The Romanticism, Folklore and Fantasy of Michael McVeigh of Michael and Fantasy Folklore Romanticism, The the ROmanticism, MIcHaEl MCVEiGh Folklore and fantasy of MIcHaEl MCVEiGh The Scottish G The allery, Edinburgh allery, the ROmanticism, Folklore and fantasy of MIcHaEl MCVEiGh 7 September – 1 October 2016 www.scottish-gallery.co.uk/michaelmcveigh 16 Dundas Street, Edinburgh EH3 6HZ Telephone 0131 558 1200 Email
[email protected] www.scottish-gallery.co.uk Cover: Canongate Kirk and Salisbury Crags, 2016, oil on canvas, 59 x 74 cms (detail), cat. 19 Left: Trees, Edinburgh, 2015, pencil drawing, 53 x 67 cms (detail), cat. 4 2 The View from Lochee The Romanticism, Folklore and Fantasy of Michael McVeigh is presence being challenged eventually. James Morrison, then the artist’s first major solo exhibition. He is a figurative one of the lecturers, formalised his position and accepted painter and printmaker who has lived and worked in him as a full-time student based only on his drawings and Edinburgh since 1982, a modern day folk artist who depicts painting. He was also seen by Alberto Morrocco, the college the world around him, a participant observer who has created head. McVeigh told him that he wanted to be an artist. a naive/sophisticated setting for contemporary life and Morrocco said ‘There’s only one artist in Scotland – and history. Above all, McVeigh’s work depicts Scotland, focusing that’s me. So you’ll be the second.’ McVeigh’s main support particularly on city life, with all its subcultures and traditions. and influence at art college was the artist/tutor John Edinburgh streets, Scottish pipes and drums, harbour scenes Johnstone.