Portland Observer-May 12, 1939
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Media Guide.Pdf 1 7/3/13 11:25 AM
2013 Media Guide.pdf 1 7/3/13 11:25 AM 2013 OHIO STATE FAIR Media Guide Feeli’Fairtasti! JULY 24 - AUGUST 4 C M Y CM MY CY -eoe- CMY K ohiostatefair.com Mailing Address Ohio Expo Center 717 E. 17th Ave Columbus, OH 43211 614-644-3247 / 888-646-3976 ohiostatefair.com ohioexpocenter.com Phone Numbers and Email Addresses Marketing and PR Director Alicia Shoults 614-644-4011* [email protected] Visual Communications Director Julian O’Loughlin 614-644-4013 [email protected] Marketing and PR Coordinators Marissa McDaid 614-644-4433* [email protected] Rachel Miller 614-644-4434* [email protected] Lauren Stahl 614-644-4432* [email protected] * These numbers will ring directly to the Media Center during the Fair Fax Numbers 614-644-4031 2 Table of Contents General Information Media Information ...................................4 About the Ohio Expo Center & State Fair ..6 Fun Facts ..................................................8 Special Days and Discounts .................... 11 Visitor Services ......................................13 History .................................................. 16 Buildings and Stages Indoor .................................................... 21 Outdoor .................................................23 Special Attractions and Displays Limited Time Attractions .........................25 Daily Attractions ...................................... 26 Sporting Competitions ........................... 29 Entertainment WCOL Celeste Center .............................30 -
ISSUE 1820 AUGUST 17, 1990 BREATHE "Say Aprayer"9-4: - the New Single
ISSUE 1820 AUGUST 17, 1990 BREATHE "say aprayer"9-4: - the new single. Your prayers are answered. Breathe's gold debut album All That Jazz delivered three Top 10 singles, two #1 AC tracks, and songwriters David Glasper and Marcus Lillington jumped onto Billboard's list of Top Songwriters of 1989. "Say A Prayer" is the first single from Breathe's much -anticipated new album Peace Of Mind. Produced by Bob Sargeant and Breathe Mixed by Julian Mendelsohn Additional Production and Remix by Daniel Abraham for White Falcon Productions Management: Jonny Too Bad and Paul King RECORDS I990 A&M Record, loc. All rights reserved_ the GAVIN REPORT GAVIN AT A GLANCE * Indicates Tie MOST ADDED MOST ADDED MOST ADDED MOST ADDED MICHAEL BOLTON JOHNNY GILL MICHAEL BOLTON MATRACA BERG Georgia On My Mind (Columbia) Fairweather Friend (Motown) Georgia On My Mind (Columbia) The Things You Left Undone (RCA) BREATHE QUINCY JONES featuring SIEDAH M.C. HAMMER MARTY STUART Say A Prayer (A&M) GARRETT Have You Seen Her (Capitol) Western Girls (MCA) LISA STANSFIELD I Don't Go For That ((west/ BASIA HANK WILLIAMS, JR. This Is The Right Time (Arista) Warner Bros.) Until You Come Back To Me (Epic) Man To Man (Warner Bros./Curb) TRACIE SPENCER Save Your Love (Capitol) RECORD TO WATCH RECORD TO WATCH RECORD TO WATCH RECORD TO WATCH RIGHTEOUS BROTHERS SAMUELLE M.C. HAMMER MARTY STUART Unchained Melody (Verve/Polydor) So You Like What You See (Atlantic) Have You Seen Her (Capitol) Western Girls (MCA) 1IrPHIL COLLINS PEBBLES ePHIL COLLINS goGARTH BROOKS Something Happened 1 -
Rose Quarter: I-5/Broadway-Weidler Project Environmental Justice-Oriented Interviews Summary of Findings
Rose Quarter: I-5/Broadway-Weidler Project Environmental Justice Interviews Summary and Findings from Interviews with 17 African American community members Portland, Oregon February 16, 2017 Rose Quarter: I-5/Broadway-Weidler Project Environmental Justice-Oriented Interviews Summary of Findings Table of Contents Executive Summary ....................................................................................................................................... 4 FAQs and Background ................................................................................................................................... 5 History of Area, Drivers for Changes, Shifts in Demographics & Contributing Factors ................................ 6 Vanport and the Shipyards .............................................................................................................. 6 Legacy Emanuel Hospital ................................................................................................................. 7 Rose Quarter/Moda Center ............................................................................................................. 7 Interstate 5 (I-5) ............................................................................................................................... 8 Coliseum........................................................................................................................................... 8 Redlining and Real Estate................................................................................................................ -
The Black Legion Rides 11
CONTENTS I. THE "TRIGGER MAN" ACTS 3 II. THE HOOD Is LIFTED 5 III. THE BLACK LEGION RIDES 11 IV. THE LEGION'S POLITICAL FRONT 23 V. THE ROOTS OF THE BLACK LEGION 29 VI. THE BLACK LEGIONAND LAW AND ORDER 32 VII. A NATIONAL MENACE 35 VIII. FALSE AMERICANISM-ITS NEW HOOD 38 IX. STAMP OUT THE BLACK LEGION 42 P UBLISHED BY W ORKERS LIBRARY P UBLISHER S, INC . , P. O .BOX 148, STA. D, N EW YORK CITY. A UGUST, 1936. ....201' The Black Legion Rides By GEORGE MORRIS I. THE "TRIGGER MAN" ACTS THE meeting at Findlater Temple broke up. The men quickly formed into squads and rushed into cars for the "night ride". Two of the cars, in advance of the others, reached a dark, lonely spot on Dix Road on the outskirts of Detroit. The other cars were apparently delayed by the opening of the River Rouge bridge. Seven occupants of the cars jumped out and went into a huddle. They spoke in low tones and repeatedly turned to look back on the road to see if other cars were coming. Their special concern was a car with black robes, hoods and rope required for a "necktie party". For that is what it was to be. "Well, I guess they must have got lost", said "Colonel" Harvey Davis, a tall, lanky, rat-faced creature. Then, turning to a short, stocky member of the party, he commanded: "Dean, get Poole out." Dean instantly drew two revolvers and stepped toward one of the cars. "Poole, come out of that car!" he said. -
Mq-16935-Publisher Version (Open Access)
Journal on the Art of Record Production » Artist Co-Management for th... http://arpjournal.com/886/artist-co-management-for-the-world-building-a... Issues Content Search About Contact Contribute ISSN: 1754-989 Guy Morrow Issue 5 | Conference Papers | July, 2011 Introduction This article draws an analogy between open-source software development and artist co-management networks, networks that form a platform for the facilitation of artists’ song writing and record production efforts. In the international popular music industry, the online environment is leading to more pressure being placed on artists and managers, rather than record labels, due to the fragmentation of the media landscape and the downsizing of recording labels. This is affecting the way in which song writing and record production are facilitated. In order for artist managers to help their clients to build and maximize their recording careers, the volatile environment that record labels are in means that artist managers must engineer new methods to effectively resource their clients’ album production. As the artist management role becomes even more central it brings extra overheads and responsibilities. An international network of co-managers is a possible solution for increasing management service provision for artists in this context. This is a context in which there is a lot more work for artist managers to do that perhaps requires expertise that artist managers do not necessarily have individually. This will arguably lead to the need for greater scale, particularly when artist managers are dealing internationally in order to assist their client’s song writing and record production efforts. This could lead to artist management becoming corporatized, or to the development of an extensive international co-management network (or both). -
HIGH SOUTH a Change in the Wind with Impressive Three-Part Harmonies, a Dedication to Songwriting, and Unwavering Optimism
HIGH SOUTH A Change in the Wind With impressive three-part harmonies, a dedication to songwriting, and unwavering optimism, the Nashville-based band High South has developed a dedicated following across Europe, where they’ve been touring regularly there since 2015. Now they’re breaking into the American market with A Change in the Wind, a captivating project that draws comparisons to classic rock bands like the Eagles, Doobie Brothers, and Crosby, Stills and Nash. The group – composed of Jamey Garner, Kevin Campos, and Phoenix Mendoza – sums up it this way: “As vocalists we are always drawn to harmony. It’s such a naturally pleasing sound that we're absolutely hooked on -- and it was never more prevalent than the 1970s. Every kid learns from their environment and we were all fortunate to have parents that exposed us to the music of this era. In a sense, it’s in our soul.” With a desire to carry on that iconic ‘70s vibe, High South teamed with producer Josh Leo, known for his work with Glenn Frey, Nitty Gritty Dirt Band, Jimmy Buffett, and Kim Carnes, as well as No. 1 hits for country artists Love & Theft and Emerson Drive. Other collaborators on A Change in the Wind include engineer Niko Bolas (Neil Young, Don Henley, Warren Zevon), guitarist Jack Pearson (Allman Brothers Band), keyboard player Tony Harrell (Flying Burrito Brothers), drummer Nir Z (Genesis), and singer Raul Malo (The Mavericks). Although the band released several singles internationally through Universal Germany, A Change in the Wind is their first release with distribution in America. -
"Under the Star of the Guard" 1*13
"UNDER THE STAR OF THE GUARD" The Story of the Black Legion Mark S. English 1*13 Preface The Ku Klux Klan and the Black Legion, two super-patriotic fraternal organizations, had cyclical success during the years 1865-1938. The K.K.K. dates back to sometime between Christmas 1865 and June, 1866 when it began as a small group of defeated Confederate soldiers in south central Tennessee. It eventually grew into a national organization that is active today. The Black Legion was a spin-off of the K.K.K. and was active from 1924 or 1925 to 1938, primarily in Ohio and Michigan. The organizations had similarities and differences. One overriding theme was that both were secret societies that believed in the preservation of nativism, as both groups were against anyone who was not native-born, Protestant, and with white Anglo-Saxon ancestry. Some differences between the two groups were in their recruitment tactics, monetary goals of their leaders, and the severity of violence used to carry out their agendas. The first two chapters of this thesis provide an overview of the Ku Klux Klan. The remaining chapters focus on the rise and fall of the Black Legion. It is my sincere hope that this thesis may shed some light upon the American myth of equality for every citizen, regardless of race, color, gender, or creed. 2 Chapter One "JUST HAVIN' SOME FUN" Southern chivalry and the ante-bellum way of life had suffered through the turbulent years of the Civil War. The defeat of the Confederacy in 1865 was followed by Radical Reconstruction. -
Cornerstones of Community: Building of Portland's African American History
Portland State University PDXScholar Black Studies Faculty Publications and Presentations Black Studies 8-1995 Cornerstones of Community: Buildings of Portland's African American History Darrell Millner Portland State University, [email protected] Carl Abbott Portland State University, [email protected] Cathy Galbraith The Bosco-Milligan Foundation Follow this and additional works at: https://pdxscholar.library.pdx.edu/black_studies_fac Part of the United States History Commons, and the Urban Studies and Planning Commons Let us know how access to this document benefits ou.y Citation Details Millner, Darrell; Abbott, Carl; and Galbraith, Cathy, "Cornerstones of Community: Buildings of Portland's African American History" (1995). Black Studies Faculty Publications and Presentations. 60. https://pdxscholar.library.pdx.edu/black_studies_fac/60 This Report is brought to you for free and open access. It has been accepted for inclusion in Black Studies Faculty Publications and Presentations by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. ( CORNERSTONES OF COMMUNITY: BUILDINGS OF PORTLAND'S AFRICAN AMERICAN HISTORY Rutherford Home (1920) 833 NE Shaver Bosco-Milligan Foundation PO Box 14157 Portland, Oregon 97214 August 1995 CORNERSTONES OF COMMUNITY: BUILDINGS OF PORTLAND'S AFRICAN AMERICAN HISTORY Dedication This publication is dedicated to the Portland Chapter ofthe NMCP, and to the men and women whose individual histories make up the collective history ofPortland's -
The History of Portland's African American Community
) ) ) ) Portland City Cor¡ncil ) ) Vera Katz, Mayor ) ) EarI Blumenauer, Comrrissioner of Public Works Charlie Hales, Commissioner of Public Safety ) Kafoury, Commissioner of Public Utilities Gretchen ,) Mike Lindberg, Commissioner of Public Affairs ) ) ) Portland CitV Planning Commission ) ) ) W. Richard Cooley, President Stan Amy, Vice-President Jean DeMaster Bruce Fong Joan Brown-Kline Margaret Kirkpatrick Richard Michaelson Vivian Parker Doug Van Dyk kinted on necJrcJed Paper History of Portland's African American Community (1805-to the Present) CityofPortland Br¡reau of Planning Gretchen Kafoury, Commissioner of Public Utilities Robert E. Stacey, Jr., Planning Director Michael S. Harrison, AICP, Chief Planner, Community Planning PnojectStatr Kimberly S. Moreland, City Planner and History Project Coordinator Julia Bunch Gisler, City Planner Jean Hester, City Planner Richard Bellinger, Graphic Illustrator I Susan Gregory, Word Processor Operator Dora Asana, Intern The activity that is the subject of the publication has been frnanced in part with federal funds from the National Park Service, Department of the Interior, as provided through the Oregon State Historic Preservation Offrce. However, the õontents and opinions do not necessarily reflect the views or policies of the Department of the Interior, nor does the mention of trade names or commercial products constitute endorsement or recommendation by the Department of Interior. This program receives federal frnancial assistance. Under Title VI of the Civil Righti Act of 1964 and Section 504 of the Rehabilitation Act of L973, the U.S. Department of the Interior prohibits discrimination on the basis of race, color, nafional origin, age or handicap in its federally-assisted programs. If you believe you have been discriminated against in any program, activity, or facility operated by a recipient of federal assistance, you should write to: Office for Equal Opportunity, U.S. -
Diversity Resource Guide Table of Contents
OHSU Center for Diversity & Inclusion Diversity Resource Guide Table of Contents Welcome . 1 . .About This Guide OHSU’s Center for Diversity & Center for Diversity & Inclusion . 2 Inclusion (CDI) offers this Diversity Resource Guide for general Oregon & Portland Information . 3. information only. CDI is not endorsing or warranting any of the Community Organizations . 4. services or service providers listed in this guide. Chambers & Commissions . 6. Churches & Congregations . 7 Contributors Surya Joshi Resources for Parents . 10 CDI Intern Dessa Salavedra Restaurants . 12 . CDI Intern Cultural Grocery Stores . 15. Editors Maileen Hamto Beauticians, Barbers & Supplies . .16 . Diversity Communications Manager Jillian Toda Cultural Institutions . 17 Communications Assistant Cultural Festivals . .18 . Creative Production Native American Tribes . 21. GoodWorks Design Studio Diversity Media . 22 Consulates . .23 . Sports & Outdoors . 24. OHSU Contacts . .25 . WELCOME OHSU’s Center for Diversity and Inclusion created this guide as part DIVERSITY AT OHSU of our warm welcome to everyone within OHSU’s diverse community At OHSU, we embrace the full spectrum of of students, staff and faculty. diversity, including age, color, culture, disability, ethnicity, gender identity or expression, marital We hope you’ll use it to build relationships, connect with new people, status, national origin, race, religion, sex, sexual organizations and networks, and explore the places that make the orientation, and socioeconomic status. We respect Portland-area and Oregon special. and support diversity of thought, ideas and more. If you’re new to Portland or the OHSU community, the guide will help you COMMITMENT TO INCLUSION get your bearings, connect with a diverse array of resources, and discover To fully leverage the richness of our diversity at the many services and opportunities available throughout the area. -
Before the Board of County Commissioners for Multnomah County, Oregon Resolution No
BEFORE THE BOARD OF COUNTY COMMISSIONERS FOR MULTNOMAH COUNTY, OREGON RESOLUTION NO. 99-5 Resolution to Designate Newspapers of General Circulation in the County for Required Election Publications The Board of County Commissioners Finds: a. Oregon State Law (ORS254.205)requires the Board to designate newspapers in which required election publications for the County shall be printed. b. The Board has made this designation in previous years. c. Any changes to this designation will require future Board action. The Board of County Commissioners Resolves: Pursuant to ORS 254.205and until future action by the Board of County Commissioners, the following are designated as newspapers in which required election publications for the County shall be printed: 1) The Oregonian 4) El Hispanic News 1320 SW Broadway POBox306 Portland, Oregon 97201 Portland, Oregon 97207 2) The Outlook 5) The Asian Reporter POBox880 922 N Killingsworth St 1-A Gresham, Oregon 97030 Portland, Oregon 97217 3) The Skanner 6) The Portland Observer 2337 N Williams Avenue 4747 Martin Luther King Jr Blvd Portland, Oregon 97217 Portland, Oregon 97208 APl'rR~~~this 21st day of January, 1999. REVIEWED: THOMAS SPONSLER, COUNTY COUNSEL FOR MULTNOMAH COUNTY, OREGON BEFORE THE BOARD OF COUNTY COMMISSIONERS FOR MULTNOMAH COUNTY, OREGON RESOLUTION NO. 99-5 Resolution to Designate Newspapers of General Circulation in the County for Required Election Publications The Board of County Commissioners Finds: a. Oregon State Law (ORS254.205)requires the Board to designate newspapers in which required election publications for the County shall be printed. b. The Board has made this designation in previous years. c. -
Essential: Social Justice Awards & Fundraising^ Reception
ESSENTIAL: SOCIAL JUSTICE Awards & Fundraising^ Reception THURSDAY, NOVEMBER 12, 2015 Museum of Contemporary Art Detroit MOCAD • 4454 Woodward Avenue • Detroit 48201 Presenting the 2015 Maurice Sugar Voice for Justice Award to Civil Rights Legend DEAN ROBB Preceded by the Leonard Grossman Memorial Lecture Poet JAMAAL MAY “Always do right. This will gratify some people and astonish the rest.” Mark Twain The law firm of Pitt McGehee Palmer & Rivers knows that everyone has a voice, but not everyone is heard. Every day we work to give our clients that opportunity as one of the largest and most experienced employment and civil rights law firms in Michigan. Congratulations to our beloved Dean Robb Civil Rights Legend Maurice & Jane Preceding the Reception: SUGAR LAW CENTER Leonard Grossman 4605 Cass Avenue Detroit, MI 48201 Memorial Lecture with poet www.sugarlaw.org JAMAAL MAY 313-993-4505 Introduction by Catherine Grossman ESSENTIAL: SOCIAL JUSTICE ^ Awards & Fundraising Reception Welcome John Philo, Executive Director & Legal Director Community Justice The Community Benefits Movement (short video) Rashida Tlaib, Community Partnerships & Development Director Awards Presentation Bill Goodman, President of Sugar Law Center Board of Directors Remarks by our Maurice Sugar Voice for Justice Awardee Dean Robb Closing Remarks Tony Paris, Lead Attorney ESSENTIAL ADVOCACY COMMITTEE Catherine Grossman Joseph Lipofsky Jeanne Mirer Sid Simon Thank You Sue Marx Smock, Chair 2015 Essential Advocacy for Social Justice Sponsors David Whitaker DEFENDER SUSTAINER FRIEND OF SUGAR UAW International AAUP-AFT Local 6075 Building Movement Detroit Peoples Platform ACCESS Judge Avern Cohn ADVOCATE Blanchard & Walker, PLLC Covenant Community Care Pitt, McGehee, Palmer & Rivers, P.C.