FOR IMMEDIATE RELEASE Houston, TX – DANCE SALAD FESTIVAL
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Anneliese Charek : Choreographer Quote +
SLATE / ANNELIESE CHAREK CHOREOGRAPHER INTRODUCTION / Anneliese Charek is an American artist living in Shanghai. She is a choreographer, dancer and arts facilitator. She is the founder of SLATE contemporary dance company and co-founder of Basement 6 Collective. In her years in Shanghai she has choreographed and produced numerous projects, working both commercially and within the art world. ADDITIONAL LINKS / BRUTA / DANCE FILM https://vimeo.com/184608522 AS ONE / PERFORMANCE + DANCE FOR CAMERA https://vimeo.com/163123596 MOCA SHANGHAI https://vimeo.com/212465688 WAKE UP TO DREAMS / CHRONUS ART CENTER https://vimeo.com/176256055 ENVISION 2116 https://v.qq.com/x/page/z039966pnjq.html SLATE / SLATE contemporary dance company is multi-national group of professional dance artists active in Shanghai’s dance and arts scene. It was founded 2013 by Anneliese Charek, out of the desire to contribute to the independent dance scene is Shanghai. It’s members have included both local and international dance artists. The group has performed regularly at prominent institutions and as part of collaborations with local artists working in various mediums. Original pieces have been shown at: The Power Station of Art, Chronus Art Center, Minsheng Art Museum, Minsheng 21, MOCA Shanghai, Basement 6 Collective, ART021, A-Piece Gallery, Vision Art Center, and Hangzhou’s 1st International Dance Festival, 1933 Micro theater and many more. This year, the group’s documentary dance performance project ‘Why?’ Has been accepted to the main stage at the International Factory theater festival in Laiwu and Spazio Diamente theater in Rome for a collaboration with Italian dance company RITMI SOTTERANNEI. -
Danc Scapes Choreographers 2015
dancE scapes Choreographers 2015 Amy Cain was born in Jacksonville, Florida and grew up in The Woodlands/Spring area of Texas. Her 30+ years of dance training include working with various instructors and choreographers nationwide and abroad. She has also been coached privately and been inspired for most of her dance career by Ken McCulloch, co-owner of NHPA™. Amy is in her 22nd year of partnership in directing NHPA™, named one of the “Top 50 Studios On the Move” by Dance Teacher Magazine in 2006, and has also been co-director of Revolve Dance Company for 10 years. She also shares her teaching experience as a jazz instructor for the upper level students at Houston Ballet Academy. Amy has danced professionally with Ad Deum, DWDT, and Amy Ell’s Vault, and her choreographic works have been presented in Italy, Mexico, and at many Houston area events. In June 2014 Amy’s piece “Angsters”, performed by Revolve Dance Company, was presented as a short film produced by Gothic South Productions at the Dance Camera estW Festival in L.A. where it received the “Audience Favorite” award. This fall “Angsters” will be screened on Opening Night at the San Francisco Dance Film Festival in California, and on the first screening weekend at the Sans Souci Festival of Dance Cinema in Boulder, Colorado. Dawn Dippel (co-owner) has been dancing most of her life and is now co-owner of NHPA™, co-Director and founding member of Revolve Dance Company, and a former member of the Dominic Walsh Dance Theatre. She grew up in the Houston area, graduated from Houston’s High School for the Performing & Visual Arts Dance Department, and since then has been training in and outside of Houston. -
Contemporary China: a Book List
PRINCETON UNIVERSITY: Woodrow Wilson School, Politics Department, East Asian Studies Program CONTEMPORARY CHINA: A BOOK LIST by Lubna Malik and Lynn White Winter 2007-2008 Edition This list is available on the web at: http://www.princeton.edu/~lynn/chinabib.pdf which can be viewed and printed with an Adobe Acrobat Reader. Variation of font sizes may cause pagination to differ slightly in the web and paper editions. No list of books can be totally up-to-date. Please surf to find further items. Also consult http://www.princeton.edu/~lynn/chinawebs.doc for clicable URLs. This list of items in English has several purposes: --to help advise students' course essays, junior papers, policy workshops, and senior theses about contemporary China; --to supplement the required reading lists of courses on "Chinese Development" and "Chinese Politics," for which students may find books to review in this list; --to provide graduate students with a list that may suggest books for paper topics and may slightly help their study for exams in Chinese politics; a few of the compiler's favorite books are starred on the list, but not much should be made of this because such books may be old or the subjects may not meet present interests; --to supplement a bibliography of all Asian serials in the Princeton Libraries that was compiled long ago by Frances Chen and Maureen Donovan; many of these are now available on the web,e.g., from “J-Stor”; --to suggest to book selectors in the Princeton libraries items that are suitable for acquisition; to provide a computerized list on which researchers can search for keywords of interests; and to provide a resource that many teachers at various other universities have also used. -
KC Dance Day Saturday, August 24Th Kansas City Ballet, Producer at the Todd Bolender Center for Dance & Creativity
FOR IMMEDIATE RELEASE CONTACT: Ellen McDonald 816.213.4355 [email protected] For Tickets: 816.931.8993 or www.kcballet.org KC Dance Day Saturday, August 24th Kansas City Ballet, Producer at the Todd Bolender Center for Dance & Creativity KANSAS CITY, MO (July 18, 2019) — Kansas City Ballet will kick-off its 62nd season with the 9th Annual KC Dance Day at the Todd Bolender Center for Dance & Creativity (500 W. Pershing, Kansas City, MO 64108) on Saturday, Aug. 24th from 9:00 a.m. to 6:00 p.m. The entire day will feature FREE dance performances, classes, demonstrations and FUN for the whole family. In addition, attendees may relax under a tent with food and beverages on sale from Two Guys and a Grill. “KC Dance Day is THE kick-off event of the new season,” Artistic Director Devon Carney said. “Well over a thousand Kansas Citians will join us for this open house and fun-filled day of dance featuring a multitude of Kansas City area dance organizations as well as many opportunities to join the fun. And as a bonus, our Company and Kansas City Ballet Second Company dancers will be in rehearsals so guests will get to see excerpts from the upcoming season.” KC Dance Day Schedule August 24, 2019 For more information, please visit our website at www.kcballet.org. FREE Children’s and Adult Dance Classes Doors open at 8:30 a.m. Classes start at 9:15 a.m. KC Dance Day Presented by Kansas City Ballet at the Todd Bolender Center for Dance & Creativity on Aug. -
Québec) Canada H2T 1Y6
4528, rue de Bullion Montréal (Québec) Canada H2T 1Y6 PHOTO: ANGELO BARSETTI WWW.LOUISELECAVALIER.COM INTERNATIONAL AGENT (EXCEPT EUROPE): MENNO PLUKKER THEATRE AGENT \ [email protected] T.: 1 514-524-7119 \ F.: 1 514-526-5792 TOURING EUROPE: ANNE-LISE GOBIN, ALMA OFFICE \ [email protected] \ T.: 32 499 25 00 18 ADMINISTRATIVE DIRECTOR: JACINTHE ST-PIERRE \ [email protected] \ T.: 1 450-535-6003 TOUR AND COMMUNICATIONS COORDINATOR: ANNE VIAU \ [email protected] \ T.: 1 514 273-5478 \ Cell.: 1 514 464-5478 TECHNICAL DIRECTOR: PHILIPPE DUPEYROUX \ [email protected] \ T.: 1 514 222-6685 louise LECAVALIER \ Nigel CHARNOCK \ Édouard LOCK CHILDREN Premiere: September 3, 4, 2009, Oriente Occidente Festival, Rovereto, Italy Choreography: Nigel Charnock Dancers: Louise Lecavalier, Patrick Lamothe Music: Puccini (Maria Callas), Yasar Akpence, Leonard Cohen, Miles Davis, Billie Holiday, Terry Snyder, Sonny Terry & Brownie McGhee, Richard Desjardins, Janis Joplin, Michael Nyman Lighting design: Alain Lortie Costume maker: Carré vert, Montréal Sound editing: Nigel Charnock Rehearsal mistress and artistic advisor: France Bruyère Length: 50 minutes A FEW MINUTES OF LOCK Premiere: December 4, 5, 2009, tanzhaus nrw, Düsseldorf, Germany Choreography: Édouard Lock, excerpts of Salt and 2 Dance re-creation: France Bruyère, Louise Lecavalier Dancers: Louise Lecavalier, Keir Knight, with the participation of Patrick Lamothe Lighting design: Alain Lortie Music: Iggy Pop Remixing producer: Normand-Pierre Bilodeau Additional electric -
Vision / Dance Innovations
2020 FEBRUARY PROGRAMS 02 /03 CLASSICAL (RE)VISION / DANCE INNOVATIONS The people you trust, trust City National. Top Ranked in Client Referrals* “City National helps keep my financial life in tune.” Michael Tilson Thomas Conductor, Educator and Composer Find your way up.SM Visit cnb.com *Based on interviews conducted by Greenwich Associates in 2017 with more than 30,000 executives at businesses across the country with sales of $1 million to $500 million. City National Bank results are compared to leading competitors on the following question: How likely are you to recommend (bank) to a friend or colleague? City National Bank Member FDIC. City National Bank is a subsidiary of Royal Bank of Canada. ©2018 City National Bank. All Rights Reserved. cnb.com 7275.26 PROGRAM 02 | CLASSICAL (RE)VISION PROGRAM 03 | DANCE INNOVATIONS TABLE OF CONTENTS 05 Greetings from the Artistic Director & Principal Choreographer 05 06 Board of Trustees Endowment Foundation Board 07 SF Ballet Leadership 08 Season News 10 Off Stage 13 Pointe and Counterpoint: The Story of Programs 02 and 03 14 PROGRAM 02 Classical (Re)Vision Bespoke Director's Choice Sandpaper Ballet 22 PROGRAM 03 Dance Innovations The Infinite Ocean The Big Hunger World Premiere Etudes 30 Artists of the Company 14 39 SF Ballet Orchestra 40 SF Ballet Staff 42 Donor Events and News 46 SF Ballet Donors 61 Thank You to Our Volunteers 63 For Your Information 64 Designing Sandpaper Ballet FOLLOW US BEFORE AND AFTER THE PERFORMANCE! San Francisco Ballet SFBallet youtube.com/sfballet SFBallet 42 San Francisco Ballet | Program Book | Vol. -
BLIND-LIGHT-Sean-Kelly-Gallery
Sean Kelly Gallery 528 West 29 Street 212 239 1181 New York, NY 10001 www.skny.com ANTONY GORMLEY Blind Light October 26 – December 1, 2007 Sean Kelly is delighted to announce a major exhibition of new work by Antony Gormley. The opening of the exhibition will take place on Thursday, October 25th from 6pm until 8pm. The artist will be present. The centerpiece of Gormley’s ambitious exhibition is a room-sized installation that occupies the main gallery entitled Blind Light . Blind Light is a luminous glass room filled with a dense cloud of mist. Upon entering the room-within-a-room, the visitor is disoriented by the visceral experience of the fully saturated air, in which visibility is limited to less than two feet. The very nature of one’s sense of one’s own body and its relationship in space to others is challenged. In Gormley’s words: Architecture is supposed to be the location of security and certainty about where you are. It is supposed to protect you from the weather, from darkness, from un - certainty. Blind Light undermines all of that. You enter this interior space that is the equivalent of being on top of a mountain, or at the bottom of the sea. It is very important for me that inside it you find the outside. Also you become the immersed figure in an endless ground, literally the subject of the work. Blind Light was included this summer in Gormley’s hugely acclaimed exhibition at the Hayward Gallery, London, to unprecedented public and critical approbation. -
A Midsummer Night's Dream
EDUCATION RESOURCE Education rnzb.org.nz facebook.com/nzballet THE VODAFONE SEASON OF NATIONAL SPONSOR SUPPORTED BY MAJOR SUPPORTER SUPPORTING EDUCATION CONTENTS Curriculum 3 Ballet based on Shakespeare’s play 4 A Midsummer Night’s Dream ‘Shakespeare’s comic (world premiere) 5 The story of A Midsummer Night’s Dream 7 masterpiece of love, A brief synopsis for the classroom 7 Mendelssohn’s music for A Midsummer mistaken identities Night’s Dream 8 and magical mayhem A new score for a new ballet 9 A Midsummer Night’s Dream set and has been the source of costumes 11 Q & A with set and costume designer inspiration for artists of Tracy Grant Lord 13 Introducing lighting designer Kendall Smith 15 all genres for centuries. Origin of the fairies 16 My aim is to create A Midsummer Night’s Dream word puzzle 17 Identify the characters with their something fresh and emotions 18 Ballet timeline 20 vibrant, bubbling with all Let’s dance! 21 Identifying the two groups of characters the delight and humour through movement 23 that Shakespeare offers Answers 24 us through the wonderful array of characters he conjured up. As with any great story I want to take my audience on a journey so that every individual can have their own Midsummer Night’s Dream.” LIAM SCARLETT 2 CURRICULUM In this unit you and your students will: LEARNING OBJectives FOR • Learn about the elements that come Levels 7 & 8 together to create a theatrical ballet experience. Level 7 students will learn how to: • Identify the processes involved in making a • Understand dance in context – Investigate theatre production. -
Wayne Mcgregor | Random Dance
WAYNE MCGREGOR | RANDOM DANCE FEBRUARY 13, 2014 OZ SUPPORTS THE CREATION, DEVELOPMENT AND PRESENTATION OF SIGNIFICANT CONTEMPORARY PERFORMING AND VISUAL ART WORKS BY LEADING ARTISTS WHOSE CONTRIBUTION INFLUENCES THE ADVANCEMENT OF THEIR FIELD. ADVISORY BOARD Amy Atkinson Karen Elson Jill Robinson Anne Brown Karen Hayes Patterson Sims Libby Callaway Gavin Ivester Mike Smith Chase Cole Keith Meacham Ronnie Steine Jen Cole Ellen Meyer Joseph Sulkowski Stephanie Conner Dave Pittman Stacy Widelitz Gavin Duke Paul Polycarpou Betsy Wills Kristy Edmunds Anne Pope Mel Ziegler A MESSAGE FROM OZ Welcome and thank you for joining us for our first presentation as a new destination for contemporary performing and visual arts in Nashville. By being in the audience, you are not only supporting the visiting artists who have brought their work to Nashville for this rare occasion, you are also supporting the growth of contemporary art in this region. We thank you for your continued support. We are exceptionally lucky and very proud to have with us this evening, one of the worlds’ most inspiring choreographic minds, Wayne McGregor. An artist who emphasizes collaboration and a wide range of perspectives in his creative process, McGregor brings his own brilliant intellect and painterly vision to life in each of his works. In FAR, we witness the mind and body as interconnected forces; distorted and sensual within the same frame. As ten stunning dancers hyperextend and crouch, rapidly moving through light and shadow to a mesmerizing score, the relationship between imagination and movement becomes each viewer’s own interpretation. An acronym for Flesh in the Age of Reason, McGregor’s FAR investigates self-understanding and exemplifies the theme from Roy Porter’s novel by the same name, “that we outlive our mortal existence most enduringly in the ideas we leave behind.” Strap in. -
New York City Center Announces Re‐Opening for In‐Person Performances with Full Calendar of Programs for 2021 – 2022 Season
FOR IMMEDIATE RELEASE: New York City Center announces re‐opening for in‐person performances with full calendar of programs for 2021 – 2022 season Dance programming highlights include Fall for Dance Festival, TWYLA NOW, and the launch of two new annual dance series Additional artistic team members for Encores! 2022 season include choreographers Camille A. Brown for The Life and Jamal Sims for Into the Woods Tickets start at $35 or less and go on sale for most performances Sep 8 for members; Sep 21 for general public July 13, 2021 (New York, NY) – New York City Center President & CEO Arlene Shuler today announced a full calendar of programming for the 2021 – 2022 season, reopening the landmark theater to the public in October 2021. This momentous return to in‐person live performances includes the popular dance and musical theater series audiences have loved throughout the years and new programs featuring iconic artists of today. Manhattan’s first performing arts center, New York City Center has presented the best in music, theater, and dance to generations of New Yorkers for over seventy‐five years. “I am delighted to announce a robust schedule of performances for our 2021 – 2022 season and once again welcome audiences to our historic theater on 55th Street,” said Arlene Shuler, President & CEO. “We have all been through so much in the past sixteen months, but with the support of the entire City Center community of artists, staff, and supporters, we have upheld our legacy of resilience and innovation, and we continue to be here for our loyal audience and the city for which we are proudly named. -
Guide to Liverpool Waterfront
Guide to Liverpool Waterfront “Three Graces” – Together the Royal Liver Building, Cunard Building and the Port of Liverpool Building make up the Mersey’s ‘Three Graces’ and are at the architectural centre of Liverpool’s iconic waterfront. A massive engineering project has recently extended the canal in front of these three buildings, adding beautifully landscaped seating areas and viewpoints along the canal and the river. Museum of Liverpool – this brand new museum, opened in 2011 is a magnificent addition to Liverpool’s waterfront. Celebrating the origins and heritage of the city, it features collections from National Museums Liverpool that have never been seen before. Otterspool Promenade – The construction of Otterspool Promenade (1950) provided both a new amenity for Liverpool and an open space dividend from the disposal of Mersey Tunnel spoil and household waste; a project repeated three decades later to reclaim the future International Garden Festival site. A favourite with kite fliers this often overlooked wide open space is perfect for views of the river and picnics Antony Gormley’s “Another Place” - These spectacular sculptures by Antony Gormley are on Crosby beach, about 10 minutes out of Liverpool. Another Place consists of 100 cast-iron, life-size figures spread out along three kilometres of the foreshore, stretching almost one kilometre out to sea. The Another Place figures - each one weighing 650 kilos - are made from casts of the artist's own body standing on the beach, all of them looking out to sea, staring at the horizon in silent expectation. Mersey Ferry - There's no better way to experience Liverpool and Merseyside than from the deck of the world famous Mersey Ferry listening to the commentary. -
Glen Tetley: Contributions to the Development of Modern
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. ProQuest Information and Learning 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 800-521-0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with with permission permission of the of copyright the copyright owner. owner.Further reproductionFurther reproduction prohibited without prohibited permission. without permission. GLEN TETLEY: CONTRIBUTIONS TO THE DEVELOPMENT OF MODERN DANCE IN EUROPE 1962-1983 by Alyson R. Brokenshire submitted to the Faculty of the College of Arts and Sciences Of American University In Partial Fulfillment of The Requirements for the Degree Of Masters of Arts In Dance Dr.