Sundance Institute Unveils Latest Episodic Story Lab Fellows
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February 26, 2021 Amazon Warehouse Workers In
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; -
The Fan/Creator Alliance: Social Media, Audience Mandates, and the Rebalancing of Power in Studio–Showrunner Disputes
Media Industries 5.2 (2018) The Fan/Creator Alliance: Social Media, Audience Mandates, and the Rebalancing of Power in Studio–Showrunner Disputes Annemarie Navar-Gill1 UNIVERSITY OF MICHIGAN amngill [AT] umich.edu Abstract Because companies, not writer-producers, are the legally protected “authors” of television shows, when production disputes between series creators and studio/ network suits arise, executives have every right to separate creators from their intellectual property creations. However, legally disempowered series creators can leverage an audience mandate to gain the upper hand in production disputes. Examining two case studies where an audience mandate was involved in overturning a corporate production decision—Rob Thomas’s seven-year quest to make a Veronica Mars movie and Dan Harmon’s firing from and subsequent rehiring to his position as the showrunner of Community—this article explores how the social media ecosystem around television rebalances power in disputes between creators and the corporate entities that produce and distribute their work. Keywords: Audiences, Authorship, Management, Production, Social Media, Television Scripted television shows have always had writers. For the most part, however, until the post-network era, those writers were not “authors.” As Catherine Fisk and Miranda Banks have shown in their respective historical accounts of the WGA (Writers Guild of America), television writers have a long history of negotiating the terms of what “authorship” meant in the context of their work, but for most of the medium’s history, the cultural validation afforded to an “author” eluded them.2 This began to change, however, in the 1990s, when the term “showrunner” began to appear in television trade press.3 “Showrunner” is an unofficial title referring to the executive producer and head writer of a television series, who acts in effect as the show’s CEO, overseeing the program’s story development and having final authority in essentially all production decisions. -
Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
Photograph by Candace Dicarlo
60 MAY | JUNE 2013 THE PENNSYLVANIA GAZETTE PHOTOGRAPH BY CANDACE DICARLO Showtime CEO Matt Blank has used boundary-pushing programming, cutting-edge marketing, and smart management to build his cable network into a national powerhouse. By Susan Karlin SUBVERSIVE PRACTICALLY PRACTICALLY THE PENNSYLVANIA GAZETTE MAY | JUNE 2013 61 seems too … normal. “Matt runs the company in a very col- Showtime, Blank is involved with numer- This slim, understated, affa- legial way—he sets a tone among top man- ous media and non-profit organizations, Heble man speaking in tight, agers of cooperation, congeniality, and serving on the directing boards of the corporate phrases—monetizing the brand, loose boundaries that really works in a National Cable Television Association high-impact environments—this can’t be creative business,” says David Nevins, and The Cable Center, an industry edu- the guy whose whimsical vision has Showtime’s president of entertainment. cational arm. Then there are the frequent turned Weeds’ pot-dealing suburban “It helps create a sense of, ‘That’s a club trips to Los Angeles. mom, Dexter’s vigilante serial killer, and that I want to belong to.’ He stays focused “I’m an active person,” he adds. “I like Homeland’s bipolar CIA agent into TV on the big picture, maintaining the integ- a long day with a lot of different things heroes. Can it? rity of the brand and growing its exposure. going on. I think if I sat in a room and did Yet Matt Blank W’72, the CEO of Showtime, Matt is very savvy at this combination of one thing all day, I’d get frustrated.” has more in common with his network than programming and marketing that keeps his conventional appearance suggests. -
'LOVE in the FORECAST' Cast Bios CINDY BUSBY (Leah) – Cindy
‘LOVE IN THE FORECAST’ Cast Bios CINDY BUSBY (Leah) – Cindy Busby has been making waves in Hollywood both on the big and small screens. Growing up in Montreal, Canada, Busby always dreamed of becoming an actress. From the time she was a child, she loved performing for an audience, and throughout her elementary school and high school years, she devoted herself to every theater school production. Upon graduating from high school, Busby was accepted into the Professional Theater Program at Dawson College in Montreal and was admitted from amongst hundreds of applicants. The rigorous, three-year training allowed Busby to demonstrate her professionalism, hard work and devotion and was presented with an award of academic excellence. Busby notes her first passion in the business was theater as she honed her acting skills on the stage while in school and right after graduation. In 2005, Busby crossed into television and film and was given her first lead in the story of the Canadian medical hero Norman Bethune in the television series “Bethune.” She filmed in rural China for two and-a-half months and the series attracted several million viewers. In 2006, Busby played a supporting lead in the Lifetime original film “A Life Interrupted” opposite Lea Thompson and landed a regular role on the series “Heartland.” Cast as Ashley Stanton, a rich, self-righteous, competitive horseback rider, the series took off and has been nominated for several Gemini Awards as well as winning a Director’s Guild of Canada prize, all while becoming one of the most popular shows on Canadian television as well as syndicated in over 81 countries around the world. -
Screen Arts & Cultures
THE UNIVERSITY OF MICHIGAN DEPARTMENT OF SCREEN ARTS & CULTURES FALL 2008 Viewing Screen Arts & Cultures Past, Present, and Future, a world-class education for screen scholars, screenwriters, and screen production in the mid-west. • SAC Honors projects (page 1) • New Doctoral Director (page 2) • Faculty Updates (page 10) • Future Challenges (inside back cover) Letter FROM THE CHAIR mentoring Sultan Shariff ’s EFEX project and Finally, an essay written by an English doctoral develop new diversity initiatives for the depart- student, Josh Lambert (for a SAC graduate ment. Chris McNamara and Terri Sarris won course on the emergence of mass culture and awards for their video productions, respec- early cinema), won second place in the 2007 tively, at the Ann Arbor Film Festival and the Society for Cinema and Media Studies Student Detroit Film Festival. Essay Award contest and then fi rst place in the Domitor Student Essay Award contest. Th e Department has welcomed Dan Herbert from the University of Southern Califor- Th e Department continues to initiate new nia as a new assistant professor specializing projects and augment others. Th e Hatcher Richard Abel in transnational fi lm adaptations and fi lm Library’s Special Collection acquired two industry practices. We also are in the midst of impressive collections: the Orson Welles My term as chair of Screen Arts & Cultures searches for four faculty positions, beginning Collection materials (photographs, fi lm will continue through June 2009. Challeng- in fall 2009: a senior position (open fi eld), -
FAR-FLUNG LEADERS Business on a Global Scale Opens the Door to Extraordinary Careers
THE MAGAZINE OF THE HAAS SCHOOL OF BUSINESS AT THE UNIVERSITY OF CALIFORNIA, BERKELEY Summer 2013 3 TEE TIME 14 OB GAME CHANGER 20 BUILDING WORK-LIFE BALANCE Haas undergrad Michael Weaver becomes the Prof. Barry Staw has far-reaching infl uence on Real estate developer Carol Meyer encourages fi rst current Cal golfer to make the Masters the fi eld of organizational behavior women to pay it forward FAR-FLUNG LEADERS Business on a global scale opens the door to extraordinary careers Supreme Energy CEO Supramu Santosa, BS 80, MBA 81, at his company’s geothermal plant in Indonesia The Berkeley-Haas Advantage Step outside of your day-to-day and return to one of the most stimulating business environments in the world. UPCOMING PROGRAMS The Art of the Pitch September 16-17, 2013 Product Management September 23-27, 2013 Berkeley Executive Leadership Program September 30-October 4, 2013 Women’s Executive Leadership Program October 4-17, 2013 Financial Analysis for Non-Financial Executives October 21-25, 2013 Corporate Business Model Innovation October 28-29, 2013 All Berkeley-Haas alumni enjoy special pricing for open-enrollment programs. Find the right opportunity for you; contact: Kristina Susac, Director of Marketing and Open Programs +1.510.642.9167 | [email protected] www.executive.berkeley.edu Summer 2013 FEATURES AND DEPARTMENTS The International Issue EDITOR IN CHIEF Ronna Kelly, BS 92 UP FRONT EXECUTIVE EDITORS Richard Kurovsky Ute Frey DESIGN Cuttriss & Hambleton, Berkeley STAFF WRITERS Valerie Gilbert, Amy Marcott, Pamela Tom CONTRIBUTING WRITERS Victoria Chang, Mandy 2 Haas List Erickson, Kim Girard, Moira A newly remodeled Haas Muldoon, Christine Rohan, courtyard comes alive. -
Starlog Magazine Issue
23 YEARS EXPLORING SCIENCE FICTION ^ GOLDFINGER s Jjr . Golden Girl: Tests RicklBerfnanJponders Er_ her mettle MimilMif-lM ]puTtism!i?i ff?™ § m I rifbrm The Mail Service Hold Mail Authorization Please stop mail for: Name Date to Stop Mail Address A. B. Please resume normal Please stop mail until I return. [~J I | undelivered delivery, and deliver all held I will pick up all here. mail. mail, on the date written Date to Resume Delivery Customer Signature Official Use Only Date Received Lot Number Clerk Delivery Route Number Carrier If option A is selected please fill out below: Date to Resume Delivery of Mail Note to Carrier: All undelivered mail has been picked up. Official Signature Only COMPLIMENTS OF THE STAR OCEAN GAME DEVEL0PER5. YOU'RE GOING TO BE AWHILE. bad there's Too no "indefinite date" box to check an impact on the course of the game. on those post office forms. Since you have no Even your emotions determine the fate of your idea when you'll be returning. Everything you do in this journey. You may choose to be romantically linked with game will have an impact on the way the journey ends. another character, or you may choose to remain friends. If it ever does. But no matter what, it will affect your path. And more You start on a quest that begins at the edge of the seriously, if a friend dies in battle, you'll feel incredible universe. And ends -well, that's entirely up to you. Every rage that will cause you to fight with even more furious single person you _ combat moves. -
Shon Hedges Editor
SHON HEDGES EDITOR FEATURES iGILBERT Paloma Pictures Prod: Cynthia Hargrave, Adrian Martinez Dir: Adrian Martinez Anthony Vorhies PICTURE PARIS (Short) For Goodness Sake Prod: Brad Hall, Julia Louis-Dreyfus, Julie Snyder Dir: Brad Hall *Official Selection, Tribeca Film Festival, 2012 GENEROSITY OF EYE (Documentary) For Goodness Sake Prod: Brad Hall, Julia Louis-Dreyfus, Julie Snyder Dir: Brad Hall ABOUT SUNNY (Associate Editor) On the Line Prods./ Prod: Lauren Ambrose, Blythe Robertson, Mike Ryan Dir: Bryan Wizemann Votiv Films AFRICAN ADVENTURE: nWave Pictures Prod: Ben Stassen Dir: Ben Stassen SAFARI IN THE OKAVANGO (Documentary) TELEVISION NEW AMSTERDAM (Season 1) Universal/NBC Prod: Peter Horton, David Schulner Dir: Various THE ORVILLE (Season 1) 20th Century Fox/Fox Prod: Seth McFarlane, David Goodman Dir: Various Brannon Braga, John Cassar BULL (Season 1) CBS Studios/CBS Prod: Mark Goffman, Paul Attanasio Dir: Various BLACK SAILS (Ep. 106, 209, 302) Starz Prod: Michael Bay, Jonathan Steinberg, Dan Shotz Dir: T.J. Scott, Lukas Ettlin HEROES REBORN (Season 1) Universal/NBC Prod: Tim Kring, Lori Motyer Dir: Various HOMELAND (Season 2) Fox 21/Showtime Prod: Alex Gansa, Meredith Stiehm, Howard Gordon Dir: Various (Additional Editing) THE KILLING (Season 2) Fox TV/AMC/Netflix Prod: Veena Sud, Mikkel Bondesen, Ron French Dir: Various (Assistant Editor) SMASH (Pilot) (Assistant Editor) Universal/NBC Prod: Justin Falvey, Darryl Frank, Marc Shaiman Dir: Michael Mayer IN PLAIN SIGHT (Ep. 403) USA Prod: David Maples Dir: Michael Schultz (Assistant Editor) IN TREATMENT (Ep. 326, 327, 328) HBO Prod: Paris Barclay, Anya Epstein Dir: Various (Assistant Editor) RUBICON (Season 1) Warner Horizon/AMC Prod: Henry Bromwell, Jason Horwitch Dir: Various (Assistant Editor) A MARRIAGE (Pilot) CBS Prod: Ed Zwick, Marshall Herzkovitz Dir: Marshall Herskovitz QUARTERLIFE (3 episodes) NBC Prod: Ed Zwick, Marshall Herzkovitz Dir: Marshall Herskovitz, Catherine Jelski 405 S Beverly Drive, Beverly Hills, California 90212 - T 310.888.4200 - F 310.888.4242 www.apa-agency.com . -
68Th EMMY® AWARDS NOMINATIONS for Programs Airing June 1, 2015 – May 31, 2016
EMBARGOED UNTIL 8:40AM PT ON JULY 14, 2016 68th EMMY® AWARDS NOMINATIONS For Programs Airing June 1, 2015 – May 31, 2016 Los Angeles, CA, July 14, 2016– Nominations for the 68th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Bruce Rosenblum along with Anthony Anderson from the ABC series black-ish and Lauren Graham from Parenthood and the upcoming Netflix revival, Gilmore Girls. "Television dominates the entertainment conversation and is enjoying the most spectacular run in its history with breakthrough creativity, emerging platforms and dynamic new opportunities for our industry's storytellers," said Rosenblum. “From favorites like Game of Thrones, Veep, and House of Cards to nominations newcomers like black-ish, Master of None, The Americans and Mr. Robot, television has never been more impactful in its storytelling, sheer breadth of series and quality of performances by an incredibly diverse array of talented performers. “The Television Academy is thrilled to once again honor the very best that television has to offer.” This year’s Drama and Comedy Series nominees include first-timers as well as returning programs to the Emmy competition: black-ish and Master of None are new in the Outstanding Comedy Series category, and Mr. Robot and The Americans in the Outstanding Drama Series competition. Additionally, both Veep and Game of Thrones return to vie for their second Emmy in Outstanding Comedy Series and Outstanding Drama Series respectively. While Game of Thrones again tallied the most nominations (23), limited series The People v. O.J. Simpson: American Crime Story and Fargo received 22 nominations and 18 nominations respectively. -
As Writers of Film and Television and Members of the Writers Guild Of
July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C. -
Larry D. Horricks Society of Motion Picture Stills Photographers
Larry D. Horricks Society of Motion Picture Stills Photographers www.larryhorricks.com Feature Films: Spaceman of Bohemia – Netflix – Johan Renck Director Cast – Adam Sandler, Carey Mulligan Producers: Michael Parets, Max Silva, Ben Ormand, Barry Bernardi White Bird – Lionsgate – Marc Forster Director (Unit + Specials_ Cast: Gillian Anderson ,Helen Mirren, Ariella Glaser, Orlando Schwerdt Producers: Marc Forster, Tod Leiberman, David Hoberman, Raquel J. Palacio Oslo – Dreamworks Pictures / Amblin / HBO / Marc Platt Prods.– Bart Sher Director (Unit + Specials) Cast: Ruth Wilson, Andrew Scott, Jeff Wilbusch,Salim Dau, Producers: Steven Spielberg, Kristie Macosko Krieger, Marc Platt, Cambra Overend, Mark Taylor Atlantic 437 – Netflix. Ratpack Entertainment – Director Peter Thorwath Producers: Chritian Becker,Benjamin Munz The Dig – Netflix, Magnolia Mae Films – Simon Stone Director Cast: Ralph Fiennes, Carey Mulligan, Lily James, Ken Stott, Johnny Flynn Producers: Gabrielle Tana, Carolyn Marks Blackwood, Redmond Morris A Boy Called Christmas – Netflix – Gil Kenan Director (Unit + Specials) Cast: Sally Hawkins, Kristen Wiig,Maggie Smith, Jim Broadbent, Toby Jones, Michiel Huisman, Harry Lawful Producers: Graham Broadbent, Pete Czernin, Kevan Van Thompson Minamata - Metalwork Pictures /HanWay Films / MGM - Andrew Levitas Director (Unit + Specials) Cast: Johnny Depp, Bill Nighy, Minami, Hiro Sanada, Ryo Kase, Sato Tadenobu, Jun Kunimura Producers: Andrew Levitas,Gabrielle Tana, Jason Foreman, Johnny Depp, Sam Sarkar, Stephen Deuters, Kevan