Rudolph Wurlitzer Connection
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Steinway Duo-Art
CHAPTER OFFICERS INTERNATlONAL OFFICERS NO. CALIFORNIA Pres.: Phil McCoy Vice Pres.: Isadora Koff PRESIDENT Sec.: David Fryman Bob Rosencrans Treas.: Bob Wilcox 36 Hampden Rd. Reporter: Sharon Bartlett Upper Darby, PA 19082 SO. CALIFORNIA VICE PRESIDENT Pres.: Francis Cherney Bill Eicher Vice Pres.: Mary Lilien 465 Winding Way Sec.: Greg Behnke Dayton, OH 45429 Treas.: Roy SheIso SECRETARY Reporter: Bill Toeppe Jim Weisenborne TEXAS 73 Nevada St. Pres.: Carole Beckett Rochester, MI 48063 Vice Pres.: Sal Mele AMICA MEMBERSHIP RATES: PUBLISHER Sec/Treas.: Doyle Cassel Tom Beckett Reporter: Kay & Merrill Baltzley Continuing Members: $15 Dues 6817 Cliffbrook Dallas, TX 75240 MIDWEST New Members, add $5 processing fee Pres.: Bennet Leedy MEMBERSHIP SECRETARY Vice Pres.: Jim Prendergast (New memberships and Sec.: Jim Weisenborne mailing problems) Treas.: Alvin Wulfekuhl Bobby Clark Jr Reporter: Molly Yeckley P. O. Box 172 Columbia SC 29202 PHILADELPHIA AREA Pres Mike Naddeo THE AMICA NEWS BULLETIN TREASURER Vice Pres.: John Berry Jack & Mary Riffle Sec. Dick Price Published by the Automatic Musical Instrument Collectors' Association, a non 5050 Eastside Calpella Rd. Treas.: Claire Lambert profit club devoted to the restoration, distribution and enjoyment of musical Ukiah, CA 95482 Reporter: Allen Ford instruments using perforated paper musIc rolls. BOARD REPRESENTATIVES SOWNY (So. Ontario, West NY) Contributions: All subjects of interest to readers of the Bulletin are N. Cal. Howie Koff Pres.: Jeff Depp encouraged and invited by the pUblisher All articles must be received by the S. Cal.: Dick Rigg Vice Pres: Bruce Bartholomew 10th of the preceeding month. Every attempt will be made to publish all artiCles Texas: Wade Newton Sec.: Mike Walter of general interest to AMICA members at the earliest possible time..and at the Phil.: Bob Taylor Treas.: Stella Gilbert Midwest: Bill Eicher Reporter: Jim Brewer discretion of the publisher. -
Coleman 1 the CROSS-GENRE BENEFITS of CLASSICAL MUSIC INSTRUCTION in THE
Coleman 1 THE CROSS-GENRE BENEFITS OF CLASSICAL MUSIC INSTRUCTION IN THE COLLEGIATE MUSIC PRODUCTION AND ENGINEERING CLASSROOM ____________________________________ A Thesis Presented to The Honors Tutorial College Ohio University _______________________________________ In Partial Fulfillment of the Requirements for Graduation from the Honors Tutorial College with the degree of Bachelor of Science in Communication ______________________________________ by Elizabeth G. Coleman May 2020 Coleman 2 This thesis has been approved by The Honors Tutorial College and the School of Media Arts and Studies _________________________________ Josh Antonuccio Professor, Media Arts and Studies Thesis Adviser _________________________________ Beth Novak Director of Studies, Media Arts and Studies _________________________________ Dr. Donal Skinner Dean, Honors Tutorial Colleg Coleman 3 CONTENTS Introduction…………………………………………………………………….………...4 Review of Literature………………………………………………………….….………..5 A Whole New Mind and Range……………………………………………….…16 Review of Survey Results………………………………………………………….…….17 The Cross-Genre Benefits of Classical Music………………………………….……..20 Music Proficiency > Tech Proficiency…………………………….…………………….21 Learning to Listen……………………………………………………………….……….26 Exposure Reduces Fear……………………………………………………..……………30 Cross-Genre Influences in the Billboard Top 200 of 2019……………………………………..………………..31 Communication is Key…………………………………………………………………..36 Hypothetical Course Outline……………………………………….………………….38 Conclusion………………………………………………………………………………46 Works Cited…………………………………………………….……………………….49 -
Character Studies After Elias Canetti
Joseph Klein Character Studies after Elias Canetti for various solo instruments ( 1997-2018 ) About this Collection This collection of short works for solo instruments is based upon characters from Der Ohrenzeuge : Fünfzig Charaktere (Earwitness : Fifty Characters ), written in 1974 by the Bulgaria-born British-Austrian writer Elias Canetti (1905-1994). Canetti’s distinctive studies incorporate poetic imagery, singular insights, and unabashed wordplay to create fifty ironic paradigms of human behavior. Begun in 1997, the present collection was inspired by Canetti’s vividly surreal depictions of these characters; seventeen works have been completed in this series to date : • Der Hinterbringer (The Tattletale) for solo piccolo (2013) • Der Ohrenzeuge (The Earwitness) for solo bass flute (2001) • Der Wasserhehler (The Water-harborer) for solo ocarina (2000) • Der Tückenfänger (The Wile-catcher) for solo basset horn (2014) • Der Leidverweser (The Woe-administrator) for solo contrabassoon (1998) • Die Müde (The Tired Woman) for solo alto saxophone (2004) • Der Schönheitsmolch (The Beauty-newt) for solo bass saxophone (2008) • Die Königskünderin (The King Proclaimer) for solo trumpet (2006) • Die Sternklare (The Starry Woman) for solo percussion (2006) • Der Fehlredner (The Misspeaker) for solo cimbalom (2018) • Die Silbenreine (The Syllable-pure Woman) for solo glass harmonica (2000) • Der Saus und Braus (The Fun-runner) for solo piano (2017) • Der Gottprotz (The God-swanker) for solo organ (2014) • Der Demutsahne (The Humility-forebear) for solo guitar (2008) • Die Tischtuchtolle (The Tablecloth-lunatic) for solo violin (1997) • Die Schadhafte (The Defective) for solo violoncello (2015) • Der Leichenschleicher (The Corpse-Skulker) for solo contrabass (1997) These works may be programmed individually or in sets of two or more. -
MARGUERITE VOLAVY BOHEMIAN PIANIST Scores Emphatic Success in Her Aeolian Hall Recital, January 29, 1921
The AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS’ ASSOCIATION SEPTEMBER/OCTOBER 2004 VOLUME 41, NUMBER 5 MARGUERITE VOLAVY BOHEMIAN PIANIST Scores Emphatic Success in Her Aeolian Hall Recital, January 29, 1921 WHAT THE CRITICS SAID: . She has a m usical touch ., . nimble fingerS" . much of h er w ork s ho we d delicacy of feeling. The a u d ie nce rece iv ed her enthusiastic a lly." New York Tribune, Jan. 30, 1921. Plays wi t h energy . .. g lowing vitality that p iques y ou r in ter es t ." . New York Evening Mail,' Jan. 31, 1921. " It wa s in a n a tt ractive pr o gr am th at Marguer ite V olavy elected to demonstrate her pi an istic s ki ll a t Aeolia n H all on Saturda y eveni ng, J an. 29 . That her re cital a r o u sed co n sid erab le in tere st was made m anife st b y the good a ttenda nce. T he a ud ie nce was empha tic in its repeated tributes to th e pl a y e r. "Mis s Vo lavy em p loys in h er work a co nside rab l e dynamic scale, She is liberal wi t h tone a nd looks fr equently for m assive effec ts. Her interpreta ti ons are intelligent a nd in te resting. "The Ba ch-Busoni Ch a conne opened t he re cita l. There was no hesitancy in the mode of a ttack . -
Theamica News Bulletin of the Automatic Musical Instrument Collectors' Association
TheAMICA News Bulletin of the Automatic Musical Instrument Collectors' Association )982 August/September 1982 Volume 19 Number 7 AMICA MEMBERSHIP RATES: Continuing Members: $20 Annual Dues CHAPTER OFFICERS Overseas Members: $26 Dues FOUNDING CHAPTER New Members, add $5 processing fee Pres.: Phil McCoy '- (Write to Membership Secretary, address at Vice Pres.: Isadora Koff Sec.: jack & Dianne Edwards left) Treas.: Bob Wilcox Reporter: jim Ponder INTERNATIONAL SOUTHERN CALIFORNIA OFFICERS THE AMICA NEWS BULLETIN Pres.: Roy Shelso PRESIDENT Vice Pres.: Warren & Rosemary Deasy Terry Smythe Sec.: Olive jones 619 Niagara St. Published by the Automatic Musical Instrument Collectors' Treas.: Les Cordell Winnipeg, Manitoba Association, a non-profit club devoted to the restoration, Reporter: Bill Toeppe Canada R3N OV9 distribution and enjoyment of musical instruments using TEXAS perforated paper music rolls. I •• , VICE PRESIDENT Pres.: Richard Tonnesen AMICA was founded in San Francisco in 1963. Molly Yeckley Vice Pres.: Bill Flynt 612 Main St. Sec./Treas.: Betty Plonien Castalia, OH 44824 DOROTHY BROMAGE, Publisher Reporter: Carole Beckett SECRETARY P.O. Box 387 MIDWEST Richard Reutlinger La Habra, CA 90631 Pres.: jim Weisenborne 824 Grove St. 213/697-1545 Vice Pres.: Ed joswick San Francisco, CA 94117 Contributions: All subjects of interest to readers of the Sec.: lim Needler Treas.: Alvin Wulfekuhl PUBLISHER Bulletin are encouraged and invited by the publisher. All Reporter: Ahti Petaja Dorothy Bromage articles must be received by the 10th of the preceding P.O. Box 387 month. Every attempt will be made to publish all articles of PHILADELPHIA AREA Pres.: Bob Rosencrans La Habra, CA 90631 general interest to AMICA members at the earliest possible Vice Pres.: Barbara McCartney MEMBERSHIP SECRETARY time and at the discretion of the publisher. -
PDF Download Player Piano Ebook, Epub
PLAYER PIANO PDF, EPUB, EBOOK Kurt Vonnegut | 341 pages | 01 Mar 1999 | Bantam Doubleday Dell Publishing Group Inc | 9780385333788 | English | New York, United States Player Pianos - Yamaha Pianos - Piano Distributors Piano New Used Not All Player Pianos are Alike. Talk to our friendly staff who have over Years of combined experience with Player Pianos. Make any piano you select a Self Playing Piano. A Used Player Piano, player system is inspected, tested and the pedals are adjusted. We offer the most current Player Pianos and Features available. Contact Us for a Shipping Quote. Amazing value! A classic Steinway with restoration work performed. Handsome figured mahogany Recently restored to wonderful playing condition. Rich American tone, classic traditional figured Excellent condition, privately owned. Remarkably bold and powerful tone for its size with State of A lovely late-model midsize Yamaha grand piano in stunning white! Beautiful bold tone. Shopping for a pink piano? A well-built Japan-made Yamaha player baby grand at an affordable price. Plays itself with real A handsome decorator instrument that plays itself! Gorgeous tone. A phenomenal performance instrument with a full, rich, and bold tone. Our most popular upright piano with a brand-new polished white finish! Reconditioned to like-new The world's most popular piano. Choose from our very large inventory - An extraordinary value! Heirloom Performance Economy. Preowned Reconditioned. A masterpiece of artistry and engineering in your home, Spirio enables you to enjoy performances captured by great pianists — played with such nuance, power and passion that they are utterly indistinguishable from a live performance. A revolutionary blend of artistry, craftsmanship, and technology, Spirio r provides powerful new tools of expression and new ways to access, share and experience performance. -
The World Before Scruggs
THE WORLD BEFORE SCRUGGS "Try to imagine the world before Earl Scruggs -- it's unbelievable!" This exclamation by Rick was how our May, 1985 talks began, and it offers a keynote for his music and his thinking. To hear this makes you realize there's a lot more to Rick Shubb than "the guy who makes those capos." Still, one little invention has made Rick's name a musical household word: the ingenious and beauti- ful guitar (and banjo) capo known, simply, as the Shubb capo. Actually, Rick's other products include the innovative Shubb banjo fifth-string sliding capo, the Shubb compensated banjo bridge, the Shubb- Pearse steel (a distinctive bar for Dobro and steel guitar), a pickup and amplifier designed specifically for the banjo (no longer on the market). Most recently, his aptitude for computer database develop- ment has led him to produce a line of computer software for musicians.The first in this line is SongMaster, which will keep track of your songs, followed by GigMaster, a booking tool for musi- cians. Both are easy and affordable, and now available. But the guitar capo in particular has really put his name on the map. A Profile of Rick Shubb By Sandy Rothman Yet, Rick's part in the history of bluegrass in college towns like Berkeley, riding the and became aware of the Ramblers, music in California and the Bay Area long crest of the folk revival. With the forma- eventually taking one banjo lesson from preceded his emergence as a businessman tion of the Redwood Canyon Ramblers, a Neil Rosenberg. -
The Rise and Fall of the Hc Bay Piano Company
THE www.amica.org Volume 51, Number 4 AMICA July/August 2014 AUTOMATIC MUSICAL INSTRUMENT COLLECTORS’ ASSOCIATION BULLETIN ANNUAL CONVENTION ISSUE FRESNO, CALIFORNIA: MAY, 2014 ISSN #1533-9726 THE AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS' ASSOCIATION Published by the Automatic Musical Instrument Collectors’ Association, a Visit the AMICA web site at: http://www.amica.org 501(c)(3) non-profit, tax exempt group devoted to the restoration, distribution, to enter the “Members-Only” portal, Current User Name: AMICA research and enjoyment of automatic musical instruments. AMICA was Password: Bellows@1963 founded in San Francisco, California in 1963. VOLUME 51, Number 4 July/August 2014 AMICA BULLETIN FEATURES Display and Classified Ads Meet the Younger Generation . by Andy Park . .164 Articles for Publication Letters to the Publisher Nickel Notes: History of the Ampico . .by Matthew Jaro . 165 Chapter News The Thrill of Research . .by Terry Smythe . .172 UPCOMING PUBLICATION Tubing a Steinway . .by Mike Walter . .177 DEADLINES Letter Openers . .by John Mottoros . .179 The ads and articles must be received My Piston Operated Player . .by Steve Bentley . by the Publisher on the 1st of the 181 Odd number months: The Rise and Fall of H.C. Bay Piano Co. .by Bryan Cather . .183 January July J.P. Seeburg: Seventy Years of Innovation . .by John D. Rutoskey . March September 186 May November 2014 Fresno Convention Reports . .195 Bulletins will ordinarily be mailed in 2015 Denver Convention . .by Jere DeBacker . .210 the 1st week of the even months, for expected delivery mid-month. Glenn Thomas, Publisher 165 Kildee Rd. COLUMNS Belle Mead, NJ 08502 President’s Message . -
Recent Sexual Assault Raises Safety Issues by Melissa Nielsen CAMPUS EDITOR
Eastern Illinois University The Keep October 2002 10-25-2002 Daily Eastern News: October 25, 2002 Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/den_2002_oct Recommended Citation Eastern Illinois University, "Daily Eastern News: October 25, 2002" (2002). October. 17. http://thekeep.eiu.edu/den_2002_oct/17 This Article is brought to you for free and open access by the 2002 at The Keep. It has been accepted for inclusion in October by an authorized administrator of The Keep. For more information, please contact [email protected]. N “Tell the truth October 25, 2002 FRIDAY and don’t be afraid.” VOLUME 87, NUMBER 44 THEDAILYEASTERNNEWS.COM Panthers reborn Women’s soccer team turns around season, wins six of eight. Page 8 SECTION A Recent sexual assault raises safety issues By Melissa Nielsen CAMPUS EDITOR The recent sexual assault of woman on cam- pus has reiterated the need for police and cam- pus sexual assault services for the ongoing problem of rape. On Oct. 9, at about midnight, an unidentified woman said a man she knew sexually assaulted her in Thomas Hall, a police report said. Though the report was filed, no charges will be filed, said Adam Due, chief public safety officer. He said the woman wanted to make police aware of the situation, but did not want to take the case any further. Due said the victim knew the offender, did not seek medical attention and police were not aware of any alcohol use. Tom Edwards, president of the board for Sexual Assault Crisis and Information Center, said going to police is one option sexual assault victims have, but victims who feel they need help should call professional help lines in their area after an assault. -
Musical Humility
© Copyright 2018 William J. Coppola Musical Humility: An Ethnographic Case Study of a Competitive High School Jazz Band William J. Coppola A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2018 Reading Committee: Patricia Shehan Campbell, Chair Steven J. Morrison James A. Banks Shannon Dudley Program authorized to offer degree: Music University of Washington Abstract Musical Humility: An Ethnographic Case Study of a Competitive High School Jazz Band William J. Coppola Chair of the Supervisory Committee: Patricia Shehan Campbell School of Music In any form, musical participation is an intimately social activity. Yet, as musicians unflinchingly commit their fullest selves to shared musical collaborations, the natural human penchant for self-interest inevitably comes along for the journey, threatening to compromise collectivistic desires with more egocentric comportments. Undeniably, the ego plays an inextricable—and at times antagonistic—role in the negotiation of musicians’ performed identities. But as pervasive as the ego may be throughout various spheres of musical practice, it has yet to become a topic of empirical music research. In response to this gap in the literature, the purpose of the current study was to contribute an initial understanding of humility’s role in musical participation. This research utilized an ethnographic case study (including non-participant observation and interviews as the primary means of data collection) over the course of six months to examine the presence of prosocial and antisocial behaviors among the students and director of a competitive high school jazz band in the Pacific Northwest. First, three broad themes of musical egoism were identified: (a) seeking and desiring superiority, (b) displays of self-importance, self-promotion, and self-orientation, and (c) an inflated self- view. -
Games, Ghosts, and Glamour
Games, Ghosts, and Glamour: The Player Piano in Domestic America, 1890-1930 Devanney Haruta An honors thesis for the Brown University Music Department November 29, 2016 Primary Reader: Dana Gooley Secondary Readers: Anne Searcy, Joshua Tucker 1 PRELUDE Keyboards are all around us, on our cell phones and laptops, mediating our writing, our correspondence, our digital expression, and accompanying our communication with audible punctuations of sound. Alphanumeric keys read digital input and produce sound in digital and mechanical output. The player piano, a mechanical musical instrument from the late nineteenth and early twentieth centuries, utilized a similar keyboard interface. With its humming pneumatics and predetermined sequence of musical pitches, the instrument can teach us about our modern interactions with technologies that produce sound both within and outside of our immediate control. How we interact with both modern digital and historic instrument technologies reveals the importance of physical objects in our lives, and can even teach us about our modes of interaction as well as about ourselves as humans. The player piano is an instrument that became commercially widespread across the United States in the late nineteenth and early twentieth centuries. The instrument walks a hazy boundary between interactive musical interface and independently controlled music player, simultaneously reinforcing and challenging the piano’s established identity in the American domestic space. The player piano is an intriguing historical object, but what is its relevance to contemporary musicology? Understanding the player piano’s identity as a musical interface, a body of control, and a cultural symbol sheds light on modern musicology, organology, and technology studies. -
Turtle Rock Guitar Book 5.Pdf
Preface to the 5th Edition This book and the Guitar Club that went with it started because one of my old counsellors put a few guitar chords into the official camp song book. Those chords were the reason I learned to play. That summer, when we were last-year campers, regular activities were cancelled one day because of stormy weather. We all piled into the lodge, where we sat with Ryley and her guitar, singing all afternoon. It was the first time a lot of us had ever sung our favourite camp songs with a guitar. At the time, I'd never even heard recordings of most of them. (This is before Napster, kids.) I remain ever thankful that we didn't play Rainy Day Bingo that afternoon. At the end of the summer I started writing in chords for the rest of the song book, which gradually led to the first edition of The Mi-A-Kon-Da Guitar Book. Since then, this book's seen a few new places and met a lot of new songs. It seemed about time to give it a name that would bring everything and everyone together. Turtle Rock does just this. On Birch Island, it's where the whole camp meets after lights out on Mi-A-Kon-Da night to sing quiet songs by the fire, listen to the camp legend, and watch the full moon rise over the lake. It's also where we meet for special cook-outs, reflections, and early in the morning to watch that bittersweet Last Sunrise of the Summer.