DOCSLIB.ORG

SKU DESCRIPTION MODEL Retail Price W/GST SALE PRICE W/GST DISC %

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
SKU DESCRIPTION MODEL Retail Price W/GST SALE PRICE W/GST DISC % Acoustic Guitars Clearance Promotion SKU DESCRIPTION MODEL Retail Price w/GST SALE PRICE w/GST DISC % 137157 GUITAR ELEC ACOUS A1M TBS A1M TBS $ 889.00 $ 445.00 50% 137156 GUITAR ELECT ACOUS A1M VIN NAT A1M VN $ 889.00 $ 445.00 50% 137159 GUITAR ELEC ACOUS A1R TBS A1R TBS $ 989.00 $ 495.00 50% 137158 GUITAR ELEC ACOUS A1R VIN NAT A1R VN $ 989.00 $ 495.00 50% 137253 GUITAR ELEC ACOUS A3M TBS A3M TBS $ 1,199.00 $ 719.00 40% 137161 GUITAR ELEC ACOUS A3M VIN NAT A3M VN $ 1,199.00 $ 719.00 40% 137254 GUITAR ELEC ACOUS A3R TBS A3R TBS $ 1,299.00 $ 779.00 40% 137162 GUITAR ELEC ACOUS A3R VIN NAT A3R VN $ 1,299.00 $ 779.00 40% 138402 GUITAR ELEC ACOUS AC1M TBS//02 AC1M TBS//02 $ 889.00 $ 445.00 50% 137160 GUITAR ELEC ACOUS AC1M VIN NAT AC1M VN $ 889.00 $ 445.00 50% 138614 GUITAR ELEC ACOUS AC1R TBS//02 AC1R TBS//02 $ 989.00 $ 495.00 50% 138612 GUITAR ELEC ACOUS AC1R VN//02 AC1R VN//02 $ 989.00 $ 495.00 50% 138404 GUITAR ELEC ACOU AC3M TBS//ARE AC3M TBS//ARE $ 1,199.00 $ 719.00 40% 138399 GUITAR ELEC ACOUS AC3M VN//ARE AC3M VN//ARE $ 1,199.00 $ 719.00 40% 138397 GUITAR ELEC ACOUS AC3R VN//ARE AC3R VN//ARE $ 1,299.00 $ 779.00 40% 120607 GUITAR ELEC ACOUS APX1000 CRB APX1000 CRB $ 1,099.00 $ 769.00 30% 117659 GUITAR ELEC ACOUS APX1000 NAT APX1000 NAT $ 1,099.00 $ 769.00 30% 117295 GUITAR ELEC ACOUS APX1000 PWH APX1000 PWH $ 1,099.00 $ 769.00 30% 121837 GUITAR ELEC ACOUS APX1200II NA APX1200II NAT $ 1,769.00 $ 999.00 44% 121838 GUITAR ELEC ACOUS APX1200II TB APX1200II TBL $ 1,769.00 $ 999.00 44% 139127 GUITAR ELEC ACOUS APX600 BLACK APX600 BLK $ 479.00 $ 359.00 25% 139126 GUITAR ELEC ACOUS APX600 NAT APX600 NAT $ 479.00 $ 359.00 25% 139129 GUITAR ACOUS APX600 ORI BL BUR APX600 OBB $ 479.00 $ 359.00 25% 139128 GUITAR ACOUS APX600 OLD VL SBT APX600 OVS $ 479.00 $ 359.00 25% 140181 GUITAR ELEC ACOUS APX600 VNTWH APX600 VWH $ 479.00 $ 359.00 25% 141317 GUITAR ELEC ACOUS APX600FM AMB APX600FM AMB $ 549.00 $ 410.00 25% 141318 GUITAR ELEC ACOUS APX600FM TBS APX600FM TBS $ 549.00 $ 410.00 25% 117660 GUITAR ELEC ACOUS APX700II BLK APX700II BLK $ 679.00 $ 440.00 35% 120606 GUITAR ELEC ACOUS APX700II BSB APX700II BSB $ 679.00 $ 440.00 35% 117296 GUITAR ELEC ACOUS APX700II NAT APX700II NAT $ 679.00 $ 440.00 35% 118648 GUITAR ELEC ACOUS APX700II SAB APX700II SAB $ 679.00 $ 440.00 35% 117661 GUITAR ELEC ACOUS APX700II VSB APX700II VSB $ 679.00 $ 440.00 35% 126579 GUITAR ELE ACOU APX700II-12 BL APX700II-12 BL $ 739.00 $ 489.00 34% 117662 GUITAR ELEC ACOUS APX700II-12 APX700II-12 NAT $ 739.00 $ 489.00 34% 124539 GUITAR ELEC ACOUS APXT2 BLACK APXT2 BLACK $ 349.00 $ 229.00 34% 124538 GUITAR ELEC ACOUS APXT2 DRB APXT2 DRB $ 349.00 $ 229.00 34% 124823 GUITAR ELEC ACOUSTIC APXT2 NAT APXT2 NAT $ 349.00 $ 229.00 34% 124824 GUITAR ELEC ACOUSTIC APXT2 OVS APXT2 OVS $ 349.00 $ 229.00 34% 133499 GUITAR ELEC ACOUS APXT2EW LAB APXT2EW LAB $ 399.00 $ 299.00 25% 133498 GUITAR ELEC ACOUS APXT2EW NAT APXT2EW NAT $ 399.00 $ 299.00 25% 133500 GUITAR ELEC ACOUS APXT2EW TBS APXT2EW TBS $ 399.00 $ 299.00 25% 118238 GUITAR CLASSIC C40 BLACK//02 C40 BLACK//02 $ 189.00 $ 129.00 32% 119414 GUITAR CLASSIC C40//02 C40//02 $ 189.00 $ 129.00 32% 118241 GUITAR CLASSIC C40M//02 C40M//02 $ 189.00 $ 129.00 32% 118242 GUITAR CLASSIC C45//02 C45//02 $ 189.00 $ 129.00 32% 118245 GUITAR CLASSIC C70//02 C70//02 $ 199.00 $ 139.00 30% 118246 GUITAR CLASSIC C80//02 C80//02 $ 275.00 $ 205.00 25% 119558 GUITAR CLASSIC CG102 CG102 $ 275.00 $ 189.00 31% 113505 GUITAR CLASSIC CG122MC CG122MC $ 359.00 $ 249.00 31% 113504 GUITAR CLASSIC CG122MS CG122MS $ 359.00 $ 249.00 31% 113507 GUITAR CLASSIC CG142C CG142C $ 429.00 $ 299.00 30% 113506 GUITAR CLASSIC CG142S CG142S $ 429.00 $ 299.00 30% 125823 GUITAR ACOUSTIC CG142S BLACK CG142S BLACK $ 429.00 $ 299.00 30% 113510 GUITAR CLASSIC CG162C CG162C $ 549.00 $ 389.00 29% 113509 GUITAR CLASSIC CG162S CG162S $ 549.00 $ 389.00 29% 113508 GUITAR CLASSIC CG182C CG182C $ 669.00 $ 469.00 30% 113511 GUITAR CLASSIC CG182S CG182S $ 669.00 $ 469.00 30% 119557 GUITAR ACOUSTIC CG182SF CG182SF $ 669.00 $ 469.00 30% 113513 GUITAR CLASSIC CG192C CG192C $ 769.00 $ 539.00 30% 113512 GUITAR CLASSIC CG192S CG192S $ 769.00 $ 539.00 30% 118247 GUITAR CLASSIC CGS102A//02 CGS102A//02 $ 175.00 $ 129.00 26% 118248 GUITAR CLASSIC CGS103A//02 CGS103A//02 $ 185.00 $ 139.00 25% 118650 GUITAR CLASSIC CGS104A//02 CGS104A//02 $ 199.00 $ 149.00 25% 130245 GUITAR CLASSIC CGX122MCC CGX122MCC $ 499.01 $ 375.00 25% 130244 GUITAR CLASSIC CGX122MSC CGX122MSC $ 499.01 $ 375.00 25% 117298 GUITAR ELEC ACOUS CPX1000 BRS CPX1000 BRS $ 1,125.00 $ 669.00 41% 117299 GUITAR ELEC ACOUS CPX1000 NAT CPX1000 NAT $ 1,125.00 $ 669.00 41% 117300 GUITAR ELEC ACOUS CPX1000 TBL CPX1000 TBL $ 1,125.00 $ 669.00 41% 121840 GUITAR ELEC ACOUS CPX1200II TB CPX1200II TB $ 1,799.00 $ 1,060.00 41% 121839 GUITAR ELEC ACOUS CPX1200II VS CPX1200II VS $ 1,799.00 $ 1,060.00 41% 139130 GUITAR ELEC ACOUS CPX600 BLACK CPX600 BLK $ 559.00 $ 359.00 36% 139131 GUITAR ELEC ACOUS CPX600 OVS CPX600 OVS $ 559.00 $ 359.00 36% 139132 GUITAR ELEC ACOUS CPX600 VN TN CPX600 VN TINT $ 559.00 $ 359.00 36% 117664 GUITAR ELEC ACOUS CPX700II BLK CPX700II BLK $ 699.00 $ 439.00 37% 117665 GUITAR ELEC ACOUS CPX700II DSR CPX700II DSR $ 699.00 $ 439.00 37% 117301 GUITAR ELEC ACOUS CPX700II NAT CPX700II NAT $ 699.00 $ 439.00 37% 117666 GUITAR ELEC ACOUS CPX700II SB CPX700II SB $ 699.00 $ 439.00 37% 117667 GUITAR ELEC ACOUS CPX700II TIN CPX700II TIN $ 699.00 $ 439.00 37% 123314 GUITAR ELEC ACOUS CPX700II-12N CPX700II-12 NAT $ 759.00 $ 489.00 36% 118651 GUITAR CLASSIC CS40//02 CS40//02 $ 169.00 $ 119.00 30% 140178 GUITAR FOLK CSF1M TBS CSF1M TBS $ 599.00 $ 399.00 33% 140177 GUITAR FOLK CSF1M VN CSF1M VN $ 599.00 $ 399.00 33% 140180 GUITAR FOLK CSF3M TBS CSF3M TBS $ 799.00 $ 559.00 30% 140179 GUITAR FOLK CSF3M VN CSF3M VN $ 799.00 $ 559.00 30% 119415 GUITAR CLASSIC CX40//02 CX40//02 $ 215.00 $ 139.00 35% 51824 GUITAR FOLK F310 F310 $ 229.00 $ 149.00 35% 86523 GUITAR FOLK F310CS F310CS $ 229.00 $ 149.00 35% 73810 GUITAR FOLK PACKAGE F310P NT F310P NT $ 289.00 $ 189.00 35% 73811 GUITAR FOLK PACKAGE F310P TBS F310P TBS $ 289.00 $ 189.00 35% 72077 GUITAR FOLK F310TBS F310TBS $ 229.00 $ 149.00 35% 97934 GUITAR FOLK F370 TBS F370 TBS $ 299.00 $ 149.00 50% 134040 GUITAR FOLK FG800 BLACK FG800 BLACK $ 369.00 $ 219.00 41% 134042 GUITAR FOLK FG800 BRWN SUNBRST FG800 BSB $ 369.00 $ 219.00 41% 134038 GUITAR FOLK FG800 NATURAL FG800 NATURAL $ 369.00 $ 219.00 41% 134041 GUITAR FOLK FG800 SAND BURST FG800 SB $ 369.00 $ 219.00 41% 134039 GUITAR FOLK FG800M NATURAL FG800M NATURAL $ 369.00 $ 219.00 41% 134047 GUITAR FOLK FG820 AUTUMN BURST FG820 AB $ 479.00 $ 359.00 25% 134044 GUITAR FOLK FG820 BLACK FG820 BLACK $ 479.00 $ 359.00 25% 134045 GUITAR FOLK FG820 BRWN SUNBRST FG820 BSB $ 479.00 $ 359.00 25% 134043 GUITAR FOLK FG820 NATURAL FG820 NATURAL $ 479.00 $ 359.00 25% 134046 GUITAR FOLK FG820 SUNSET BLUE FG820 SSB $ 479.00 $ 359.00 25% 134032 GUITAR FOLK FG820-12 NATURAL FG820-12 NAT $ 549.00 $ 409.00 26% 134033 GUITAR FOLK FG820L NATURAL FG820L NATURAL $ 549.00 $ 409.00 26% 134036 GUITAR FOLK FG830 AUTUMN BURST FG830 AB $ 549.00 $ 359.00 35% 134034 GUITAR FOLK FG830 NATURAL FG830 NATURAL $ 549.00 $ 359.00 35% 134035 GUITAR FOLK FG830 TBS FG830 TBS $ 549.00 $ 359.00 35% 134037 GUITAR FOLK FG840 NATURAL FG840 NATURAL $ 549.00 $ 379.00 31% 135122 YAMAHA FOLK GUITAR FG850 NATURAL $ 599.00 $ 389.00 35% 138839 GUITAR FOLK FG-TA BLK FG-TA BLK $ 989.00 $ 599.00 39% 138838 GUITAR FOLK FG-TA BRS FG-TA BRS $ 989.00 $ 599.00 39% 138836 GUITAR FOLK FG-TA VN FG-TA VN $ 989.00 $ 599.00 39% 134623 GUITAR FOLK FGX800C BLK FGX800C BLK $ 499.01 $ 299.00 40% 134622 GUITAR FOLK FGX800C NATURAL FGX800C NAT $ 499.01 $ 299.00 40% 134624 GUITAR FOLK FGX800C SANDBURST FGX800C SB $ 499.01 $ 299.00 40% 134626 GUITAR FOLK FGX820C BLACK FGX820C BLK $ 649.00 $ 455.00 30% 134625 GUITAR FOLK FGX820C NATURAL FGX820C NAT $ 649.00 $ 455.00 30% 134627 GUITAR FOLK FGX830C BLACK FGX830C BLK $ 779.00 $ 505.00 35% 134770 GUITAR FOLK FGX830C NATURAL FGX830C NAT $ 779.00 $ 545.00 30% 134020 GUITAR FOLK FS800 NATURAL FS800 NATURAL $ 369.00 $ 219.00 41% 134021 GUITAR FOLK FS800 SAND BURST FS800 SB $ 369.00 $ 219.00 41% 134022 GUITAR FOLK FS800 TINTED FS800 TINTED $ 369.00 $ 219.00 41% 134027 GUITAR FOLK FS820 AUTUMN BURST FS820 AB $ 479.00 $ 359.00 25% 134024 GUITAR FOLK FS820 BLACK FS820 BLACK $ 479.00 $ 359.00 25% 134023 GUITAR FOLK FS820 NATURAL FS820 NATURAL $ 479.00 $ 359.00 25% 134025 GUITAR FOLK FS820 RUBY RED FS820 RUBY RED $ 479.00 $ 359.00 25% 134026 GUITAR FOLK FS820 TURQUOISE FS820 TURQUOISE $ 479.00 $ 359.00 25% 134029 GUITAR FOLK FS830 DUSK SUN RED FS830 DSR $ 549.00 $ 410.00 25% 134028 GUITAR FOLK FS830 NATURAL FS830 NATURAL $ 549.00 $ 410.00 25% 134030 GUITAR FOLK FS830 TBS FS830 TBS $ 549.00 $ 410.00 25% 135566 YAMAHA FOLK GUITAR FS850 NATURAL $ 599.00 $ 449.00 25% 138840 GUITAR FOLK FS-TA BRS FS-TA BRS $ 989.00 $ 599.00 39% 138841 GUITAR FOLK FS-TA RR FS-TA RR $ 989.00 $ 599.00 39% 138837 GUITAR FOLK FS-TA VT FS-TA VT $ 989.00 $ 599.00 39% 134628 GUITAR FOLK FSX800C NATURAL FSX800C NAT $ 499.01 $ 299.00 40% 134630 GUITAR FOLK FSX800C RUBY RED FSX800C RR $ 499.01 $ 299.00 40% 134629 GUITAR FOLK FSX800C SAND BURST FSX800C SDB $ 499.01 $ 299.00 40% 134632 GT FOLK FSX820C BR SUNBURST FSX820C BSB $ 649.00 $ 455.00 30% 134631 GUITAR FOLK FSX820C NATURAL FSX820C NAT $ 649.00 $ 455.00 30% 134634 GT FOLK FSX830C BR SUNBURST FSX830C BSB $ 779.00 $ 505.00 35% 134633 GUITAR FOLK FSX830C NATURAL FSX830C NAT $ 779.00 $ 545.00 30% 132695 GUITAR FOLK FX310AII FX310AII $ 359.00 $ 235.00 35% 97298 GUITAR FOLK
Load more

Recommended publications
  • Yamaha Corporation of America Winter Namm 2012 Press Kit
    YAMAHA CORPORATION OF AMERICA WINTER NAMM 2012 PRESS KIT VISIT THE YAMAHA WINTER NAMM 2012 EXHIBIT AT THE ANAHEIM MARRIOTT, MARQUIS BALLROOM ACCESS HIGH-RESOLUTION PHOTOS AND PRESS RELEASES AT HTTP://WWW.YAMAHA.COM/NAMM/ FOR FURTHER INFORMATION, PLEASE CONTACT THE FOLLOWING STAFF AT GILES COMMUNICATIONS: KEYBOARD DIVISION LISA CESARANO [email protected] 914-414-1556 (MOBILE) ELISE COOPER 914-584-7952 BAND AND ORCHESTRAL DIVISION, CORPORATE LISA CESARANO [email protected] 914-414-1556 (MOBILE) PAC, LIVE SOUND,MUSIC PRODUCTION, STEINBERG: MARC FERRIS [email protected] 914-478-1233 (MOBILE) CORPORATE POPULAR YAMAHA JUNIOR ORIGINAL CONCERT SERIES RETURNS TO NAMM —Talented Young Musicians Take to the Stage at Annual Winter NAMM Crowd Favorite — ANAHEIM, Calif.—The Yamaha Music Education System will present its perennially captivating Junior Original Concert (JOC) on Thursday, January 19. For the first time, the young musicians will perform at two NAMM venues: 8:30 a.m. at the NAMMU Dealer Breakfast in the Pacific Ballroom, Hilton Anaheim Hotel and 1:00 p.m. at the Yamaha Booth, Keyboard Division area, Marquis Ballroom at the Anaheim Marriott Hotel. All NAMM attendees are invited to enjoy the free 1 p.m. concert event, which will feature young talented Yamaha Music School students performing their own original compositions. Nine-year-old Alexander Hurvitz, a student at Harmony Music World, Fullerton, Calif., will perform his original piano solo composition, “Pushy Cat and Nutty Squirrels.” Chloe Li, also age 9 and a JSAC student at the Irvine Yamaha Music Center, will play the Clavinova CVP-509 in her original ensemble composition, “First Flight.” Chloe will play along with percussionists Dominic Primo, Sarah Chen and Lauren Chen, as well as her sister Claire Li, who will be performing on a second CVP-509.
    [Show full text]
  • Guitar Body Shapes May 14, 2020
    Guitar Virtual Learning Guitar Body Shapes May 14, 2020 Guitar Lesson: May 14, 2020 Objective/Learning Target: What different guitar shapes are there, and what are the differences between those shapes? Warm-Up Activity Watch the following video by YouTuber “Minor7thb5” (which is a music theory reference!). In it, he plays the same piece of music two times with two different guitars. The guitars are of similar build quality and materials, but they are different shapes. One is a parlor guitar and the other is a dreadnaught. How do they sound different to you? These differences are subtle. It might be easier to hear by using headphones. 2nd Warm-Up Activity These were the two guitars he played. The one on the left is an Eastman parlor guitar, the one on the right is a Martin dreadnought. How do they look different? How do they look the same? Guitar Shapes For the lesson today, we are going to do a brief overview of the different guitar shapes and styles you can find today. This lesson will build on the lessons from earlier in the week where we discussed the differences between classical, steel-string, and electric guitars. Now, we will see what different body shapes there are, especially for the steel-string and electric guitars, and what makes them different! A Brief history of guitar shapes The word “guitar” comes from the Greek word “kithara,” which shows up in Greek mythology from thousands of years ago. These stringed instruments didn’t look much like our guitars now, but they were strummed like our guitars.
    [Show full text]
  • Roger Sadowsky Interview, Bass Guitar Magazine UK
    ROGER THAT 028 BASS GUITAR MAGAZINE 028-030 Sadowsky_rev3JH.indd 28 13/07/2015 18:17 BASSISTS ROGER SADOWSKY Roger Sadowsky, one of the world’s leading bass luthiers, stopped by at the London Bass Guitar Show to talk to Mike Brooks about his bass building philosophy stroll around Olympia during the “I recommended a good fret job, shielding the London Bass Guitar Show can be electronics, a better bridge and a preamp – actually, a noisy experience to say the only the second bass preamp I had ever installed. I was least – yet on both days of this using a circuit by Stars Guitars from San Francisco, a year’s event back in March, group that had come out of the Alembic school. That’s A there was a tangible buzz: an what I gave Marcus – but within a year, they went out audible sound of hushed of business and Marcus’s preamp died! They told me mutterings between those in attendance. “It is him, when they were closing up that the closest thing to isn’t it?”... “Is that really him? Here in London?” what they were making was a Bartolini TCT preamp. Who could they have been talking about, you ask? I used that until 1990, when I wanted to create my Well, yes it was true – one of the premier luthiers outboard preamp box and Alex Aguilar [of Aguilar of the bass world was there at the London Bass fame] helped me to design my own circuit.” Guitar Show, and boy did Roger Sadowsky make a Back in those days, there was no internet or social splash.
    [Show full text]
  • Voices of the Electric Guitar
    California State University, Monterey Bay Digital Commons @ CSUMB Capstone Projects and Master's Theses 2012 Voices of the electric guitar Don Curnow California State University, Monterey Bay Follow this and additional works at: https://digitalcommons.csumb.edu/caps_thes Recommended Citation Curnow, Don, "Voices of the electric guitar" (2012). Capstone Projects and Master's Theses. 369. https://digitalcommons.csumb.edu/caps_thes/369 This Capstone Project is brought to you for free and open access by Digital Commons @ CSUMB. It has been accepted for inclusion in Capstone Projects and Master's Theses by an authorized administrator of Digital Commons @ CSUMB. Unless otherwise indicated, this project was conducted as practicum not subject to IRB review but conducted in keeping with applicable regulatory guidance for training purposes. For more information, please contact [email protected]. Voices of the Electric Guitar Don Curnow MPA 475 12-12-12 Intro The solid body electric guitar is the result of many guitars and innovations that came before it, followed by the guitar's need for volume to compete with louder instruments, particularly when soloing. In the 1930s, jazz and its various forms incorporated the guitar, but at the time there was no way for an acoustic guitar to compete with the volume of a trumpet or saxophone, let alone with an orchestra of trumpets and saxophones, such as in big band jazz. As a result, amplification of the guitar was born and the electric guitar has been evolving since, from a hollow bodied ES-150 arch-top with a pick-up used by Charlie Christian to the Les Paul played by Slash today.
    [Show full text]
  • Overview Guitar Models
    14.04.2011 HOHNER - HISTORICAL GUITAR MODELS page 1 [54] Image Category Model Name Year from-to Description former retail price Musima Resonata classical; beginners guitar; mahogany back and sides Acoustic 129 (730) ca. 1988 140 DM (1990) with celluloid binding; 19 frets Acoustic A EAGLE 2004 Top Wood: Spruce - Finish : Natural - Guitar Hardware: Grover Tuners BR CLASSIC CITY Acoustic 1999 Fingerboard: Rosewood - Pickup Configuration: H-H (BATON ROUGE) electro-acoustic; solid spruce top; striped ebony back and sides; maple w/ abalone binding; mahogany neck; solid ebony fingerboard and Acoustic CE 800 E 2007 bridge; Gold Grover 3-in-line tuners; shadow P7 pickup, 3-band EQ; single cutaway; colour: natural electro-acoustic; solid spruce top; striped ebony back and sides; maple Acoustic CE 800 S 2007 w/ abalone binding; mahogany neck; solid ebony fingerboard and bridge; Gold Grover 3-in-line tuners; single cutaway; colour: natural dreadnought western guitar; Gruhn design; 20 nickel silver frets; rosewood veneer on headstock; mahogany back and sides; spruce top, Acoustic D 1 ca. 1991 950 DM (1992) scalloped bracings; mahogany neck with rosewood fingerboard; satin finish; Gotoh die-cast machine heads dreadnought western guitar; Gruhn design; rosewood back and sides; spruce top, scalloped bracings; mahogany neck with rosewood Acoustic D 2 ca. 1991 1100 DM (1992) fingerboard; 20 nickel silver frets; rosewood veneer on headstock; satin finish; Gotoh die-cast machine heads Top Wood: Sitka Spruce - Back: Rosewood - Sides: Rosewood - Guitar Acoustic
    [Show full text]
  • Meet Your Other Half
    Guitars, basses and amplifiers, born in Japan since 1966. MEET YOUR OTHER HALF PRODUCT 2 LINEUP CATALOG 0 2 1 TRANSACOUSTIC GUITARS CONTENTS TransAcoustic Guitars........................................................................... 3 Silent Guitars........................................................................................ 6 PLAY, ACOUSTIC GUITARS L SERIES............................................................................................... 10 LISTEN… A SERIES............................................................................................... 14 APX/CPX SERIES................................................................................... 18 BE FG SERIES............................................................................................. 20 F SERIES............................................................................................... 24 INSPIRED F SERIES (Made In India)...................................................................... 28 CLASSICAL GUITARS............................................................................ 30 COMPACT SIZE SERIES.......................................................................... 34 ELECTRIC GUITARS PACIFICA............................................................................................... 37 1.1 REVSTAR............................................................................................... 42 RGX....................................................................................................... 44 ELECTRIC
    [Show full text]
  • ICA 2010 Paper
    Proceedings of the International Symposium on Music Acoustics (Associated Meeting of the International Congress on Acoustics) 25-31 August 2010, Sydney and Katoomba, Australia Experimental Approaches on Vibratory and Acoustic Characterization of Harp-Guitars Enrico Ravina (1) (1) University of Genoa, MUSICOS Centre of Research, Genoa, Italy PACS: 43.75.- z; 43.75.Gh ABSTRACT The paper describes the results of a research activity, still under development, oriented to the vibratory and acoustic characterization of harp-guitars. Vibration analyses show interesting differences between harp-guitars and classical guitars about displacements detected on the soundboard and on the bridge and their dependence to frequencies. Acoustic analyses detect very different responses of harp-guitars to various frequencies, showing also the different acoustic emission at sound holes. Comparisons between signals detected by external and surface internal micro- phones allow estimating effects of the acoustic damping in these particular instruments. INTRODUCTION later two designs are technically harp guitars with open strings. They were smaller in size as was fashionable at the Harp-guitars represent a separate and distinct category within time. Barry and Harley of London, excellent craftsmen, built the guitar family, are those most commonly and popularly these instruments for Light. Many of these table harp lutes, as referred to today as harp guitars. This particular category of they were called, are still around today. The desire for ex- instruments includes guitars with any number of additional tended range on a guitar was evident as composers, such as unstopped strings that can accommodate individual plucking. Fernando Sor (1778-1839) and Matteo Carcassi (1792-1853) The word "harp" is a specific reference to the unstopped open wrote music on a three necked, 21 strung guitar, called a strings, and is not specifically a reference to the tone, pitch hypolyre.
    [Show full text]
  • The Three Voices of the Electric Guitar by Eric Smith
    Smith 1 Eric Smith Instructor’s Name ENGL 1013 Date The Three Voices of the Electric Guitar The electric guitar has been an integral part of popular music since its inception in the early part of the twentieth century. The immense palette of colors available to guitarists makes the electric guitar obviously stand out from the other musical instruments. However, a fairly obvious fact about the electric guitar is hiding in plain sight, a fact known to players but not immediately apparent to the general public until it is brought to their attention: the guitar is only half of a complete instrument. Without electronic amplification there would be no jarring, emotional delight to the ear that stirs the collective soul of today’s audience. Thus far in the evolution of sound reinforcement, there are three distinct types of amplifiers: the tube amp, the solid-state or transistor amp, and the modern digital processor. The vacuum tube, or valve, is a component of an antiquated technology. Along with large, heavy output transformers and point-to-point wiring, the tube amp is a remnant of the days when Americans would gather around their bulky mahogany Art Deco radios and listen to FDR’s fireside chats. Suspenders, rumble seats, fedoras, and whitewall tires were some of the other common cultural iconography in those halcyon days before the atomic bomb. The tube amp tone has a roundness to it, a warm, creamy sound that even with the volume turned up is never sharp or piercing. The guitar players that swear by tube amps are legion, and the men that designed and manufactured them have become household names; Leo Fender and Jim Marshall are two examples.
    [Show full text]
  • Bass Guitar Owner's Manual Bass Guitar Configuration
    Bass Guitar Owner's Manual Bass Guitar Configuration 4 5 6 3 11 7 8 9 10 3 12 1. Volume 7. Position Markers 2. Tone Controls 8. Fret 3. Strap Button 9. Fingerboard 4. Bridge 10. Nut 1 5. Bridge Pickup 11. Tuning Keys 2 6. Neck Pickup 12. String Retainer Control Configuration blend treble tone bass volume bridge volume treble tone neck volume neck volume bridge volume tone Congratulations So, you are the owner of a new Peavey Bass Guitar. Congratulations! Your purchase proves your taste in musical instruments is superb. Peavey offers a wide variety of bass guitars for beginners to professionals, each with unique qualities and features. While our professional luthiers have carefully inspected your guitar, every model requires some initial setup, and periodic maintenance is required for peak performance. To ensure proper care of your quality instrument, visit www.peavey.com/accessories for Peavey-recommended accessories, parts and cleaning supplies. Cleaning & Care When properly cared for, your Peavey bass will offer you years of pleasure. Playing your bass means that you will need to perform regular, general maintenance, such as cleaning and proper storage, to keep it looking and sounding great. Every time you play your bass, body oils and perspiration are transferred to the body, back of the neck, headstock, fingerboards, strings, tuners, pickups and bridge. After you finish performing, but before you put your bass away, take a moment to remove these contaminants. Cleaning - Wood To clean and care for the major wood parts of your bass guitar (body, headstock and the back of the neck), Peavey recommends that you use a clean, soft, lint-free, dry cotton cloth and the specially formulated guitar polish available at www.peavey.com/acces- sories.
    [Show full text]
  • Prek–12 EDUCATOR RESOURCES QUICK GUIDE
    PreK–12 EDUCATOR RESOURCES QUICK GUIDE MUSICAL INSTRUMENT MUSEUM BRING THE WORLD OF MUSIC TO THE CLASSROOM MIM’s Educator Resources are meant to deepen and extend the learning that takes place on a field trip to the museum. Prekindergarten through 12th-grade educators can maximize their learning objectives with the following resources: • Downloadable hands-on activities and lesson plans • Digital tool kits with video clips and photos • Background links, articles, and information for educators • Free professional development sessions at MIM Each interdisciplinary tool kit focuses on a gallery, display, musical instrument, musical style, or cultural group—all found at MIM: the most extraordinary museum you’ll ever experience! RESOURCES ARE STANDARDS-BASED: Arizona K–12 Academic Standards • English Language Arts • Social Studies • Mathematics • Science • Music • Physical Education Arizona Early Learning Standards • English Language Arts • Social Studies • Mathematics • Science • Music • Physical Education EXPLORE MIM’S EDUCATOR RESOURCES ONLINE: • Schedule a field trip to MIM • Download prekindergarten through 12th-grade tool kits • Register for free professional development at MIM MIM.org | 480.478.6000 | 4725 E. Mayo Blvd., Phoenix, AZ 85050 (Corner of Tatum & Mayo Blvds., just south of Loop 101) SOUNDS ALL AROUND Designed by MIM Education MUSICAL INSTRUMENT MUSEUM SUMMARY Tool Kits I–III feature activities inspired by MIM’s collections and Geographic Galleries as well as culturally diverse musical selections. They are meant to extend and
    [Show full text]
  • Designing and Building an Electric Baritone Guitar
    Hendrik Gideonse Audio Research December 14, 2008 Designing an Electric Baritone Guitar 0 Anatomy of a Guitar ................................................................................................... 2 1 Introduction ................................................................................................................. 3 2 Baritone History .......................................................................................................... 3 3 Problems with Existing Designs ................................................................................. 5 3.1 String Tension ..................................................................................................... 5 3.2 Balance, Ease of Playing 1st Position Chords and Bridge Position .................... 7 3.3 Rigidity for Tone and Sustain ........................................................................... 11 4 Designing the Baritone Guitar .................................................................................. 12 4.1 Woods, Tone and Rigidity ................................................................................ 13 4.2 Angled Headstock and ‘V’ Neck Contour ........................................................ 16 4.3 Headstock Shapes ............................................................................................. 19 4.4 Joining the Neck to the Body ............................................................................ 24 4.5 Body Shape ......................................................................................................
    [Show full text]
  • Meet the Luthier: Tim Reede
    the front. This is done to reduce feedback and also because an Meet The Luthier... electromagnet pickup has been added. The body size has been As a child in the sixties, Tim remembers hearing music that opened a reduced and there are two whole new dimension of expression. Bands like Jefferson Airplane, Jimi output jacks, one for the electro Hendrix and Crosby Stills Nash and Young. This attraction led him to work magnet pickup and one for the with music for much of his life. piezo soundboard transducer. In high school, he worked with a mobile sound system which traveled to I enjoy the diversity of the guitar small towns for school dances. And with the money he earned, bought a used electric guitar. As he grew older, Tim worked as a DJ for a radio family, which is why I make a station and a college nightclub. In 1986, he went to school at the variety of instruments, each Recording Workshop in Ohio and studied sound engineering. And, in 1988, having their strengths and Tim began modifying guitars for himself and others, trying to make guitars purpose. You could say I am a play and sound better. - Duane M Evarts, editor traditionalist when it comes to guitar construction. I use hot hide glue because it is acoustically Share the circumstances that led you to become involved in the art transparent. It dries very hard, allowing vibrations to transfer of lutherie. cleanly. In 1992, I enrolled in the cabinetmaking program at Minneapolis What sets you and your guitars apart from other fine luthiers and Technical College.
    [Show full text]