BFI Film Quiz - January 2016
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Quentin Tarantino's KILL BILL: VOL
Presents QUENTIN TARANTINO’S DEATH PROOF Only at the Grindhouse Final Production Notes as of 5/15/07 International Press Contacts: PREMIER PR (CANNES FILM FESTIVAL) THE WEINSTEIN COMPANY Matthew Sanders / Emma Robinson Jill DiRaffaele Villa Ste Hélène 5700 Wilshire Blvd., Suite 600 45, Bd d’Alsace Los Angeles, CA 90036 06400 Cannes Tel: 323 207 3092 Tel: +33 493 99 03 02 [email protected] [email protected] [email protected] From the longtime collaborators (FROM DUSK TILL DAWN, FOUR ROOMS, SIN CITY), two of the most renowned filmmakers this summer present two original, complete grindhouse films packed to the gills with guns and guts. Quentin Tarantino’s DEATH PROOF is a white knuckle ride behind the wheel of a psycho serial killer’s roving, revving, racing death machine. Robert Rodriguez’s PLANET TERROR is a heart-pounding trip to a town ravaged by a mysterious plague. Inspired by the unique distribution of independent horror classics of the sixties and seventies, these are two shockingly bold features replete with missing reels and plenty of exploitative mayhem. The impetus for grindhouse films began in the US during a time before the multiplex and state-of- the-art home theaters ruled the movie-going experience. The origins of the term “Grindhouse” are fuzzy: some cite the types of films shown (as in “Bump-and-Grind”) in run down former movie palaces; others point to a method of presentation -- movies were “grinded out” in ancient projectors one after another. Frequently, the movies were grouped by exploitation subgenre. Splatter, slasher, sexploitation, blaxploitation, cannibal and mondo movies would be grouped together and shown with graphic trailers. -
A Look Into the South According to Quentin Tarantino Justin Tyler Necaise University of Mississippi
University of Mississippi eGrove Honors College (Sally McDonnell Barksdale Honors Theses Honors College) 2018 The ineC matic South: A Look into the South According to Quentin Tarantino Justin Tyler Necaise University of Mississippi. Sally McDonnell Barksdale Honors College Follow this and additional works at: https://egrove.olemiss.edu/hon_thesis Part of the American Studies Commons Recommended Citation Necaise, Justin Tyler, "The ineC matic South: A Look into the South According to Quentin Tarantino" (2018). Honors Theses. 493. https://egrove.olemiss.edu/hon_thesis/493 This Undergraduate Thesis is brought to you for free and open access by the Honors College (Sally McDonnell Barksdale Honors College) at eGrove. It has been accepted for inclusion in Honors Theses by an authorized administrator of eGrove. For more information, please contact [email protected]. THE CINEMATIC SOUTH: A LOOK INTO THE SOUTH ACCORDING TO QUENTIN TARANTINO by Justin Tyler Necaise A thesis submitted to the faculty of The University of Mississippi in partial fulfillment of the requirements of the Sally McDonnell Barksdale Honors College. Oxford May 2018 Approved by __________________________ Advisor: Dr. Andy Harper ___________________________ Reader: Dr. Kathryn McKee ____________________________ Reader: Dr. Debra Young © 2018 Justin Tyler Necaise ALL RIGHTS RESERVED ii To Laney The most pure-hearted person I have ever met. iii ACKNOWLEDGEMENTS Thank you to my family for being the most supportive group of people I could have ever asked for. Thank you to my father, Heath, who instilled my love for cinema and popular culture and for shaping the man I am today. Thank you to my mother, Angie, who taught me compassion and a knack for looking past the surface to see the truth that I will carry with me through life. -
Contwe're ACT
Media contacts for Linkin Park: Dvora Vener Englefield / Michael Moses / Luke Burland (310) 248-6161 / (310) 248-6171 / (615) 214-1490 [email protected] / [email protected] / [email protected] LINKIN PARK ADDS BUSTA RHYMES TO 2008 SUMMER TOUR ACCLAIMED HIP HOP INNOVATOR WILL PERFORM WITH LINKIN PARK, CHRIS CORNELL, THE BRAVERY, ASHES DIVIDE ON PROJEKT REVOLUTION MAIN STAGE REVOLUTION STAGE HEADLINED BY ATREYU AND FEATURING 10 YEARS, HAWTHORNE HEIGHTS, ARMOR FOR SLEEP & STREET DRUM CORPS TOUR BEGINS JULY 16 IN BOSTON Los Angeles, CA (June 3, 2008) – Multi-platinum two-time Grammy-winning rock band Linkin Park has announced that acclaimed hip-hop innovator Busta Rhymes will join their Projekt Revolution 2008 lineup. Rhymes and Linkin Park recently collaborated on “We Made It,” the first single and video from Rhymes’ upcoming album, Blessed. By touring together, Linkin Park & Busta are taking a cue from the chorus of their song: “…we took it on the road…”. As recently pointed out in Rolling Stone’s “Summer Tour Guide,” the tour will see nine acts joining rock superstars Linkin Park, who are also offering concertgoers a digital souvenir pack that includes a recording of the band’s entire set. As the band’s co-lead vocalist Mike Shinoda told the magazine, “That puts extra pressure on us to make sure our set is different every night.” The fifth installation of Linkin Park’s raging road show will see them headlining an all-star bill that features former Soundgarden/Audioslave frontman Chris Cornell, electro-rockers The Bravery and Ashes Divide featuring Billy Howerdel, known for his work with A Perfect Circle. -
Source Guides
source guides National Library quentin tarantino 16 + Source Guide contents IMPORTANT NOTE . .i GENERAL INFORMATION . .ii APPROACHES TO RESEARCH, by Samantha Bakhurst . .iii INTRODUCTION . .1 BOOKS . .2 JOURNAL ARTICLES . .5 PRESS ARTICLES . .8 WEBSITES . .9 FILMOGRAPHY . .10 Compiled by: Victoria Crabbe Nicola Clarke Design/Layout: Ian O’Sullivan Project Manager: David Sharp © BFI NATIONAL LIBRARY 21 Stephen Street London W1P 2LN 2004 16+ MEDIA STUDIES INFORMATION GUIDE STATEMENT “Candidates should note that examiners have copies of this guide and will not give credit for mere reproduction of the information it contains. Candidates are reminded that all research sources must be credited”. BFI National Library i accessing research materials BFI NATIONAL copies of articles Local bookshops LIBRARY Some of the books mentioned in If you are unable to visit the the bibliography will be in print library or would like materials All the materials referred to in this and your bookshop should be able referred to in this guide sent to to order items for you. guide are available for consulta- you, the BFI Information Service tion at the BFI National Library. If can supply copies of articles via its you wish to visit the reading room The British Library Newspaper Research Services. Research is Library of the library and do not already charged at a range of hourly rates, hold membership, you will need to with a minimum charge for half The Newspaper Library will have take out a one-day, five-day or an hour’s research – full details of annual pass. Full details of access all the newspaper items referred services and charges can be found to in this guide. -
The South According to Quentin Tarantino
University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 2015 The South According To Quentin Tarantino Michael Henley University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/etd Part of the American Studies Commons Recommended Citation Henley, Michael, "The South According To Quentin Tarantino" (2015). Electronic Theses and Dissertations. 887. https://egrove.olemiss.edu/etd/887 This Thesis is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. THE SOUTH ACCORDING TO QUENTIN TARANTINO A Thesis presented in partial fulfillment of requirements for the degree of Master of Arts in the Department of the Center for the Study of Southern Culture The University of Mississippi by MICHAEL LEE HENLEY August 2015 Copyright Michael Lee Henley 2015 ALL RIGHTS RESERVED ABSTRACT This thesis explores the filmmaker Quentin Tarantino’s portrayal of the South and southerners in his films Pulp Fiction (1994), Death Proof (2007), and Django Unchained (2012). In order to do so, it explores and explains Tarantino’s mixture of genres, influences, and filmmaking styles in which he places the South and its inhabitants into current trends in southern studies which aim to examine the South as a place that is defined by cultural reproductions, lacking authenticity, and cultural distinctiveness. Like Godard before him, Tarantino’s movies are commentaries on film history itself. In short, Tarantino’s films actively reimagine the South and southerners in a way that is not nostalgic for a “southern way of life,” nor meant to exploit lower class whites. -
Genre, Justice & Quentin Tarantino
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 11-6-2015 Genre, Justice & Quentin Tarantino Eric Michael Blake University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the Film and Media Studies Commons, and the Theory and Criticism Commons Scholar Commons Citation Blake, Eric Michael, "Genre, Justice & Quentin Tarantino" (2015). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/5911 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Genre, Justice, & Quentin Tarantino by Eric M. Blake A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Department of Humanities and Cultural Studies With a concentration in Film Studies College of Arts & Sciences University of South Florida Major Professor: Andrew Berish, Ph.D. Amy Rust, Ph.D. Daniel Belgrad, Ph.D. Date of Approval: October 23, 2015 Keywords: Cinema, Film, Film Studies, Realism, Postmodernism, Crime Film Copyright © 2015, Eric M. Blake TABLE OF CONTENTS Abstract ................................................................................................................................. ii Introduction ..................................................................................................................................1 -
Name Genre Streaming IMDB Link 8 1/2 Classic Amazon/Hulu
Name Genre Streaming IMDB Link Academy Library SF Library 8 1/2 Classic Amazon/Hulu/iTunes http://www.imdb.com/title/tt0056801/ X X 8 1/2 Drama Amazon/Hulu/iTunes http://www.imdb.com/title/tt0056801/ X X 8 1/2 World Cinema Amazon/Hulu/iTunes http://www.imdb.com/title/tt0056801/ X X 10 Items or Less Independent on disc http://www.imdb.com/title/tt0065214/ X 2001: A Space Odyssey Sci Fi Amazon/iTunes http://www.imdb.com/title/tt0062622/ X X 28 Days Later Horror Amazon/iTunes http://www.imdb.com/title/tt0289043/ X 39 Steps Romance Amazon/Hulu/iTunes http://www.imdb.com/title/tt0026029/ X 39 Steps Thriller Amazon/Hulu/iTunes http://www.imdb.com/title/tt0026029/ X 42nd STREET Musical Amazon/iTunes http://www.imdb.com/title/tt0024034/ X 500 Days of Summer Romantic Comedy Amazon/iTunes http://www.imdb.com/title/tt1022603/ X A CLOCKWORK ORANGE Classic Amazon/iTunes http://www.imdb.com/title/tt0066921/ X A CLOCKWORK ORANGE Drama Amazon/iTunes http://www.imdb.com/title/tt0066921/ X A Hard Day's Night Comedy Amazon /Hulu/iTunes http://www.imdb.com/title/tt0058182/ X X A Night at the Opera Classic Amazon http://www.imdb.com/title/tt0026778/ X X A Night at the Opera Comedy Amazon http://www.imdb.com/title/tt0026778/ X X A PLACE IN THE SUN Classic Amazon/iTunes http://www.imdb.com/title/tt0043924/ X X A PLACE IN THE SUN Drama Amazon/iTunes http://www.imdb.com/title/tt0043924/ X X Absolute Beginners Musical Amazon http://www.imdb.com/title/tt0090585/ X X Adam’s Rib Comedy Amazon/iTunes http://www.imdb.com/title/tt0041090/ X X Adam’s Rib Romance Amazon/iTunes -
Romanov Thesis.Pdf
INTRODUCTION Quentin Tarantino is a writer and director of films widely known for his nonlinear storylines, pert dialogue, excessive violence, and 60s and 70s era music scores. Tarantino has an impressive knowledge of television, movies, and film history and deeply admires exploitation films, Hong Kong action cinema and Spaghetti Westerns. His films often duplicate and incorporate the themes, style and music of a wide assortment of film genres. Tarantino got his start in film while employed as a video store clerk. In 1987, he wrote the script for True Romance and sold it in 1992, followed by the sale of another script entitled Natural Born Killers. This eventually led to Reservoir Dogs (1992), the first film he wrote and directed, followed by Pulp Fiction (1994), Jackie Brown (1997), Kill Bill Vol. 1 (2003), and Kill Bill Vol. 2 (2004). In all of the films written and directed by Tarantino, the soundtrack music plays an integral role. As he states, “The thing I’m coming from is listening to music to be the guide to a movie” (Miklitsch, 289). The music he uses as his guide shares several common characteristics: “It is old and it is referential to distinct musical, film or media genres” (Garner, 192). Tarantino uses this music to connect his audience to the physical and emotional sensations of the characters in his films. If the audience is connected, then they will understand the emotions associated with the character or be intrigued by the juxtaposition of the aural and visual elements in the scene. Therefore, as Frith generally states, music “becomes our teacher, making sure we got the film’s emotional message” (79). -
Race and Ethnicity
CHAPTER 3 Race and Ethnicity Victor Joseph: You gotta look mean or people won’t respect you. White people will run all over you if you don’t look mean. You gotta look like a warrior! You gotta look like you just came back from killing a buffalo! Thomas Builds- But our tribe never hunted buffalo—we were fishermen. the-Fire: Victor Joseph: What! You want to look like you just came back from catching a fish? This ain’t “Dances With Salmon” you know! Smoke Signals (1998) Furious Styles: Why is it that there is a gun shop on almost every corner in this community? The Old Man: Why? Furious Styles: I’ll tell you why. For the same reason that there is a liquor store on almost every corner in the black community. Why? They want us to kill ourselves. Boyz n the Hood (1991) he history of race and ethnicity in Hollywood films reflects the racial and ethnic inequalities of American society. In the early 20th century, movies Twere created and exhibited to Eastern European immigrants to encourage assimilation. Whiteness was a status to be achieved, a way of life to emulate, with homogeneity as the goal, at least for immigrants from Europe. However, the por- trayal of most nondominant groups in American film was the story of the “objec- tified Other” (Collins, 2000), created and controlled through practices of exclusion, expulsion, and violence. 65 66 CINEMATIC SOCIOLOGY In 1915, D. W. Griffith made history with the first blockbuster film, The Birth of a Nation. Historians have called the film a major landmark for American cinema, and a “sacrifice of black humanity to the cause of racism” (Cripps, 1977, p. -
Quentin Tarantino Et Ses Modèles
9 septembre – 6 octobre 2015 QUENTIN TARANTINO ET SES MODÈLES Cinéma Institut de l’image .................…......................... RESERVOIR DOGS TRUE ROMANCE (USA, 1992) 100 min – copie numérique (USA, 1993) 120 min – DCP (DCP) Réal. Tony Scott QUENTIN TARANTINO Réal. Quentin Tarantino Scén. Quentin Tarantino Int. Harvey Keitel, Tim Roth, Steve Int. Patricia Arquette, Christian Slater, ET SES MODÈLES Buscemi, Michael Madsen, Lawrence Dennis Hopper, Christopher Walken... Tierney... 9 septembre – 6 octobre 2015 Le jour de son anniversaire, Clarence Des hommes en costumes noirs se Worley rencontre la charmante retrouvent dans un entrepôt suite à un L’Institut de l’image ouvre la saison 2015/2016 par un cycle consacré à Alabama dans un cinéma. C’est le casse qui a mal tourné... un « cinéaste cinéphile », Quentin Tarantino. Tarantino est mû par une coup de foudre. Mais Alabama avoue passion dévorante pour le cinéma sous toutes ses formes et dans tous à Clarence qu’elle a été engagée Premier film et premier coup de ses genres, une passion tantôt considérée comme une force, tantôt par son patron comme « cadeau tonnerre « tarantinesque » au festival comme une limite à son propre cinéma. Chaque plan y deviendrait la d’anniversaire ». Une folle aventure de Cannes en 1992 ! reprise maniériste d’un plan préexistant, chaque film la relecture d’un, commence... ou d’autres films, le tout dans un rapport à la violence parfois un peu On reconnaît dans True Romance trop jouissif au goût de certains, même si Django Unchained a été l’écriture de Tarantino, dans les dialo- unanimement salué par la critique. Le cinéaste aurait-il enfin mis ses > Présenté par Marc Cerisuelo, gues notamment, et les références au plus farouches détracteurs dans sa poche ? Rien n’est moins sûr, mais cinéma également. -
True Romance
TRUE ROMANCE by Quentin Tarantino August 1992 Early Draft FOR EDUCATIONAL PURPOSES ONLY When you're tired of relationships, try a romance. "His films are a desperate cry from the heart of a grotesque fast food culture." -French critics on the films of Roger Corman. "... Beyond all the naivete and stupidity, beyond the vulgarity inherent in the amount of money involved, beyond all this, a certain grandeur had rooted itself into the scheme, and I could still spy a reckless and artistic splendor to the way we had carried it out." -Clifford Irving on the Howard Hughes hoax. TRUE ROMANCE FADE IN: DETROIT SKYLINE - TWILIGHT MONOTONE BEGIN MAIN TITLES. Gotham city in deep winter. PERCY SLEDGE hammers out, "When A Man Loves A Woman." Dark, overcast, snow-filled skies shroud big black monoliths set in wastelands of a post holocaust city -- occasional car headlights dissect the blackness. SERIES OF SHOTS Ansel Adams type city scapes, the CAMERA MOVES INTO the darkness of the vertical monoliths TO FIND occasional human creatures comforting themselves around open fires. Glimpsed, cracked lips and frightened eyes assault the CAMERA THROUGH a haze of cold breath. A dark planet resembling the pupil of an eye reflects an open fire. Red veins dissect the gray, white void around the planet. It blinks -- it is an eye. END OF TITLES. SCREEN TO BLACK: FADE IN: EXT. CADILLAC BAR - TWILIGHT Gotham city rises up in the b.g. INT. BAR - NIGHT A smoky cocktail bar in downtown Detroit. CLARENCE WORLEY, a young hipster, hepcat, is trying to pick up on an older lady named LUCY. -
The Pulp Fiction Screenplay
The Avary Screenplay Series Presents The Pulp Fiction Screenplay The Pulp Fiction screenplay was they’re development executives Pulp Fiction assembled and edited as much as it was proceeded to tell us that it was the worst written, in 1992 from the best (at that time) screenplay they had ever paid for, and put un-produced scenes written by Quentin it into immediate turnaround. A very Tarantino and I. This included previous savvy and aggressive Miramax purchased by Quentin Tarantino work from Natural Born Killers, Reservoir the screenplay, put the film into Dogs, The Open Road (to Nowhere), production, and gave Quentin the freedom and Roger Avary Pandemonium Reigns, My Best Friend’s to make the movie he wanted to make. Birthday, and True Romance, which in The rest is history. —Roger Avary, 2019 itself contained a phage of material from the above screenplays and had been This screenplay and any other 1994 already produced. accompanying materials are provided for educational and instructional purposes to After the Cannes Festival in 1992 we further the craft of writing. This travelled to Amsterdam and stayed in a screenplay is presented as fair use under www.avary.com small rented apartment, smoking U.S. copyright law because it is (1) non- cannabis, eating mayonnaise with fries, commercial, (2) transformative in nature, and discovering that McDonald’s uses the (3) uses no more of the original work than Metric System in it’s burger names necessary for educational purposes, and throughout Europe. (4) does not compete with the original work and could have no negative affect We turned the screenplay in to TriStar, the on it's market.