No Trace of Missing Portjreading Girls Avenel Man

Total Page:16

File Type:pdf, Size:1020Kb

No Trace of Missing Portjreading Girls Avenel Man ••'t; • if of This m: evei four Page Colored 20 Pages Today Comic Section CARTERET PRESS Three Sections VII, No, 47 CARTERET, N. J., FRIDAY, AUGUST 9, 1929 PRICE THREE CENTS Boy Throws Stone Burning Mattreaa Cause* ' irteret Figures Local Couple United Injures Another Boy Slats Diary Fire Alarm—No Damage No Trace Of Missing Henry Mudrak, aged 8 years, of Friday—Blisters has ben a telling The fire companies were call- As Great Port In At Church Wedding 26 Harris street, went to police head- me that he is a Wurnrn Hater and ed out Tuesday night in response to quarters yesterday with his head ban- an alrm from Hudson and Union daged and blood stained from a cut. this after nodn I PortJReading Girls World Lumbering Miss Helen Silvasi and Bertram He said he was playing in his yard him out walk- streets. A mattress was found burn- Mullan Wed At St. Joseph's when Raymond Gavlitsky who lives ig w i I. h Ester ing in the back yard of Kalinowsky's Thelma Laxon and Elisabeth Hockenbenry Left Home On Sun- next door threw a stone and hit him. Blink anti when I rooming house, near a garage. It was jstrial Town Fatned for Church On Wednesday— The Gavltaky boy was given a sum- put out quickly and no damage was day Night—Had Been To Lakehunt—Reported Seen acuftpd him of slip- Precious Woods and Veneers Will Reside In Carteret. mons to appear for a hearing. reported. Ota Trolley Bound Toward Newark. ping ho sod he was y\ni Wide Renown as Lum- Miss Helen Silvasi, daughter of still n wumen hat- PORT READING— learned where they left the trolley er and that the on- Although the police of Woodbridge car. bor Market Mrs. Esther Silvasi, of 91 Warren Thelma t<axon, though only 13 street, and Bertram Mullan, son of Health Board Plans ley resen he was Two Local Robbers have worked night and day on the other aide of the world, rase, and have been assUtpd by the years old, is well developed and tuft ,,„ ,i,. Mr. and Mrs. James Mullan, of Lo- out walking with for h«r age. She could readily pass i^trinl town with its smelters police of Newark, no promising clue cust street, were married Wednesday Eater vjnn becuz he Are Assessed Fines has been uncovered as to the where- for 17 years instead of 13 and Is a icab, and paints and steel, For Baby Parade haddn hi> a round abouts of Thelmn Laxon and Eliza- very attractive p-irl with blue «yes morning at 10 o'clock at a nuptial and liirbt brown hair. When last seen :llsn as a (treat lumber port, them once nnd a beth Hockenberry, of Port Rending, kn,,wn high mass at St. Joseph's Roman Also Considers Revision of Man Who Took Minister's Dia- issing since Sunday night. Tho be wore n black velvet dresS, brown woodworker of America; it is Catholic church. The ceremony was wile just, in order hat and light brown coat trimmed , . of fine veneers and prec- Code—Improvements Prom- monds Is Fined $30—Prune firls lived in th« home of Mrs. MBdgp ir(( performed by Rev. Father E. C. Man- to keep on Hate- Murphy in Woodbridge avenue, Port with fur. She is the daughter of Mr. ised In Regard To Gas Nuis- ing them. Picker Who Robbed Room- and Mrs. Bert Ijixon who board at nlon, pastor of the church. A large Reading, near the crossing of the th<> Murphy house. Miss Hockcnberry '.'', „ far lands of romance and number of friends and relatives of ance—Many Children Vac- Satenlay—I past ers Fined $20. Fastline trolley, On Sunday after- is n blonde with blue eyes. She mads ;,',, trump steamers churn the sev- Jane on the St. to- oon they went to I<nkehur*t to watch her home with Mrs. Murphy. apill in ponds or tumble the couple witnessed the ceremony. cinated, he arrival of thn Graf Zeppelin UtsetoJ ttw+r •••lie maid of honor wa* Mhw Mary nite and she Cut Although he confessed to the po- h*y roturnad Wim lota and wiit Mrs, MurpHy tnld tiwi police that * ' me deatf and dlddent even apeftk fo to h" knowledge the girls had no boy |lrtv 'looking log* more precious than Silvasi, a sister of the bride. The Most of the time of the Board of lice that h« had stolen a diamond o their rooms, presumably to retire bridesmaids were Miss Kathleen Mai- me a tall. She is kind of snubbish sum ring and diamond Din both valued at ''hat was the last seen of them. fri«m!s and thut they were quiet, nor- Health at a meeting last night was fokes say but I vill say this for her mal fcirts. The police have been in- ,.-, tliose shipments, elephants pile Ian, stater of the bridegroom and Miss taken up with making plans for the several hundred dollars from the r Elizabeth Toth, a close friend of the "he can pass me without speaking to home of Rev. Charles B. Mitchell, When the girls wern missed Mon formi-d thut both (jirls were, devoted k „ siam, -lava and Burma Tur- baby parade which will be held Sat- me Cuter than enny buddy else of lay morning, Mrs, Murphy reported to the movies nml that both had fre- k poaMirta strain at gr««t butts bride. The best man was John (Bud) urday, September 14. Edward S. Wil- Arthur Roosevelt Simma, colored, of anni-el P Mullan, brother of the bridegroom. which I no of. 26 Mercer street, escaped with a fine heir disappearance to Police Chief quently pxpro'wd a longing to be- 1(. Caucasus; black men of the gus, Alexander Erdelyi and Joseph 'atrick Murphy who immediately set come movie actresses. This has given the. | ory coast square mahogany The ushers were Patrick Donovan and Galvanek, three members of the Sunday—Jake and me went down of $30 whtti he was arraigned in po- ( h v to play with the new kid witch's pa lice court. It was his first offense. the police machinery to -work in n riso to n theory that they may have hush and drag tenton logs to Stephen Uhouse. board were appointed a committee to search for them. Description* of the sUrtwl for Hollywood in an effort stream. Brazil and Ceylon", take charge of all arrangements for has got a ice cream cone stand on the Simms had been working for a The bride wore white satin trim- crick rode, when we was a leaveing moving concern. When ho entered the girls were sent to police departments to get into pictures. rjni,., India, Mexico and Australia I med with Spanish lace and a lace veil the parade. There is much detail to be worked out before the parade, ma sed to me Be sure and ack like manre of the Presbyterian church to nearby and to N«w York and New Tho police will keep up the search ,.,! Lnv<Tt of their forests for this I arranged cap fashion and held with ("hipf Murphy snid yesterday. An ef- the committee members said. 2 little gentlemen but I told her not move the belongings of the minister, rk. The Hockenberry girl who is 17 iilii.'lry of Ichabod T. Williams and ) orange blossoms. 9he carried a show- to be so gtrick. Enhyways we wanted Simms saw the ring and pin and took years old and is an orphan, has been fort is now being made to ascertain n,,im which for ninety-one years has er bouquet of white bride roses and Last night it was planned to have 1 to have t pleasant after noon. them. When he was arrested and working in L. Batnberger & Co. Store whoro thx'y went on the trolley car. C,.,,! dealing in foreign and domestic lilies-of-the-valley. The maid of honor a short line of march. The par ^' T in Newark. Inquiry at the stf>rr This morning the police announced will form at the Borough Hall, march Munday—Jake has stung me. he brought to heiidmiartera, a search of t woods in log, lumber and was in orchid satin with hat to match borryed a dime frum me yesterday his pockets failed to reveal the brought no light on the situation,fur that Carpenter had been located and and silver slippers. Miss Kathleen over Cooke avenue to Washington jewels. I,ater Chief of Police Har- ther than that a young Italian, nam<v that bii could not 1M: connected in avenue, to Emerson street, to Cen- evning and sed he onley wanted it psts of England, proud parka Mullan, one of the bridesmaids wore for a little wile and when I ast him rington found the rings in the police "arpenter, had been somewhat at any wny with the disappearance of , or three dozen trees which for green satin and Misa Elizabeth Toth, tral avenue, to Pershing avenue and car where Simms is said to have con- tentive to Miss Hockenberry. (.'fir the girls. He ia a married man. The over the latter street back to the fur it this morning why he aed he did graced noble estates have | the other bridesmaid wore pink satin. onley want it fur a little wile and cealed them when he was being taken penter ,could not be located immed- rumor that a woman had visited Miss Borough hall where the prize win- iately owing to the fact that he hsul Hockenberry in the Bamberger store cut for shipment to this port \ They carried pink roses.
Recommended publications
  • Frederick J. Lavigne Theater Orchestra Music 1878-1937 an Inventory of Holdings at the American Music Research Center
    Frederick J. Lavigne Theater Orchestra Music 1878-1937 An inventory of holdings at the American Music Research Center American Music Research Center, University of Colorado at Boulder Frederick J. Lavigne Theater Orchestra Music1878-1937 Descriptive summary Title Frederick J. Lavigne theater orcehstra music Date(s) 1878-1937 ID COU-AMRC-101 Origination Lavigne, Frederick J. Repository The American Music Research Center University of Colorado at Boulder 288 UCB Boulder, CO 80309 Location Housed in the American Music Research Center Physical Description 126 boxes Scope and Contents The Frederick J. Lavigne Theater Orchestra Music collection contains 126 boxes of theater orchestra sheet music. The collection was addressed to Frederick J. Lavigne at the Stadium Theater in Woonsocket, Rhode Island. A majority of the pieces in this collection show Lavigne's full name stamped on the sheet music. Administrative Information Arrangement of Frederick J. Lavigne Theater Orchestra Music Collection is divided into one series of 126 boxes. The collection is arranged alphabetically by title of piece followed by composer and arranger. Dates of publication are also included in the listings. Access restrictions The collection is open for research. Publication Rights The American Music Research Center does not control rights to any material in this collection. Requests to publish any material in the collection should be directed to the copyright holders. Source of acquisition This collection was donated by Rodney Sauer in 2014 Preferred Citation [Identification of item], Frederick J. Lavigne Theater Orchestra Music, University of Colorado at Boulder - Page 2 - Frederick J. Lavigne Theater Orchestra Music1878-1937 Index Terms Access points related to this collection: Personal Names Lavigne, Frederick J.
    [Show full text]
  • UCLA FESTIVAL of PRESERVATION MARCH 3 to MARCH 27, 2011
    UCLA FESTIVAL of PRESERVATION MARCH 3 to MARCH 27, 2011 i UCLA FESTIVAL of PRESERVATION MARCH 3 to MARCH 27, 2011 FESTIVAL SPONSOR Additional programming support provided, in part, by The Hollywood Foreign Press Association ii 1 FROM THE DIRECTOR As director of UCLA Film & Television Archive, it is my great pleasure to Mysel has completed several projects, including Cry Danger (1951), a introduce the 2011 UCLA Festival of Preservation. As in past years, we have recently rediscovered little gem of a noir, starring Dick Powell as an unjustly worked to put together a program that reflects the broad and deep efforts convicted ex-con trying to clear his name, opposite femme fatale Rhonda of UCLA Film & Television Archive to preserve and restore our national mov- Fleming, and featuring some great Bunker Hill locations long lost to the Los ing image heritage. Angeles wrecking ball. An even darker film noir, Kiss Tomorrow Goodbye (1950), stars James Cagney as a violent gangster (in fact, his last great This year’s UCLA Festival of Preservation again presents a wonderful cross- gangster role) whose id is more monstrous than almost anything since Little section of American film history and genres, silent masterpieces, fictional Caesar. Add crooked cops and a world in which no one can be trusted, and shorts, full-length documentaries and television works. Our Festival opens you have a perfect film noir tale. with Robert Altman’s Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean (1982). This restoration is the first fruit of a new project to preserve Our newsreel preservationist, Jeff Bickel, presents his restoration of John and restore the artistic legacy of Mr.
    [Show full text]
  • Content of Folders Pat Jameson Eastern Illinois University
    Eastern Illinois University The Keep Dorothy Hansen Collection Finding Aids 2015 Content of Folders Pat Jameson Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/dorothy_hansen_collection Part of the Music Commons Recommended Citation Jameson, Pat, "Content of Folders" (2015). Dorothy Hansen Collection. 2. http://thekeep.eiu.edu/dorothy_hansen_collection/2 This Book is brought to you for free and open access by the Finding Aids at The Keep. It has been accepted for inclusion in Dorothy Hansen Collection by an authorized administrator of The Keep. For more information, please contact [email protected]. Content of Folders List by Folder Label (Mood or type of music) ABC Dramatic Composer/lyricist TITLE ~ Ser Fol Yr Luz, Ernst A.B.C. dramatic set [fire] (No. 12) PPM abc abc 16 Kempinski, Leo A. A.B.C. dramatic set [hea,dra,sus] (No. 20) PPM abc abc 20 Luz, Ernst A.B.C. dramatic set [Hun./for.] (No. 18) PPM abc abc 16 African Composer/lyricist TITLE Ring, Montague Three African dances (I-III) (No. 109) Cha cos afr 13 American Indian Composer/lyricist TITLE ~ Ser Fol Yr Borch, Gaston At night ("Mohikana", suite) (No. 2) WJ ? ami 28 Lieurance, Thurlow By the waters of Minnetonka (love song) TP ami 15 Herbert, Victor Dagger dance ("Natoma") (I) GS ami 17 Herbert, Victor Dream on (Indian lullaby) Har ami 23 Logan, Frederic K. Fallen leaf (love song) (Op. 101) For ami 22 Nelson, Wm. W. From an Indian pueblo (Fol. 8, 1) SF sfl ami 25 Cadman, Charles W. From the land of the sky-blue water (54,2) WSM ami 12 Axt, William Gathering of the braves (P24) Ril cps ami 24 Axt, William Gathering of the braves (P24) Rob cps ami 24 Aallen, Thos.
    [Show full text]
  • Download the 2013 UCLA Festival of Preservation Catalog
    UCLA FestivAL OF 1603.01.13 – 03.30.13 PreservAtion UCLA FestivAL OF 1603.01.13 – 03.30.13 PreservAtion iv 1 FROM THE DIRECTOR After last year’s herculean effort to put together the landmark program L.A. Independent cinema also continues to be a major focus of the Archive’s pres- Rebellion: Creating a New Black Cinema, now touring North America, the ervation efforts. After premiering our restoration of Robert Altman’s Come Archive has not rested on its laurels, but has put together a new UCLA Festi- Back to the Five & Dime, Jimmy Dean, Jimmy Dean (1982) in 2011, preservationist val of Preservation for 2013. It is my great pleasure, as director of UCLA Film Jere Guldin this year introduces Altman’s first major feature, That Cold Day in & Television Archive, to introduce the 2013 “FOP,” which again reflects the the Park (1969). Preservationist Ross Lipman contributes restorations of fur- broad and deep efforts of UCLA Film & Television Archive to preserve and ther independent films, such as Eadweard Muybridge, Zoopraxographer (1975) restore our national moving image heritage. Even in an era of tightening bud- directed by Thom Andersen with Fay Andersen and Morgan Fisher, and Shir- gets and ever decreasing University-State funding, the Archive is committed to ley Clarke’s Ornette: Made in America (1985). And the independents continue protecting and celebrating our film and television assets. with a special program of films from the L.A. Rebellion, which were discovered or preserved after last year’s monumental program on the Rebellion. Our Festival opens with the restoration of Gun Crazy (1950), directed by Joseph H.
    [Show full text]
  • Alan Crosland, the JAZZ SINGER (1927, 88 Min)
    August 27, 2013 (XXVII:1) Alan Crosland, THE JAZZ SINGER (1927, 88 min) Academy Awards—1929—Honorary Award (Warner Bros.) for producing The Jazz Singer, the pioneer outstanding talking picture, which has revolutionized the industry. National Film Registry—1996 Directed by Alan Crosland Adapted for film by Alfred A. Cohn Based on the short story by Samson Raphaelson (“The Day of Atonement”) Original music by Louis Silvers Cinematography by Hal Mohr Edited by Harold McCord Al Jolson...Jakie Rabinowitz May McAvoy...Mary Dale Warner Oland...The Cantor Eugenie Besserer...Sara Rabinowitz Otto Lederer...Moisha Yudelson Crossland directed John Barrymore in Don Juan, which had sync Richard Tucker...Harry Lee sound effects and music, but no dialogue, using Vitaphone. Cantor Joseff Rosenblatt…Cantor Rosenblatt - Concert Recital SAMSON RAPHAELSON (b. March 30, 1894, New York City, ALAN CROSLAND (b. August 10, 1894, New York City, New New York—d. July 16, 1983, New York City, New York) has 45 York—d. July 16, 1936, Hollywood, California, car accident) writing credits, among them 1988 “American Playhouse,” 1980 directed 68 films, among them 1936 The Case of the Black Cat, The Jazz Singer (play), 1965 “Wolken am Himmel,” 1959 1935 The Great Impersonation, 1935 King Solomon of “Startime,” 1956 Hilda Crane (play), 1955 “Lux Video Theatre,” Broadway, 1935 It Happened in New York, 1935 The White 1952 “Broadway Television Theatre,” 1949 “The Ford Theatre Cockatoo, 1934 The Case of the Howling Dog, 1934 Massacre, Hour” 1949 In the Good Old Summertime, 1947
    [Show full text]
  • Cinema's Unstable Texts
    Cinema’s Unstable Texts: A Historical Analysis of Textual Variation in the Film Industry By Mikhail L. Skoptsov B.A. New York University, 2010 M.A. University of Southern California, 2012 Dissertation Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Modern Culture and Media at Brown University Providence, Rhode Island May 2020 © Copyright 2020 by Mikhail Skoptsov This dissertation by Mikhail L. Skoptsov is accepted in its present form by the Department of Modern Culture and Media as satisfying the dissertation requirement for the degree of Doctor of Philosophy. Date______________ ____________________________ Philip Rosen, Advisor Recommended to the Graduate Council Date______________ ____________________________ Lynne Joyrich, Reader Date______________ ____________________________ Ariella Azoulay, Reader Approved by the Graduate Council Date______________ ____________________________ Andrew G. Campbell, Dean of the Graduate School iii Curriculum Vitae Mikhail Skoptsov graduated in 2010 from New York University with a B.A. in Cinema Studies with honors, a second major in the French language, and a minor in Producing. He subsequently graduated with an M.A. in Film Studies from the University of Southern California (USC) in 2012. His published academic works include a book chapter in Bringing History to Life Through Film: The Art of Cinematic Storytelling (2013), and articles in the online international journal Series (2015) and Contexts (Spring 2018), the official annual publication of the Haffenreffer Museum of Anthropology. A forthcoming book chapter will appear in The Hobbit in Film and Fiction: Essays on Peter Jacksons Hobbit Trilogy (2020). As a former film critic, he has published multiple reviews in Washington Square News and The Daily Trojan newspapers.
    [Show full text]
  • UCLA FESTIVAL of PRESERVATION 03.05.15 – 03.30.15 UCLA FESTIVAL of PRESERVATION 03.05.15 – 03.30.15 1 from the DIRECTOR
    UCLA FESTIVAL of PRESERVATION 03.05.15 – 03.30.15 UCLA FESTIVAL of PRESERVATION 03.05.15 – 03.30.15 1 FROM THE DIRECTOR The year 2015 marks the 50th anniversary of UCLA Film & Television Archive In the comedy department, we are proud to be able to present the latest and so we are doubly proud to put on our biennial Festival of Preservation results in our ongoing effort to preserve the legacy of Laurel & Hardy, includ- (FOP) to kick off a series of anniversary-related events that will run through- ing the shorts, The Midnight Patrol (1933), and The Music Box (1932). We are out the year. As director of UCLA Film & Television Archive, I’m happy to also screening a new preservation of the comedy hit of last year’s Cinefest in introduce the 17th iteration of our FOP, which again reflects the broad and Syracuse, Bachelor’s Affairs (1932), a pre-Code gem, starring Adolphe Menjou deep efforts of the Archive to preserve and restore our national moving image as a die-hard bachelor who is felled by a ditzy blonde bombshell. heritage. And while the rest of the world has seemingly made the transition to As is standard operating practice, given our close working relationship with a 100 percent digital environment, the Archive is still committed to preserving the Film Noir Foundation, we have again preserved a number of rare and films on film, while we still can, even if our theater will increasingly be project- interesting film noirs, including Too Late for Tears (1949), starring Lizabeth Scott ing digital material.
    [Show full text]
  • UCLA FESTIVAL of PRESERVATION
    UCLA FESTIVAL of PRESERVATION 2019 FROM THE DIRECTOR This year for the first time, we decided to organize our UCLA Festival of Preservation We begin Friday morning with a delightful early 1930s musical comedy, My Lips as a weekend event, instead of one spread out over a whole month, as in previous Betray (John G. Blystone, 1933), starring Germany’s most popular actress, Lilian iterations. We believe this will give the biennial event more of a festival character, but of Harvey, who was one of the few non-Jewish German actors to turn her back on course this is a grand experiment. We welcome your feedback on the new format. the Third Reich and immigrate to America. Harvey plays a commoner in a mythical As a result of this format change, our festival is slightly smaller than in past years, European kingdom who is in love with a prince; an old story, but Harvey is absolutely but still representative of the broad and deep efforts of UCLA Film & Television charming. Another comedy highlight will be Sunday's Laurel and Hardy program, Archive to preserve and restore our moving image heritage. We have tried to put featuring Perfect Day (1929), the restoration of which was funded by our incredibly together a mix of main stream classic Hollywood, independent features, successful UCLA Spark crowdfunding campaign last year. documentaries, and television work, reflecting the Archive’s many stellar collections of film and video material. Continuing our efforts, begun in 2017 to preserve classic Spanish-language films for our retrospective “Recuerdos de un cine en español: Latin American Cinema We officially open the UCLA Festival of Preservation 2019 on Friday evening in Los Angeles, 1930-1960,” we have finally finished the restoration of Enamorada with Frank Borzage’s The Mortal Storm (1940), one of the few Hollywood anti- (Emilio Fernández, 1946), a version of The Taming of the Shrew that may be the Nazi melodramas made before America’s entrance into World War II.
    [Show full text]
  • Guide to the Motion Picture Stills Collection 1920-1934
    University of Chicago Library Guide to the Motion Picture Stills Collection 1920-1934 © 2006 University of Chicago Library Table of Contents Descriptive Summary 3 Information on Use 3 Access 3 Citation 3 Scope Note 3 Related Resources 5 Subject Headings 5 INVENTORY 6 Series I: Actors and Actresses 6 Series II: Motion Picture Stills 171 Series III: Scrapbooks 285 Subseries 1: Scrapbooks; Individual Actors and Actresses 285 Subseries 2: Miscellaneous Scrapbooks 296 Series IV: Vitaphone Stills 297 Series V: Large Film Stills and Marquee Cards 300 Series VI: Coming Attractions, Glass Lantern Slides 302 Series VII: Duplicate Film Stills 302 Series VIII: Index Cards 302 Descriptive Summary Identifier ICU.SPCL.MOTIONPICTURE Title Motion Picture Stills. Collection Date 1920-1934 Size 87.5 linear feet (139 boxes) Repository Special Collections Research Center University of Chicago Library 1100 East 57th Street Chicago, Illinois 60637 U.S.A. Abstract Contains approximately 30,000 black and white photographs of movie stills, production shots, and portrait photographs of actors. Includes 8" x 10" photographs, 187 scrapbooks devoted to individual film stars, marquee cards, and glass lantern slides announcing coming attractions from Pathe and other movie studios. Information on Use Access No restrictions. Citation When quoting material from this collection, the preferred citation is: Motion Picture Stills. Collection, [Box #, Folder #], Special Collections Research Center, University of Chicago Library Scope Note The Motion Picture Stills Collection features a group of approximately 30,000 black and white photographs of movie stills, production shots, and portrait photographs of actors. The first half of this collection consists of these 8" x 10" photographs.
    [Show full text]
  • Familial Bonds in the Works of Horton Foote (1916- )
    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1993 Voices From Home: Familial Bonds in the Works of Horton Foote (1916- ). Marion Dean Castleberry Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Castleberry, Marion Dean, "Voices From Home: Familial Bonds in the Works of Horton Foote (1916- )." (1993). LSU Historical Dissertations and Theses. 5618. https://digitalcommons.lsu.edu/gradschool_disstheses/5618 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microGlm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing firom left to right in equal sections with small overlaps.
    [Show full text]
  • Richard Barthelmess Филм Ñ​пиÑ​ък
    Richard Barthelmess Филм ÑÐ​ ¿Ð¸ÑÑ​ ŠÐº (ФилмографиÑ)​ Spy of Napoleon https://bg.listvote.com/lists/film/movies/spy-of-napoleon-7581709/actors The Bond Boy https://bg.listvote.com/lists/film/movies/the-bond-boy-3520051/actors Experience https://bg.listvote.com/lists/film/movies/experience-3736040/actors The White Black Sheep https://bg.listvote.com/lists/film/movies/the-white-black-sheep-18393963/actors Three Men and a Girl https://bg.listvote.com/lists/film/movies/three-men-and-a-girl-13423815/actors Hit-The-Trail Holliday https://bg.listvote.com/lists/film/movies/hit-the-trail-holliday-13423775/actors The Hope Chest https://bg.listvote.com/lists/film/movies/the-hope-chest-7740246/actors Sunshine Nan https://bg.listvote.com/lists/film/movies/sunshine-nan-12232111/actors For Valour https://bg.listvote.com/lists/film/movies/for-valour-16025032/actors Sonny https://bg.listvote.com/lists/film/movies/sonny-3490629/actors Seeing Stars https://bg.listvote.com/lists/film/movies/seeing-stars-3954220/actors The Love Flower https://bg.listvote.com/lists/film/movies/the-love-flower-7748914/actors The Valentine Girl https://bg.listvote.com/lists/film/movies/the-valentine-girl-3989808/actors Massacre https://bg.listvote.com/lists/film/movies/massacre-3297407/actors Heroes for Sale https://bg.listvote.com/lists/film/movies/heroes-for-sale-3145064/actors The Idol Dancer https://bg.listvote.com/lists/film/movies/the-idol-dancer-7741378/actors Nearly Married https://bg.listvote.com/lists/film/movies/nearly-married-3874083/actors Four Hours
    [Show full text]
  • Houston Gray Collection Finding Aid (PDF)
    University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION TABLE OF CONTENTS Biographical Sketch ………………………………………………………………………… 3 Scope and Content ………………………………………………………………………… 4 Series Notes ………………………………………………………………………………… 5 Container List ………………………………………………………………………………… 7 SERIES I: DOCUMENTS ………………………………………………………… 7 SERIES II: PERIODICALS ………………………………………………………… 8 A: Regular ………………………………………………………… 8 B: Oversized ………………………………………………………… 42 SERIES III: PROMOTIONAL MATERIALS ………………………………… 49 A: Movie Promos (Picture Books) ………………………………… 49 B: Movie Promos (Magazines/Brochures) ………………………… 49 C: Studio Promos ………………………………………………… 50 D: Lobby Cards ………………………………………………… 51 E: Press Books ………………………………………………… 53 F: Posters ………………………………………………………… 60 SERIES IV: OTHER PUBLICATIONS ………………………………………… 60 A: Sheet Music ………………………………………………… 60 B: Film Publications ………………………………………………… 63 i – Paper Dolls ………………………………………… 63 ii – Coloring Materials ………………………………… 63 iii – Coffee Table Books ………………………………… 63 iv – Postcard Books ………………………………………… 64 v – Graphic Novels ………………………………………… 64 vi – Tribute books ………………………………………… 64 vii – Movie Star Profiles ………………………………… 64 viii – Catalogs ………………………………………… 64 ix – Ad Mats ………………………………………………… 64 x – Scripts ………………………………………………… 64 xi – Film History Materials ………………………………… 64 xii – Misc. Film Publications ………………………………… 65 C: Theatre and Other Publications ………………………………… 65 i – Misc. Theatre Publications ………………………… 65 ii – Other Publications ………………………………… 65 D:
    [Show full text]