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New York City Center Announces Re‐Opening for In‐Person Performances with Full Calendar of Programs for 2021 – 2022 Season
FOR IMMEDIATE RELEASE: New York City Center announces re‐opening for in‐person performances with full calendar of programs for 2021 – 2022 season Dance programming highlights include Fall for Dance Festival, TWYLA NOW, and the launch of two new annual dance series Additional artistic team members for Encores! 2022 season include choreographers Camille A. Brown for The Life and Jamal Sims for Into the Woods Tickets start at $35 or less and go on sale for most performances Sep 8 for members; Sep 21 for general public July 13, 2021 (New York, NY) – New York City Center President & CEO Arlene Shuler today announced a full calendar of programming for the 2021 – 2022 season, reopening the landmark theater to the public in October 2021. This momentous return to in‐person live performances includes the popular dance and musical theater series audiences have loved throughout the years and new programs featuring iconic artists of today. Manhattan’s first performing arts center, New York City Center has presented the best in music, theater, and dance to generations of New Yorkers for over seventy‐five years. “I am delighted to announce a robust schedule of performances for our 2021 – 2022 season and once again welcome audiences to our historic theater on 55th Street,” said Arlene Shuler, President & CEO. “We have all been through so much in the past sixteen months, but with the support of the entire City Center community of artists, staff, and supporters, we have upheld our legacy of resilience and innovation, and we continue to be here for our loyal audience and the city for which we are proudly named. -
For Immediate Release Contact: Elizabeth Cooke Communications Manager [email protected] (212) 691-6500 X210
For Immediate Release Contact: Elizabeth Cooke Communications Manager [email protected] (212) 691-6500 x210 NEW YORK LIVE ARTS presents Fresh Tracks Dec 13 – 15 at 7:30pm New York, NY, November 15, 2012 – New York Live Arts will present Fresh Tracks, the latest installment of the Fresh Tracks Performance & Residency Program, Dec 13 – 15 at 7:30pm. The 2012-13 Fresh Tracks Artists include Ephrat “Bounce” Asherie, Franklin Diaz, Megan Kendizor, Molly Poerstel-Taylor, Michal Samama and Parul Shah. Created in 1965 by Dance Theater Workshop and now continued as a signature program of New York Live Arts, the Fresh Tracks Performance and Residency Program selects six early career artists annually to receive comprehensive performance and residency support. The program begins with a showcase performance in New York Live Arts’ Bessie Schönberg Theater. Following the performance, each artist receives a 50-hour creative residency in the New York Live Arts studios for research and development of new work. Additionally, artists receive introductory level professional development workshops in marketing, fundraising and career development. Under the guidance of Artistic Advisor Levi Gonzalez, Fresh Tracks artists participate in dialogue sessions facilitating open discussion about their creative process, as well as one-on-one consultations. Performances will take place at New York Live Arts’ Bessie Schönberg Theater. Come Early Conversations and Stay Late Discussions will also be featured with two shows (see complete schedule below). Tickets are $20 and $15. Tickets may be purchased online at tickets.newyorklivearts.org, by phone at 212-924-0077 and in person at the box office. Box office hours are Monday to Friday from 1 to 9pm, and Saturday and Sunday from 12 to 8pm. -
Mccarter THEATRE CENTER FOUNDERS Arthur Mitchell Karel
McCARTER THEATRE CENTER William W. Lockwood, Jr. Michael S. Rosenberg SPECIAL PROGRAMMING DIRECTOR MANAGING DIRECTOR presents FOUNDERS Arthur Mitchell Karel Shook ARTISTIC DIRECTOR EXECUTIVE DIRECTOR Virginia Johnson Anna Glass BALLET MASTER INTERIM GENERAL MANAGER Marie Chong Melinda Bloom DANCE ARTISTS Lindsey Donnell, Yinet Fernandez, Alicia Mae Holloway, Alexandra Hutchinson, Daphne Lee, Crystal Serrano, Ingrid Silva, Amanda Smith, Stephanie Rae Williams, Derek Brockington, Kouadio Davis, Da’Von Doane, Dustin James, Choong Hoon Lee, Christopher McDaniel, Sanford Placide, Anthony Santos, Dylan Santos ARTISTIC DIRECTOR EMERITUS Arthur Mitchell Please join us after this performance for a post-show conversation with Artistic Director Virginia Johnson. SATURDAY, FEBRUARY 8, 2020 The taking of photographs and the use of recording equipment of any kind during performances is strictly prohibited. Support for Dance Theatre of Harlem’s 2019/2020 professional Company and National Tour activities made possible in part by: Anonymous, The Arnhold Foundation; Bloomberg Philanthropies, The Dauray Fund; Doris Duke Charitable Foundation; Elephant Rock Foundation; Ford Foundation; Ann & Gordon Getty Foundation; Harkness Foundation for Dance; Howard Gilman Foundation; The Dubose & Dorothy Heyward Memorial Fund; The Klein Family Foundation; John L. McHugh Foundation; Margaret T. Morris Foundation; National Endowment for the Arts, New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature; New England -
Pentacle-40Th-Ann.-Gala-Program.Pdf
40 Table of Contents Welcome What is the landscape for emerging artists? Thoughts from the Founding Director Past & Current Pentacle Artists Tribute to Past Pentacle Staff Board of Directors- Celebration Committee- Staff Body Wisdom: Pentacle Celebrates Forty Years Tonight’s Program & Performers Event Sponsors & Donors Greetings Welcome Thank you for joining us tonight and celebrating this 40th Anniversary! In 1976 we opened our doors with a staff of four, providing what we called “cluster management” to four companies. Our mission was then and remains today to help artists do what they do best….create works of art. We have steadfastlyprovided day-to-day administration services as well as local and national innovative projects to individual artists, companies and the broader arts community. But we did not and could not do it alone. We have had the support of literally hundreds of arts administrators, presenters, publicists, funders, and individual supporters. So tonight is a celebration of Pentacle, yes, and also a celebration of our enormously eclectic community. We want to thank all of the artists who have donated their time and energies to present their work tonight, the Rubin Museum for providing such a beautiful space, and all of you for joining us and supporting Pentacle. Welcome and enjoy the festivities! Mara Greenberg Patty Bryan Director Board Chair Thoughts from the Founding Director What is the landscape for emerging dance artists? A question addressed forty years later. There are many kinds of dance companies—repertory troupes that celebrate the dances of a country or re- gion, exquisitely trained ensembles that spotlight a particular idiom or form—classical ballet or Flamenco or Bharatanatyam, among other classicisms, and avocational troupes of a hundred sorts that proudly share the dances, often traditional, of a hundred different cultures. -
Trisha Brown 1936-2017 Founding Artistic Director & Choreographer
© Marc Ginot, 2010 TRISHA BROWN 1936-2017 FOUNDING ARTISTIC DIRECTOR & CHOREOGRAPHER One of the most acclaimed and influential choreographers and dancers of her time, Trisha Brown’s groundbreaking work forever changed the landscape of art. From her roots in rural Aber- deen, Washington, her birthplace, Brown arrived in New York in 1961. A student of Anna Halprin, Brown participated in the choreographic composition workshops taught by Robert Dunn – from which Judson Dance Theater was born – greatly contributing to the fervent of interdisciplinary cre- ativity that defined 1960s New York. Expanding the physical behaviors that qualified as dance, she discovered the extraordinary in the everyday, and brought tasks, rulegames, natural movement and improvisation into the making of choreography. With the founding of the Trisha Brown Dance Company in 1970, Brown set off on her own distinc- tive path of artistic investigation and ceaseless experimentation, which extended for forty years. The creator of over 100 choreographies, six operas, and a graphic artist, whose drawings have earned recognition in numerous museum exhibitions and collections, Brown’s earliest works took impetus from the cityscape of downtown SoHo, where she was a pioneering settler. In the 1970s, as Brown strove to invent an original abstract movement language – one of her singular achieve- ments – it was art galleries, museums and international exhibitions that provided her work its most important presentation context. Indeed, contemporary projects to introduce choreography to the museum setting are unthinkable apart from the exemplary model that Brown established. Brown’s movement vocabulary, and the new methods that she and her dancers adopted to train their bodies, remain one of her most pervasively impactful legacies within international dance practice. -
Asian Cultural Council ANNUAL REPORT 6 West 48Th Street, 12Th Floor New York, NY 10036-1802 212 843 0403 Tel 212 843 0343 Fax [email protected] New York
2011 asian cultural council ANNUAL REPORT 6 West 48th Street, 12th Floor New York, NY 10036-1802 212 843 0403 tel 212 843 0343 fax [email protected] new york Room 702, Hong Kong Arts Centre 2 Harbour Road, Wanchai Hong Kong +852 2895 0407 tel +852 2576 7206 fax hong kong [email protected] Suite 504 National Life Building 6762 Ayala Avenue, Makati City 1226 Philippines +632 757 3006 tel/fax [email protected] manila Unit 2, 10th Floor 303 Chung-Hsiao East Road Sec. 4 Taipei, Taiwan +866 2 8771 8836 tel taipei +866 2 8771 8844 fax [email protected] Toka Building, 8F 1-16-1 Ginza Chuo-ku, Tokyo 104-0061 Japan +81 3 3535 0287 tel tokyo +81 3 3535 5565 fax [email protected] asian cultural council 2011 ANNUAL REPORT Asian Cultural Council supports of each of its grant recipients and transformative cultural exchange fosters ongoing dialogue between by awarding grants to artists, and among its grantees and scholars, and arts and humanities artists, scholars, and specialists professionals, as well as through a robust network of organizations and educational contacts across disciplines and institutions from the United States across the globe. ACC supports and Asia for research, study, and its efforts by seeking funding creative work in the United States from individuals, foundations, and and Asia and within the countries corporations with an interest in of Asia. To achieve this goal, ACC and dedication to strengthening develops programs specifically ties between the United States tailored to the needs and interests and the countries of Asia. -
Dorrance Dance
54 Dorrance Dance DORRANCE DANCE Memminger Program 1: June 1 – June 4 Auditorium Program 2: June 6 – June 9 Program 1 June 1, 8:00pm; June 2, 8:00pm; June 3, 5:00pm; June 4, 7:00pm ETM: Double Down (2016) Creators Michelle Dorrance and Nicholas Van Young Original Tap Instrument Design Nicholas Van Young Choreography Michelle Dorrance and Nicholas Van Young with Ephrat “Bounce” Asherie and solo improvisation by the dancers Original Music Composition and Improvisation Gregory Richardson, Donovan Dorrance, Nicholas Van Young, Aaron Marcellus, and Warren Craft, with Michelle Dorrance Additional Music Adele Adkins, Karin Dreijer Andersson, Olof Dreijer, Justin Vernon, Patrick Watson Lighting Design Kathy Kaufmann Costume Design Amy Page and Shiori Ichikawa Dancers Ephrat “Bounce” Asherie, Elizabeth Burke, Warren Craft, Michelle Dorrance, Gabe Winns Ortiz, Leonardo Sandoval, Byron Tittle, Nicholas Van Young Musicians Piano/Controllerist Donovan Dorrance Vocals Aaron Marcellus Bass/Guitar Gregory Richardson Drums/Percussion Nicholas Van Young Drums/Percussion Warren Craft Drums/Percussion Michelle Dorrance 1 hour, 45 minutes | Performed with one intermission Dorrance Dance 55 Program 2 June 6, 7:00pm; June 7, 6:00pm; June 8, 8:00pm; June 9, 5:00pm Jungle Blues (2012) Choreography Michelle Dorrance with solo improvisation by Christopher Broughton Lighting Design Kathy Kaufmann Costume Design Amy Page Music “Jungle Blues” by Fred “Jelly Roll” Morton Courtesy of Edwin H. Morris & Company, A Division of MPL Music Publishing, INC. (ASCAP) Dancers Ephrat “Bounce” Asherie, Christopher Broughton, Elizabeth Burke, Warren Craft, Michelle Dorrance, Gabe Winns Ortiz, Claudia Rahardjanoto, Leonardo Sandoval, Byron Tittle, Matthew “Megawatt” West Three to One (2011) Choreography Michelle Dorrance Lighting Design Kathy Kaufmann Costume Design Michelle Dorrance and Mishay Petronelli Music “Nannou” by Richard D. -
Dance & Spectacle
Proceedings Dance & Spectacle Thirty-third Annual International Conference University of Surrey, Guildford and The Place, London, UK July 8–11, 2010 Society of Dance History Scholars Proceedings Dance & Spectacle Thirty-third Annual International Conference University of Surrey, Guildford and The Place, London, UK July 8–11, 2010 The 2010 SDHS conference, “Dance & Spectacle”, was held July 9–11, 2010, at the University of Surrey, U.K. Each presenter at the conference was invited to contribute to the Proceedings. Those who chose to contribute did so by submitting pdf files, which are assembled here. There was minimal editorial intervention — little more than the addition of page numbers and headers. Authors undertook to adhere to a standard format for fonts, margins, titles, figures or illustrations, order of sections, and so on, but there may be minor differences in format from one paper to another. Individual authors hold the copyrights to their papers. The Society of Dance History Scholars is not legally responsible for any violation of copyright; authors are solely responsible. Published by the Society of Dance History Scholars, 2010. Contents 1. Adair 1 2. Alzalde 9 3. Argade 19 4. Briand 33 5. Carr 49 6. Carter 61 7. Cramer 69 8. David 79 9. Daye 89 10. Friedman 97 11. Grau 109 12. Grotewohl 115 13. Hamp 123 14. Hardin 131 15. Holscher¨ 137 16. Kew 145 17. Klein 153 18. Lenart 159 19. Main 169 20. Mathis-Masury 177 21. Mercer 185 22. Milanovic 195 23. Milazzo 201 24. Monroe 211 25. Mouat 217 26. Paris 229 iv 27. -
2015 Winter/Spring Season APR 2015
2015 Winter/Spring Season APR 2015 Larry Poons, Untitled, 2009, acrylic on canvas, 68”x85” Published by: Season Sponsor: BAM 2015 Winter/Spring Season #MMDG Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board Karen Brooks Hopkins, President Joseph V. Melillo, Executive Producer Mark Morris Dance Group BAM Howard Gilman Opera House Apr 22—25 at 7:30pm; Apr 26 at 3pm Running time: two hours including intermission With the MMDG Music Ensemble Special appearance by The Bad Plus Choreography by Mark Morris Program A (Apr 22 & 24) Pacific—MMDG NY Premiere Words Whelm—World Premiere Season Sponsor: Grand Duo Program B (Apr 23, 25 & 26) Crosswalk Support for the Signature Artists Series provided by Jenn and Spencer the Howard Gilman Foundation Spring, Spring, Spring—NY Premiere Major support provided by Robert L. Turner Leadership support for dance at BAM provided by The Harkness Foundation for Dance Major support for dance at BAM provided by The SHS Foundation Mark Morris Dance Group MARK MORRIS DANCE GROUP CHELSEA ACREE SAM BLACK RITA DONAHUE DOMINGO ESTRADA, JR. LESLEY GARRISON LAUREN GRANT BRIAN LAWSON AARON LOUX LAUREL LYNCH STACY MARTORANA DALLAS McMURRAY MAILE OKAMURA BRANDON RANDOLPH NICOLE SABELLA* BILLY SMITH NOAH VINSON JENN WEDDEL MICHELLE YARD *apprentice MMDG MUSIC ENSEMBLE COLIN FOWLER WOLFRAM KOESSEL TODD PALMER GEORGY VALTCHEV With Special Guests THE BAD PLUS REID ANDERSON ETHAN IVERSON DAVID KING Artistic Director MARK MORRIS Executive Director NANCY UMANOFF Major support for the Mark Morris Dance Group is provided by American Express, Suzy Kellems Dominik, Doris Duke Charitable Foundation, Judith R. -
Asia Society Presents Reimagining Indian Dance: Moving Forward
Asia Society Presents Reimagining Indian Dance: Moving Forward Saturday, October 27, 2018 7:00 P.M. Asia Society 725 Park Avenue at 70th Street New York City Part of the Season of India, a series of programs held in conjunction with the exhibition, The Progressive Revolution: Modern Art for a New India, on view at Asia Society Museum from September 14, 2018, to January 20, 2019. Program Welcome by Rachel Cooper and Rajika Puri, co-curators Cosmic Dance of Siva (1926) Ted Shawn Footage from 1940, courtesy of Jacob’s Pillow Dance Festival Archives Mea Culpa (2018 Redux) Choreography: Hari Krishnan Dancer: Phil Strom Music: Rossini and Gowri Shankar Lighting Design: John Carr Costume Design: Rex (Rajavairan Rajendran) Stage Management: Monique Bernier enduring silence (2017) Choreography and Performance by Parul Shah Violin: Arun Ramamurthy Cello: Jake Charkey Tabla: Naren Budhakar Re-thinking Orissan Dance (2018) (premiere) Choreography and Performance by Kuldeep Singh Vocals: Ali Raj and Shubhra Prakash Rhythm: Mir Naqibul Islam Double bass: Michael Gam Bahu-Beti-Biwi (2008) (excerpt) Choreography and Performance by Sheetal Gandhi Holy Cow(s)! (2017) (excerpts) Prologue: burgers, shoes and ankle bells Dancer: Phil Strom Solo: Hollywood via Kollywood via Hollywood North Dancer: Paul Charbonneau Duet: FEMINISTS-past and present for the future Dancers: Roney Lewis and Xi Yi Choreography: Hari Krishnan Choreography of Hollywood via Kollywood via Hollywood North: Seán Curran and Hari Krishnan Music Composition: Niraj Chag Lighting Design: John Carr Costume Design: Rex (Rajavairan Rajendran) Stage Management: Monique Bernier Panel Discussion with artists Dancers/choreographers Sheetal Gandhi, Hari Krishnan, Parul Shah and Kuldeep Singh present recent works that speak to contemporary issues, each pulling from their own unique interpretation of—or departure from—Indian dance forms. -
10 Tickets for All Seats for Eighth Consecutive Year
Contact: Joe Guttridge, Director, Communications [email protected] 212.763.1279 New York City Center announces 2015 Fall for Dance Festival Sep 30—Oct 11 12th annual Festival will feature 20 international dance companies and artists Since its inception, Fall for Dance has presented nearly 200 companies to more than a quarter of a million audience members All tickets $15 Highlights include: Two Fall for Dance commissions: World Premiere by Michelle Dorrance and NY Premiere by Pam Tanowitz US Premieres by La Compagnie Hervé KOUBI, Jesús Carmona & Cía, L-E-V, and Steven McRae NY Premieres by Bill Irwin and Tiler Peck, Companhia Urbana de Dança, Fang-Yi Sheu and Herman Cornejo, and Houston Ballet New York, NY, July 29, 2015—Arlene Shuler, New York City Center President & CEO, today announced the line-up for the 2015 Fall for Dance Festival. The 12th edition of the annual festival will feature 20 acclaimed dance companies and artists from around the world from September 30 through October 11, 2015 at City Center. In keeping with the Festival’s commitment to make dance accessible to everyone, all tickets are $15. Tickets go on sale Sunday, September 13 at 11am. The two-week Festival will consist of five unique programs (each program is repeated once) with performances by Alvin Ailey American Dance Theater; Bill Irwin and Tiler Peck; Boston Ballet; Che Malambo; La Compagnie Hervé KOUBI; Companhia Urbana de Dança; Dorrance Dance; doug elkins choreography, etc.; Fang-Yi Sheu and Herman Cornejo; Houston Ballet; Jesús Carmona & Cía; L-E-V; Miami City Ballet; Nrityagram; Paul Taylor Dance Company; Project FFD: Pam Tanowitz; San Francisco Ballet; Stephen 1 Petronio Company; Steven McRae; and one additional company to be announced. -
Mark Morris Dance Group & Music Ensemble
PILLOWNOTES JACOB’S PILLOW EXTENDS SPECIAL THANKS by Seth Stewart Williams TO OUR VISIONARY LEADERS The PillowNotes series comprises essays commissioned from our Scholars-in-Residence to provide audiences with a broader context for viewing dance. VISIONARY LEADERS form an important foundation of support and demonstrate their passion for and commitment to Jacob’s Pillow through Mark Morris’ career to date has been bracketed by two phases in which he has brashly upended choreographic conventions. One was hard to miss, and the other easy to overlook. The first phase, when he burst onto the scene in the annual gifts of $10,000 and above. early 1980s, challenged a number of the dance world’s pieties: Morris foregrounded his queerness during an era when many choreographers favored a glass closet, questioned when and whether gender matters, and made dances marked by Their deep affliliation ensures the success and longevity of the a devotion to music that was at once brainy and deeply felt. Pillow’s annual offerings, including educational initiatives, free public programs, The School, the Archives, and more. This musicality might have seemed something of a throwback if not for the fact that few choreographers—perhaps not even George Balanchine—have been so precisely and wittily attentive to the structural nuances of a musical score, and if not for the fact that Morris directed his musicality at any genre whatsoever, from un-championed gems of the PRESENTS $25,000+ baroque repertory, to the Carnatic traditions of India, to deep cuts from mavericks like Yoko Ono and Harry Partch. MARK MORRIS DANCE GROUP Carole* & Dan Burack Christopher Jones* & Deb McAlister Morris’ choreography does not, like that of many other choreographers praised for their musicality, merely reflect the The Barrington Foundation Wendy McCain rhythm and mood of its music.