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Starlog Magazine Issue
23 YEARS EXPLORING SCIENCE FICTION ^ GOLDFINGER s Jjr . Golden Girl: Tests RicklBerfnanJponders Er_ her mettle MimilMif-lM ]puTtism!i?i ff?™ § m I rifbrm The Mail Service Hold Mail Authorization Please stop mail for: Name Date to Stop Mail Address A. B. Please resume normal Please stop mail until I return. [~J I | undelivered delivery, and deliver all held I will pick up all here. mail. mail, on the date written Date to Resume Delivery Customer Signature Official Use Only Date Received Lot Number Clerk Delivery Route Number Carrier If option A is selected please fill out below: Date to Resume Delivery of Mail Note to Carrier: All undelivered mail has been picked up. Official Signature Only COMPLIMENTS OF THE STAR OCEAN GAME DEVEL0PER5. YOU'RE GOING TO BE AWHILE. bad there's Too no "indefinite date" box to check an impact on the course of the game. on those post office forms. Since you have no Even your emotions determine the fate of your idea when you'll be returning. Everything you do in this journey. You may choose to be romantically linked with game will have an impact on the way the journey ends. another character, or you may choose to remain friends. If it ever does. But no matter what, it will affect your path. And more You start on a quest that begins at the edge of the seriously, if a friend dies in battle, you'll feel incredible universe. And ends -well, that's entirely up to you. Every rage that will cause you to fight with even more furious single person you _ combat moves. -
Universidade Federal Da Bahia That's What She Said
1 UNIVERSIDADE FEDERAL DA BAHIA FACULDADE DE COMUNICAÇÃO FABIANE ANDRADE OITICICA MAÍRA BORGES ARAÚJO THAT’S WHAT SHE SAID: A CONSTRUÇÃO DO RISO EM THE OFFICE Salvador 2009 2 FABIANE ANDRADE OITICICA MAÍRA BORGES ARAÚJO THAT’S WHAT SHE SAID: A CONSTRUÇÃO DO RISO EM THE OFFICE Monografia apresentada ao curso de graduação em Comunicação Social com Habilitação em Produção em Comunicação e Cultura da Faculdade de Comunicação, Universidade Federal da Bahia, como requisito parcial para obtenção do grau de Bacharel em Comunicação. Orientador: Profª. Drª. Maria Carmem Jacob Souza Salvador 2009 3 Sorte de hoje: a vida é um drama para quem vive e uma comédia para quem pensa. 4 AGRADECIMENTOS Escrever uma monografia a quatro mãos é uma tarefa complicada, portanto gostaríamos de começar agradecendo uma à outra. Pela paciência, compreensão e apoio nos momentos de desespero. Pelos anos comentando os episódios semanais de The Office religiosamente e pelo respeito aos spoilers quando uma assistiu antes da outra. Fazer pesquisa sobre uma série querida e com uma amiga foi um aprendizado e um prazer. Voltando a lista, é imprescidível agradecer imensamente a Ian Fraser por ser nosso maior patrocinador e fã, além de suportar a invasão de um ser estranho bagunçando sua rotina com discussões longas, maratonas de episódios e de escrita. Às nossas mães e famílias que, apesar de não fazerem ideia do que estávamos fazendo e porque estávamos tão ocupadas e ranzinzas, tentaram ajudar da forma que podiam. À Carmem, que mesmo ainda não tendo se rendido ao humor tanto nos inspirou e já ganhou mais duas fãs. -
Sundance Institute Unveils Latest Episodic Story Lab Fellows
FOR IMMEDIATE RELEASE Media Contact: September 20, 2016 Spencer Alcorn 310.360.1981 [email protected] Sundance Institute Unveils Latest Episodic Story Lab Fellows 11 New Television Pilots Selected from 2,000 Submissions Projects Include Tudor-Era Family Comedy, Mysterious Antarctic Anomaly, Animated Greek Gods and More Rafael Agustin, Nilanjana Bose, Jakub Ciupinski, Mike Flynn, Eboni Freeman, Hilary Helding, Donald Joh; John McClain, Colin McLaughlin, Jeremy Nielsen, Connie O’Donahue, Calvin Lee Reeder, Marlena Rodriguez. Los Angeles, CA — Sundance Institute today announced the 11 original projects selected for its third annual Episodic Story Lab. The spec pilots, which range from dystopian sci-fi to historical comedy, explore themes of personal and social identity, family dysfunction, political extremism, and the limits of human understanding. The Episodic Story Lab is the centerpiece of the Institute’s year-round support program for emerging television writers. During the Lab, the 13 selected writers (the “Fellows”) will participate in individual and group creative meetings, writers’ rooms, case study screenings, and pitch sessions to further develop their pilot scripts with guidance from accomplished showrunners, producers and television executives. Beginning with the Lab, Fellows will benefit from customized, ongoing support from Feature Film Program staff, Creative Advisors and Industry Mentors, led by Founding Director of the Sundance Institute Feature Film Program, Michelle Satter, and Senior Manager of the Episodic -
COMEDY WRITING SECRETS, Copyright 2005 © by Melvin Helitzer
secrets 2nd edition secrets the best-selling book on how to think funny, write funny, act funny, and get paid for it Mel Helitzer with Mark Shatz WRITER'S DIGEST BOOKS Cincinnati, Ohio www. writersdigest.com COMEDY WRITING SECRETS, Copyright 2005 © by Melvin Helitzer. Printed and bound in the United States of America. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means including information storage and retrieval systems without permission in writing from the publisher, except by a reviewer, who may quote passages in a review. Published by Writer's Digest Books, an imprint of F+W Publications, Inc., 4700 East Galbraith Road, Cincinnati, Ohio 45236, (800) 289-0963. Second edition. Other fine Writer's Digest Books are available at your local bookstore or direct from the publisher. 09 08 07 06 05 5 4 3 2 1 Distributed in Canada by Fraser Direct, 100 Armstrong Avenue, Georgetown, ON, Canada L7G 5S4, Tel: (905) 877-4411. Distributed in the U.K. and Europe by David & Charles, Brunei House, Newton Abbot, Devon, TQ12 4PU, England, Tel: (+44) 1626 323200, Fax: (+44) 1626 323319, E-mail: [email protected]. Distributed in Australia by Capricorn Link, P.O. Box 704, S. Windsor NSW, 2756 Australia, Tel: (02) 4577-3555. Library of Congress Cataloging-in-Publication Data Helitzer, Melvin. Comedy writing secrets: the best-selling book on how to think funny, write funny, act funny, and get paid for it / by Mel Helitzer with Mark Shatz. p. cm. Includes index. ISBN 1-58297-357-1 (pbk.: alk. -
Cool Kids Never Have the Time: the Music of the Smashing Pumpkins and Youth of the 1990S
STARKIE, ZACHARY J., M.M. Cool Kids Never Have the Time: The Music of the Smashing Pumpkins and Youth of the 1990s. (2008) Directed by Dr. Guy Capuzzo. 105 pp. The purpose of this thesis is to examine the connection between youth of the 1990s and the music of the Smashing Pumpkins. The introduction is used to provide the reader with pertinent background information on youth, the 1990s, alternative music, and the Smashing Pumpkins. Following that, Chapters 1 and 2 feature analyses of two songs by the Smashing Pumpkins, “Here Is No Why” and “Tales of a Scorched Earth.” The analyses of both songs focus on text enhancement and musical contrasts in each song. At the end of Chapter 2, the qualities of each song are compared. Chapter 3 examines two styles of music that were influential on the band, progressive rock and heavy metal, and examines their place in “Here Is Now Why” and “Tales of a Scorched Earth.” Chapter 3 also examines how the differences between these two styles are evident in the Smashing Pumpkins’ music. Finally, Chapter 4 examines the band’s newest recording, Zeitgeist, and assesses its use of the musical aspects evident in “Here Is No Why” and “Tales of a Scorched Earth.” COOL KIDS NEVER HAVE THE TIME: THE MUSIC OF THE SMASHING PUMPKINS AND YOUTH OF THE 1990S by Zachary J. Starkie A Thesis Submitted to the Faculty of the Graduate School at The University of North Carolina at Greensboro in Partial Fulfillment of the Requirements for the Degree Master of Music Greensboro 2008 Approved by _____________________________ Committee Chair © 2008 Zachary James Starkie APPROVAL PAGE This thesis has been approved by the following committee of the Faculty of the Graduate School at The University of North Carolina at Greensboro. -
I'm Here at Sony Studios with Brent Forrester One of the Executive Producers on Love, a New TV Series
BRENT FORRESTER PODCAST SONY STUDIOS CULVER CITY MARCH 22, 2016 Tom: I'm here at Sony Studios with Brent Forrester one of the executive producers on Love, A new TV series. Who Are the principles on the show? Well let me just ... we met at the University of MichigAn, you came out, you did this incredible clinic with our students, talking to the whole comedy formAtion. GAve us A greAt grounding in how to write television comedy. How you work And whAt your process is. We had A greAt time out there with thAt, two falls Ago. You've worked on the Office, you worked on the Simpsons for A long time. You worked on King of the Hill, in two separate runs and a bunch of other things. You've written feature films and it's a thrill to be here. Right now you're working on Love. It's a Netflix show, it's in it's second seAson. You're writing it now right now here. You wAnt to talk about thAt a little bit? Brent: Sure, we're in the second season of production, so the first season has Aired And the second seAson is being shot. We're in that process of getting feedback from the fAns And the viewers, which is fAntAstic. Everybody seems to love the show. Tom: I love the show. Gus And Mickey, they're just, they're incredible chArActers. There's so much texture And there's so much great chArActer development. Things going on And who they Are in their lives. -
“We Can't Even Play Ourselves”: Mixed-Race Actresses in the Early
“WE CAN’T EVEN PLAY OURSELVES”: MIXED-RACE ACTRESSES IN THE EARLY TWENTY-FIRST CENTURY A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN AMERICAN STUDIES AUGUST 2017 By Valerie M. Lo Dissertation Committee: Robert Perkinson, Chairperson Mari Yoshihara Jonna Eagle Konrad Ng Jonathan Okamura Keywords: Mixed race, Ambiguity, Post-Racial, Color-blind, Film ACKNOWLEDGEMENTS This project has been a test of my resiliency and grew from my desire to add a small contribution to the ongoing discussion of mixed race representations in film and television. Many people have come into my life in the last several years and encouraged my studies, talked excitedly with me, and subtly (or blatantly) pushed me to continue when I thought the road ahead looked too ominous. In 2005, at San Francisco State University’s Asian American Studies banquet, my Master’s thesis chair, Wei Ming Dariotis, remarked that a PhD was in the stars for me. Those words stayed close to me during my graduate work at the University of Hawai'i. My first teaching assistantship with Isabelle Peluad at San Francisco State University in Asian American Literature showed me exactly what I wanted to immerse myself in for the rest of my life. Graduate courses with Russell Jeung and Madeline Hsu reaffirmed my desire to work within the field of Asian American Studies and continue on to a doctorate program. My coursework in American Studies was rigorous and pushed me out of my comfort zone in the best way. -
School of Dramatic Arts
School of Dramatic Arts Stand Up 2: Becoming A Pro THTR 482 Spring 2021 Monday Evening 6pm to 8:50pm PT Location: Online Prerequisite: THTR 474 Instructor: Professor Wayne Federman Office Hours: By Appointment Contact Info: [email protected] Course Description and Overview Stand Up 2: Becoming A Pro is geared towards students who plan to pursue stand-up comedy professionally and will primarily focus on techniques for creating new comedy material and onstage performance strategies. Other career specific topics include: road gigs, bar gigs, open mics, college tours, mainstream vs. alternative, creating a five-minute late-night TV set, writing for other comedians, how to be an "opening act", rejection and stage fright, becoming a head- liner, Sound Exchange, roast jokes/strategies, podcasting, NACA, social media, late- night joke writing, award show writing, getting a manager/agent, and comedy festi- vals. Stand Up 2 will also explore the history of modern stand-up from Bob Hope to Dave Chappelle. Past Stand Up 2 guest speakers have included: Beth Stelling, Jacqueline Novak, Margaret Cho, Dinah Hashem, Sam Morril, Sarah Tiana, Brent Forrester, Brian Kiley, Kevin Pollak, Ron Funchess, Amy Silverberg, Judd Apatow, and Fahim Anwar. Learning Objectives 1. Acquire specific techniques for creating new material. 2. Identify stand-up comedic devices. 3. Acquire techniques to polish and streamline stand-up. 4. Understand the specific challenges and opportunities of professional stand-up. 5. Aquire a basic understanding of the history of stand-up. Topics and Lect ures •The importance of getting on stage •The crucial three: Specificity. Clarity. Brevity. •Point of view. -
Translation of Allusions in the Animated Cartoon the Simpsons
Translation of Allusions in the Animated Cartoon The Simpsons Pro Gradu Thesis Department of English University of Helsinki April 2007 Esko Hellgren Student number: 011510741 1 Table of Contents 1. INTRODUCTION .................................................................................................... 3 1.1 Background and aim ........................................................................................... 3 1.2 Material and method ........................................................................................... 4 1.3 Terminology ....................................................................................................... 7 2. ALLUSIONS AND TRANSLATION STRATEGIES ............................................. 9 2.1 The concept of allusion ...................................................................................... 9 2.2 Allusion and humor .......................................................................................... 11 2.3 Types of allusions ............................................................................................. 12 2.4 Strategies for translating proper name allusions .............................................. 14 2.5 Strategies for translating key phrase allusions ................................................. 16 3. THE SIMPSONS ..................................................................................................... 18 3.1 Commercial success and syndication ............................................................... 18 3.2 The creation -
Sundance Institute Unveils Latest Episodic Story Lab Fellows
FOR IMMEDIATE RELEASE Media Contact: September 20, 2016 Spencer Alcorn 310.360.1981 [email protected] Sundance Institute Unveils Latest Episodic Story Lab Fellows 11 New Television Pilots Selected from 2,000 Submissions Projects Include Tudor-Era Family Comedy, Mysterious Antarctic Anomaly, Animated Greek Gods and More Rafael Agustin, Nilanjana Bose, Jakub Ciupinski, Mike Flynn, Eboni Freeman, Hilary Helding, Donald Joh; John McClain, Colin McLaughlin, Jeremy Nielsen, Connie O’Donahue, Calvin Lee Reeder, Marlena Rodriguez. Los Angeles, CA — Sundance Institute today announced the 11 original projects selected for its third annual Episodic Story Lab. The spec pilots, which range from dystopian sci-fi to historical comedy, explore themes of personal and social identity, family dysfunction, political extremism, and the limits of human understanding. The Episodic Story Lab is the centerpiece of the Institute’s year-round support program for emerging television writers. During the Lab, the 13 selected writers (the “Fellows”) will participate in individual and group creative meetings, writers’ rooms, case study screenings, and pitch sessions to further develop their pilot scripts with guidance from accomplished showrunners, producers and television executives. Beginning with the Lab, Fellows will benefit from customized, ongoing support from Feature Film Program staff, Creative Advisors and Industry Mentors, led by Founding Director of the Sundance Institute Feature Film Program, Michelle Satter, and Senior Manager of the Episodic -
LENARD LIND Broker/Owner Aurora’S #1 Sales Producer 2002! Call Today for a Free Property Evaluation!** L .H.LIND REALTY INC
No Magic Thomas B. McPherson No Pills Colin A. Brown No Machines John T. Kalm Just You! Thomas McPherson & Associates ™ You Better LAW FIRM Cardio Kickboxing, at T: 905-727-3151 Watson’s Family Karate School 40 Engelhard Dr., Unit 9 Aurora Aurora’s Community Newspaper F: 905-841-4395 905-727-7144 Vol. 4 No. 3 Week of October 28, 2003 905-727-3300 Aurora changes moraine rules By DICK ILLINGWORTH The legislation includes a grand- father clause for planning applica- Unless Ontario Premier Dalton tions decided prior to November McGuinty comes through with 17, 2001, making them exempt changes to legislation to stop from the Protection Act. They growth on the Oak Ridges would be processed under the Moraine, as he promised prior to Planning Act. assuming office, taxpayers in At an earlier meeting, Planning Aurora could be on the hook for Director Sue Seibert said official substantial court costs. plan amendments #20 and #34 Current provincial legislation had been processed prior to the instructed the Town to bring its deadline. official plan and zoning bylaws Aurora Council also met its dead- Posh was the order of the into conformity with the Oak line, but went - according to some evening Friday as the Ridges Moraine Protection Act by developers - a step too far. Aurora Chamber of last Wednesday. On Tuesday night, council voted Commerce hosted its 7-2 to include the two planning fourth annual business amendment areas under the achievement awards night Advance Protection Act, thereby freezing at King City's Kingbridge about 500 acres of land already Centre. -
Neighbourhood Rallies to Aid Homeless Family
Sean Herbinson Your Aurora Your local source for... “HOUSESOLD” Insurance NAME Investments Wealth Management 905 727 4605 905 www.hsfinancial.ca 727-1941 Representing Aurora’s Community Newspaper York Group Realty Inc. Vol. 3 No. 18 Week of February 25, 2003 905-727-3300 Run preparations now underway The organizers were stunned So, they're going to do it at the huge success of last again. year's Bob Hartwell run. Hartwell, a popular Aurora res- ident and one-time town coun- cillor, died October 14, 2001, Auroran while running in a marathon in Toronto. It had always been a Hartwell dies at 80 dream to organize a marathon run in Aurora, so his friends did A life-long Auroran, Harold it for him. Graham died peacefully Thursday. Starting at the Town Park, the He would have celebrated his route led to the outskirts of 81st birthday next week. Aurora, and back, and when all A memorial service was held was said and done, the event Tuesday at Aurora United Church, was billed an overwhelming Lisa Palmer, employee at the Purple Pig restaurant and neighbour to the family burned out of their where he was a long-time mem- success. Temperance Street home last week, points to shamrocks she sold to raise money for the homeless fam- ber. Once a member of the now- More than 600 runners took ily. In her first day of the campaign at the Wellington Street East eatery, she raised defunct Aurora Public School part and this year organizers more than $200. A trust fund has also been started for the family of four.