackson © 2006 Blake Slonecker ALL RIGHTS RESERVED ii ABSTRACT BLAKE SLONECKER: The Politics of Space: Student Communes, Political Counterculture, and the Columbia University Protest of 1968 (Under the direction of Peter Filene) This thesis examines the Columbia University protest of April 1968 through the lens of space. It concludes that the student communes established in occupied campus buildings were free spaces that facilitated the protestors’ reconciliation of political and social difference, and introduced Columbia students to the practical possibilities of democratic participation and student autonomy. This thesis begins by analyzing the roots of the disparate organizations and issues involved in the protest, including SDS, SAS, and the Columbia School of Architecture. Next it argues that the practice of participatory democracy and maintenance of student autonomy within the political counterculture of the communes awakened new political sensibilities among Columbia students. Finally, this thesis illustrates the simultaneous growth and factionalization of the protest community following the police raid on the communes and argues that these developments support the overall claim that the free space of the communes was of fundamental importance to the protest. -
Living the Movement: Liberation News Service, Montague Farm, and the New Left, 1967-1981
LIVING THE MOVEMENT: LIBERATION NEWS SERVICE, MONTAGUE FARM, AND THE NEW LEFT, 1967-1981 Blake Slonecker A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History. Chapel Hill 2009 Approved by Advisor: Peter G. Filene Reader: Robert Cantwell Reader: William H. Chafe Reader: Jacquelyn Dowd Hall Reader: Jerma A. Jackson © 2009 Blake Slonecker ALL RIGHTS RESERVED ii Abstract BLAKE SLONECKER: Living the Movement: Liberation News Service, Montague Farm, and the New Left, 1967-1981 (Under the direction of Professor Peter G. Filene) This dissertation uses the Liberation News Service (LNS)—the Associated Press of New Left underground media—and Montague Farm—a commune created by former LNS staffers—as a lens through which to trace the evolution of the American New Left after 1968. The establishments of underground newspapers—often organized as work collectives—and communes were two of the most ubiquitous and emblematic gestures of the late 1960s and early 1970s. For this reason, LNS and Montague Farm serve as ideal subjects to reveal how institutions founded on the ideals of late-1960s activism adapted their politics to survive in the adverse political culture of the 1970s. By tracking these two groups, this dissertation grounds the events of the 1970s in the legacies of the 1960s. Along the way it explores the divergent aspirations of the communal counterculture, the evolution and demise of the New Left, and the quotidian challenges of living the Movement. Both groups drew from their political worldviews in order to shape their daily lives, creating new divisions of labor, new social arrangements, and new personal politics. -
Liberation News Service, Montague Farm, and the New Left, 1967-1981
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Carolina Digital Repository LIVING THE MOVEMENT: LIBERATION NEWS SERVICE, MONTAGUE FARM, AND THE NEW LEFT, 1967-1981 Blake Slonecker A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History. Chapel Hill 2009 Approved by Advisor: Peter G. Filene Reader: Robert Cantwell Reader: William H. Chafe Reader: Jacquelyn Dowd Hall Reader: Jerma A. Jackson © 2009 Blake Slonecker ALL RIGHTS RESERVED ii Abstract BLAKE SLONECKER: Living the Movement: Liberation News Service, Montague Farm, and the New Left, 1967-1981 (Under the direction of Professor Peter G. Filene) This dissertation uses the Liberation News Service (LNS)—the Associated Press of New Left underground media—and Montague Farm—a commune created by former LNS staffers—as a lens through which to trace the evolution of the American New Left after 1968. The establishments of underground newspapers—often organized as work collectives—and communes were two of the most ubiquitous and emblematic gestures of the late 1960s and early 1970s. For this reason, LNS and Montague Farm serve as ideal subjects to reveal how institutions founded on the ideals of late-1960s activism adapted their politics to survive in the adverse political culture of the 1970s. By tracking these two groups, this dissertation grounds the events of the 1970s in the legacies of the 1960s. Along the way it explores the divergent aspirations of the communal counterculture, the evolution and demise of the New Left, and the quotidian challenges of living the Movement. -
Freaking Fag Revolutionaries: New York's Gay Liberation Front, 1969-1971
Freaking Fag Revolutionaries: New York's Gay Liberation Front, 1969-1971 Terence Kissack The Stonewall riot of 1969 has become enshrined within political and historical discourses as the birthplace of the lesbian and gay rights movement. In June of that year, a riot broke out during a police raid on a gay bar, the Stonewall Inn, located in Greenwich Village in New York City. It was at that point, the story goes, that gay men and women, long silenced and made invisible, came onto the historical stage with a vengeance. So powerful is the Stonewall narrative that gay and lesbian historians have to battle the belief that, prior to 1969, the lives of gay men and women were bleak and brutal, eked out on the margins of society. Almost the entire corpus of gay and lesbian history can be read as an attempt to deconstruct the Stonewall narra tive. No historian would argue that Stonewall was unimportant, indeed many have written on it, but it needs to be put into perspec tive. Despite the best efforts of professional historians, the Stonewall narrative continues to be repeated and cherished. Its rhetorical power brings out hundreds of thousands of people who gather year ly for marches commemorating the riot. It comes as a great surprise, then, for readers familiar with the Stonewall narrative to turn to the New Left historiography on six ties' activism. James Miller's Democracy is in the Streets stops just short of 1969, choosing to end the 1960s before-as the Stonewall narrative would have it-they even began. -
CITYWIDE HISTORIC CONTEXT STATEMENT for LGBTQ HISTORY in SAN FRANCISCO Donna J
CITYWIDE HISTORIC CONTEXT STATEMENT FOR LGBTQ HISTORY IN SAN FRANCISCO Donna J. Graves & Shayne E. Watson © GREG DAY Prepared for the City & County of San Francisco October 2015 October 2015 | Copyright City and County of San Francisco TABLE OF CONTENTS CHAPTER 1. INTRODUCTION .........................................................................1 CHAPTER 2. LGBTQ HISTORY ..........................................................................4 HISTORICAL BACKGROUND – CALIFORNIA AND SAN FRANCISCO .......5 Early INFLUENCES ON LGBTQ IDENTITIES AND COMMUNITIES (19TH Century TO 1950S) ........................................................................13 Early DEVELOPMENT OF LGBTQ COMMUNITIES (Early 20TH Century TO 1960S) .............................................................52 POLICING AND HARASSMENT (1933 TO 1960S)...................................105 HOMOPHILE MOVEMENTS (1950S TO 1960S) ......................................132 EVOLUTION OF LGBTQ ENCLAVES AND DEVELOPMENT OF NEW NEIGHBORHOODS (1960S TO 1980S) ..........................................157 Gay Liberation, PRIDE, AND POLITICS (1960S TO 1990S) .................180 BUILDING LGBTQ COMMUNITIES (1960S TO 1990S) ...........................238 LGBTQ MEDICINE (1940S TO 1970S) .....................................................286 SAN FRANCISCO AND THE AIDS EPIDEMIC (1981 TO 1990S) .............292 CHAPTER 3. METHODOLOGY .....................................................................316 CHAPTER 4. HOW-TO-GUIDE FOR PRESERVING LGBTQ HISTORIC PROPERTIES IN SAN -
A History of Queer New Mexico, 1920S-1980S Jordan Biro
University of New Mexico UNM Digital Repository History ETDs Electronic Theses and Dissertations 9-1-2015 Uncommon Knowledge: A History of Queer New Mexico, 1920s-1980s Jordan Biro Follow this and additional works at: https://digitalrepository.unm.edu/hist_etds Part of the History Commons Recommended Citation Biro, Jordan. "Uncommon Knowledge: A History of Queer New Mexico, 1920s-1980s." (2015). https://digitalrepository.unm.edu/ hist_etds/8 This Dissertation is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in History ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. Jordan Biro Walters Candidate HISTORY Department This dissertation is approved, and it is acceptable in quality and form for publication: Approved by the Dissertation Committee: Virginia Scharff, Chairperson Cathleen Cahill Andrew K. Sandoval-Strausz Peter Boag UNCOMMON KNOWLEDGE: A HISTORY OF QUEER NEW MEXICO, 1920S-1980S BY JORDAN BIRO WALTERS B.A., History, California State University Sacramento, 2004 M.A., Public History, California State University, 2009 DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy History The University of New Mexico Albuquerque, New Mexico July, 2015 ©2015, Jordan Biro Walters iii DEDICATION For my husband, David. May we always share the quest for knowledge together. iv ACKNOWLEDGMENTS First and foremost, I thank all of the oral history participants from whom I’ve learned. Their narratives have given clarity of purpose to this project. The participants whom I interviewed include, Ginger Chapman, Vangie Chavez, Therese Councilor, Ronald Dongahe, Jean Effron, Zonnie Gorman, Bennett A. -
Marginalization and Representation of Trans Women in Print Media (1969 – 1979)
Theses Honors College 5-2014 An Exclusionary Revolution: Marginalization and Representation of Trans Women in Print Media (1969 – 1979) Emylia N. Terry University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/honors_theses Part of the History of Gender Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, Women's History Commons, and the Women's Studies Commons Repository Citation Terry, Emylia N., "An Exclusionary Revolution: Marginalization and Representation of Trans Women in Print Media (1969 – 1979)" (2014). Theses. 14. https://digitalscholarship.unlv.edu/honors_theses/14 This Honors Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Honors Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Honors Thesis has been accepted for inclusion in Theses by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. AN EXCLUSIONARY REVOLUTION: MARGINALIZATION AND REPRESENTATION OF TRANS WOMEN IN PRINT MEDIA (1969 – 1979) By Emylia N. Terry Honors Thesis submitted in partial fulfillment for the designation of Department Honors Women’s Studies Program Department of History Dr. Lynn Comella, Dr. Marcia Gallo, Dr. Andrew Hanson, and Dr. Anita Revilla College of Liberal Arts University of Nevada, Las Vegas May 15, 2014 ABSTRACT Stonewall, the act most associated with sparking gay liberation in 1969, was preceded by several events of queer insurrection. -
American-Scream-Allen-Ginsbergs-Howl-And-The
American Scream JONAH RASKIN American Scream Allen Ginsberg’s Howl and the Making of the Beat Generation UNIVERSITY OF CALIFORNIA PRESS Berkeley Los Angeles London All quotations from Collected Poems: 1947–1980, White Shroud: Poems, 1980–1985, and Journals: Mid-Fifties, 1954– 1958 in chapters 1 to 11 of American Scream are reproduced by permission. Specified excerpts from Journals: Mid-Fifties, 1954–1958, by Allen Ginsberg. Edited by Gordon Ball. Copyright © 1995 by Allen Ginsberg. Introductory material copyright © by Gordon Ball. Reprinted by permission of HarperCollins Publishers, Inc., and Penguin Books Ltd. Specified excerpts from thirty-one poems from Collected Poems: 1947–1980, by Allen Ginsberg. Copyright © 1984 by Allen Ginsberg. Reprinted by permission of HarperCollins Publishers, Inc., and Penguin Books Ltd. Specified excerpts from “I’m a Prisoner of Allen Ginsberg” from White Shroud: Poems, 1980–1985, by Allen Ginsberg. Copyright © 1986 by Allen Ginsberg. Reprinted by permission of HarperCollins Publishers, Inc., and Penguin Books Ltd. University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England © 2004 by the Regents of the University of California Library of Congress Cataloging-in-Publication Data Raskin, Jonah, 1942–. American scream : Allen Ginsberg’s Howl and the making of the Beat Generation / Jonah Raskin. p. cm. Includes bibliographical references (p. ) and index. isbn 0-520-24015-4 (pbk. : alk. paper) 1. Ginsberg, Allen, 1926– Howl. 2. Literature and mental illness—United States—History—2oth century. 3. Ginsberg, Allen, 1926—Knowledge—Psychology. 4. Ginsberg, Allen, 1926—Psychology. 5. Poetry— Psychological aspects. 6. Mental illness in literature. 7. Beat generation. -
The Poetry and Life of Allen Ginsberg
1 The Poetry and life of Allen Ginsberg Allen’s Harmonium 1997 Edward Sanders 2 Dedicated to the building of the civilization envisioned by Allen Ginsberg in such poems as “America”: When can I go into the supermarket and buy what I need with my good looks? and “Death to Van Gogh’s Ear!”: Now is the time for prophecy without death as a consequence and “Memory Gardens”: Well, while I’m here I’ll do the work— and what’s the Work? To ease the pain of living. Everything else, drunken dumbshow. The Poetry and Life of Allen Ginsberg Copyright © 1999, 2014 Edward Sanders Edward Sanders Box 729 Woodstock, NY 12498 1 THE POETRY & LIFE OF ALLENALLEN GINSBERGGINSBERG Part I 1926-1943 In a way Allen Ginsberg’s life was shaped by pogroms and the surge of revolution in the Jewish Pale of Settlement first in the 1880s and then in the pogrom-evil years of ’03–’05 which caused his grandparents on both sides to flee to the freedom of the USA THE PALE The Pale was the legal zone in western Russia set up through the centuries where almost 5 million Jews were forced to reside The Pale extended from the Baltic Sea in the north to the Black Sea in the south. In the 19th Century it included Lithuania, Belorussia (White Russia), the Crimea Bessarabia & much of the Ukraine. GRANDPARENTS IN THE PALE Allen Ginsberg’s grandfather, Pincus, was born in a town called Kamenetz-Podolskiy on the upper Dniester River He was orphaned early, then moved to Pinsk further north in the Pale There were ghastly new restrictions on Jews in 1881 in the repression after the assassination of Tzar Alexander II 2 and many instances of government-sanctioned pogroms. -
Counterculture: A
THE RISE AND FALL OF THE AMERICAN COUNTERCULTURE: A HISTORY OF THE HIPPIES AND OTHER CULTURAL DISSIDENTS A Dissertation by DAMON RANDOLPH BACH Submitted to the Office of Graduate and Professional Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Chair of Committee, Terry H. Anderson Committee Members, James Burk Andrew Kirkendall John H. Lenihan Head of Department, David Vaught December 2013 Major Subject: History Copyright 2013 Damon Randolph Bach ABSTRACT The Rise and Fall of the American Counterculture examines the cultural dissidents and cultural revolutionaries of the 1960s era: the hippies. It fills a major void in the historical literature. Most scholars have focused on one aspect of the counterculture, examined it in a couple of locations, or relegated it to a single chapter. Moreover, scholarly narratives have been nearly identical, repeating the same themes and events, while presenting similar explanations for hippiedom’s origins and decline. Many historians utilize secondary sources and rely heavily on Theodore Roszak’s pioneering work. This study is different—it is the first comprehensive history of the hippies and other cultural dissenters, documenting the counterculture throughout the United States from its antecedents in the 1950s, to its origins in the early 1960s, to its emergence in the mid 1960s, to its blooming in the late 1960s, to its decline in the 1970s. Moreover, this study is based on documents seldom examined by historians, the underground newspapers, interviews, flyers, and pamphlets produced by counterculturalists. These sources provide crucial insights into the hippie philosophy and illuminate the forces that caused the counterculture’s materialization and decline.