Bard Focuses on Genocide in Darfur
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A Discourse of Redemption in Three of Kurt Vonnegut's Novels
Tutton Parker 1 What’s in the Potato Barn: A Discourse of Redemption in Three of Kurt Vonnegut’s Novels A Thesis Submitted to The Faculty of the College of Arts and Science in Candidacy for the Degree of Master of Arts and English By Rebecca Tutton Parker April 2018 Tutton Parker 2 Liberty University College of Arts and Sciences Master of Arts in English Student Name: Rebecca Tutton Parker Thesis Chair Date First Reader Date Second Reader Date Tutton Parker 3 Table of Contents Chapter One: Introduction………………………………………………………………………...4 Chapter Two: Redemption in Slaughterhouse-Five and Bluebeard…………………………..…23 Chapter Three: Rabo Karabekian’s Path to Redemption in Breakfast of Champions…………...42 Chapter Four: How Rabo Karabekian Brings Redemption to Kurt Vonnegut…………………..54 Chapter Five: Conclusion………………………………………………………………………..72 Works Cited……………………………………………………………………………………..75 Tutton Parker 4 Chapter One: Introduction The Bluebeard folktale has been recorded since the seventeenth century with historical roots even further back in history. What is most commonly referred to as Bluebeard, however, started as a Mother Goose tale transcribed by Charles Perrault in 1697. The story is about a man with a blue beard who had many wives and told them not to go into a certain room of his castle (Hermansson ix). Inevitably when each wife was given the golden key to the room and a chance alone in the house, she would always open the door and find the dead bodies of past wives. She would then meet her own death at the hands of her husband. According to Casie Hermansson, the tale was very popular in the eighteenth and nineteenth centuries, which spurred many literary figures to adapt it, including James Boswell, Charles Dickens, Herman Melville, and Thomas Carlyle (x). -
The “Image-Event” in the Early Post- 9/11 Novel: Literary Representations
The “Image-Event” in the Early Post- 9/11 Novel: Literary Representations of Terror After September 11,2001 Ewa Kowal The “Image-Event” in the Early Post- 9/11 Novel: Literary Representations of Terror After September 11,2001 This volume has been published thanks to the fi nancial support of the Faculty of Philology at the Jagiellonian University. Reviewer Prof. dr hab. Ewa Borkowska Technical editor Anna Poinc-Chrabąszcz Proofreader Joanna Myśliwiec Typesetter Katarzyna Mróz-Jaskuła Cover design Anna Sadowska © Copyright by Ewa Kowal & Jagiellonian University Press First edition, Kraków 2012 All rights reserved No part of this book may be reprinted or utilized in any form or by any electronic, mechanical or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. www.wuj.pl ISBN 978-83-233-3317-3 Jagiellonian University Press Editorial Offi ces: ul. Michałowskiego 9/2, 31-126 Cracow Phone: +48 12 631 18 80, +48 12 631 18 82, Fax: +48 12 631 18 83 Distribution: Phone: +48 12 631 01 97, Fax: +48 12 631 01 98 Cell Phone: +48 506 006 674, e-mail: [email protected] Bank: PEKAO SA, IBAN PL80 1240 4722 1111 0000 4856 3325 “image comes before thought” “dream is more powerful than thought” “childhood is certainly greater than reality” Gaston Bachelard, The Poetics of Space (xx, 16, 16) “Media have the same claim to reality as more tangible cultural artifacts; photographs, fi lms, and computer applications are as real as airplanes and buildings.” Jay David Bolter and Richard Grusin, Remediation. -
News in Brief: US Media Coverage of Civilian Harm in the War Against ISIS
News In Brief: US Media Coverage of Civilian Harm in the War Against So-Called Islamic State Previous page A journalist on the frontline of Published by Airwars, July 2019 Mosul’s Old City, April 12, 2017. Image © Kainoa Little Airwars is a collaborative, not-for-profit organization focused on reducing battlefield civilian casualties. We track, document and archive airpower-dominated military actions, and local reports of civilian harm in conflict zones. Presently covering Iraq, Syria, and Libya - as well as US counter terrorism actions in Somalia, Yemen and Pakistan - we provide a vital counter-narrative to the dominant military assertion that civilian deaths are low in modern warfare. Airwars contributes to truth-seeking and accountability through our pioneering work collecting, assessing, and archiving accounts from local journalists, citizens, and state- and non-state actors - and leveraging that information for change. Airwars Goldsmiths, University of London London SE14 6NW United Kingdom +44 (0) 207 896 2076 [email protected] https://airwars.org/ Twitter: @airwars Photographs remain the copyright of the original owners unless otherwise stated. All report citations to be credited to Airwars. I. Table of Contents II. Executive Summary .................................................................................. 2 Key Findings .................................................................................................. 5 III. Recommendations ................................................................................. -
NEIGHBORHOOD 3: REQUISITION of DOOM by Jennifer Haley Directed by Joel Schumacher
THE FLEA THEATER NIEGEL SMITH ARTISTIC DIRECTOR CAROL OSTROW PRODUCING DIRECTOR PRESENTS THE NEW YORK PREMIERE OF NEIGHBORHOOD 3: REQUISITION OF DOOM BY JENNIFER HALEY DIRECTED BY JOEL SCHUMACHER FEATURING THE BATS JUSTIN AHDOOT, SYDNEY BLAXILL, ALEXANDRA CURRAN, ERIC FOLKS, ADAM ALEXANDER HAMILTON, ALEX HAYNES, ADELIND HORAN, LINDSLEY HOWARD, KERRY IPEMA, OLIVIA JAMPOL, CONNOR JOHNSTON, HANK LIN, MADELINE MAHONEY, CRISTINA PITTER, BRENDAN SOKLER, KEVIN ARGUS, THOMAS MUCCIOLI SIMON HARDING SCENIC DESIGN BRIAN ALDOUS LIGHTING DESIGN JEssICA PAbsT COSTUME DESIGN GRACE INTERLICHIA ASSISTANT COSTUME DESIGN JANIE BULLARD SOUND DESIGN JOHN MCKEnnA ASSISTANT SOUND DESIGN J. DAVID BRIMMER FIGHT CHOREOGRAPHY ZACH SERAFIN PROP MASTER DAVID MONTEAGUDO ASSISTANT DIRECTOR ZACHARY GOLDEN ASSISTANT TO THE DIRECTOR AbbEY BAY PRODUCTION STAGE MANAGER KAILA HILL ASSISTANT STAGE MANAGER RON LASKO/SPIN CYCLE PRESS REPRESENTATIVE CAST Voiceover ......................................................................... Justin Ahdoot Makaela .........................................................................Adelind Horan Trevor ................................................................................ Alex Haynes Steve .................................................................................... Eric Folks Leslie............................................................................... Olivia Jampol Vicki ...............................................................................Cristina Pitter Kaitlyn ..................................................................... -
Block Universes and Strange Loop Phenomena In
STRANGE TIME: BLOCK UNIVERSES AND STRANGE LOOP PHENOMENA IN TWO NOVELS BY KURT VONNEGUT by Francis C. Altomare IV A Thesis Submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters in Partial Fulfillment of the Requirements for the Degree of Master of Arts Florida Atlantic University Boca Raton, Florida August 2010 ACKNOWLEDGEMENTS The author wishes to express his most sincere thanks to those instrumental in the completion of this thesis, especially Dr. Thomas Martin, Dr. Steven Blakemore, and Dr. Don Adams, all of whose comments and guidance were invaluable in its preparation. In addition, he would like to thank Dr. Nicholas Reboli, Dr. Douglas R. Hofstadter, and Dr. Thomas Goodmann for providing crucial inspiration for this project. The support of Joanne Weiner and the author's colleagues at Private Tutoring Services, Inc. is also greatly appreciated. Lastly, the author would like to thank his family for their unyielding support during the completion of this manuscript. iii ABSTRACT Author: Francis C. Altomare IV Title: Strange Time: Block Universes and Strange Loop Phenomena in Two Novels by Kurt Vonnegut Institution: Florida Atlantic University Thesis Advisor: Dr. Thomas L. Martin Degree: Master of Arts Year: 2010 Einsteinian relativity forever altered our understanding of the metaphysics of time. This study considers how this scientific theory affects the formulation of time in postmodern narratives as a necessary step toward understanding the relationship between empirical science and literary art. Two novels by Kurt Vonnegut, The Sirens of Titan and Slaughterhouse-Five, exemplify this synthesis. Close readings of these texts reveal an underlying temporal scheme deeply informed by relativity. -
Slapstick Or Lonesome No More Free
FREE SLAPSTICK OR LONESOME NO MORE PDF Kurt Vonnegut | 170 pages | 24 May 2016 | Vintage Publishing | 9781784870980 | English | London, United Kingdom Slapstick, or Lonesome No More! by Kurt Vonnegut Jr. Slapstick: Or, Lonesome No More! A pseudo-autobiography of how the author imagines his future, Slapstick takes Slapstick or Lonesome No More in an apocalyptic future as Wilbur Daffodil Swain, a former pediatrician and President of the United States, writes a memoir of his life at years old. The story skips around to different periods but is generally told chronologically to explain his current existence in the Empire State Building on the solitary island of Manhattan. Wilbur's childhood is unusual. Born in a set of physically deformed twins, he and his sister Eliza are assumed mentally retarded with short life expectations. Their very wealthy parents fix up an Slapstick or Lonesome No More mansion in Vermont and the locals and a family practitioner care for the children while the parents visit once a year and on birthdays. Wilbur and Eliza quickly educate themselves through the many books in the mansion. While Eliza never grasps reading Slapstick or Lonesome No More writing, she is a creative problem-solver, while Wilbur is very analytical and can read and write. When they are in close proximity to each other, their minds meld to create a 'genius' that becomes the author of several masterpieces of writing and invention. However, they become so consumed by the genius, that they often lose themselves in an incestuous orgy, grasping to get intellectually even closer to each other. -
Writing the 9/11 Decade
1 Writing the 9/11 Decade Charlie Lee-Potter A dissertation submitted in partial fulfillment of the requirements of the degree of PhD ROYAL HOLLOWAY UNIVERSITY OF LONDON 2013 2 Declaration of Authorship I Charlie Lee-Potter hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: ______________________ Date: ________________________ 3 Charlie Lee-Potter, Writing the 9/11 Decade Novelists have struggled to find forms of expression that would allow them to register the post-9/11 landscape. This thesis examines their tentative and sometimes faltering attempts to establish a critical distance from and create a convincing narrative and metaphorical lexicon for the historical, political and psychological realities of the terrorist attacks. I suggest that they have, at times, been distracted by the populist rhetoric of journalistic expression, by a retreat to American exceptionalism and by the demand for an immediate response. The Bush administration’s statement that the state and politicians ‘create our own reality’ served to reinforce the difficulties that novelists faced in creating their own. Against the background of public commentary post-9/11, and the politics of the subsequent ‘War on Terror’, the thesis considers the work of Richard Ford, Paul Auster, Kamila Shamsie, Nadeem Aslam, Don DeLillo, Mohsin Hamid and Amy Waldman. Using my own extended interviews with Ford, Waldman and Shamsie, the artist Eric Fischl, the journalist Kevin Marsh, and with the former Archbishop of Canterbury Dr. Rowan Williams (who is also a 9/11 survivor), I consider the aims and praxis of novelists working within a variety of traditions, from Ford’s realism and Auster’s metafiction to the post- colonial perspectives of Hamid and Aslam, and, finally, the end-of-decade reflections of Waldman. -
Download Spring 2010
2010SpringSummer_Cover:Winter05Cover 11/11/09 11:24 AM Page 1 NATHALIE ABI-EZZI SHERMAN ALEXIE RAFAEL ALVAREZ JESSICA ANTHONY NICHOLSON BAKER CHARLES BEAUCLERK SAMUEL BECKETT G ROVE P RESS CHRISTOPHER R. BEHA THOMAS BELLER MARK BOWDEN RICHARD FLANAGAN HORTON FOOTE ATLANTIC M ONTHLY PRESS JOHN FREEMAN JAMES HANNAHAM TATJANA HAUPTMANN ELIZABETH HAWES SHERI HOLMAN MARY-BETH HUGHES B LACK CAT DAVE JAMIESON ISMAIL KADARE LILY KING DAVID KINNEY MICHAEL KNIGHT G RANTA AND O PEN C ITY DAVID LAWDAY lyP MIKE LAWSON nth r JEFF LEEN o es DONNA LEON A A A A M s ED MACY t t t t c KARL MARLANTES l l l l ti NICK MC DONELL n TERRY MC DONELL a CHRISTOPHER G. MOORE JULIET NICOLSON SOFI OKSANEN P. J. O’ ROURKE ROBERTA PIANARO JOSÉ MANUEL PRIETO PHILIP PULLMAN ROBERT SABBAG MARK HASKELL SMITH MARTIN SOLARES MARGARET VISSER GAVIN WEIGHTMAN JOSH WEIL TOMMY WIERINGA G. WILLOW WILSON ILYON WOO JOANNA YAS ISBN 978-1-55584-958-0 ISBN 1-55584-958-X GROVE/ATLANTIC, INC. 50000 841 BROADWAY NEW YORK, NY 10003 9 781555 849580 ATLANTIC MONTHLY PRESS HARDCOVERS APRIL This novel, written by a Marine veteran over the course of thirty years, is a remarkable literary discovery: a big, powerful, timeless saga of men in combat MATTERHORN A Novel of the Vietnam War Karl Marlantes PHOTO COURTESY OF THE AUTHOR • Marlantes is a graduate of Yale University and a Rhodes Scholar who went on to serve as a Marine “Matterhorn is one of the most powerful and moving novels about combat, lieutenant in Vietnam, where he the Vietnam War, and war in general that I have ever read.” —Dan Rather was highly decorated ntense, powerful, and compelling, Matterhorn is an epic war novel in the • Matterhorn will be copublished tradition of Norman Mailer’s The Naked and the Dead and James Jones’s with El León Literary Arts IThe Thin Red Line. -
Kurt Vonnegut Jr. Confronts the Death of the Author Justin Philip Mayerchak Florida International University, [email protected]
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DigitalCommons@Florida International University Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 4-1-2016 Kurt Vonnegut Jr. Confronts the Death of the Author Justin Philip Mayerchak Florida International University, [email protected] Follow this and additional works at: http://digitalcommons.fiu.edu/etd Part of the Literature in English, North America Commons Recommended Citation Mayerchak, Justin Philip, "Kurt Vonnegut Jr. Confronts the Death of the Author" (2016). FIU Electronic Theses and Dissertations. Paper 2440. http://digitalcommons.fiu.edu/etd/2440 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida KURT VONNEGUT JR. CONFRONTS THE DEATH OF THE AUTHOR A thesis submitted in partial fulfillment of the requirements for the degree of MASTERS OF ARTS in ENGLISH by Justin Philip Mayerchak 2016 To: Dean Michael R. Heithaus College of Arts, Sciences and Education This thesis, written by Justin Philip Mayerchak, and entitled Kurt Vonnegut Jr. Confronts the Death of the Author, having been approved in respect to style and intellectual content, is referred to you for judgment. We have read this thesis and recommend that it be approved. _______________________________________ Bruce Harvey _______________________________________ Ana Lusczynka _______________________________________ Nathaniel Cadle, Major Professor Date of Defense: April 1, 2016 The thesis of Justin Philip Mayerchak is approved. -
By Sarah J Griffith
THE MORAL EGOTIST: EVOLUTION OF STYLE IN KURT VONNEGUT’S SATIRE by Sarah J Griffith The Moral Egotist: Evolution of Style in Kurt Vonnegut’s Satire by Sarah J Griffith A thesis presented for the B.A. Degree with Honors in The Department of English University of Michigan Spring 2008 © 2008 Sarah J Griffith Acknowledgements I would like to thank my teachers, advisors, friends, and family without whose support this project may never have become a reality. My thesis advisor, Eric Rabkin, has been an absolutely invaluable resource of both support and tough-love. He earned my respect on the first day we met and I felt compelled to spend the following weeks drafting a project statement grand enough to satisfy his high standards. He is a phenomenal mentor and academic from whom I have learned more about writing in six months than ever before. During the writing process, my teammates and friends were constant sources of alternate encouragement, guidance, and comic relief. Many thanks to Tyler Kinley for providing a tireless and creative ear for the development of my ideas, though I am fortunate in that this comes as no surprise. Most importantly, much appreciation goes to my overwhelmingly supportive parents who affirmed their love for me one more time in soldiering through the early drafts of my writing. Thanks to my father from whom I get my passion for language and my mother whose unmatched patience and compassion have buoyed me up time and again throughout this intensive project. Gratitude is also due to both of them for my opportunity to attend the University of Michigan to meet and work with all of the incredible individuals mentioned above. -
On Updike and Vonnegut
Dawes 1 Review Greg Dawes Somewhere Beyond Vertigo and Amnesia: Updike's Toward the End of Time and Vonnegut's Timequake Two of our elder statesmen, two of our most renowned novelists, John Updike and Kurt Vonnegut, have published science fiction novels on the notion of time. In their context time can be construed in a number of ways. In a general sense both Updike and Vonnegut are nearing the end of their (biological) time, both having published an enormous amount of enlightening fiction. We are also coming upon the end of the millenium and we appear to be witnessing the decline of the American empire. Both novels, Updike's Toward the End of Time and Vonnegut's Timequake deal with these existential and social issues and attempt to prod us into doing something about the socio- economic and political changes that are taking place in the late 1990s. In an essay on Vonnegut's critics, John Irving, it seems to me, sums up poetically Vonnegut's and Updike's intentions as novelists: Catharsis--perhaps it is also an unpopular word today, or at least an old- fashioned one--relies on upsetting readers. You purge fear through evoking it, you purify pain by rendering it, you bathe the heart with tears. Vonnegut can hurt you, and he does; he means to, too. When the sunny dreams and the harmless untruths evaporate--and they always do--a ruined planet is what we look upon; his books make us wish we were better.1 Copyright © 1998 by Greg Dawes and Cultural Logic, ISSN 1097-3087 Dawes 2 Timequake is written with irony, humor and sarcasm to wake us from our stupor and apathy and to warn us of what awaits if we do not try to radically transform this society. -
POSTMODERN MYTHOLOGY and the CONSTRUCTION of a VONNEGUTIAN SOCIAL THEORY by Zachary P. Pe
“NO DAMN CAT, AND NO DAMN CRADLE”: POSTMODERN MYTHOLOGY AND THE CONSTRUCTION OF A VONNEGUTIAN SOCIAL THEORY by Zachary P. Perdieu, B.A. A thesis submitted to the Graduate Council of Texas State University in partial fulfillment of the requirements for the degree of Master of Arts with a Major in Literature May 2016 Committee Members: Robert T. Tally Jr., Chair Allan Chavkin Mark Busby COPYRIGHT by Zachary P. Perdieu 2016 FAIR USE AND AUTHOR’S PERMISSION STATEMENT Fair Use This work is protected by the Copyright Laws of the United States (Public Law 94-553, section 107). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgment. Use of this material for financial gain without the author’s express written permission is not allowed. Duplication Permission As the copyright holder of this work I, Zachary P. Perdieu, authorize duplication of this work, in whole or in part, for educational or scholarly purposes only. DEDICATION Vonnegut introduced the following letter to babies in God Bless You Mr. Rosewater, “Hello babies. Welcome to Earth. It’s hot in the summer and cold in the winter. It’s round and wet and crowded. On the outside, babies, you’ve got a hundred years here. There’s only one rule that I know of, babies – ‘God damn it, you’ve got to be kind’” (129). This thesis is dedicated to my grandmother, Barbara Wilson, for being my own personal manifestation of this “letter to babies.” It is also for Dr. Steven Connelly. I don’t know where I would be if he hadn’t assigned three Vonnegut novels in his freshmen composition course at Indiana State University, but I can say with certainty that I wouldn’t be writing a dedication for my master’s thesis on Kurt Vonnegut.