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Arto Lindsay 1 Complicity 4:05 Co-Produced by Andrés Levin and Camus Maré Celli for 2 Q Samba 3:27 C-N-A Productions Inc

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Arto Lindsay 1 Complicity 4:05 Co-Produced by Andrés Levin and Camus Maré Celli for 2 Q Samba 3:27 C-N-A Productions Inc Arto Li ndsay Mundo Civilizado Mundo Civilizado Produced by Arto Lindsay 1 Complicity 4:05 Co-produced by Andrés Levin and Camus Maré Celli for 2 Q Samba 3:27 C-n-A Productions Inc. Recorded by Pat Dillett and C-n-A 3 Simply Beautiful 3:58 Recorded at WR Studios in Salvador, Bahia, Svuga Svuga in Brooklyn 4 Mundo Civilizado 4:23 and Platinum Island in Manhattan Mixed by C-n-A and Pat Dillett at Platinum Island 5 Titled 3:18 Assistants in Salvador: Sergio and Faustão 6 Horizontal 3:29 Assistants at Platinum Island: Bill Importico, Vaughn Sessions and Novelle Stephenson 7 Mar da Gávea 2:43 Programming by C-n-A 8 Imbassaí 3:16 Song sequence by Arto Lindsay and Melvin Gibbs Production Assistant (Salvador): Lucas Santana 9 Pleasure 2:37 Production Assistant (New York): S. Jason Prohaska 10 Erotic City 5:01 Mastered by Howie Weinberg and edited and sequenced by Andy Van Dette at Master Disk 11 Clown 3:50 1. Complicity How do you shake just that and not shake all the rest (Arto Lindsay/Vinicius Cantuaria) Breaking all those beats up you careless hypnotist Cumplicity Most of all I want to praise your vanity Unconscious wit It gives me many gifts let me aspire to it You dance like you’re not alone you dance like I’m not here Borders without borders under eyebrows When you shift tempos could you take me along Silent as scent Hair curls like smoke Your supple cheekiness Let’s talk about another kind of violence Supreme funkiness Your sure footedness Terrifying face of pleasure in the painting And your pelvic finesse Red palms and soles stand out against blue skin Standing on one leg with her long back displayed How do you show so much and keep the rest so shy While the other leg wraps itself around him What sort of lover baby did you learn that one from Where is the island love where your sisters still roam Day in a face When you shift tempos could you take me along Voices erased Vinicius Cantuaria – guitar. Gustavo de Dalva, Boghan – surdo virados, At the center of a savage kind of halo djembe, timbau. Melvin Gibbs – bass. Peter Scherer – keyboards. Hopelessly phrased Global Rights, Inc. (BMI)/Sony Music Publishing Brazil I’m not a bird You are not lying in a hammock 3. Simply Beautiful (Al Green) How biological can this clock really be If it doesn’t get you going until midnight If I gave you my love It’s an unconscious cult we don’t even know we’re in it Tell you what I do Let’s make out like two bilinguals in our way I’d expect a whole lot of love out of you You got to be good to me Gustavo de Dalva, Boghan, Marcio Tchin – surdos, caixas, bacurinha. I’m gonna be good to you Vinicius Cantuaria – guitar. Peter Scherer – Wurlitzer, keyboards. Melvin There’s a whole lotta things you and I could do Gibbs – bass. Romero Lubambo – additional guitar. DJ Spooky – additional samples. Global Rights, Inc. (BMI)/Sony Music Publishing Brazil What about the way you love me And the way you squeeze me 2. Q Samba Simply beautiful (Arto Lindsay/Vinicius Cantuaria) When you get down to it How do you do that Did you just make it up When you need me i’ll be right there Is there a special name for that Now don’t just make it up Besides you girl What does that gesture mean back where you came from Yeah I really care When you shift tempos could you take me along Sometimes when you’re feeling low All you got to do is call me To steal a birth outright There’s a whole lotta things I could say about you girl Push your borders back Marc Ribot – guitar. Melvin Gibbs – bass. Dougie Bowne – drums. Bernie To leave your succession unclear Worrell – Hammond B-3. Gustavo de Dalva – surdo na mão. Dark of heart, dark of mind Irving Music (BMI)/Taiyo Music Inc. (Set the words too close to the music) Vinicius Cantuaria – guitar, tamborims, pandeiro, and surdo. Melvin Gibbs 4. Mundo Civilizado – bass. Don Byron – bass clarinet. Global Rights, Inc. (BMI)/Terra Enterprises (BMI) (Arto Lindsay/Marisa Monte) 6. Longe de tudo a até de ti Horizontal Nesse frio nesse vento (Arto Lindsay/Vinicius Cantuaria/Melvin Gibbs) Tenho só um pensamento firme Dew on the savannah No firmamento Blond hair caught on cactus Tudo é distante e teu Blood drips on the ant hills Tudo é distante Butterflies, molasses Cabelo na cara óculos escuros Dip and turning body Boca séria eu adoro Straight lines, horizons O mundo civilizado Across a sea of straw hats A noite indiciplinadoa Afternoon moon rising Espalhada entre rostos e luzes vi voce Like an early autumn Peter Scherer – Farfisa, keyboards. Melvin Gibbs – bass. Vinicius Cantuaria – All of my friends fortunes guitar. Dougie Bowne – drum loop. DJ Spooky – additional textures. Knotted in white scarves Global Rights, Inc. (BMI)/EMI Songs, Cíclope Cast loose upon the ocean Up in octopus tresses 5. Titled Like sweat in my eyes (Arto Lindsay/Caetano Veloso) Sugar hearts dissolving To lay claim to Ankles feeling icy Declare a twinship with Gustavo de Dalva, Boghan, Marcio Tchin – surdos, triangle, bacurinha, By declaring to assume caixas. Melvin Gibbs – bass. Vinicius Cantuaria – guitar. DJ Spooky – And donning to become additional samples. Mutamassik – additional samples. (Disappear like bubbles on a tongue) Global Rights, Inc. (BMI)/Sony Music Publishing Brazil/Melvin Gibbs (BMI) To plant a flag 7. Mar da Gávea To name a mountain To name a child with a number (Lucas Santana) To give a woman your name Se ela lhe disser que amar é com a maré (Vanish like breath on a mirror) Por que dizer que não Que basta o azul 9. Pleasure You’re a sinner I don’t care Art Direction: Diego Cortez O importante é saber que o mar (Arto Lindsay/Vinicius Cantuaria) I just want your creamy thighs Photographs of Arto Lindsay (booklet): Nan Goldin, 1996; artwork É largo, profundo, imenso e azul There is pleasure and there’s pleasure All of my hang-ups are gone illustrated: Philip Taaffe, Composition with snakes, birds and bees, 1995-96, Se ela lhe disser que só deve amor a êle Places you might say you’ve never been How I wish you felt the same mixed media on linen, 122 x 108 in. Pra que dizer que não We could fuck until the dawn You can say there has to be a limit Cover photograph of Nina Clemente and all other photographs by Que é sem razão How I wish you were my dame Coloque o mar no quarto dela No air could ever be this rare or this fine Diego Cortez, 1995-96; artworks illustrated: Lynn Davis, Buddah, Sukhotai, Thailand, 1993; Deoscóredes Maximiliano Dos Santos (Mestre Didi), E demonstre o que é amar Gustavo de Dalva, Boghan, Marcio Tchin – djembe, surdos virados. Where did you get that skin you’re in Idi Obaluayê (two details), 1973, palm reeds, leather, beads, cowrie shells, Dedique esta canção a ela Mutamassik – DJ. Melvin Gibbs – bass. Vinicius Cantuaria – guitar. Fits like the one you want to leave behind 84 x 29 x 8 in.; Keith Sonnier, Doc. Dudley J. Le Blanc (detail), 1994, E demonstre o que é o mar Dougie Bowne – filtered drum loop. Bernie Worrell – Hammond B-3. In all its innocence my samba Andrés Levin – Wurlitzer. two screens, plant root, 4 bottles of hanging liquid, straw, foam rubber, Vinicius Cantuaria – guitar, surdo, mãos em papelão. Peter Scherer – key- Warner/Chappell Music, Japan 36 x 30 x 14 in. boards. DJ Spooky – additional textures. Camus Celli – toy accordion. May be hiding some malice within Terra Enterprises (BMI) Not every thing that gives me pleasure Design: Tony Morgan, Step Graphics 11. Clown Goes out through the same door it came in Executive Producer: Yutaka Goto (Arto Lindsay/Vinicius Cantuaria) 8. Imbassaí Gustavo de Dalva, Boghan, Marcio Tchin – pandeiro, surdos, surdos virados. Creative Producer: Diego Cortez (Arto Lindsay/Amedeo Pace) Vinicius Cantuaria – guitar. Marcus Rojas – tuba. Jacques Morelenbaum – Clown Chief A&R for Güt Label: Ken Sugaya cello. Andrés Levin – electric piano. Certainty Can’t you see that the dawn has come Special Thanks: Beto, Dougie Bowne, Brenda, Carlinhos Brown, Global Rights, Inc. (BMI)/Sony Music Publishing Brazil Violet breast Down Gretchen Carlson, Alan Chanzis, Cícero, Andréa and Rob at Pracatum, Where delight and your legs were long sashay The Clemente Family, Steve Cohen, Diego Cortez, Claire DeGraw, Under lit 10. Erotic City Sway Rhyming scheme Melvin Gibbs, Masakazu Hirata, Richie Kesler, Mitsuru Komatsu, (Prince) Wander off in the crowd alone Paulinha Lavigne, Geno Lechner, Giulia Loli aka Mutamassik, Shuddering All of my purple life Clown Romero Lubambo, Lucinha, Kazu Makino, Suzanne Mates, Paul Miller aka Cellar door I’ve been looking for a flame don’t stay out in the sun too long dear DJ Spooky, Léa Millon, Jacques Morelenbaum, Wesley Rangel, That would want to be my wife Clown George Regis, Marc Ribot, Ronaldo at Foxtrot, Ryuichi Sakamoto, India Ivone Salgado, Beto Santana, Ken Seki, Norika Sora, Philip Taaffe, Imbassaí That was my intention (dream) Colored friendship and circumstance Clown David Tockman, Adrienne Truet, Caetano Veloso. Trace If we cannot make babies Let’s submit to one last dance This record would not have been possible without Duncan Lindsay, Maybe we can make some time Animal Gisela Moreau and Vinicius Cantuaria. Thoughts of pretty you and me Vinicius Cantuaria – guitar.
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