Messiah in 2009
- - -": - . -_- - . --:. -- . - -- . - . ~.:: .·, . $~ ~aL S~> UV · . ·. ·. ·... ·.. ·~ wi,,f-y,._; K~ Co-LLet,€/" , y.w-~ . ----~~--~-~-J --~~- - '...-:! . :r d , ,,,- ,, . ,. .• :c. • • •.•- ·. ~>'~ _ ,;~t;Cc: r 1 , ·; ·- . - ' ' . - . - - -_:: ,.. ·, .,·: .:>;_:~." ' .. ' '(Paris r tt:V\d If) --- - - • • -. ·"'.: • -- - : - ·-..... - ,.: .- ..... - - - - -- - • . 1;.tbretto coW\piled by Chair/es Jevi.Vt~V\.s iV\. ,;c _,. .. - ·collaboratioVt witV\ Qeor9e Frederic HaVtde( - The Lakes Schoo-I 7 .30 p.m. on. Saturday s April 2.0:1-4 Foreword In my forewor~ fhrt'du~ 1~rfo~~nce of {"Carmina~auran; I ~on~~[ ed V¥hY\' '.lad ~~!<!_rt~~n s~cb an ambitious proje~t. With h1nds1gnt ,I neetj "not"hav~ worriicfastA'3 reviews and fee db~t k from that memorable ni~~v ~sttfie~~mbarking on such a journey. ·, l ,_, ,.>,J--(~, 'f'\.1 Yet here we are again, a year later, back in The Lakes School and I'm fretting about w~ ther I have made the right decision and~ I suspect~ there will oe :ra few other nervous people who are putting on brav\ ..faces anc1. w·ondering why ... I have always felt.that many people who go to a traditional performance of ~andel's fY/essiah go to hear the wonderful music, while the drama, the story told by the scriptural words compiled by the librettist, Charles Jennens, tending to take second place. This may be because up until the last 20 or so years, Handel's operas Wj re not regularly_peJ:formed. -In 1985, the tercentenary of his biftfl-, "few if any of his operas had been recorded. So perhaps we ha.dft:t~.apgreciated that Handel, like Purcell and Monteverdi before him and composers following him, such as Verdi, Mozart, Britten and John Adams, were instinctively dramatic com~osers.
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