Revelations Devoted to the Interest of the Magician
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The Old and the New Magic
E^2 CORNELL UNIVERSITY gilBRARY . GIFT OF THE AUTHOR Digitized by Microsoft® T^^irt m4:£±z^ mM^^ 315J2A. j^^/; ii'./jvf:( -UPHF ^§?i=£=^ PB1NTEDINU.S.A. Library Cornell University GV1547 .E92 Old and the new maj 743 3 1924 029 935 olin Digitized by Microsoft® This book was digitized by Microsoft Corporation in cooperation witli Cornell University Libraries, 2007. You may use and print this copy in limited quantity for your personal purposes, but may not distribute or provide access to it (or modified or partial versions of it) for revenue-generating or other commercial purposes. Digitized by Microsoft® Digitized by Microsoft® Digitized by Microsoft® Digitized by Microsoft® ROBERT-KCUIUT Digitized by Microsoft® THE OLDUI^DIMEJ^ MAGIC BY HENRY RIDGELY EVANS INTRODUCTION E1^ k -io^s-ji, Copyright 1906 BY The Open Court Publishing Co. Chicago -J' Digitized by Microsoft® \\\ ' SKETCH OF HENRY RIDGELY EVAXS. "Elenry Ridgely Evans, journalist, author and librarian, was born in Baltimore, ^Md., Xovember 7, 1861. He is the son 01 Henry Cotheal and Alary (Garrettson) Evans. Through his mother he is descended from the old colonial families of Ridgely, Dorsey, AA'orthington and Greenberry, which played such a prominent part in the annals of early Maryland. \h. Evans was educated at the preparatory department of Georgetown ( D. C.) College and at Columbian College, Washington, D. C He studied law at the University of Maryland, and began its practice in Baltimore City ; but abandoned the legal profession for the more congenial a\'ocation <jf journalism. He served for a number of }ears as special reporter and dramatic critic on the 'Baltimore N'ews,' and subsequently became connected with the U. -
As We Kicked Off the New Millennium, Readers of This
s we kicked off the new Amillennium, readers of this magazine cast their ballots to elect the ten most influential magicians of the 20th century. Although there were some sur- prises, few could argue with the top two — Harry Houdini and Dai Vernon. While scores of books have been written about Houdini, David Ben has spent the past five years prepar- ing the first detailed biography of Dai Vernon. What follows is a thumbnail sketch of Vernon’s remarkable life, legacy, and con- tribution to the art of magic. BY DAVID BEN Scene: Ottawa admired performers such as T. Nelson to learn, however, that he might as well have Scene: Ballroom of the Great Year: 1899 Downs, Nate Leipzig, and J. Warren Keane been the teacher. Northern Hotel, Chicago David Frederick Wingfield Verner, born more. He marveled at their ability to enter- In 1915, New York could lay claim to Year: 1922 on June 11, 1894, was raised in the rough- tain audiences with simple props and virtu- several private magic emporiums, the places On February 6, 1922, Vernon and his and-tumble capital of a fledgling country, oso sleight of hand. Coins flitted and flick- where magic secrets were bought, built, and confidant, Sam Margules, attended a ban- Canada, during the adolescence of magic’s ered through Downs’ fingers, while Leipzig sold. Much to Vernon’s chagrin, the propri- quet in honor of Harry Houdini in the Golden Age. It was his father, James Verner, and Keane, ever the gentlemen, entertained etor and staff at Clyde Powers’ shop on Crystal Ballroom of the Great Northern who ignited his interest in secrets. -
Rare Posters
Public Auction #009 Rare Posters Conjuring, Circus, and Allied Arts For sale at public auction March 26 2011 at 11:00 am Exhibition March 22 - 25 Potter & Potter Auctions, Inc. 3729 N. Ravenswood Ave. -Suite 116- Chicago, IL 60613 Thank you for downloading the digital edition of this catalog. Hard copies can be purhased at our website, www.potterauctions.com. To view detailed, color images of each lot and to place bids online for items in this catalog, please visit our partner website, www.liveauctioneers.com. Introduction Magic is the oldest of the theatrical arts. Its earliest origins was frequently shown with diminutive red devils or imps were in Shamanism and the priesthood. By the time of ancient perched on his shoulder or whispering (presumably arcane Egypt, clever conjurors were using many of the same tricks secrets) in his ear. Some of these portraits include a background performed by magicians today to convince the masses of their which suggests that the person pictured is a magician or the supernatural power. In the thousands of years since its earliest portrait itself is stylized in such a manner as to suggest that recorded beginnings, magic moved from the temples of ancient the person is a mystery worker or, at the very least, an exotic times to the street corners and fairs of the Middle Ages, then personality. Notable in this regard are the portrait lithographs into taverns and drawing rooms and, finally, onto the stage and of Chung Ling Soo, Alexander, and Cater. Also in this category television. are some posters which only vaguely suggest an illusion being When the art of conjuring split from its religious and performed, such as the poster for The Great Rameses. -
Haversat Ewing
haversat &Ewing Galleries, LLC. 2014 Magic Collectibles Auction November 15, 2014 Haversat & Ewing Galleries, LLC. Magic Collectibles Auction AUCTION Active bidding on Saturday,all lots begin November at 11:00 15, AM 2014 EST- -11:00 Sat. November AM 15, 2014 SignFirst-up lot to bidcloses at: www.haversatewing.comat 3:00 PM EST. Sign-up to bid at: www.haversatewing.com HAVERSAT & EWING GALLERIES, LLC PO BOX 1078 - YARDLEY, PA 19067-3434 WWW.HAVERSATEWING.COM ~1~ ~2~ ~3~ ~4~ Books, Catalogs & Periodicals 1. Abbott, David. Behind the Scenes with the Mediums. Omaha: The Open Court Publishing Co., 1908 Second edition. Mint condition. $75-125 ~5~ 2. The Art of Conjuring Made Easy; or, Instructions For Performing The Most 4. Brewster, David. Letters on Natural Magic. Astonishing Sleight-of-Hand Feats, With London: John Murry, 1834. Lovely rebinding of Directions for Making Fireworks. 12 pages. this classic text with leather spine and corners and Small 12mo. Woodcut pictorial wrappers, with old buckram covers. New end papers. Fine condition. tape on spine. Circa 1840's. $200-250 $75-$100 3. Black Art!, Or Magic Made Easy. All Kinds 5. Conjurers’ Monthly Magazine. Harry of Sleight-of Hand Tricks. Conjuring by Cards and Houdini. V1 N1 (Sept. 1906) - V2 N12 (Aug. 1908). Coins. 64 pages. 16mo. Copyright 1869, Frederic Complete file. Bound in blue cloth with lettered Brady. First Edition. $200-$250 cloth spines, as issued by Houdini. Overall in fair condition. $450-$700 November 2014 - Haversat & Ewing Galleries • 3 ~7~ ~9~ ~8~ 8. Encyclopedia of Self Working Card Tricks & Second Encyclopedia of Card Tricks. -
Download This Issue (PDF)
On behalf of the working people of Erie, IUPAT District Council 57 endorses: JOE BIDEN JOSH SHAPIRO KRISTY GNIBUS For President For Attorney General For Congress THESE CANDIDATES SHARE WORKING PEOPLE’S VALUES: FOR WORKERS’ FOR AFFORDABLE FOR FUNDING RIGHTS HEALTHCARE PUBLIC EDUCATION President Trump has • BROKEN HIS PROMISE ON INFRASTRUCTURE • PLANNED TO DEFUND HEALTHCARE • TAKEN THE CONSTITUTIONAL RIGHT OF COLLECTIVE BARGAINING AWAY FROM WORKERS • GIVEN TAX BREAKS TO LARGE CORPORATIONS DURING A PANDEMIC, WHILE OUR MOM AND POP SHOPS CONTINUE TO SUFFER Your livelihood for the next 4 years is on the line. Vote for candidates who will choose helping your family over fattening their wallets. WE CAN BE THE CHANGE Paid for by the IUPAT Political Action Together Political Committee, Hanover, MD CONTENTS From the Editors The only local voice for news, arts, and culture. OCTOBER 21, 2020 On keeping our heads on On behalf of the working people of Erie, Editors-in-Chief y most accounts, Erie-born magician Brian Graham & Adam Welsh Harry Kellar had an exceptionally good Managing Editor IUPAT District Council 57 endorses: Nick Warren What We’re Voting For – 5 Bhead on his shoulders. Throughout his standard-setting career, he demonstrated sav- Copy Editor Erie County and the soul of America Matt Swanseger vy, dignity, and class, while never forgetting where he came from. But despite his fami- Contributing Editors Still Making an Impression – 6 Ben Speggen ly-friendly reputation, he wasn’t above a lit- Jim Wertz Dafmark Dance Theater celebrates 30 years in tle shock value. For instance, detaching that Contributors Erie distinguished dome of his in front of a paying Liz Allen crowd of men, women, and children of all ages. -
By Tom Ewing
Magical Treasures of Philadelphia by Tom Ewing n behalf of the vibrant magic community Hosting this national convention is also noth- in Philadelphia, welcome to the many ing new to the city as we have done so on Onational convention attendees to our city. four other occasions—1931, 1968, 1972, and We have a rich political history as the site of 1976. We can also boast five National S.A.M. the First and Second Continental Congresses Presidents and two Deans of the Society with during the American Revolution. It was here, close ties to the city. too, that the Declaration of Independence was drafted and adopted, and from 1790- In mid-1700s, Philadelphian Jacob Meyer be- 1800 we served as the nation’s capital. It was gan performing magic and eventually adopt- also the home of Benjamin Franklin, Betsy ed the stage name Philadelphus Philadelphia Ross, and other notables. and rose to fame here and abroad. He trav- eled extensively throughout Europe and per- We have a rich magic history stretching back formed before the Empress Catharine and Sultan to those early colonial days up to the present. Mustapha the Third at Constantinople. Also in the late 1700s, conjurors such as should be more on theaters and buildings or Hymen Saunders, Signor Falconi, and John people. Since people are far more interesting, Rannie performed at local taverns and public I went with human treasures. Of course, I had houses in the city. to throw in some buildings and theaters, too. It was also here that Von Kempelen’s chess- Magic Shops playing automaton, “The Turk,” spent its final and last days. -
The Effects of Exposure on the Ecology of the Magic Industry: Preserving Magic in the Absence of Law," Cybaris®: Vol
Cybaris® Volume 6 | Issue 1 Article 2 2015 The ffecE ts of Exposure on the Ecology of the Magic Industry: Preserving Magic in the Absence of Law Jared R. Sherlock Follow this and additional works at: http://open.mitchellhamline.edu/cybaris Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Sherlock, Jared R. (2015) "The Effects of Exposure on the Ecology of the Magic Industry: Preserving Magic in the Absence of Law," Cybaris®: Vol. 6: Iss. 1, Article 2. Available at: http://open.mitchellhamline.edu/cybaris/vol6/iss1/2 This Article is brought to you for free and open access by the Law Reviews and Journals at Mitchell Hamline Open Access. It has been accepted for inclusion in Cybaris® by an authorized administrator of Mitchell Hamline Open Access. For more information, please contact [email protected]. © Mitchell Hamline School of Law Sherlock: The Effects of Exposure on the Ecology of the Magic Industry: Pre Published by Mitchell Hamline Open Access, 2015 1 Cybaris®, Vol. 6, Iss. 1 [2015], Art. 2 THE EFFECTS OF EXPOSURE ON THE ECOLOGY OF THE MAGIC INDUSTRY: PRESERVING MAGIC IN THE ABSENCE OF LAW JARED R. SHERLOCK † I. Introduction ................................................................................. 3 II. BackGround of Intellectual Property in the Magic Industry .................................................................................... 4 A. Brief History ...................................................................... 4 B. The -
Harry Houdini and Howard Thurston Were So Popular That the Era Became Known As the Golden Age of Magic
Illusions The Art of Magic Large Print Exhibition Text This exhibition is organized by the McCord Museum in Montreal. All of the framed posters on view are from the McCord’s Allan Slaight Collection. Lead La Fondation Emmanuelle Gattuso Supporters The Slaight Foundation Exhibition Overview There are 9 sections in this exhibition, including a retail shop. Visitors will enter Section 1, upon turning right, after passing through the entrance. Enter / Exit Section 1 Content: Exhibition title wall with 1 photograph and partnership recognition, and 2 posters on the wall. Environment: shared thoroughfare with exhibition exit. Section 2 Content: 9 posters on the wall, 1 projected film with ambient audio, and 1 table case containing 4 objects Environment: darkened gallery setting with no seating. Section 3 Content: 9 posters on the wall. Environment: standard gallery setting with no seating. Section 4 Content: 9 posters on the wall. Environment: standard gallery setting with bench seating. Section 5 Content: 8 posters on the wall, 1 short film with ambient audio, 1 table case containing 9 objects, and an interactive activity station with seating. Environment: standard gallery setting with no seating. Section 6 Content: 7 posters on the wall. Environment: standard gallery setting with no seating. Section 7 Content: 6 posters on the wall. Environment: standard gallery setting with no seating. Section 8 Content: 7 posters on the wall, 2 projected silent films, 1 table case containing 15 objects, and a free-standing object. Environment: standard gallery setting with dim lighting. No available seating. Section 9 (Retail Shop) Visitors must enter through the retail shop to exit the exhibition. -
1932-04-03 [P
of the magician from being made public. getting the description through and generous in helping the mdgician KIINETY per cent of the audience that bother ^ ThUr fs not,a Reactionary measure. No the Patent Office. In short, patenting a keep the mystery of magic. Many edi- crowded, the house for Mr. Powell’s for and it I believe that their readers are one realy wants to know how ,he has trick releases It publication, tors, find, performance was made up of practic^ig been fooled. His amusement comes from then becomes valueless for the stage. annoyed to discover the means by which magicians. Slany who, in Order to at- mystification, and once he knows the they are fooled, just as they are annoyed tend, had had to cancel their own per- OMETIMES of time and thou- mechanism he is no longer amused. C years when a critic discloses a feeling of hatred formances, came on the evening trains ^ for a trick The society includes also ardent stu- sands of dollars are spent between the hero and the heroine of a and returned to Boston, Chicago, Balti- a moment to dents of magic who are amateurs. Many which takes but perform. successful romantic play. Audiences en- more and a hundred other places on the It to and a star of the theater can tell of having has be designed redesigned, joy their illusions and feel disgruntled midnight. made and unmade. The must when the illusions are shattered. run away from home as a boy to travel magician When the lights went out and the be with the “master of mystery,” the “pro- not fail and a trick must mystifying The safeguarding of illusions is thus house grew quiet, Dean Powell walked The trick of one fessor of thaumaturgy,” or the “world’s to every observer. -
Feldman Presents Thurston 71
Feldman Presents Thurston William V. Rauscher In April, 2000 I presented a lecture entitled “When Thur- ston Came To Town” at the 31st Magic Collectors’ Weekend in Baltimore, Maryland. Who would have thought I could present another lecture eight and a half years later in 2008 entitled “When Thurston Came to Brooklyn.” Without a doubt, Thurston’s memory is alive and well in Brooklyn. In fact, not far from Thurston’s original home in Whit- estone, New York is probably the greatest assemblage of Thurston material in the world today. This massive collection consisting of over 13,000 items is stored in magician and magic collector Rory Feldman’s home. This twenty-seven-year-old collector is unlike so many who only collect and then sell—Rory collects and keeps. Occasionally if he has a duplicate he may sell it, but he does fit the true meaning of what a collector really is. With so few young collectors today he is unique to say the least. If Thurston were alive today he would probably be staggered by the dozens of scrapbooks filled with memorabilia of his life and performances—several of which came from Thurston’s own personal collection. I’m sure Thurston would feel very much at home if he could wander among this collection, and would no doubt express great admiration for Feldman, a gentleman who has worked so diligently to preserve his memory. 69 70 The Yankee Magic Collector #13 Rory’s fascination with Thurston began when he was twelve years old and performed Thurston’s Eggs Extraordinary for his sixth grade class, using Thurston’s own top hat in his performance. -
18 Chapter Source Notes
18. Death By Misadventure 1. pages 331-334. The procession had the air...eighteen years before. We compiled our account from many sources including “Shot On The Stage”, The Daily Chronicle, London, March 25, 1918, “Music Hall Stage Tragedy”, Daily Express, London, March 25, 1918, “Life and Death of Chung Ling Soo”, The Encore, March 28, 1918, “Magician Shot On The Stage Of Music Hall By Mischance”, Lloyd’s Weekly News, March 31, 1918, from the collection of the Harry Ransom Center, University of Texas at Austin. Also see the elegant account in Jim Steinmeyer, The Glorious Deception (New York: Carroll & Graf Publishers), 2005, 1-16, and “A Basonful of Chung Ling Soo” by Edwin A. Dawes, The Complete Rich Cabinet of Magical Curiosities, CD-ROM, (Surrey, Peter Scarlett, 2005), p. 473-475. 2. page 335. “The reason people drown on a sinking...raise his hand.” Our account comes from “Houdini Offers Aid – Teach Soldiers Escape Methods”, Toledo News, February, 1918, from the Robinson Locke scrapbook, 284, in the collection of the New York Public Library, and “Ten Thousand Boys In Khaki Crowd The Five Huts”, unidentified New York newspaper, February 6, 1918, citation from the Silverman notes in the Houdini Historical Center at the Outagamie Museum, Appleton, Wisconsin. 3. page 337. “Soo Robinson Killed Doing Bullet Trick.” Telegram from Joe Hayman to Houdini, March 26, 1918, in the collection of the Harry Ransom Center, University of Texas at Austin. 4. page 337. “It is known for a fact that the rifle..” Letter from Joe Hayman to Houdini, March 26, 1918, in the collection of the Harry Ransom Center, University of Texas at Austin. -
Circus Report, February 19, 1979, Vol. 8, No. 8
8th Year February 19, 1979 Number 8 New Show Owners Two Australian businessmen have formed a partnership and taken over control of the 102 year old Sole Bros. Circus. John Laws and John Singleton, an advertising executive, have been friends for a long time and recently became partners in Laws' long-running talk radio show. The new show owners will pay the Perry family for promotional costs and losses and will give them a flat fee guarantee for each performance. However, all profits will go to the L & S Pro- prietary Ltd., the company set up to operate the circus. During the holiday season the circus gave 40 performances in the Sydney area. Some $285,000 was spent for promotion, plus an equal amount for upfront costs. Another $114,000 was spent for television advertising, with support from the Grace Bros, department store chain. Ticket prices at that time were set at $3.42 and $6.84, which Singleton says com- pares favorably with the Michael Edgley circus /tar Die/ presentations. Edgley is reportedly working One of America's favorite circus performers with Ringling-Barnum in planning its scheduled - Victor Julian - died early in the morning on Australian tour in 1980. Feb. 10th, at a hospital in Greenwood, S. C. Sole Bros. Circus was started in 1876 by The night before he collapsed in the ring William Perry and has been operated by the while presenting his dog act, a feature number family since that time. Three years ago they with the Royal Hanneford Circus. He was rush- opened an animal park called "Wild Australia'.' ed to a hospital, but doctors were unable to save him.