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Think Before You Ink Disturbing and Morbid and Is Con
·Entertainment Here Comes Treble OFWGKTA! By Ian Chandler _By Meg Bell By.Brent Bosworth heme: Ho Ho Hardcore Dean Martin - "Walking In a Win Theme: Yuletide cheer "Christmas Eve Sarjevo".- Trans Odd Future .was formed ant to cause your chuckle to re ter Wonderland" The day after Thanksgiving, IT be ·Siberian Orchestra by Tyler, the Creator, and they re emble \l spherical container filled You kids need a shot of old school gins. That is the constant streain .of Ol!e. of the mo!!t popular ~ode lea8ed their first album in 2008. The o the brim with a general gelatin . espresso in your puny little modem Christmas music on all radios: It Christmas songs, you can't have . members that form the group are ubstance? Listen hither, and may lattes. Taste this jazzy version of a seems like you can't escape jt. So Chri'stmas p laylist without this Tyler, the Creator; Earl Sweatshirt; our spirits be roused with the warm winter wonderland, sung by the instead, plug in your headphones "Thank God It's Christmas" Hodgy Beat;, Domo Genesis; Frank trelight of the seasoij. Dino lllmself. May it digest well with and give this mix a try. It's slire to Queen · · Ocean; Mike G; Left Brain; Taco ugust Burns Red"."" "Carol of the you and yours. Fun fact: "The King spread some holiday cheer. Any playlist with Queen is a win Bennett; Jasper Dolphin; Syd tha ells" of Cool" was born in Steubenville, "Baby It's Cold Outside" -Anthony ner, and this adds a bit of gl~m . -
The Intersectionality of Blackness and Disability in Hip-Hop: the Societal Impact of Changing Cultural Norms in Music
International Social Science Review Volume 96 Issue 4 Article 2 The Intersectionality of Blackness and Disability in Hip-Hop: The Societal Impact of Changing Cultural Norms in Music Matthew Gavieta Follow this and additional works at: https://digitalcommons.northgeorgia.edu/issr Part of the Anthropology Commons, Communication Commons, Political Science Commons, and the Public Affairs, Public Policy and Public Administration Commons Recommended Citation Gavieta, Matthew () "The Intersectionality of Blackness and Disability in Hip-Hop: The Societal Impact of Changing Cultural Norms in Music," International Social Science Review: Vol. 96 : Iss. 4 , Article 2. Available at: https://digitalcommons.northgeorgia.edu/issr/vol96/iss4/2 This Article is brought to you for free and open access by Nighthawks Open Institutional Repository. It has been accepted for inclusion in International Social Science Review by an authorized editor of Nighthawks Open Institutional Repository. The Intersectionality of Blackness and Disability in Hip-Hop: The Societal Impact of Changing Cultural Norms in Music Cover Page Footnote Matthew Gavieta is an undergraduate in the School of Industrial and Labor Relations at Cornell University, where he is the founder of the Cornell Intellectual Property and Ethics Club. This article is available in International Social Science Review: https://digitalcommons.northgeorgia.edu/issr/vol96/ iss4/2 Gavieta: The Intersectionality of Blackness and Disability in Hip-Hop The Intersectionality of Blackness and Disability in Hip-Hop: -
Earl Sweatshirt Shares 'Feet of Clay' Deluxe On
EARL SWEATSHIRT SHARES FEET OF CLAY DELUXE VERSION ON TAN CRESSIDA / WARNER RECORDS FEATURING NEW SONG “GHOST” GET DIGITAL DELUXE HERE – GET DELUXE CD HERE DOWNLOAD COVER ART HERE July 24, 2020 (Los Angeles, CA) – After releasing the vinyl deluxe version of his critically acclaimed FEET OF CLAY project on July 10, Earl Sweatshirt now shares the digital and CD deluxe forms of the project on Tan Cressida / Warner Records. The release includes Earl's new song “GHOST" featuring Navy Blue and produced by Black Noi$e, which follows his previously released track “WHOLE WORLD” featuring Maxo and produced by Alchemist. FEET OF CLAY arrived in 2019, creating a massive cultural impact with its masterfully constructed wordplay atop eclectic production, and has been met with praise across the media landscape from the likes of Pitchfork, The Wall Street Journal, Vulture, The New York Times, GQ and more. Recently, Earl announced Detroit artist Black Noi$e as the first signee to his Tan Cressida imprint and will be releasing Black’s forthcoming project OBLIVION on the label. Stay tuned. PRESS ON FEET OF CLAY: "Earl Sweatshirt is a guide who gets you lost on the excellent ‘Feet of Clay.’" – ROLLING STONE "This new, rejuvenated Earl Sweatshirt sounds clear-eyed and empowered." – GQ “[‘FEET OF CLAY’ is] further proof that Earl Sweatshirt is a generational talent.” – NME “Earl Sweatshit [has] cemented a signature mood and production style unlike anyone else’s.” – CONSEQUENCE OF SOUND “[‘FEET OF CLAY’ is] a woozy, raw, magical, and extremely short album from hip-hop’s most tantalizingly inscrutable rapper.” – PITCHFORK ABOUT EARL SWEATSHIRT Earl Sweatshirt is the virtuosic byproduct of Los Angeles’ fertile ground where hip hop sowed its seeds and historic cultural movements were born. -
Austrian Rap Music and Sonic Reproducibility by Edward
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ETD - Electronic Theses & Dissertations The Poetic Loop: Austrian Rap Music and Sonic Reproducibility By Edward C. Dawson Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in German May 11, 2018 Nashville, Tennessee Approved: Christoph M. Zeller, Ph.D. Lutz P. Koepnick, Ph.D. Philip J. McFarland, Ph.D. Joy H. Calico, Ph.D. Copyright © 2018 by Edward Clark Dawson All Rights Reserved ii For Abby, who has loved “the old boom bap” from birth, and whose favorite song is discussed on pages 109-121, and For Margaret, who will surely express a similar appreciation once she learns to speak. iii ACKNOWLEDGEMENTS This work would not have been possible without an Ernst Mach Fellowship from the Austrian Exchange Service (OeAD), which allowed me to spend the 2015-16 year conducting research in Vienna. I would like to thank Annagret Pelz for her support, as well as all the participants in the 2015-2016 Franz Werfel Seminar, whose feedback and suggestions were invaluable, especially Caroline Kita and organizers Michael Rohrwasser and Constanze Fliedl. During my time in Vienna, I had the opportunity to learn about Austrian rap from a number of artists and practitioners, and would like to thank Flip and Huckey of Texta, Millionen Keys, and DJ Taekwondo. A special thank you to Tibor Valyi-Nagy for attending shows with me and drawing my attention to connections I otherwise would have missed. -
Iowa State Daily (December 4, 2018) Iowa State Daily
Masthead Logo Iowa State Daily, December 2018 Iowa State Daily, 2018 12-4-2018 Iowa State Daily (December 4, 2018) Iowa State Daily Follow this and additional works at: https://lib.dr.iastate.edu/iowastatedaily_2018-12 Recommended Citation Iowa State Daily, "Iowa State Daily (December 4, 2018)" (2018). Iowa State Daily, December 2018. 4. https://lib.dr.iastate.edu/iowastatedaily_2018-12/4 This Book is brought to you for free and open access by the Iowa State Daily, 2018 at Iowa State University Digital Repository. It has been accepted for inclusion in Iowa State Daily, December 2018 by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. An independent student newspaper serving Iowa State since 1890 12.04.2018 Vol. 219 No. 072 TUESDAY IOWA STATE DAILY HOW FOOD RECALLS IMPACT IOWA STATE BY ADOLFO.ESPITIA @iowastatedaily.com In just a half hour after receiving an email about the romaine outbreak, Iowa State Dining immediately responded by throwing out the leafy green and notifying student managers from all 24 food stores and dining locations. Four Midwestern states reported cases of E. coli amid the recent romaine outbreak, with Michigan the ROMAINE PG8 COURTESY OF GETTY IMAGES ISU Dining is bringing romaine lettuce back following an outbreak which occurred over Thanksgiving break. Ames Middle School principal 878 travel packages fi red after allegations of bullying have been sold for Alamo Bowl thus far BY PAUL.ATTEMA have been prompted from a petition that was posted to @iowastatedaily.com change.org titled “Make Ames Middle School a safer place for its LGBTQIA+ students!” that was directed towards the BY LINDSEY.SETTLE The round-trip charter flight Ames Middle School Principal Dan Fox has been red former acting principal Dan Fox. -
A Critical Analysis of the Black President in Film and Television
“WELL, IT IS BECAUSE HE’S BLACK”: A CRITICAL ANALYSIS OF THE BLACK PRESIDENT IN FILM AND TELEVISION Phillip Lamarr Cunningham A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2011 Committee: Dr. Angela M. Nelson, Advisor Dr. Ashutosh Sohoni Graduate Faculty Representative Dr. Michael Butterworth Dr. Susana Peña Dr. Maisha Wester © 2011 Phillip Lamarr Cunningham All Rights Reserved iii ABSTRACT Angela Nelson, Ph.D., Advisor With the election of the United States’ first black president Barack Obama, scholars have begun to examine the myriad of ways Obama has been represented in popular culture. However, before Obama’s election, a black American president had already appeared in popular culture, especially in comedic and sci-fi/disaster films and television series. Thus far, scholars have tread lightly on fictional black presidents in popular culture; however, those who have tend to suggest that these presidents—and the apparent unimportance of their race in these films—are evidence of the post-racial nature of these texts. However, this dissertation argues the contrary. This study’s contention is that, though the black president appears in films and televisions series in which his presidency is presented as evidence of a post-racial America, he actually fails to transcend race. Instead, these black cinematic presidents reaffirm race’s primacy in American culture through consistent portrayals and continued involvement in comedies and disasters. In order to support these assertions, this study first constructs a critical history of the fears of a black presidency, tracing those fears from this nation’s formative years to the present. -
Volume 2 8 | Is Sue 2 1 | May 2 3 -2 9 2 0 19
DREAMS IN COLOR SINCE 1992 ILLUSTRATION BY COREY YAZZIE VOLUME 28 | ISSUE 21 | MAY 23-29 2019 | FREE [ 2] WEEKLY ALIBI MAY 23-29, 2019 MAY 23-29, 2019 WEEKLY ALIBI [3] alibi VOLUME 28 | ISSUE 21 | MAY 23-29, 2019 Email letters, including author’s name, mailing address and daytime phone number to [email protected]. Letters can also be mailed to P.O. Box 81, Albuquerque, N.M., 87103. Letters—including comments posted EDITORIAL on alibi.com—may be published in any medium and edited for length and clarity; owing to the volume of MANAGING EDITOR/ FILM EDITOR: Devin D. O’Leary (ext. 230) [email protected] correspondence, we regrettably can’t respond to every letter. MUSIC EDITOR/NEWS EDITOR: August March (ext. 245) [email protected] FOOD EDITOR: An Outrageous Proposal to government, knowing that neither may Dan Pennington (Ext. 255) [email protected] prevail; to commit to jointly heading a ARTS AND LIT.EDITOR: Save the United States Clarke Condé (Ext. 239) [email protected] national effort in support of Impeachment COPY EDITOR: and Medicare for All (or Climate Change). Samantha Carrillo (ext. 223) [email protected] Dear Alibi, CALENDARS EDITOR: An open letter to Senator Sanders and Vice Each of these leaders have impressive Ashli Kesali [email protected] constituencies with little overlap. Their STAFF WRITER: President Biden: Joshua Lee (ext. 243) [email protected] The lack of courage and principle is what constituencies go beyond party affiliation SOCIAL MEDIA COORDINATOR: we are exposed to on a daily basis by the and would provide a substantial source of Samantha Carrillo (ext. -
Songs by Artist
Songs by Artist Title Title (Hed) Planet Earth 2 Live Crew Bartender We Want Some Pussy Blackout 2 Pistols Other Side She Got It +44 You Know Me When Your Heart Stops Beating 20 Fingers 10 Years Short Dick Man Beautiful 21 Demands Through The Iris Give Me A Minute Wasteland 3 Doors Down 10,000 Maniacs Away From The Sun Because The Night Be Like That Candy Everybody Wants Behind Those Eyes More Than This Better Life, The These Are The Days Citizen Soldier Trouble Me Duck & Run 100 Proof Aged In Soul Every Time You Go Somebody's Been Sleeping Here By Me 10CC Here Without You I'm Not In Love It's Not My Time Things We Do For Love, The Kryptonite 112 Landing In London Come See Me Let Me Be Myself Cupid Let Me Go Dance With Me Live For Today Hot & Wet Loser It's Over Now Road I'm On, The Na Na Na So I Need You Peaches & Cream Train Right Here For You When I'm Gone U Already Know When You're Young 12 Gauge 3 Of Hearts Dunkie Butt Arizona Rain 12 Stones Love Is Enough Far Away 30 Seconds To Mars Way I Fell, The Closer To The Edge We Are One Kill, The 1910 Fruitgum Co. Kings And Queens 1, 2, 3 Red Light This Is War Simon Says Up In The Air (Explicit) 2 Chainz Yesterday Birthday Song (Explicit) 311 I'm Different (Explicit) All Mixed Up Spend It Amber 2 Live Crew Beyond The Grey Sky Doo Wah Diddy Creatures (For A While) Me So Horny Don't Tread On Me Song List Generator® Printed 5/12/2021 Page 1 of 334 Licensed to Chris Avis Songs by Artist Title Title 311 4Him First Straw Sacred Hideaway Hey You Where There Is Faith I'll Be Here Awhile Who You Are Love Song 5 Stairsteps, The You Wouldn't Believe O-O-H Child 38 Special 50 Cent Back Where You Belong 21 Questions Caught Up In You Baby By Me Hold On Loosely Best Friend If I'd Been The One Candy Shop Rockin' Into The Night Disco Inferno Second Chance Hustler's Ambition Teacher, Teacher If I Can't Wild-Eyed Southern Boys In Da Club 3LW Just A Lil' Bit I Do (Wanna Get Close To You) Outlaw No More (Baby I'ma Do Right) Outta Control Playas Gon' Play Outta Control (Remix Version) 3OH!3 P.I.M.P. -
Ordinance May Affect Homeless Shelters CSUF Wins Sports
Tuesday December 4, 2018 The Student Voice of California State University, Fullerton Volume 104 Issue 41 Ordinance may affect homeless shelters Municipal code will require shelters St. Philip Benizi Catholic Church has to go through an application process become one of four known churches tak- before housing individuals. ing part of an interfaith-based community doubling as temporary emergency home- less shelters in Fullerton. Richard Dou- DIANE ORTIZ bledee, deacon of St. Philip Benizi, said News Editor the city is facing a homeless crisis and shouldn’t be responsible for following The last reading of and final vote on an ordinances. ordinance requiring that emergency home- “Maybe the obvious is too obvious for less shelters go through an application us. We are in an emergency situation,” process to house unsheltered individuals Doubledee said. “I actually view any ordi- is scheduled for Tuesday’s Fullerton City nances right now in the new proposals as a Council meeting. This is the third time restriction on our right as a Christian com- the ordinance has been brought to the city munity to perform our obligation. We don’t council. turn people away because we’ve got a law Joan Wolff, senior planner for the city of that says they can’t be here.” Fullerton, said in addition to adding an ap- Doubledee said that while Fullerton has plication process, new requirements will created solutions to improve the long-term be enforced at the shelters, such as sup- homeless problem, the city hasn’t provided portive services for up to 12 people. The enough solutions for the short-term dilem- code would require shelters to be with- ma, stating that the ordinance is “wonder- in a habitable structure with access to re- ful,” but would’ve been more useful 10 years strooms and subject to the provision of on- ago. -
Triple J Hottest 100 of the Decade Voting List: AZ Artists
triple j Hottest 100 of the Decade voting list: A-Z artists ARTIST SONG 360 Just Got Started {Ft. Pez} 360 Boys Like You {Ft. Gossling} 360 Killer 360 Throw It Away {Ft. Josh Pyke} 360 Child 360 Run Alone 360 Live It Up {Ft. Pez} 360 Price Of Fame {Ft. Gossling} #1 Dads So Soldier {Ft. Ainslie Wills} #1 Dads Two Weeks {triple j Like A Version 2015} 6LACK That Far A Day To Remember Right Back At It Again A Day To Remember Paranoia A Day To Remember Degenerates A$AP Ferg Shabba {Ft. A$AP Rocky} (2013) A$AP Rocky F**kin' Problems {Ft. Drake, 2 Chainz & Kendrick Lamar} A$AP Rocky L$D A$AP Rocky Everyday {Ft. Rod Stewart, Miguel & Mark Ronson} A$AP Rocky A$AP Forever {Ft. Moby/T.I./Kid Cudi} A$AP Rocky Babushka Boi A.B. Original January 26 {Ft. Dan Sultan} Dumb Things {Ft. Paul Kelly & Dan Sultan} {triple j Like A Version A.B. Original 2016} A.B. Original 2 Black 2 Strong Abbe May Karmageddon Abbe May Pony {triple j Like A Version 2013} Action Bronson Baby Blue {Ft. Chance The Rapper} Action Bronson, Mark Ronson & Dan Auerbach Standing In The Rain Active Child Hanging On Adele Rolling In The Deep (2010) Adrian Eagle A.O.K. Adrian Lux Teenage Crime Afrojack & Steve Aoki No Beef {Ft. Miss Palmer} Airling Wasted Pilots Alabama Shakes Hold On Alabama Shakes Hang Loose Alabama Shakes Don't Wanna Fight Alex Lahey You Don't Think You Like People Like Me Alex Lahey I Haven't Been Taking Care Of Myself Alex Lahey Every Day's The Weekend Alex Lahey Welcome To The Black Parade {triple j Like A Version 2019} Alex Lahey Don't Be So Hard On Yourself Alex The Astronaut Not Worth Hiding Alex The Astronaut Rockstar City triple j Hottest 100 of the Decade voting list: A-Z artists Alex the Astronaut Waste Of Time Alex the Astronaut Happy Song (Shed Mix) Alex Turner Feels Like We Only Go Backwards {triple j Like A Version 2014} Alexander Ebert Truth Ali Barter Girlie Bits Ali Barter Cigarette Alice Ivy Chasing Stars {Ft. -
Patriot Press April May 2019
@LibertyPublicat @libertyhspublications www.pinterest.com/tyearbook April/May 2019 Patriot Press News Team Volume 25: Issue 5 Liberty High School Talon Yearbook and Patriot Press Newspaper 6300 Independence Avenue, Bealeton, Virginia 22712 The Quinceañera Endures as a Meaningful Rite of Passage her brothers, sisters, cousins,and by Melissa Reyes that the Quinceañera is officially all the special people in her life ~Staff Reporter a young woman and that the doll and the people who she wants is officially her last toy. Another to share her special day with. very special ceremony is the coro- “I didn’t have have a nation. It’s when the Quinceañera Court of Honor because I just is given a crown and officially wanted a small party with just declared a princess to everybody my family. I wanted to be able that is present. The shoe ceremo- to talk to everyone in my family ny is where the Quinceañera’s and not just focus on dances,” father presents her with a pair said sophomore Katie Castro. of heels, officially meaning “I chose my Court with she is not a little girl anymore. family and friends I am close with,” The dances are a very said senior Wendy Velasquez. important part of Quinceañeras. “I was surprised I got They are not a requirement for picked to be a Chambelan of every party but they do make Elizabeth Padilla-Delgado poses for Honor because I wasn’t His- the night more fun and special. a fabulous photo session before panic,” said junior Khai Pham. There are many dances that a her Quinceañera. -
Dissertation Title Here
THE RELATIONSHIP BETWEEN RAP MUSIC AND THE PSYCHOLOGICAL WELL-BEING OF AFRICAN AMERICAN ADOLESCENTS by Tony L. Camp A Dissertation Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degree Doctor of Philosophy Education Committee: Chair Program Director Dean, College of Education and Human Development Date: Spring Semester 2017 George Mason University Fairfax, VA The Relationship Between Rap Music and the Psychological Well-Being of African American Adolescents A Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at George Mason University by Tony L. Camp Master of Arts Howard University, 2006 Bachelor of Science Bowie State University, 2002 Director: Fred Bemak, Professor College of Education and Human Development Spring Semester 2017 George Mason University Fairfax, VA THIS WORK IS LICENSED UNDER A CREATIVE COMMONS ATTRIBUTION-NODERIVS 3.0 UNPORTED LICENSE. ii Dedication This is dedicated to my mother, Gloria D. Camp, and my father, Tony L. Camp, Sr. Thank you for your guidance and support during this extremely difficult journey. I could not have made it without the support of both of you. I am proud that the both of you are my parents. Thank you mom for all of your prayers and your tremendous help and support as I progressed through the dissertation stage of my program. I would also like to dedicate this to my second family who have provided me with words of encouragement and support during my time in the program. iii Acknowledgements I would first like to give thanks to the almighty God for leading me through the dissertation process.