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Abandoning the Girl Show Ghetto: Introducing and Incorporating Care Ethics to Girls' Animation
AN ABSTRACT OF THE THESIS OF Adam C. Hughes for the degree of Master of Arts in Applied Ethics presented on July 15, 2013 Title: Abandoning the Girl's Show Ghetto: Introducing and Incorporating Care Ethics to Girls' Animation Abstract approved: Flora L. Leibowitz In regards to animation created and aimed at them, girls are largely underserved and underrepresented. This underrepresentation leads to decreased socio-cultural capital in adulthood and a feeling of sacrificed childhood. Although there is a common consensus in entertainment toward girls as a potentially deficient audience, philosophy and applied ethics open up routes for an alternative explanation of why cartoons directed at young girls might not succeed. These alternative explanations are fueled by an ethical contract wherein producers and content creators respect and understand their audience in return for the privilege of entertaining. ©Copyright by Adam C. Hughes July 15, 2013 All Rights Reserved Abandoning the Girl Show Ghetto: Introducing and Incorporating Care Ethics to Girls' Animation by Adam C. Hughes A THESIS submitted to Oregon State University in partial fulfillment of the requirements for the degree of Master of Arts Presented July 15, 2013 Commencement June 2014 Master of Arts thesis of Adam C. Hughes presented on July 15, 2013 APPROVED: Major Professor, representing Applied Ethics Director of the School of History, Philosophy, and Religion Dean of the Graduate School I understand that my thesis will become part of the permanent collection of Oregon State University libraries. My signature below authorizes the release of my thesis to any reader upon request. Adam C. Hughes, Author ACKNOWLEDGEMENTS This author expresses sincere respect for all animators and entertainers who strive to create a better profession for themselves and their audiences. -
HA10 HA18 Bonne Sortie Du HLK Spectacle Kidsport
1976 - 2007 Le Nord LeLVol. 31 e No 43 HearstNordN On ~ Le mercredio 10r janvierd 2007 1,25$ + T.P.S. À érieur Entente Columbia ................HA03 Recrutement ................HA10 Les Élans au Sault ................HA19 Pensée de la semaine Félicitations ! En opposant la Kreison Wabano est notre pre- haine on ne mier bébé de l’année! Kreison fait que la est né par césarienne le 3 janvier 2007 à 21 h 30 à l’Hôpital répandre, en Sensenbrenner de Kapuskasing. surface Il pesait 7 livres et 2 onces à la naissance. Il est le fils de Tim comme en Wabano et Tina Bluff de Constance Lake. Photo profondeur. disponible au journal Le Nord/CP Ghandi Spectacle Kidsport Bonne sortie du HLK HA10 HA18 Mercredi Jeudi Vendredi Samedi Dimanche Lundi Ensoleillé avec Généralement passages nuageux Faible neige Ciel variable Plutôt nuageux Ciel variable Max 2 Min -12 Max -11 Min -19 ensoleillé Max 10 Max -20 Min -20 Max -13 PdP 80% PdP 20% Max -17 Min -23 PdP 10% PdP 0% PdP 60% PdP 20% Nouveau conseil municipal Mattice nomme ses représentants au sein des comités MATTICE (FB) – Le conseil d’administration de l’Association le comité local des citoyens de la représentant municipal sur le la région de Hearst. municipal de Mattice-Val Côté a de recyclage de Cochrane- Forêt de Kapuskasing. Il a aussi Comité de financement du La trésorière Manon Leclerc a nommé ses représentants sur Temiscamingue. M. Tanguay a été désigné représentant du con- Collège Boréal, campus de été désignée comme représen- divers comités ou organismes aussi été désigné maire-adjoint seil au sein du Conseil de Hearst. -
Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak
Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak. by Rose Ann Ko2inski Thesis presented as a partial requirement in the Master of Arts (M.A.) in Human Development School of Graduate Studies Laurentian University Sudbury, Ontario © Rose Ann Kozinski, 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-57666-3 Our file Notre reference ISBN: 978-0-494-57666-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Achieving a Global Reach on Children's Cultural Markets
Achieving a global reach on children’s cultural markets: managing the stakes of inter-textuality in digital cultures Valérie-Inés de LA VILLE European Center for Children’s Products Institut d’Administration des Entreprises Université de Poitiers, France [email protected] and Laurent DURUP Project Manager and Game Designer Ouat Entertainment, France [email protected] The aim of this chapter is to shed light on the formation of children’s cultures in a digital global marketplace by developing the idea that, in such a context, inter-textuality consists of a complex intertwining of cultural references partially shaped by commercial strategies. The chapter draws on recent and successful experiences by French animation producers on global cultural markets. Indeed, in order to achieve a global reach on children’s cultural markets, the managerial stakes that producers have to face include making decisions that take into account the competitive positioning of their clients (TV channels or cable broadcasters, internet service providers or web portals), and their programming choices. Moreover, content producers have to deal with inter-textual subtleties also when they design spin-offs policies and consider their potential spread, as well as when they engage their properties in bounded promotional campaigns… Part 1 – The global reach of recent French animation productions 1.1 – Some evidence1 Today, the French animation industry is ranked third in the world and first in Europe, producing each year around 300 new hours of animation. French producers benefit from efficient governmental subsidies designed to support creativity in this industry. Partly due to this unique and enviable system, French productions globally gather more than 50% of their budget on the national territory since 2000. -
Rapport Annuel 2009–2010 Annuel Rapport CTF Annual Report 2009–2010 Rapport Annuel Du FCT 2009–2010 Rapport Annual Report CTF
rapport annuel 2009–2010 annuel rapport CTF annual report 2009–2010 rapport annuel du FCT annual report 2009–2010 BAILLEURS DE FONDS Le Fonds canadien de télévision (FCT) est appuyé Le FCT remercie tous ses bailleurs de fonds de leur appui par le ministère du Patrimoine canadien et par constant à la production canadienne dans l’industrie de la les entreprises de distribution de radiodiffusion télévision et des médias numériques. En 2009-2010, le FCT du Canada. a bénéficié de l’apport financier des organismes suivants : PRÉFACE La publication du Rapport annuel 2009-2010 du Fonds n’y a pas de données relatives aux médias numériques canadien de télévision vise à communiquer à ses pour la période antérieure à l’exercice 2008-2009, car le intervenants des informations clés sur l’industrie. Le programme n’existait pas avant cet exercice. Les parts rapport contient des renseignements détaillés sur les d’auditoire décrites dans les tableaux de données ont été résultats de financement du FCT pour l’exercice 2009-2010, arrondies. Ainsi, lorsqu’on indique une part de 0 %, cela allant du 1er avril 2009 au 31 mars 2010 et présente l’analyse signifie que le taux d’activités serait inférieur à 1 %. Les des auditoires canadiens pour l’année de radiodiffusion sources de financement sont définies en annexe. Lorsque 2008-2009. Bien que les références aux prix, ventes et des distinctions régionales sont établies, les villes de autres formes de reconnaissance mettent en vedette des Toronto (TOR) et de Montréal (MTL) sont considérées productions couronnées de succès en 2009 ou 2010, comme des régions distinctes en raison du volume celles-ci peuvent avoir bénéficié de l’apport financier du particulièrement important de productions qu’elles FCT avant l’exercice 2009-2010. -
Carshitsthe Hits Theroad
Contents | Zoom In | Zoom Out For navigation instructions please click here Search Issue | Next Page THE BUSINESS, TECHNOLOGY & ART OF ANIMATION July 2006 ™ Disney/Pixar's Cars Hits the Road TerrificTerrifi c MTV2 Talent Welcomes Flocks to NewToonNew Toon Annecy Rebellion ww_____________________________________________________w.animationmagazine.ne t Contents | Zoom In | Zoom Out For navigation instructions please click here Search Issue | Next Page A A Previous Page | Contents | Zoom in | Zoom out | Front Cover | Search Issue | Next Page EF MaGS MAGAZINE B !FTERYEARSWEDECIDEDWE³D 8PVMESFDPNNFOE #FMJFWFZPVTIPVME 5IJOL#BSEFMJT #BSEFMUPBGSJFOE CF¿G¿M¿¿F¿YJCMFBOESPMM "SUJTUESJWFOBOEUIBU XJUIUIFQVODIFT UIFZIBWFBDSFBUJWFWPJDF XPVMEMJLFUPTFFNPSFBEWFSUJTJOHQSPNPUJPOGPSUIFTUVEJPEPOF XXXCBSEFMDBKPCT______________________ _________________________!CBSEFMDB A A Previous Page | Contents | Zoom in | Zoom out | Front Cover | Search Issue | Next Page EF MaGS MAGAZINE B A A Previous Page | Contents | Zoom in | Zoom out | Front Cover | Search Issue | Next Page EF MaGS MAGAZINE B ASKWHATOUREMPLOYEESTHOUGHT 'FFM$IBMMFOHFE &OKPZCFJOHIFSF 'FFMZPVOFFEUP BOEUIBU#BSEFMJT UIJOLJUµTBGVO CFQSFQBSFEUP BHPPEDBSFFSNPWF QMBDFUPXPSL XPSLZPVS#VUUPGG /H ANDBYTHEWAY 7ERE(IRING 6ISITUSAT!NNECYSTAND A A Previous Page | Contents | Zoom in | Zoom out | Front Cover | Search Issue | Next Page EF MaGS MAGAZINE B A A Previous Page | Contents | Zoom in | Zoom out | Front Cover | Search Issue | Next Page EF MaGS MAGAZINE B ____________________________ ___________________ A A Previous Page | Contents | Zoom in | Zoom out | Front Cover | Search Issue | Next Page EF MaGS MAGAZINE B A A Previous Page | Contents | Zoom in | Zoom out | Front Cover | Search Issue | Next Page EF MaGS MAGAZINE B Volume 20, Issue 7, Number 162, July 2006 CONTENTS 6 Frame-by-Frame The Monthly Animation Planner ... Tom Goes to the Mayor Again... Babar Stumps for Ecology ...Strapontin Makes Plans for Sinbad of the Stars. -
9 Mai 2007 1,25$ + T.P.S
Vol. 32 No.08 Hearst On ~ Le mercredi 9 mai 2007 1,25$ + T.P.S. HA19 MERCREDI Ensoleillé avec HA07-HA08 passages nuageux Max 25 HA25-HA26 PdP 10% JEUDI Nuageux avec éclaircies et quelques averses Min 10; Max 27 HA20 PdP 40% VENDREDI Ensoleillé avec passages nuageux Min 5; Max 11 PdP 10% SAMEDI Ensoleillé avec La violence, c’est passages nuageux Min 0; Max 15 PdP 10% le recours des DIMANCHE Ensoleillé avec passages nuageux Min 5; Max 18 gens qui ne savent PdP 10% Quatre équipes ont amassé plus de 14 000 $ dans le cadre de «Big Bike» qui avait lieu à Hearst samedi LUNDI pas penser. dernier. L’événement, qui vient en aide à la Fondation des maladies du coeur, a de nouveau été un suc- Ciel variable cès à Hearst alors que l’on a dépassé le montant de 12 000 $ recueilli l’an dernier. Photo disponible au Min 4; Max 16 Maurice Druon journal Le Nord/CP PdP 10% Plan de travail annuel du Hearst Forest Management On prévoit planter six millions d’arbres HEARST (FB) – Le Hearst C’est ce qu’a indiqué Brad Forêt de Hearst lors d’une réu- au cours des dernières années. 588 000 mètres cubes. Il a Forest Management prévoit Ekstrom du Hearst Forest nion du Comité local des citoyens L’an dernier, 7,2 millions d’ar- présenté les différents endroits où qu’on plantera six millions d’ar- Management lors de sa présenta- tenue la semaine dernière. bres ont été plantés grâce à du l’on propose de récolter ces bres dans la Forêt de Hearst dans tion du plan de travail annuel Ce montant est environ la financement supplémentaire arbres. -
Mapping Femininity: Space, Media and the Boundaries of Gender A
Mapping Femininity: Space, Media and the Boundaries of Gender A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at George Mason University By Teresa Marie McLoone Master of Arts Georgetown University, 1999 Director: Mark D. Jacobs, Professor Cultural Studies Program Fall Semester 2009 George Mason University Fairfax, VA Copyright: 2009 Teresa Marie McLoone All Rights Reserved ii DEDICATION This is dedicated to Troy Schneider, Mateo Schneider and Maria Schneider. iii ACKNOWLEDGEMENTS I am honored to have worked with the members of my dissertation committee and for their commitment to this project: Director Mark Jacobs, for reminding me to always question the world around me, and Alison Landsberg and Amy Best for helping me address these questions. Thanks are owed to Nancy Hanrahan for her advice about what matters in scholarship and life and to Cindy Fuchs for her guidance in the early stages of this work and her insight into visual and popular culture. The encouragement of my colleagues has been invaluable and there is not enough room here to thank everyone who has helped in some way or another. I am inspired, though, by several people whose generosity as friends and scholars shaped this project: Lynne Constantine, Michelle Meagher, Suzanne Scott, Ellen Gorman, Katy Razzano, Joanne Clarke Dillman, Elaine Cardenas, Karen Misencik, Sean Andrews and Deborah Gelfand. This dissertation would not exist without the support of George Mason University’s Cultural Studies Program and Roger Lancaster, and the financial support of the Office of the Provost and the College of Humanities and Social Sciences. -
British Columbia Film Commission Production Statistics 2007 2007 Shot in Bc Totals
BRITISH COLUMBIA FILM COMMISSION PRODUCTION STATISTICS 2007 2007 SHOT IN BC TOTALS TOTAL PRODUCTIONS # % Total Budget Overall Total Spent In BC % Features/DVD Features 47 24% $ 428,322,558 $ 260,784,365 28% TV Series 42 21% $ 622,559,767 $ 435,120,166 46% Movies of the Week 43 22% $ 104,126,297 $ 92,401,686 10% TV Pilots 7 3% $ 23,626,584 $ 16,357,584 2% Mini Series 3 1% $ 50,704,493 $ 35,057,893 3% Documentaries 32 16% $ 18,706,755 $ 14,707,472 2% Short Films 9 4% $ 245,500 $ 245,500 0% Animation 19 9% $ 118,639,789 $ 88,673,149 9% Total 202 100% $ 1,366,931,743 $ 943,347,815 100% DOMESTIC PRODUCTIONS # % Total Budget Overall Total Spent In BC % Features/DVD Features 24 17% $ 84,509,508 $ 81,609,894 20% TV Series 24 17% $ 168,041,039 $ 157,641,573 39% Movies of the Week 36 26% $ 83,378,067 $ 74,445,538 18% TV Pilots 1 1% $ 769,584 $ 764,584 0% Mini Series 2 1% $ 34,386,993 $ 24,357,893 6% Documentaries 32 23% $ 18,706,755 $ 14,707,472 4% Short Films 9 7% $ 245,500 $ 245,500 0% Animation 10 8% $ 70,036,361 $ 53,932,027 13% 138 100% $ 460,073,807 $ 407,704,481 100% FOREIGN PRODUCTIONS # % Total Budget Overall Total Spent In BC % Features/DVD Features 23 36% $ 343,813,050 $ 179,174,471 33% TV Series 18 28% $ 454,518,728 $ 277,478,593 52% Movies of the Week 7 11% $ 20,748,230 $ 17,956,148 3% TV Pilots 6 9% $ 22,857,000 $ 15,593,000 3% Mini Series 1 2% $ 16,317,500 $ 10,700,000 2% Documentaries 0 0% $ 0 $ 0 0% Short Films 0 0% $ 0 $ 0 0% Animation 9 14% $ 48,603,428 $ 34,741,122 7% 64 100.00% $ 906,857,936 $ 535,643,334 100% FACTSHEET BRITISH -
(“Agreement”) Covering FREELANCE WRITERS of THEATRICAL FILMS
INDEPENDENT PRODUCTION AGREEMENT (“Agreement”) covering FREELANCE WRITERS of THEATRICAL FILMS TELEVISION PROGRAMS and OTHER PRODUCTION between The WRITERS GUILD OF CANADA (the “Guild”) and The CANADIAN MEDIA PRODUCTION ASSOCIATION (“CMPA”) and ASSOCIATION QUÉBÉCOISE DE LA PRODUCTION MÉDIATIQUE (“AQPM”) (the “Associations”) March 16, 2015 to December 31, 2017 © 2015 WRITERS GUILD OF CANADA and CANADIAN MEDIA PRODUCTION ASSOCIATION and the ASSOCIATION QUÉBÉCOISE DE LA PRODUCTION MÉDIATIQUE. TABLE OF CONTENTS Section A: General – All Productions p. 1 Article A1 Recognition, Application and Term p. 1 Article A2 Definitions p. 4 Article A3 General Provisions p. 14 Article A4 No Strike and Unfair Declaration p. 15 Article A5 Grievance Procedures and Resolution p. 16 Article A6 Speculative Writing, Sample Pages and Unsolicited Scripts p. 22 Article A7 Copyright and Contracts; Warranties, Indemnities and Rights p. 23 Article A8 Story Editors and Story Consultants p. 29 Article A9 Credits p. 30 Article A10 Security for Payment p. 41 Article A11 Payments p. 43 Article A12 Administration Fee p. 50 Article A13 Insurance and Retirement Plan, Deductions from Writer’s Fees p. 51 Article A14 Contributions and Deductions from Writer’s Fees in the case of Waivers p. 53 Section B: Conditions Governing Engagement p. 54 Article B1 Conditions Governing Engagement for all Program Types p. 54 Article B2 Optional Bibles, Script/Program Development p. 60 Article B3 Options p. 61 Section C: Additional Conditions and Minimum Compensation by Program Type p. 63 Article C1 Feature Film p. 63 Article C2 Optional Incentive Plan for Feature Films p. 66 Article C3 Television Production (Television Movies) p. -
Program November 14 to 16
PROGRAM NOVEMBER 14 TO 16 programme-en.indd 1 06/11/12 11:20:09 THANKS TO THE 2012 MÉDIA-JEUNES SPONSORS MAIN SPONSOR PRESTIGE SPONSORS EXCELLENCE SPONSORS programme-en.indd 2 06/11/12 11:20:09 SPECIAL THANKS Youth Media Alliance would like to warmly thank its 2012 Média-Jeunes advisory committee: GUILLAUME ANIORTÉ / Tribal Nova PATRICIA LAVOIE / mmmedia HÉLÈNE ARCHAMBAULT / Télé-Québec MADELEINE LÉVESQUE / Sardine Productions CHRISTIANE ASSELIN / Turbulent DOMINIQUE MENDEL / Echo Media JUDITH BEAUREGARD / Toboggan LOUIS-PHILIPPE MORIN / PRAM Québec PASCALE CUSSON / Director SOPHIE PARIZEAU / Vivavision FRANCINE LAPRADE / Radio-Canada TABLE OF CONTENTS Word from Co-Chairs . 4 Word from Executive Director . 5 Word from Sponsors . 6 Schedule and Venue . 8 General Conference . 10 Workshop with Maya Goetz . 13 Prix Jeunesse Screening . 14 Speakers’ Biographies . 18 YOUTH MEDIA ALLIANCE BOARD OF DIRECTORS Co-Chairs Treasurer PETER MOSS / PDM Entertainment VINCE COMMISSO / 9 Story Entertainment J.J. JOHNSON / Sinking Ship Entertainment Secretary Vice-Chair MICHELE PARIS / Knowledge and BBC kids MICHÈLE FORTIN / Télé-Québec Directors GUILLAUME ANIORTÉ / Tribal Nova MADELEINE LÉVESQUE / Sardine Productions CAROLE BONNEAU / TELETOON Canada IRA LEVY / Breakthrough Entertainment MICHAEL GOLDSMITH / Astral Televison Networks ALEXANDRA RAFFÉ / Thunderbird Films JOCELYN HAMILTON / Corus Entertainment KIM WILSON / CBC Television YMA OFFICE TEAM CHANTAL BOWEN / Executive Director LYNE CÔTÉ / Special Events and Communications Coordinator programme-en.indd 3 06/11/12 11:20:10 WORD FROM CO-CHAIRS We make the best shows! Try as we might to be polite about it, or cage it with “we have a generous funding system in Canada,” there’s simply no denying that our industry produces some of the best kids and youth television and digital media in the world. -
Film List 2005
BRITISH COLUMBIA FILM COMMISSION PRODUCTION STATISTICS 2005 Factsheet BRITISH COLUMBIA FILM AND TELEVISION PRODUCTION 2003 - 2005 2005 2004 2003 Production Type Year end Dec 31 Year end Dec 31 Year end Dec 31 Number Number Number of Production $ of Production $ of Production $ Projects Spent in BC Projects Spent in BC Projects Spent in BC production $ = millions of dollars DOMESTIC Feature Film 24 43.10 30 49.75 22 41.65 Television Series 18 88.93 15 100.34 22 89.45 Television Movies, Mini- Series, Specials, Pilots, Documentaries & Docudramas 65 57.14 65 48.84 54 29.22 Animation 11 35.61 6 14.95 2 8.47 Total Domestic 118 224.78 116 213.88 100 168.79 % Change 1.7% 5.1% 16.0% 26.7% FOREIGN Feature Film 39 580.28 16 191.56 25 821.58 Television Series 13 298.10 21 235.75 15 308.86 Television Movies, Mini- Series, Specials, Pilots, Documentaries & Docudramas 28 80.69 31 137.52 25 91.62 Animation 13 49.82 10 22.49 4 13.71 Total Foreign 93 1,008.90 78 587.32 69 1,235.76 % Change 19.2% 71.8% 13.0% -52.5% TOTAL Feature Film 63 623.38 46 241.31 47 863.229 Television Series 31 387.03 36 336.09 37 398.309 Television Movies, Mini- Series, Specials, Pilots, Documentaries & Docudramas 93 137.83 96 186.36 79 120.8386 Animation 24 85.44 16 37.44 6 22.176 Total 211 1,233.68 194 801.20 169 1,404.55 % Change 8.8% 54.0% 14.8% -43.0% FACTSHEET BRITISH COLUMBIA FILM AND TELEVISION PRODUCTION 2001 - 2005 2005 2004 2003 2002 2001 Year end Dec 31 Year end Dec 31 Year end Dec 31 Year end Dec 31 Year end Dec 31 Number Number Number Number Number of Production $