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VII, CBI (AHD SCAM CASES), RANCHI Present: Shiv Pal Singh
- 1 - R.C. C ase No. 45(A)/1996-Pat D I S T R I C T : R A N C H I IN THE COURT OF SPECIAL JUDGE – VII, C.B.I (A .H.D SCAM CASES), RANCHI Present: Shiv Pal Singh, Spl. Judge-VII, CBI (AHD Scam) Ranchi Ranchi dated:- 09 th day of April, 2018 R.C. Case No. 45(A) of 1996-Pat State (through Superintendent of Police, C.B.I, (A.H.D Scam), Dumka) ………..Prosecution Versus 1. Ajit Kumar Sinha, S/o- Late Nirmal Kumar Sinha, aged about 55 Years, R/o- Sinha Bhawan Patna, P.S. Gandhi Nagar, District- Patna. 2. Ajit Kumar Verma, S/o- Late Bipin Bihari Verma, aged about 74 Years, R/o- 17/M-1 Kolkatta, P.S. - Dariyahat, District – South 24 Pargana. 3. Anil Kumar Sinha, S/o- Late Vashishth Narayan Sinha, aged about 50 Years, R/o- Smarpan House Patna, P.S. Shekhpura, District – Patna. 4. Arun Kumar @ Arun Kumar Singh, S/o- Late Yugal Kishore Singh, aged about 52 Years, R/O- Bhatacharya Colony Deoghar, P.S. Deoghar, Distt- Deoghar, - 2 - R.C. C ase No. 45(A)/1996-Pat 5. Smt. Benu Jha, W/o- Vinod Jha, aged about 50 Years, R/o- Maheshpur P.S. - Pathargama, Distt- Dumka, 6. Bimal Kant Das, S/o- Late Jitendra Nath Das, aged about 73 Years, R/o- Laukaha, P.S. Laukaha, District- Madhuvani. 7. Dinesh Kumar Sinha, S/o- Late Raghu Nath Prasad Sinha, aged about 55 Years, R/o- Ashoi, P.S. Bhagwanpur, District – Vaishali 8. -
UX and Agile: a Bollywood Blockbuster Masala
UX and Agile: A Bollywood blockbuster masala Pradeep Joseph UXD Manager Juniper Networks Bangalore What is Bollywood? Wikipedia says: The name "Bollywood" is derived from Bombay (the former name for Mumbai) and Hollywood, the center of the American film industry. However, unlike Hollywood, Bollywood does not exist as a physical place. Bollywood films are mostly musicals, and are expected to contain catchy music in the form of song-and-dance numbers woven into the script. Indian audiences expect full value for their money. Songs and dances, love triangles, comedy and dare-devil thrills are all mixed up in a three-hour- long extravaganza with an intermission. Such movies are called masala films, after the Hindi word for a spice mixture. Like masalas, these movies are a mixture of many things such as action, comedy, romance and so on. Melodrama and romance are common ingredients to Bollywood films. They frequently employ formulaic ingredients such as star-crossed lovers and angry parents, love triangles, family ties, sacrifice, corrupt politicians, kidnappers, conniving villains, courtesans with hearts of gold, long-lost relatives and siblings separated by fate, dramatic reversals of fortune, and convenient coincidences. What has UX and Agile got to do with Bollywood? As a Designer I faced tremendous challenges while moving into an Agile environment. While drowning the sorrows with designers from other organizations I came to realize that they too face similar challenges. This inspired me to explore further into what makes designers sad, what makes them suck and what are the ways in which they can contribute more in an Agile environment. -
The American Nightmare, Or the Revelation of the Uncanny in Three
The American Nightmare, or the Revelation of the Uncanny in three documentary films by Werner Herzog La pesadilla americana, o la revelación de lo extraño en tres documentales de DIEGO ZAVALA SCHERER1 Werner Herzog http://orcid.org/0000-0002-7362-4709 This paper analyzes three Werner Herzog’s films: How Much Wood Would a Woodchuck Chuck (1976), Huie’s Sermon (1981) and God´s Angry Man (1981) through his use of the sequence shot as a documentary device. Despite the strong relation of this way of shooting with direct cinema, Herzog deconstructs its use to generate moments of filmic revelation, away from a mere recording of events. KEYWORDS:Documentary device, sequence shot, Werner Herzog, direct cinema, ecstasy. El presente artículo analiza tres obras de la filmografía de Werner Herzog: How Much Wood Would a Woodchuck Chuck (1976), Huie´s Sermon (1981) y God´s Angry Man (1981), a partir del uso del plano secuencia como dispositivo documental. A pesar del vínculo de esta forma de puesta en cámara con el cine directo, Herzog deconstruye su uso para la generación de momentos de revelación fílmica, lejos del simple registro. PALABRAS CLAVE: Dispositivo documental, plano secuencia, Werner Herzog, cine directo, éxtasis. 1 Tecnológico de Monterrey, México. E-mail: [email protected] Submitted: 01/09/17. Accepted: 14/11/17. Published: 12/11/18. Comunicación y Sociedad, 32, may-august, 2018, pp. 63-83. 63 64 Diego Zavala Scherer INTRODUCTION Werner Herzog’s creative universe, which includes films, operas, poetry books, journals; is labyrinthine, self-referential, iterative … it is, we might say– in the words of Deleuze and Guattari (1990) when referring to Kafka’s work – a lair. -
An Anguished Self-Subjection: Man and Animal in Werner Herzog's Grizzly
An Anguished Self-Subjection: Man and Animal in Werner Herzog’s Grizzly Man Stefan Mattessich Santa Monica College Do we not see around and among us men and peoples who no longer have any essence or identity—who are delivered over, so to speak, to their inessentiality and their inactivity—and who grope everywhere, and at the cost of gross falsifications, for an inheritance and a task, an inheritance as task? Giorgio Agamben The Open erner herzog’s interest in animals goes hand in hand with his Winterest in a Western civilizational project that entails crossing and dis- placing borders on every level, from the most geographic to the most corporeal and psychological. Some animals are merely present in a scene; early in Fitzcarraldo, for instance, its eponymous hero—a European in early-twentieth-century Peru—plays on a gramophone a recording of his beloved Enrico Caruso for an audience that includes a pig. Others insist in his films as metaphors: the monkeys on the raft as the frenetic materializa- tion of the conquistador Aguirre’s final insanity. Still others merge with characters: subtly in the German immigrant Stroszek, who kills himself on a Wisconsin ski lift because he cannot bear to be treated like an animal anymore or, literally in the case of the vampire Nosferatu, a kindred spirit ESC 39.1 (March 2013): 51–70 to bats and wolves. But, in every film, Herzog is centrally concerned with what Agamben calls the “anthropological machine” running at the heart of that civilizational project, which functions to decide on the difference between man and animal. -
BJP Leader Said Galwan Valley in Eastern Ladakh Prime Minister Narendra Modi, Accompanied by Roshan”
DAILY EXCELSIOR, JAMMU SATURDAY, OCTOBER 31, 2020 (PAGE 7) PM inaugurates tourism attractions 15th Finance Commission finalises Pak Minister’s admission revealed truth of report, to submit on Nov 9 at Statue of Unity NEW DELHI, Oct 30: The commission will also Pulwama attack, silenced Govt critics: Rajnath KEVADIYA (Guj), Oct 30: 20 emporia, said the govern- children with the underlying present a copy of the report to BHAGALPUR (Bihar), Oct 30: tions," he said. made the supreme sacrifice in the ment release. theme of “Sahi Poshan Desh The 15th Finance Prime Minister Narendra Modi The senior BJP leader said Galwan Valley in eastern Ladakh Prime Minister Narendra Modi, accompanied by Roshan”. Commission will submit its later next month. Defence Minister Rajnath when former prime minister Indira in clashes with Chinese troops to Modi, who is on a two-day report for fiscal years 2021-22 The report, which contains Singh Friday said that a Pakistani Gandhi had divided Pakistan into protect the country. visit to Gujarat, inaugurated to 2025-26 to President Ram recommendations pertaining to Minister’s admission of his two, BJP stalwart late Atal Bihari Moving on to other issues, he four new tourist attractions Nath Kovind on November 9, five financial years, 2021-22 to Country’s involvement in the 2019 Vajpayee had praised her in said the country would have been near the Statue of Unity at an official statement said on 2025-26, will be tabled in Pulwama attack has revealed the Parliament. in a much better position if the Kevadiya in Narmada district Friday. -
03.12.2018 Supplementary List Supplementary List for Today in Continuation of the Advance List Already Circulated
03.12.2018 SUPPLEMENTARY LIST SUPPLEMENTARY LIST FOR TODAY IN CONTINUATION OF THE ADVANCE LIST ALREADY CIRCULATED. THE WEBSITE OF DELHI HIGH COURT IS www.delhihighcourt.nic.in INDEX PRONOUNCEMENT OF JUDGMENTS -----------------> 01 TO 02 REGULAR MATTERS ----------------------------> 01 TO 122 FINAL MATTERS (ORIGINAL SIDE) --------------> 01 TO 13 ADVANCE LIST -------------------------------> 01 TO 95 APPELLATE SIDE (SUPPLEMENTARY LIST)---------> 96 TO 125 APPELLATE SIDE (SUPPLEMENTARY LIST-MID)-----> 126 TO 152 ORIGINAL SIDE (SUPPLEMENTARY I)-------------> 153 TO 160 COMPANY ------------------------------------> 161 TO 162 SECOND SUPPLEMENTARY -----------------------> 163 TO 174 THIRD SUPPLEMENTARY -----------------------> 175 TO 175 MEDIATION CAUSE LIST -----------------------> 01 TO 03 PRE-LOK ADALAT------------------------------> 01 TO 02 NOTE 1. Mentioning of urgent matters will be before Hon'ble DB-I at 10.30 A.M.. DELETIONS 1. FAO(OS)(COMM) 272/2018 listed before Hon'ble DB-II at item No.2 is deleted as the same is fixed for 14.12.2018. 2. FAO(OS) 271/2017 listed before Hon'ble DB-III at item No.11 is deleted as the same is re-registered as FAO(OS)(COM.) 284/2018 and the same is listed before Hon'ble DB-II at item No.41. 3. CO.APPL. 26/2018 listed before Hon'ble DB-V at item No.44 is deleted as the same is returned to Filing Counter. 4. CONT.CAS(C) 688/2018 listed before Hon'ble Mr. Justice Sunil Gaur at item No.32 is deleted as the same is fixed for 05.12.2018. 5. W.P.(C) 12998/2018 listed before Hon'ble Mr. Justice Sunil Gaur at item No.70 is deleted as the same is listed before Hon'ble DB-V. -
Music and History in Italian Film Melodrama, 1940-2010
Between Soundtrack and Performance: Music and History in Italian Film Melodrama, 1940-2010 By Marina Romani A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Italian Studies and the Designated Emphasis in Film Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Barbara Spackman, Chair Professor Mary Ann Smart Professor Linda Williams Professor Mia Fuller Summer 2015 Abstract Between Soundtrack and Performance: Music and History in Italian Film Melodrama, 1940-2010 by Marina Romani Doctor of Philosophy in Italian Studies and the Designated Emphasis in Film Studies University of California, Berkeley Professor Barbara Spackman, Chair Melodrama manifests itself in a variety of forms – as a film and theatre practice, as a discursive category, as a mode of imagination. This dissertation discusses film melodrama in its visual, gestural, and aural manifestations. My focus is on the persistence of melodrama and the traces it leaves on post-World War II Italian cinema: from the Neorealist canon of the 1940s to works that engage with the psychological and physical, private, and collective traumas after the experience of a totalitarian regime (Cavani’s Il portiere di notte, 1974), to postmodern Viscontian experiments set in a 21st-century capitalist society (Guadagnino’s Io sono l’amore, 2009). The aural dimension is fundamental as an opening to the epistemology of each film. I pay particular attention to the presence of operatic music – as evoked directly or through semiotic displacement involving the film’s aesthetic and expressive figures – and I acknowledge the existence of a long legacy of practical and imaginative influences, infiltrations and borrowings between the screen and the operatic stage in the Italian cinematographic tradition. -
L'invention Musicale Face À La Nature Dans Grizzly
L’invention musicale face à la nature dans Grizzly Man, The Wild Blue Yonder et La grotte des rêves perdus de Werner Herzog Vincent Deville To cite this version: Vincent Deville. L’invention musicale face à la nature dans Grizzly Man, The Wild Blue Yonder et La grotte des rêves perdus de Werner Herzog. Revue musicale OICRM, Observatoire interdisciplinaire de création et de recherche en musique, 2018, 5 (n°1), s.p. hal-02133197v1 HAL Id: hal-02133197 https://hal.archives-ouvertes.fr/hal-02133197v1 Submitted on 17 May 2019 (v1), last revised 15 Jul 2019 (v2) HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives| 4.0 International License L’invention musicale face à la nature dans Grizzly Man, The Wild Blue Yonder et La grotte des rêves perdus de Werner Herzog Vincent Deville Résumé Quand le cinéaste allemand Werner Herzog réalise ou produit trois documentaires sur la création et l’enregistrement de la musique de trois de ses films entre 2005 et 2011, il effectue un double geste de révélation et d’incarnation : les notes nous deviennent visibles à travers le corps des musiciens. -
A Tribute to Chetan Datar,Bharangam 13 – All the Plays of B
Snake, Love and Sexuality Ravindra Tripathi’s There are a lot of stories in Indian mythology and folklores where you find the snake or the serpent as sexual motif. Some modern plays are also based upon it. For example Girish Karnad’s play Nagmandala. The snake as sexual motif is not limited only to India. In 13th bharat rang mahotsav, the Japanese play Ugetsu Monogatari (directed by Madoka okada) also presents the snake as a charmer and lover of human being. It is story of 10th century Japan. There is a young man, named Toyoo, son of a fisherman. He lives near seashore. A beautiful woman named Manago comes to his home in a rainy night. Toyoo is attracted towards her. He also lends his umbrella and promises to meet her again in near future. After some days he goes to her house on the pretext of going back his umbrella. During that he gets intimate with her. Manago gives him a beautiful sword as a token of their relationship. But after sometime it comes out that the sword was stolen from a shrine. Toyoo is caught by the officials on the charge of theft. He is taken to the house of Manago and there it is discovered that actually Manago is not a woman but a serpent. She transforms herself as a woman to get Toyoo love. Now the question is what will happen of their relationship. Will Toyoo accept Manago, the serpent as his beloved or leave her? Ugetsu monogatari is a play about coexistence of natural and supernatural in human life. -
Here in the United Online Premieres Too
Image : Self- portrait by Chila Kumari Singh Burman Welcome back to the festival, which this Dive deep into our Extra-Ordinary Lives strand with amazing dramas and year has evolved into a hybrid festival. documentaries from across South Asia. Including the must-see Ahimsa: Gandhi, You can watch it in cinemas in London, The Power of The Powerless, a documentary on the incredible global impact of Birmingham, and Manchester, or on Gandhi’s non-violence ideas; Abhijaan, an inspiring biopic exploring the life of your own sofa at home, via our digital the late and great Bengali actor Soumitra Chatterjee; Black comedy Ashes On a site www.LoveLIFFatHome.com, that Road Trip; and Tiger Award winner at Rotterdam Pebbles. Look out for selected is accessible anywhere in the United online premieres too. Kingdom. Our talks and certain events We also introduce a new strand dedicated to ecology-related films, calledSave CARY RAJINDER SAWHNEY are also accessible worldwide. The Planet, with some stirring features about lives affected by deforestation and rising sea levels, and how people are meeting the challenge. A big personal thanks to all our audiences who stayed with the festival last We are expecting a host of special guests as usual and do check out our brilliant year and helped make it one of the few success stories in the film industry. This online In Conversations with Indian talent in June - where we will be joined year’s festival is dedicated to you with love. by Bollywood Director Karan Johar, and rapidly rising talented actors Shruti Highlights of this year’s festival include our inspiring Opening Night Gala Haasan and Janhvi Kapoor, as well as featuring some very informative online WOMB about one woman gender activist who incredibly walks the entire Q&As on all our films. -
Mediated Meetings in Grizzly Man
An Argument across Time and Space: Mediated Meetings in Grizzly Man TRENT GRIFFITHS, Deakin University, Melbourne ABSTRACT In Werner Herzog’s 2005 documentary Grizzly Man, charting the life and tragic death of grizzly bear protectionist Timothy Treadwell, the medium of documentary film becomes a place for the metaphysical meeting of two filmmakers otherwise separated by time and space. The film is structured as a kind of ‘argument’ between Herzog and Treadwell, reimagining the temporal divide of past and present through the technologies of documentary filmmaking. Herzog’s use of Treadwell’s archive of video footage highlights the complex status of the filmic trace in documentary film, and the possibilities of documentary traces to create distinct affective experiences of time. This paper focuses on how Treadwell is simultaneously present and absent in Grizzly Man, and how Herzog’s decision to structure the film as a ‘virtual argument’ with Treadwell also turns the film into a self-reflexive project in which Herzog reconsiders and re-presents his own image as a filmmaker. With reference to Herzog’s notion of the ‘ecstatic truth’ lying beneath the surface of what the documentary camera records, this article also considers the ethical implications of Herzog’s use of Treadwell’s archive material to both tell Treadwell’s story and work through his own authorial identity. KEYWORDS Documentary time, self-representation, digital film, trace, authorship, Werner Herzog. Introduction The opening scene of Grizzly Man (2005), Werner Herzog’s documentary about the life and tragic death of grizzly bear protectionist and amateur filmmaker Timothy Treadwell, shows Treadwell filming himself in front of bears grazing in a pasture, addressing the camera as though a wildlife documentary presenter. -
Documentary Movies
Libraries DOCUMENTARY MOVIES The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 10 Days that Unexpectedly Changed America DVD-2043 56 Up DVD-8322 180 DVD-3999 60's DVD-0410 1-800-India: Importing a White-Collar Economy DVD-3263 7 Up/7 Plus Seven DVD-1056 1930s (Discs 1-3) DVD-5348 Discs 1 70 Acres in Chicago: Cabrini Green DVD-8778 1930s (Discs 4-5) DVD-5348 Discs 4 70 Acres in Chicago: Cabrini Green c.2 DVD-8778 c.2 1964 DVD-7724 9/11 c.2 DVD-0056 c.2 1968 with Tom Brokaw DVD-5235 9500 Liberty DVD-8572 1983 Riegelman's Closing/2008 Update DVD-7715 Abandoned: The Betrayal of America's Immigrants DVD-5835 20 Years Old in the Middle East DVD-6111 Abolitionists DVD-7362 DVD-4941 Aboriginal Architecture: Living Architecture DVD-3261 21 Up DVD-1061 Abraham and Mary Lincoln: A House Divided DVD-0001 21 Up South Africa DVD-3691 Absent from the Academy DVD-8351 24 City DVD-9072 Absolutely Positive DVD-8796 24 Hours 24 Million Meals: Feeding New York DVD-8157 Absolutely Positive c.2 DVD-8796 c.2 28 Up DVD-1066 Accidental Hero: Room 408 DVD-5980 3 Times Divorced DVD-5100 Act of Killing DVD-4434 30 Days Season 3 DVD-3708 Addicted to Plastic DVD-8168 35 Up DVD-1072 Addiction DVD-2884 4 Little Girls DVD-0051 Address DVD-8002 42 Up DVD-1079 Adonis Factor DVD-2607 49 Up DVD-1913 Adventure of English DVD-5957 500 Nations DVD-0778 Advertising and the End of the World DVD-1460