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The Afterlives of the Irish Literary Revival
The Afterlives of the Irish Literary Revival Author: Dathalinn Mary O'Dea Persistent link: http://hdl.handle.net/2345/bc-ir:104356 This work is posted on eScholarship@BC, Boston College University Libraries. Boston College Electronic Thesis or Dissertation, 2014 Copyright is held by the author, with all rights reserved, unless otherwise noted. Boston College The Graduate School of Arts and Sciences Department of English THE AFTERLIVES OF THE IRISH LITERARY REVIVAL a dissertation by DATHALINN M. O’DEA submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy August 2014 © copyright by DATHALINN M. O’DEA 2014 Abstract THE AFTERLIVES OF THE IRISH LITERARY REVIVAL Director: Dr. Marjorie Howes, Boston College Readers: Dr. Paige Reynolds, College of the Holy Cross and Dr. Christopher Wilson, Boston College This study examines how Irish and American writing from the early twentieth century demonstrates a continued engagement with the formal, thematic and cultural imperatives of the Irish Literary Revival. It brings together writers and intellectuals from across Ireland and the United States – including James Joyce, George William Russell (Æ), Alice Milligan, Lewis Purcell, Lady Gregory, the Fugitive-Agrarian poets, W. B. Yeats, Harriet Monroe, Alice Corbin Henderson, and Ezra Pound – whose work registers the movement’s impact via imitation, homage, adaptation, appropriation, repudiation or some combination of these practices. Individual chapters read Irish and American writing from the period in the little magazines and literary journals where it first appeared, using these publications to give a material form to the larger, cross-national web of ideas and readers that linked distant regions. -
Cork City and County Archives Index to Listed Collections with Scope and Content
Cork City and County Archives Index to Listed Collections with Scope and Content A State of the Ref. IE CCCA/U73 Date: 1769 Level: item Extent: 32pp Diocese of Cloyne Scope and Content: Photocopy of MS. volume 'A State of The Diocese of Cloyne With Respect to the Several Parishes... Containing The State of the Churches, the Glebes, Patrons, Proxies, Taxations in the King's Books, Crown – Rents, and the Names of the Incumbents, with Other Observations, In Alphabetical Order, Carefully collected from the Visitation Books and other Records preserved in the Registry of that See'. Gives ecclesiastical details of the parishes of Cloyne; lists the state of each parish and outlines the duties of the Dean. (Copy of PRONI T2862/5) Account Book of Ref. IE CCCA/SM667 Date: c.1865 - 1875 Level: fonds Extent: 150pp Richard Lee Scope and Content: Account ledger of Richard Lee, Architect and Builder, 7 North Street, Skibbereen. Included are clients’ names, and entries for materials, labourers’ wages, and fees. Pages 78 to 117 have been torn out. Clients include the Munster Bank, Provincial Bank, F McCarthy Brewery, Skibbereen Town Commissioners, Skibbereen Board of Guardians, Schull Board of Guardians, George Vickery, Banduff Quarry, Rev MFS Townsend of Castletownsend, Mrs Townsend of Caheragh, Richard Beamish, Captain A Morgan, Abbeystrewry Church, Beecher Arms Hotel, and others. One client account is called ‘Masonic Hall’ (pp30-31) [Lee was a member of Masonic Lodge no.15 and was responsible for the building of the lodge room]. On page 31 is written a note regarding the New Testament. Account Book of Ref. -
Original Song Settings of Irish Texts by Irish Composers, 1900-1930
Technological University Dublin ARROW@TU Dublin Masters Applied Arts 2018 Examining the Irish Art Song: Original Song Settings of Irish Texts by Irish Composers, 1900-1930. David Scott Technological University Dublin, [email protected] Follow this and additional works at: https://arrow.tudublin.ie/appamas Part of the Composition Commons Recommended Citation Scott, D. (2018) Examining the Irish Art Song: Original Song Settings of Irish Texts by Irish Composers, 1900-1930.. Masters thesis, DIT, 2018. This Theses, Masters is brought to you for free and open access by the Applied Arts at ARROW@TU Dublin. It has been accepted for inclusion in Masters by an authorized administrator of ARROW@TU Dublin. For more information, please contact [email protected], [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License Examining the Irish Art Song: Original Song Settings of Irish Texts by Irish Composers, 1900–1930 David Scott, B.Mus. Thesis submitted for the award of M.Phil. to the Dublin Institute of Technology College of Arts and Tourism Supervisor: Dr Mark Fitzgerald Dublin Institute of Technology Conservatory of Music and Drama February 2018 i ABSTRACT Throughout the second half of the nineteenth century, arrangements of Irish airs were popularly performed in Victorian drawing rooms and concert venues in both London and Dublin, the most notable publications being Thomas Moore’s collections of Irish Melodies with harmonisations by John Stephenson. Performances of Irish ballads remained popular with English audiences but the publication of Stanford’s song collection An Irish Idyll in Six Miniatures in 1901 by Boosey and Hawkes in London marks a shift to a different type of Irish song. -
3.02 R. L. O'mealy Biography
The Seán Reid Society Journal. Volume 3. 2009 3.02 1 3.02 The Life and Times of Richard Lewis O’Mealy Piper and Pipe-maker, 1873-1947 Ronan Browne Richard Lewis (R. L.) O’Mealy was a union piper and pipe-maker, born in Westmeath in the last quarter of the nineteenth century. He lived most of his adult life in Belfast where he was renowned as a piper, broadcaster, piping teacher and pipe-maker. His piping was crisp, entertaining and inventive and his broadcasts were essential listening for anyone with an interest in Irish music. Through his teaching and making of the instrument he was central to the continuance of piping in the north-east of Ireland in the early twentieth century. As an entertainer he was widely celebrated for both his knowledge of piping and the eccentric costumes he wore while performing. Ulster Museums Richard was born on Wednesday 22 Oct 1873, the youngest of nine children of Laurence (Larry) Mealy and Letitia Lewis. He was born into a relatively prosperous house; as well as working twenty acres of his own farmland, Laurence Mealy was steward on the local Tristernagh Estate, owned at that time by the Goodbody family. The house where R.L. O’Mealy was born was called Templecross Cottage, just yards from the old ruined chapel and burial ground which gave the cottage its name. Violet Medforth Violet Templecross Cottage circa 1895. On the right are Kate, Letitia and Larry Mealy Thanks to George Farrar’s daughter Violet Medforth we have the above picture of Templecross cottage which continued to be inhabited until the late 1970s. -
I Muse and Method in the Songs of Hamilton Harty
Muse and Method in the Songs of Hamilton Harty: Three Early Works, 1895–1913 Judith Carpenter A thesis submitted in partial fulfilment of the requirements for the degree of Master of Music (Performance) Sydney Conservatorium of Music The University of Sydney 2017 Sydney, Australia i This thesis is dedicated to the memory of my mother. To an Athlete Dying Young A. E. HOUSMAN The time you won your town the race We chaired you through the market-place; Man and boy stood cheering by, And home we brought you shoulder-high. Today, the road all runners come, Shoulder-high we bring you home, And set you at your threshold down, Townsman of a stiller town. Smart lad, to slip betimes away From fields where glory does not stay, And early though the laurel grows It withers quicker than the rose. Eyes the shady night has shut Cannot see the record cut, And silence sounds no worse than cheers After earth has stopped the ears. Now you will not swell the rout Of lads that wore their honours out, Runners whom renown outran And the name died before the man. So set, before its echoes fade, The fleet foot on the sill of shade, And hold to the low lintel up The still-defended challenge-cup. And round that early-laurelled head Will flock to gaze the strengthless dead, And find unwithered on its curls The garland briefer than a girl’s. ii iii Contents Preface........................................................................................................................... vi Abstract ......................................................................................................................... -
The Gaelic Revival
The Gaelic Revival The turn of the 19th century saw the Gaelic Revival. In the north of Ireland both Unionists and Nationalists came together in an effort to preserve the Irish language. This coincided with the Arts and Crafts Revival across Europe. Against this background of cultural renaissance Feis na nGleann ('The Glens Feis') was founded in 1904, as the first Gaelic cultural festival in east Ulster. Led by a group of leading 'Big House' figures in the locality, among them Miss Rose Young of Galgorm Castle, a member of a leading Ballymena Unionist dynasty, Miss Ada McNeill of Cushendun and Miss Margaret Dobbs of Cushendall, an inaugural Feis Committee was formed. Joining their ranks was Sir Roger Casement, then a recent convert to Irish nationalism, Eoin MacNeill, Glensman and language revivalist, Francis Joseph Bigger, lawyer and antiquarian, John ''Benmore'' Clarke and Joseph Campbell, the Belfast poet who wrote the haunting Blue Hills of Antrim. The Feis took place in Glenariffe on Thursday 30th June 1904 and included music, dancing, language, local industries and games. Hurling, where teams competed for the Shield of the Heroes - a copper shield specially commissioned by Francis Joseph Bigger, was won by Carey Faughs. One of the banners representing the Nine Glens of Antrim, carried in the Feis na nGleann Courtesy of Ballycastle Museum With the aim of preserving Irish as a spoken language, the Gaelic League was founded in 1893 BELUM.Y10060 Crossroads Dancing (1906) F. J. Bigger © National Museums NI by Douglas Hyde and Eoin MacNeill. The Belfast Collection Ulster Museum branch (1895) grew out of the Belfast Naturalists’ Field Club. -
FRANCIS JOSEPH BIGGER (1863-1926) Antiquarian and Celtic Revivalist
HIDDEN GEMS AND FORGOTTEN PEOPLE FRANCIS JOSEPH BIGGER (1863-1926) Antiquarian and Celtic Revivalist Francis Joseph Bigger was born 17 July 1863 in Little Donegall Street, Belfast. He was educated at Royal Belfast Academical Institution, of which grandfather had been a founder 1810 and his father a governor. He studied law at Queens College Belfast and King's Inn in Dublin, qualifying as a solicitor in1887. In 1889 he set up a practice in Royal Avenue in partnership with George Strachan. In 1884 he joined the Belfast Naturalists' Field Club, founded in 1863. Its membership included the photographer R.J. Welch and the botanist Robert Lloyd Praeger. He soon became its secretary and later its president. In 1894 he revived the Ulster Journal of Archaeology after a lapse of 30 years, becoming its editor and remaining so until 1911. He acquired a lifelong interest in the Irish language, learning to speak it. He joined the Gaelic League and was appointed to its Executive Committee. This brought him into contact with Douglas Hyde and Eoin MacNeill, who would influence many of his ideas. He founded the Belfast College of Irish and supported it until its closure in 1923. In 1894 he was elected a member of the Royal Irish Academy. His interest in archaeology led him to buy the 15th-century Jordan's Castle at Ardglass in County Down. He restored the castle, naming it Castle Sean, a model of the Celtic Revival and a meeting place for its more prominent people, finally bequeathing it to the state. Bigger produced in excess of 400 articles, contributing to Irish antiquarian journals and daily newspapers. -
BIGGER, Francis Joseph
BIGGER, Francis Joseph (1863-1926), solicitor, author, antiquary, cultural revivalist, nationalist, patron of the arts, and Celtic Revival polymath, was born in Belfast on the 17 July 1863, the seventh son of Joseph Bigger of Belfast, and Mary Jane (née Ardery) Bigger of Ballyvalley. F.J. Bigger was educated briefly in Liverpool, where his father worked for a short time, and from 1874 at Belfast Academical Institute. In 1880 he enrolled to study law at Queen’s College, Belfast and in 1884 studied briefly in Dublin. In 1885 he was articled to Messrs. Henry and William Seeds, and in 1887 he qualified as a solicitor. In 1889 Bigger opened a practice in partnership with George Strahan, whom he had met in Dublin, at Rea’s Buildings, Royal Avenue, Belfast. Aside from his work as a solicitor Bigger’s earliest interests, which included Irish history and antiquities as well as the natural sciences, would occupy much of his life. In 1884 he joined the Belfast Naturalists’ Field Club (BNFC), which encouraged his interests and where he learnt Irish. Under Bigger’s direction, as Secretary and then President, the BNFC became more actively involved in archaeological and folklore study. In 1888 he was elected member of Royal Society of Antiquaries of Ireland, becoming a Fellow in 1896. In 1894 had had been elected a member of the Royal Irish Academy. Bigger also joined the Gaelic League, becoming a member of its Coisde Gniotha, which brought him into contact with Douglas Hyde [q.v.] and Eoin McNeill [q.v.], who would influence many of his ideas. -
Louth County Archives Service © Joseph Dolan Papers, 1857 – 1935, 1957 (Predominant 1901 – 1933)
Louth County Archives Service © Joseph Dolan Papers, 1857 – 1935, 1957 (predominant 1901 – 1933) Repository Code: IE LHA Collection Reference Code: PP00118/ Title: Joseph Dolan Papers Dates: 1857 – 1935, 1957 (predominant 1901 – 1933) Level of Description: fonds Extent: 308 items Name of Creator(s): Joseph Dolan Admin/Biographical History: Joseph Dolan (1872 – 1930) was a businessman and a scholar of ancient classics and Celtic studies (namely myths, legends, archaeology and history) with a keen interest in antiquities, the Irish language, his local community, industry and enterprise and both local and national politics. He was born in Ardee, County Louth on 5th January 1872 to Thomas Dolan, a family grocer, wine importer, hardware and seed merchant and to Annie Dolan nee Segrave, of Dunany, County Louth. He had nine siblings, however, only three of them survived to adulthood: himself, his brother James or Séamus (1886-1924) who became a priest and served as curate in Collon (1914-1920) and in Termonfeckin (1921-1924) and his sister Anne or Nannie (b1883) who became a Sister of Mercy nun in Dundalk called Mother Bernadine. He attended Clongowes Wood College and the Royal University where he graduated with distinction in ancient classics. Upon his father’s death in 1902, Joseph Dolan took over the running of the family business that was begun by his grandfather originally at Bridge Street, Ardee before it moved to Castle Street. The 1911 census, which Dolan completed in Irish, records that in addition to Dolan there was his aunt Una Ní Shiochrú and six workers residing in the household. Dolan was an early supporter of the Gaelic League (Conradh na Gaeilge), an organisation set up to promote the Irish language. -
The Ulster Journal of Archaeology 1894-1911
A CONTENTS LIST OF THE SECOND SERIES OF THE ULSTER JOURNAL OF ARCHAEOLOGY 1894-1911 Compiled by Ruairí Ó Baoill on behalf of the Ulster Archaeological Society © Ulster Archaeological Society First published December 2017 Ulster Archaeological Society c/o Centre for Archaeological Fieldwork, Archaeology and Palaeoecology, School of Natural and Built Environment, The Queen’s University of Belfast Belfast BT7 1NN www.qub.ac.uk/sites/uas/ Ulster Journal of Archaeology Vol. 17, No. 1/4, February - November 1911 Table of Contents Page Padraig O'Beirn, an Irish Harper 2 F. J. B. An Account of the Crannoge of Inishrush, and Its Ancient Occupants 3-9 Bishop Reeves Glenarm Castle and Its Ghost. Some Old Recollections 9-15 L. L. A. The Antiquities of Fahan in Inis-Eoghan 16-31 Andrew Spence Cill-Brigid. Kilbride, County Antrim. Stephenson Mausoleum 32-34 Francis Joseph Bigger The Battle of Benburb 35-38 W. T. Latimer Some Antiquities of Rathlin 39-46 Henry Morris The Fort of Charlemont in Tir-Eoghan, and Some of Its Associations 47-73 Enri O'Tuat-Ġáill The Old Barracks of Belfast 74-78 Francis Joseph Bigger Hill-Hall 79 Francis Joseph Bigger Rare Adventures in Ireland in 1619 80-91 William Lithgow Miscellanea The Pottingers 92 F. J. B. Dr. Ellis Walker 92-94 Erskine E. West The Rev. Dr. Wm. S. Dickson at Keady 95-96 W. T. Latimer and Isabella Dickson 1 Ulster Journal of Archaeology Vol. 16, No. 2/3, August - November 1910 Table of Contents Page Some Irish Publications in Ulster 97-100 Séamus ua Casaide Old Ballymoney 101-107 Geo. -
Alice Milligan: Republican Tableaux and the Revival Catherine Morris
FIELD DAY REVIEW 132 Alice Milligan: Republican Tableaux and the Revival Catherine Morris Alice Milligan (1866–1953) was a cultural and political activist who rejected the unionist politics that sustained Ireland’s place within empire to become an internationalist republican. She was a key figure in the formation of the anti-colonial movement from the 1890s and a founding member of the Anti-Partition Council from the 1930s. A prolific writer for over six decades, she published her work in a range of genres (including poetry, short stories, novels, plays, journalism, letters and memoirs). From 1891 to the 1940s, she founded a series of cultural, feminist and political organizations that not only put the North on the map of the Irish Literary Revival but also gave a new resonance to Irish Wood engraving: Cluithcheoirí na hÉireann, Postcard, 1907. visual culture. Her work shows Holloway Collection, National Library of Ireland. her commitment to the human FIELD DAY REVIEW 6 2010 133 FIELD DAY REVIEW Alice Milligan. 1896. Photo: Seamus MacManus. Courtesy of Moya Cannon rights of political prisoners and of women. northern Protestant who had relinquished She used visual and performance arts to the unionism of her background, her create the cultural conditions that would give identity was never easy to ‘translate’ the Irish language contemporary meaning. within a sectarian society. Her legacy was Everything Milligan wrote was not celebrated by the Northern Ireland published in the unindexed pages of state, nor was it accorded an important now obscure national newspapers. As a part in the official narrative of the 134 ALICE MILLIGAN: REPUBLICAN TABLEAUX AND THE REVIVAL 1 Ireland: Weekly Bulletin Irish Literary Revival. -
Hanna Sheehy-Skeffington Papers
Leabharlann Náisiúnta na hÉireann National Library of Ireland Collection List No. 47 Sheehy Skeffington Papers (MSS 33,603-33,635) Papers of Hanna and Francis Sheehy Skeffington. Compiled by Éilis Ní Dhuibhne TABLE OF CONTENTS INTRODUCTION............................................................................................................. 5 The Sheehy Skeffington Papers...................................................................................... 5 History of the Collection................................................................................................. 5 Contents of collection ..................................................................................................... 5 Indexing and Arrangement of the Papers ....................................................................... 7 Biographical Note........................................................................................................... 8 I. CORRESPONDENCE OF HANNA SHEEHY SKEFFINGTON.......................... 14 I.i. Letters to Hanna Sheehy Skeffington from various correspondents...................... 14 I.i.1. 1903-1913........................................................................................................ 14 I.i.2. January 1914- March 1916.............................................................................. 24 I.i.3. April 1916-December 1919............................................................................. 35 I.i.4. 1920-1933.......................................................................................................