DOCSLIB.ORG

September 2017

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
September 2017 September 2017 7:30 PM ET/4:30 PM PT 9:00 PM ET/6:00 PM PT 9:00 PM ET/6:00 PM PT 6:30 PM CT/5:30 PM MT 8:00 PM CT/7:00 PM MT 8:00 PM CT/7:00 PM MT Armored Coneheads Tracers 9:00 PM ET/6:00 PM PT 10:30 PM ET/7:30 PM PT 10:35 PM ET/7:35 PM PT FRIDAY, SEPTEMBER 1 8:00 PM CT/7:00 PM MT 9:30 PM CT/8:30 PM MT 9:35 PM CT/8:35 PM MT 12:50 AM ET/9:50 PM PT Point of No Return Lone Wolf McQuade Ta k e rs 11:50 PM CT/10:50 PM MT 10:50 PM ET/7:50 PM PT The Falcon and the Snowman 9:50 PM CT/8:50 PM MT SUNDAY, SEPTEMBER 3 MONDAY, SEPTEMBER 4 3:05 AM ET/12:05 AM PT The Replacement Killers 12:20 AM ET/9:20 PM PT 12:25 AM ET/9:25 PM PT 2:05 AM CT/1:05 AM MT 11:20 PM CT/10:20 PM MT 11:25 PM CT/10:25 PM MT Brubaker SATURDAY, SEPTEMBER 2 Coneheads Layer Cake 5:20 AM ET/2:20 AM PT 12:20 AM ET/9:20 PM PT 1:50 AM ET/10:50 PM PT 2:15 AM ET/11:15 PM PT 4:20 AM CT/3:20 AM MT 11:20 PM CT/10:20 PM MT 12:50 AM CT/11:50 PM MT 1:15 AM CT/12:15 AM MT The Trailer Show Point of No Return Lonesome Dove Church Tracers 5:30 AM ET/2:30 AM PT 2:10 AM ET/11:10 PM PT 3:25 AM ET/12:25 AM PT 3:55 AM ET/12:55 AM PT 4:30 AM CT/3:30 AM MT 1:10 AM CT/12:10 AM MT 2:25 AM CT/1:25 AM MT 2:55 AM CT/1:55 AM MT Hollywood’s Best Directors - Mi- Armored Lone Wolf McQuade Ta k e rs chael Mann 3:45 AM ET/12:45 AM PT 5:15 AM ET/2:15 AM PT 5:45 AM ET/2:45 AM PT 6:00 AM ET/3:00 AM PT 2:45 AM CT/1:45 AM MT 4:15 AM CT/3:15 AM MT 4:45 AM CT/3:45 AM MT 5:00 AM CT/4:00 AM MT The Replacement Killers Attack The Trailer Show Once Upon a Time in Mexico 5:15 AM ET/2:15 AM PT 7:05 AM ET/4:05 AM PT 6:00 AM ET/3:00 AM PT 7:45 AM ET/4:45 AM PT 4:15 AM CT/3:15 AM MT 6:05 AM CT/5:05 AM MT 5:00 AM CT/4:00 AM MT 6:45 AM CT/5:45 AM MT Pork Chop Hill A Bridge Too Far Formula 51 Geronimo: An American Legend 7:00 AM ET/4:00 AM PT 10:05 AM ET/7:05 AM PT 7:35 AM ET/4:35 AM PT 9:45 AM ET/6:45 AM PT 6:00 AM CT/5:00 AM MT 9:05 AM CT/8:05 AM MT 6:35 AM CT/5:35 AM MT 8:45 AM CT/7:45 AM MT The Guns of Navarone Fearless ‘Doc’ The Thomas Crown Affair 9:40 AM ET/6:40 AM PT 12:10 PM ET/9:10 AM PT 9:15 AM ET/6:15 AM PT 11:30 AM ET/8:30 AM PT 8:40 AM CT/7:40 AM MT 11:10 AM CT/10:10 AM MT 8:15 AM CT/7:15 AM MT 10:30 AM CT/9:30 AM MT The Book Thief Christine Johnny Be Good Unzipped 11:55 AM ET/8:55 AM PT 2:05 PM ET/11:05 AM PT 10:45 AM ET/7:45 AM PT 12:45 PM ET/9:45 AM PT 10:55 AM CT/9:55 AM MT 1:05 PM CT/12:05 PM MT 9:45 AM CT/8:45 AM MT 11:45 AM CT/10:45 AM MT A Bridge Too Far Formula 51 The Perfect Score The Singing Detective 2:55 PM ET/11:55 AM PT 3:40 PM ET/12:40 PM PT 12:20 PM ET/9:20 AM PT 2:35 PM ET/11:35 AM PT 1:55 PM CT/12:55 PM MT 2:40 PM CT/1:40 PM MT 11:20 AM CT/10:20 AM MT 1:35 PM CT/12:35 PM MT Attack Conviction Bad Country Once Upon a Time in Mexico 4:45 PM ET/1:45 PM PT 5:30 PM ET/2:30 PM PT 2:10 PM ET/11:10 AM PT 4:20 PM ET/1:20 PM PT 3:45 PM CT/2:45 PM MT 4:30 PM CT/3:30 PM MT 1:10 PM CT/12:10 PM MT 3:20 PM CT/2:20 PM MT The Guns of Navarone Bad Country Swordfish Cleaner 7:25 PM ET/4:25 PM PT 7:15 PM ET/4:15 PM PT 3:50 PM ET/12:50 PM PT 5:50 PM ET/2:50 PM PT 6:25 PM CT/5:25 PM MT 6:15 PM CT/5:15 PM MT 2:50 PM CT/1:50 PM MT 4:50 PM CT/3:50 PM MT Lonesome Dove Church Swordfish Knockaround Guys Pork Chop Hill All schedules subject to change - All times Eastern/Pacific - Visit the HDNet Movies web site for the latest information: www.hdnetmovies.com Page 1 11:35 AM ET/8:35 AM PT 7:25 AM ET/4:25 AM PT 9:10 AM ET/6:10 AM PT 10:35 AM CT/9:35 AM MT 6:25 AM CT/5:25 AM MT 8:10 AM CT/7:10 AM MT A Man Apart The Singing Detective The Prince of Tides 1:30 PM ET/10:30 AM PT 9:20 AM ET/6:20 AM PT 11:25 AM ET/8:25 AM PT 5:25 PM ET/2:25 PM PT 12:30 PM CT/11:30 AM MT 8:20 AM CT/7:20 AM MT 10:25 AM CT/9:25 AM MT 4:25 PM CT/3:25 PM MT The Taking of Pelham One Two A Bridge Too Far The Homesman Layer Cake Three 12:20 PM ET/9:20 AM PT 1:30 PM ET/10:30 AM PT 7:15 PM ET/4:15 PM PT 3:20 PM ET/12:20 PM PT 11:20 AM CT/10:20 AM MT 12:30 PM CT/11:30 AM MT 6:15 PM CT/5:15 PM MT 2:20 PM CT/1:20 PM MT Lawman Pork Chop Hill Man On A Ledge The Singing Detective 2:05 PM ET/11:05 AM PT 3:15 PM ET/12:15 PM PT 9:00 PM ET/6:00 PM PT 5:15 PM ET/2:15 PM PT 1:05 PM CT/12:05 PM MT 2:15 PM CT/1:15 PM MT 8:00 PM CT/7:00 PM MT 4:15 PM CT/3:15 PM MT Stand and Deliver Point of No Return Armored Lawman 3:50 PM ET/12:50 PM PT 5:05 PM ET/2:05 PM PT 10:35 PM ET/7:35 PM PT 7:00 PM ET/4:00 PM PT 2:50 PM CT/1:50 PM MT 4:05 PM CT/3:05 PM MT 9:35 PM CT/8:35 PM MT 6:00 PM CT/5:00 PM MT Cleaner The People vs. Larry Flynt Ronin Crazy Heart 5:20 PM ET/2:20 PM PT 7:20 PM ET/4:20 PM PT 9:00 PM ET/6:00 PM PT 4:20 PM CT/3:20 PM MT 6:20 PM CT/5:20 PM MT TUESDAY, SEPTEMBER 5 8:00 PM CT/7:00 PM MT Ali Chloe 12:40 AM ET/9:40 PM PT Paycheck 8:00 PM ET/5:00 PM PT 9:00 PM ET/6:00 PM PT 11:40 PM CT/10:40 PM MT 11:05 PM ET/8:05 PM PT 7:00 PM CT/6:00 PM MT 8:00 PM CT/7:00 PM MT The Taking of Pelham One Two 10:05 PM CT/9:05 PM MT The Wrestler Unzipped Three The Company Men 9:55 PM ET/6:55 PM PT 10:15 PM ET/7:15 PM PT 2:30 AM ET/11:30 PM PT 8:55 PM CT/7:55 PM MT 9:15 PM CT/8:15 PM MT 1:30 AM CT/12:30 AM MT WEDNESDAY, SEPTEMBER 6 The Quick And The Dead Ready to Wear Armored 12:55 AM ET/9:55 PM PT 11:45 PM ET/8:45 PM PT 4:05 AM ET/1:05 AM PT 11:55 PM CT/10:55 PM MT 10:45 PM CT/9:45 PM MT FRIDAY, SEPTEMBER 8 3:05 AM CT/2:05 AM MT Crazy Heart The Wrestler 12:30 AM ET/9:30 PM PT Man On A Ledge 2:50 AM ET/11:50 PM PT 11:30 PM CT/10:30 PM MT 5:50 AM ET/2:50 AM PT 1:50 AM CT/12:50 AM MT THURSDAY, SEPTEMBER 7 Unzipped 4:50 AM CT/3:50 AM MT Paycheck 1:40 AM ET/10:40 PM PT 1:45 AM ET/10:45 PM PT The Trailer Show 4:55 AM ET/1:55 AM PT 12:40 AM CT/11:40 PM MT 12:45 AM CT/11:45 PM MT 6:00 AM ET/3:00 AM PT 3:55 AM CT/2:55 AM MT The Quick And The Dead Ready to Wear 5:00 AM CT/4:00 AM MT The Company Men 3:30 AM ET/12:30 AM PT 4:05 AM ET/1:05 AM PT Ronin 6:45 AM ET/3:45 AM PT 2:30 AM CT/1:30 AM MT 3:05 AM CT/2:05 AM MT 8:05 AM ET/5:05 AM PT 5:45 AM CT/4:45 AM MT Ali Chloe 7:05 AM CT/6:05 AM MT Hollywood’s Best Directors - John 6:10 AM ET/3:10 AM PT 5:45 AM ET/2:45 AM PT The Thomas Crown Affair (1999) Woo 5:10 AM CT/4:10 AM MT 4:45 AM CT/3:45 AM MT 10:00 AM ET/7:00 AM PT 7:15 AM ET/4:15 AM PT Lonesome Dove Church The Trailer Show 9:00 AM CT/8:00 AM MT 6:15 AM CT/5:15 AM MT 7:45 AM ET/4:45 AM PT 6:00 AM ET/3:00 AM PT Knockaround Guys The Trailer Show 6:45 AM CT/5:45 AM MT 5:00 AM CT/4:00 AM MT The Pick-Up Artist The Pick-Up Artist All schedules subject to change - All times Eastern/Pacific - Visit the HDNet Movies web site for the latest information: www.hdnetmovies.com Page 2 6:00 AM ET/3:00 AM PT 4:25 AM ET/1:25 AM PT 5:40 AM ET/2:40 AM PT 5:00 AM CT/4:00 AM MT 3:25 AM CT/2:25 AM MT 4:40 AM CT/3:40 AM MT Ronin Fearless The Trailer Show 8:05 AM ET/5:05 AM PT 6:30 AM ET/3:30 AM PT 6:00 AM ET/3:00 AM PT 7:25 AM ET/4:25 AM PT 7:05 AM CT/6:05 AM MT 5:30 AM CT/4:30 AM MT 5:00 AM CT/4:00 AM MT 6:25 AM CT/5:25 AM MT Paycheck Coneheads Lawman Attack 10:05 AM ET/7:05 AM PT 8:00 AM ET/5:00 AM PT 7:45 AM ET/4:45 AM PT 9:20 AM ET/6:20 AM PT 9:05 AM CT/8:05 AM MT 7:00 AM CT/6:00 AM MT 6:45 AM CT/5:45 AM MT 8:20 AM CT/7:20 AM MT The Trailer Show Geronimo: An American Legend The Singing Detective Christine 10:15 AM ET/7:15 AM PT 10:00 AM ET/7:00 AM PT 9:40 AM ET/6:40 AM PT 11:15 AM ET/8:15 AM PT 9:15 AM CT/8:15 AM MT 9:00 AM CT/8:00 AM MT 8:40 AM CT/7:40 AM MT 10:15 AM CT/9:15 AM MT Mirrors Conviction A Man Apart Ronin 12:10 PM ET/9:10 AM PT 11:50 AM ET/8:50 AM PT 11:35 AM ET/8:35 AM PT 1:20 PM ET/10:20 AM PT 11:10 AM CT/10:10 AM MT 10:50 AM CT/9:50 AM MT 10:35 AM CT/9:35 AM MT 12:20 PM CT/11:20 AM MT Formula 51 The Thomas Crown Affair Swordfish The Hustler 1:50 PM ET/10:50 AM PT 1:35 PM ET/10:35 AM PT 1:20 PM ET/10:20 AM PT 3:40 PM ET/12:40 PM PT 12:50 PM CT/11:50 AM MT 12:35 PM CT/11:35 AM MT 12:20 PM CT/11:20 AM MT 2:40 PM CT/1:40 PM MT The Replacement Killers The Thomas Crown Affair (1999) Cleaner Jagged Edge 3:20 PM ET/12:20 PM PT 3:30 PM ET/12:30 PM PT 2:50 PM ET/11:50 AM PT 5:30 PM ET/2:30 PM PT 2:20 PM CT/1:20 PM MT 2:30 PM CT/1:30 PM MT 1:50 PM CT/12:50 PM MT 4:30 PM CT/3:30 PM MT Bad Country Coneheads The Book Thief Formula 51 5:05 PM ET/2:05 PM PT 5:00 PM ET/2:00 PM PT 5:05 PM ET/2:05 PM PT 7:05 PM ET/4:05 PM PT 4:05 PM CT/3:05 PM MT 4:00 PM CT/3:00 PM MT 4:05 PM CT/3:05 PM MT 6:05 PM CT/5:05 PM MT Ta k e rs The Beach Lonesome Dove Church Mirrors 6:55 PM ET/3:55 PM PT 7:00 PM ET/4:00 PM PT 6:40 PM ET/3:40 PM PT 9:00 PM ET/6:00 PM PT 5:55 PM CT/4:55 PM MT 6:00 PM CT/5:00 PM MT 5:40 PM CT/4:40 PM MT 8:00 PM CT/7:00 PM MT Fearless The Pursuit of Happyness Eat Pray Love Insidious 9:00 PM ET/6:00 PM PT 9:00 PM ET/6:00 PM PT 9:00 PM ET/6:00 PM PT 10:45 PM ET/7:45 PM PT 8:00 PM CT/7:00 PM MT 8:00 PM CT/7:00 PM MT 8:00 PM CT/7:00 PM MT 9:45 PM CT/8:45 PM MT Up In The Air Eat Pray Love Reign Over Me Insidious: Chapter 2 10:55 PM ET/7:55 PM PT 11:20 PM ET/8:20 PM PT 11:05 PM ET/8:05 PM PT 9:55 PM CT/8:55 PM MT 10:20 PM CT/9:20 PM MT 10:05 PM CT/9:05 PM MT SATURDAY, SEPTEMBER 9 Whiplash The Thomas Crown Affair (1999) Barney’s Version 12:35 AM ET/9:35 PM PT 11:35 PM CT/10:35 PM MT SUNDAY, SEPTEMBER 10 MONDAY, SEPTEMBER 11 TUESDAY, SEPTEMBER 12 Insidious 12:45 AM ET/9:45 PM PT 1:20 AM ET/10:20 PM PT 1:20 AM ET/10:20 PM PT 2:20 AM ET/11:20 PM PT 11:45 PM CT/10:45 PM MT 12:20 AM CT/11:20 PM MT 12:20 AM CT/11:20 PM MT 1:20 AM CT/12:20 AM MT Up In The Air The Pursuit of Happyness Reign Over Me Insidious: Chapter 2 2:35 AM ET/11:35 PM PT 3:20 AM ET/12:20 AM PT 3:25 AM ET/12:25 AM PT 4:10 AM ET/1:10 AM PT 1:35 AM CT/12:35 AM MT 2:20 AM CT/1:20 AM MT 2:25 AM CT/1:25 AM MT 3:10 AM CT/2:10 AM MT Whiplash Eat Pray Love
Load more

Recommended publications
  • DVD Movie List by Genre – Dec 2020
    Action # Movie Name Year Director Stars Category mins 560 2012 2009 Roland Emmerich John Cusack, Thandie Newton, Chiwetel Ejiofor Action 158 min 356 10'000 BC 2008 Roland Emmerich Steven Strait, Camilla Bella, Cliff Curtis Action 109 min 408 12 Rounds 2009 Renny Harlin John Cena, Ashley Scott, Aidan Gillen Action 108 min 766 13 hours 2016 Michael Bay John Krasinski, Pablo Schreiber, James Badge Dale Action 144 min 231 A Knight's Tale 2001 Brian Helgeland Heath Ledger, Mark Addy, Rufus Sewell Action 132 min 272 Agent Cody Banks 2003 Harald Zwart Frankie Muniz, Hilary Duff, Andrew Francis Action 102 min 761 American Gangster 2007 Ridley Scott Denzel Washington, Russell Crowe, Chiwetel Ejiofor Action 113 min 817 American Sniper 2014 Clint Eastwood Bradley Cooper, Sienna Miller, Kyle Gallner Action 133 min 409 Armageddon 1998 Michael Bay Bruce Willis, Billy Bob Thornton, Ben Affleck Action 151 min 517 Avengers - Infinity War 2018 Anthony & Joe RussoRobert Downey Jr., Chris Hemsworth, Mark Ruffalo Action 149 min 865 Avengers- Endgame 2019 Tony & Joe Russo Robert Downey Jr, Chris Evans, Mark Ruffalo Action 181 mins 592 Bait 2000 Antoine Fuqua Jamie Foxx, David Morse, Robert Pastorelli Action 119 min 478 Battle of Britain 1969 Guy Hamilton Michael Caine, Trevor Howard, Harry Andrews Action 132 min 551 Beowulf 2007 Robert Zemeckis Ray Winstone, Crispin Glover, Angelina Jolie Action 115 min 747 Best of the Best 1989 Robert Radler Eric Roberts, James Earl Jones, Sally Kirkland Action 97 min 518 Black Panther 2018 Ryan Coogler Chadwick Boseman, Michael B. Jordan, Lupita Nyong'o Action 134 min 526 Blade 1998 Stephen Norrington Wesley Snipes, Stephen Dorff, Kris Kristofferson Action 120 min 531 Blade 2 2002 Guillermo del Toro Wesley Snipes, Kris Kristofferson, Ron Perlman Action 117 min 527 Blade Trinity 2004 David S.
    [Show full text]
  • Missions and Film Jamie S
    Missions and Film Jamie S. Scott e are all familiar with the phenomenon of the “Jesus” city children like the film’s abused New York newsboy, Little Wfilm, but various kinds of movies—some adapted from Joe. In Susan Rocks the Boat (1916; dir. Paul Powell) a society girl literature or life, some original in conception—have portrayed a discovers meaning in life after founding the Joan of Arc Mission, variety of Christian missions and missionaries. If “Jesus” films while a disgraced seminarian finds redemption serving in an give us different readings of the kerygmatic paradox of divine urban mission in The Waifs (1916; dir. Scott Sidney). New York’s incarnation, pictures about missions and missionaries explore the East Side mission anchors tales of betrayal and fidelity inTo Him entirely human question: Who is or is not the model Christian? That Hath (1918; dir. Oscar Apfel), and bankrolling a mission Silent movies featured various forms of evangelism, usually rekindles a wealthy couple’s weary marriage in Playthings of Pas- Protestant. The trope of evangelism continued in big-screen and sion (1919; dir. Wallace Worsley). Luckless lovers from different later made-for-television “talkies,” social strata find a fresh start together including musicals. Biographical at the End of the Trail mission in pictures and documentaries have Virtuous Sinners (1919; dir. Emmett depicted evangelists in feature films J. Flynn), and a Salvation Army mis- and television productions, and sion worker in New York’s Bowery recent years have seen the burgeon- district reconciles with the son of the ing of Christian cinema as a distinct wealthy businessman who stole her genre.
    [Show full text]
  • Updated: 20 January 2012 1 42.347 Dr. Stallbaumer-Beishline Film
    1 42.347 Dr. Stallbaumer-Beishline Film Review Essay Assignment Holocaust Films: “Imagining the Unimaginable” The average American's most extensive exposure to the Holocaust is through popular filmic presentations on either the "big screen" or television. These forums, as Ilan Avisar points out, must yield “to popular demands and conventional taste to assure commercial success."1 Subsequently, nearing the successful completion of this course means that you know more about the Holocaust than the average American. This assignment encourages you to think critically, given your broadened knowledge base, about how the movie-television industry has treated the subject. Film scholars have grappled with the unique challenge of Holocaust-themed films. Ponder their views as you formulate your own opinions about the films that you select to watch. Annette Insdorff, Indelible Shadows: Film and the Holocaust (1989) "How great a role are films playing in determining contemporary awareness of the Final Solution? . How do you show people being butchered? How much emotion is too much? How will viewers respond to light-hearted moments in the midst of suffering?" (xviii) How do we lead a camera or a pen to penetrate history and create art, as opposed to merely recording events? What are the formal as well as moral responsibilities if we are to understand and communicate the complexities of the Holocaust through its filmic representations? (xv) Ilan Avisar, Screening the Holocaust: Cinema's Images of the Unimaginable (1988) "'Art [including film making] takes the sting out of suffering.'" (viii) The need for popular reception of a film inevitably leads to "melodramatization or trivialization of the subject." (46) Hollywood/American filmmakers' "universalization [using the Holocaust to make statements about contemporary problems] is rooted in specific social concerns that seek to avoid burdening a basically indifferent public with unbearable facts of the Nazi genocide of the Jews.
    [Show full text]
  • Frons Launches Soap Sensation
    et al.: SU Variety II SPECIAL 'GOIN' HOLLYWOOD' EDITION II NEWSPAPER Second Class P.O. Entry Supplement to Syracuse University Magazine CURTIS: IN MINIS Role Credits! "War" Series Is All-Time Screen Dream Syracuse- We couldn't pos­ sibly get 'em all, but in these 8 By RENEE LEVY series "Winds of War," based on to air in late spring and the entire pages find another 40-plus SU Hollywood- The longest. The Herman Wouk 's epic World War II package will air in Europe next year. alumni getting billboards on most demanding. The hardest. The novels, "War and Remembrance" Curtis, exec producer, director the boulevard. In our research, most expensive. That's the story was shot in 757 locations in 10 and co-scribe of the teleplay, spent we discovered a staggering net­ behind Dan Curtis 'SO's block­ countries, using more than 44,000 two years filming and a year and a work of Syracusans in the busi­ buster miniseries " War and Re­ actors and extras and nearly 800 half editing "War and Remem­ ness-producers, directors, membrance," which aired the first sets. The production- the longest brance," a project he originally actors, editors, and more! We 18 of its 30 hours in November on in television history--cost an es­ considered undoable-particular­ soon realized that all of them ABC-TV. timated $ 105 million to make. The ly because of the naval battles and would not fit, and to those left A sequel to Curtis's 1983 maxi- concluding 12 hours are expected the depiction of the Holocaust.
    [Show full text]
  • Filmic Tomboy Narrative and Queer Feminist Spectatorship
    UNHAPPY MEDIUM: FILMIC TOMBOY NARRATIVE AND QUEER FEMINIST SPECTATORSHIP A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Lynne Stahl May 2015 © 2015 Lynne Stahl ALL RIGHTS RESERVED UNHAPPY MEDIUM: FILMIC TOMBOY NARRATIVE AND QUEER FEMINIST SPECTATORSHIP Lynne Stahl, Ph.D. Cornell University, 2015 ABSTRACT This dissertation investigates the ways in which American discourses of gender, sexuality, and emotion structure filmic narrative and the ways in which filmic narrative informs those discourses in turn. It approaches this matter through the figure of the tomboy, vastly undertheorized in literary scholarship, and explores the nodes of resistance that film form, celebrity identity, and queer emotional dispositions open up even in these narratives that obsessively domesticate their tomboy characters and pair them off with male love interests. The first chapter theorizes a mode of queer feminist spectatorship, called infelicitous reading, around the incoherently “happy” endings of tomboy films and obligatorily tragic conclusions of lesbian films; the second chapter links the political and sexual ambivalences of female-centered sports films to the ambivalent results of Title IX; and the third chapter outlines a type of queer reproductivity and feminist paranoia that emerges cumulatively in Jodie Foster’s body of work. Largely indebted to the work of Judith Butler, Lauren Berlant, and Sara Ahmed, this project engages with past and present problematics in the fields of queer theory, feminist film criticism, and affect studies—questions of nondichotomous genders, resistant spectatorship and feminist potential within linear narrative, and the chronological cues that dominant ideology builds into our understandings of gender, sexuality, narrative, and emotions.
    [Show full text]
  • HBO: Brand Management and Subscriber Aggregation: 1972-2007
    1 HBO: Brand Management and Subscriber Aggregation: 1972-2007 Submitted by Gareth Andrew James to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, January 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ........................................ 2 Abstract The thesis offers a revised institutional history of US cable network Home Box Office that expands on its under-examined identity as a monthly subscriber service from 1972 to 1994. This is used to better explain extensive discussions of HBO‟s rebranding from 1995 to 2007 around high-quality original content and experimentation with new media platforms. The first half of the thesis particularly expands on HBO‟s origins and early identity as part of publisher Time Inc. from 1972 to 1988, before examining how this affected the network‟s programming strategies as part of global conglomerate Time Warner from 1989 to 1994. Within this, evidence of ongoing processes for aggregating subscribers, or packaging multiple entertainment attractions around stable production cycles, are identified as defining HBO‟s promotion of general monthly value over rivals. Arguing that these specific exhibition and production strategies are glossed over in existing HBO scholarship as a result of an over-valuing of post-1995 examples of „quality‟ television, their ongoing importance to the network‟s contemporary management of its brand across media platforms is mapped over distinctions from rivals to 2007.
    [Show full text]
  • Completeandleft
    MEN WOMEN 1. JA Jason Aldean=American singer=188,534=33 Julia Alexandratou=Model, singer and actress=129,945=69 Jin Akanishi=Singer-songwriter, actor, voice actor, Julie Anne+San+Jose=Filipino actress and radio host=31,926=197 singer=67,087=129 John Abraham=Film actor=118,346=54 Julie Andrews=Actress, singer, author=55,954=162 Jensen Ackles=American actor=453,578=10 Julie Adams=American actress=54,598=166 Jonas Armstrong=Irish, Actor=20,732=288 Jenny Agutter=British film and television actress=72,810=122 COMPLETEandLEFT Jessica Alba=actress=893,599=3 JA,Jack Anderson Jaimie Alexander=Actress=59,371=151 JA,James Agee June Allyson=Actress=28,006=290 JA,James Arness Jennifer Aniston=American actress=1,005,243=2 JA,Jane Austen Julia Ann=American pornographic actress=47,874=184 JA,Jean Arthur Judy Ann+Santos=Filipino, Actress=39,619=212 JA,Jennifer Aniston Jean Arthur=Actress=45,356=192 JA,Jessica Alba JA,Joan Van Ark Jane Asher=Actress, author=53,663=168 …….. JA,Joan of Arc José González JA,John Adams Janelle Monáe JA,John Amos Joseph Arthur JA,John Astin James Arthur JA,John James Audubon Jann Arden JA,John Quincy Adams Jessica Andrews JA,Jon Anderson John Anderson JA,Julie Andrews Jefferson Airplane JA,June Allyson Jane's Addiction Jacob ,Abbott ,Author ,Franconia Stories Jim ,Abbott ,Baseball ,One-handed MLB pitcher John ,Abbott ,Actor ,The Woman in White John ,Abbott ,Head of State ,Prime Minister of Canada, 1891-93 James ,Abdnor ,Politician ,US Senator from South Dakota, 1981-87 John ,Abizaid ,Military ,C-in-C, US Central Command, 2003-
    [Show full text]
  • Starlog Magazine Issue
    'ne Interview Mel 1 THE SCIENCE FICTION UNIVERSE Brooks UGUST INNERSPACE #121 Joe Dante's fantastic voyage with Steven Spielberg 08 John Lithgow Peter Weller '71896H9112 1 ALIENS -v> The Motion Picture GROUP, ! CANNON INC.*sra ,GOLAN-GLOBUS..K?mEDWARO R. PRESSMAN FILM CORPORATION .GARY G0D0ARO™ DOLPH LUNOGREN • PRANK fANGELLA MASTERS OF THE UNIVERSE the MOTION ORE ™»COURTENEY COX • JAMES TOIKAN • CHRISTINA PICKLES,* MEG FOSTERS V "SBILL CONTIgS JULIE WEISS Z ANNE V. COATES, ACE. SK RICHARD EDLUND7K WILLIAM STOUT SMNIA BAER B EDWARD R PRESSMAN»™,„ ELLIOT SCHICK -S DAVID ODEll^MENAHEM GOUNJfOMM GLOBUS^TGARY GOODARD *B«xw*H<*-*mm i;-* poiBYsriniol CANNON HJ I COMING TO EARTH THIS AUGUST AUGUST 1987 NUMBER 121 THE SCIENCE FICTION UNIVERSE Christopher Reeve—Page 37 beJohn Uthgow—Page 16 Galaxy Rangers—Page 65 MEL BROOKS SPACEBALLS: THE DIRECTOR The master of genre spoofs cant even give the "Star wars" saga an even break Karen Allen—Page 23 Peter weller—Page 45 14 DAVID CERROLD'S GENERATIONS A view from the bridge at those 37 CHRISTOPHER REEVE who serve behind "Star Trek: The THE MAN INSIDE Next Generation" "SUPERMAN IV" 16 ACTING! GENIUS! in this fourth film flight, the Man JOHN LITHGOW! of Steel regains his humanity Planet 10's favorite loony is 45 PETER WELLER just wild about "Harry & the CODENAME: ROBOCOP Hendersons" The "Buckaroo Banzai" star strikes 20 OF SHARKS & "STAR TREK" back as a cyborg centurion in search of heart "Corbomite Maneuver" & a "Colossus" director Joseph 50 TRIBUTE Sargent puts the bite on Remembering Ray Bolger, "Jaws:
    [Show full text]
  • FILM SENIOR MOMENT (Goff Productions) Director: Giorgio Serafini
    Pat McCorkle, CSA Jeffrey Dreisbach, Casting Partner Katja Zarolinski, CSA Kristen Kittel, Casting Assistant FILM SENIOR MOMENT (Goff Productions) Director: Giorgio Serafini. Starring: William Shatner, Christopher Lloyd, Jean Smart. THE MURPHYS (Independent Feature; Producer(s): The Murphy's LLC). Director: Kaitlan McGlaughlin. BERNARD & HUEY (In production. Independent Feature; Producer(s): Dan Mervish/Bernie Stein). Director: Dan Mervish. AFTER THE SUN FELL (Post Production. Independent feature; Producer(s): Joanna Bayless). Director: Tony Glazer. Starring: Lance Henriksen, Chasty Ballesteros, Danny Pudi. FAIR MARKET VALUE (Post Production. Feature ; Producer(s): Judy San Romain). Director: Kevin Arbouet. Starring: Jerry Adler, D.C. Anderson, Michael J. Arbouet. YEAR BY THE SEA (Festival circuit. Feature; Producer(s): Montabella Productions ). Director: Alexander Janko. Starring: Karen Allen, Yannick Bisson, Michael Cristofer. CHILD OF GRACE (Lifetime Network Feature; Producer(s): Empathy + Pictures/Sternamn Productions). Director: Ian McCrudden. Starring: Ted Lavine, Maggy Elizabeth Jones, Michael Hildreth. POLICE STATE (Independent Feature; Producer(s): Edwin Mejia\Vlad Yudin). Director: Kevin Arbouet. Starring: Sean Young, Seth Gilliam, Christina Brucato. MY MAN IS A LOSER (Lionsgate, Step One Entertainment; Producer(s): Step One of Many/Imprint). Director: Mike Young. Starring: John Stamos, Tika Sumpter, Michael Rapaport. PREMIUM RUSH (Columbia Pictures; Producer(s): Pariah). Director: David Koepp . Starring: Joseph Gordon-Levitt, Jamie Chung, Michael Shannon. JUNCTION (Movie Ranch; Producer(s): Choice Films). Director: David Koepp . Starring: Joseph Gordon-Levitt, Jamie Chung, Michael Shannon. GHOST TOWN* (Paramount Pictures; Producer(s): Dreamworks SKG). Director: David Koepp. Starring: Ricky Gervais, Tea Leoni, Greg Kinnear. WAR EAGLE (Empire Film; Producer(s): Downstream Productions). Director: Robert Milazzo. Starring: Brian Dennehy, Mary Kay Place, Mare Winningham.
    [Show full text]
  • IN FOCUS: Cripping Cinema and Media Studies
    IN FOCUS: Cripping Cinema and Media Studies Introduction by ROBERT MCRUER, editor n 1985, the historian Paul Longmore identifi ed the conver- gence of disability and media as one long process of “screening stereotypes.”1 Attentive to the ways disabled people were con- sistently represented in fi lm, in particular, as either angry and evil villains or inspirational fi gures for able-bodied characters and Iviewers, Longmore initiated what might be understood as a “crip” tradition of critiquing, from within disability culture, the impover- ished representations that dominant fi lmic and media forms have bequeathed us. Disabled villains like Captain Hook or Magneto are generally defeated and eliminated at fi lm’s end, whereas inspirational fi gures tend either to “overcome” their disability or to end up dead after dutifully changing for the better the lives of everyone around them. Neither fi lmic tendency, of course, could off er more than a two-dimensional engagement with disability, although Longmore did note the promise for a more textured engagement with disability that attended other visual forms, including television and even advertising. Crip theory has emerged over the past few decades as a critical project, closely allied with queer theory, that centers atypical bod- ies, minds, and behaviors while interrogating that which can never be contained or described neatly by an entirely historical and limited abled-disabled binary. As a noun or adjective, “crip” is of course a fl amboyant reclamation, one that disabled activists, artists, and theorists have long used to signify solidarity and resistance far in excess of the mobility impairment seemingly invoked by stigma- tizing and pitying uses of “cripple.”2 As a verb, as I have suggested 1 Paul Longmore, “Screening Stereotypes: Images of Disabled People,” Social Policy 16 (Summer 1985): 31.
    [Show full text]
  • Cinematic Representations of Eleanor Roosevelt
    Skidmore College Creative Matter MALS Final Projects, 1995-2019 MALS 5-16-2015 Suffering Saint, Asexual Victorian Woman, Or Queer Icon? Cinematic Representations of Eleanor Roosevelt Angela Beauchamp Skidmore College Follow this and additional works at: https://creativematter.skidmore.edu/mals_stu_schol Part of the American Film Studies Commons, Feminist, Gender, and Sexuality Studies Commons, and the Film and Media Studies Commons Recommended Citation Beauchamp, Angela, "Suffering Saint, Asexual Victorian Woman, Or Queer Icon? Cinematic Representations of Eleanor Roosevelt" (2015). MALS Final Projects, 1995-2019. 98. https://creativematter.skidmore.edu/mals_stu_schol/98 This Thesis is brought to you for free and open access by the MALS at Creative Matter. It has been accepted for inclusion in MALS Final Projects, 1995-2019 by an authorized administrator of Creative Matter. For more information, please contact [email protected]. Suffering Saint, Asexual Victorian Woman, Or Queer Icon? Cinematic Representations of Eleanor Roosevelt By Angela Beauchamp FINAL PROJECT SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN LIBERAL STUDIES SKIDMORE COLLEGE April 2015 Advisors: Thomas Lewis and Nina Fonoroff Suffering Saint, Asexual Victorian Woman, or Queer Icon? Cinematic Representations of Eleanor Roosevelt Skidmore College MALS Thesis Angela Beauchamp 4-13-2015 2 Contents lntroduction ..................................................................................................................................................
    [Show full text]
  • JENNIFER REEVE Music Supervisor *, Musicologist + Clearance** & Music Coordinator Credits
    JENNIFER REEVE Music Supervisor *, Musicologist + Clearance** & Music Coordinator Credits TELEVISION: TIMELESS * Studio: NBC Producers: Shawn Ryan, Eric Kripke, Neil Marshall WESTWORLD * Studio: HBO Producers: J.J. Abrams, Bryan Burk, Jonathan Nolan S.W.A.T. * Studio: CBS Producers: Shawn Ryan, Aaron Rahsaan Thomas, Nicolas Bradley THE KNICK * Studio: Cinemax Producer: Michael Polaire THE BRINK * Studio: HBO Producers: Juanita Diana Feeney, Jon Poll CHICAGO CODE * Studio: FOX Producers: Shawn Ryan, Nicolas Bradley DALLAS (Season 1) * Studio: TNT Producers: Michael Robin, Cynthia Cidre, Bryan J. Raber, Ken Topolsky MAD DOGS * Studio: AMAZON Producers: Shawn Ryan, Chris Cole, Ken Topolsky, Nicolas Bradley TERRIERS * Studio: FX Producers: Nicolas Bradley, Shawn Ryan, Ted Griffin MEMPHIS BEAT * Studio: TNT Producers: George Clooney, Jan Nash, Liz Garcia, Josh Harto The NEWSROOM (Season 1) * Studio: HBO Producers: Alan Poul, Aaron Sorkin, Scott Rudin JENNIFER REEVE Music Supervisor *, Musicologist + Clearance** & Music Coordinator Credits THE ‘90s: THE DECADE THAT CONNECTED US (mini series) * Studio: National Geographic Producer: Jonathan Rudd THE ‘80s: THE DECADE THAT MADE US (mini series) * Studio: National Geographic Producer: Jonathan Rudd BOARDWALK EMPIRE (Season 2, 3, 4, 5) ** Studio: HBO Producers: Stephen Levinson, Martin Scorsese, Steve Turner, Brad Carpenter SENSE 8 ** Studio: NETFLIX Producers: Lana & Lilly Wachowski, Alex Boden, L. D. Jones Jr, Marcus Loges VINYL ** Studio: HBO Producers: Brad Carpenter, Mari-Jo Winkler MILDRED
    [Show full text]