La Salle Magazine Spring 1970

Total Page:16

File Type:pdf, Size:1020Kb

La Salle Magazine Spring 1970 — — THE DAY camelot CAME The last stop on T.H. White's American Tour was at the college. The British author was quite impressed. T,he Students of La Salle College White rented an English laborer's cot- Whitman Bridge aroused White's ad- (Christian Brothers) gave me for the tage in the middle of a wood, and, miration and the North Philadelphia last time I shall get it the stunning together with two hedgehogs, six grass Station stirred his indignation. Of the applause and affection which makes snakes, a stuffed pheonix, a beehive, bridge, White wrote: six pismires (a kind of ant), and the my heart turn over, and I am miser- There is a huge and graceful bridge able that the tour is finished, and I fourteenth edition of the Encyclopae- named after Walt Whitman. Where don't ever dia Brittanica, he set forth to retell for want to stop ever ever. is there a bridge in London named But for Terrence Hanway White his century the stories of Arthur, Mer- after Shakespeare himself? These author of some two dozen books, half lin, Lancelot, and Guinevere. people are more cultured than we. a dozen of them really good, and one T. H. White moved to his last home As regards the North Philadelphia a classic of twentieth-century Eng- on the small Channel Island of Alder- Station. White confirmed what per- lish literature the end was to come ney in 1948, announcing to the local — haps many Philadelphians have sus- only one month after his last public inhabitants that he was a seventeen- pected for some time: appearance at La Salle. It was six time bigamist on the lam from Lon- So we stumbled bleary-eyed into years last December 16 since White's don. Alderney is known chiefly for bed and crawled out again reeling visit to the college, and last January its low taxes and cheap liquor, both at 6 A.M., to catch the most mis- 1 7 marked the sixth anniversary of of which White seems to have enjoyed. erable train in the world at the his death at age 57, aboard ship near In the last years of his life, he received most miserable station (North Broad Piraeus, Greece. The literary reputa- some three thousand dollars a month Street, Philadelphia, may it shortly tion of T. H. White (not to be con- in Camelot royalties and his Alder- fall to bits) . It was dirtier and fused with the other T. H. White who ney house included studios for filming more wretched than any London wrote The Making of the President and painting, a swimming pool, and suburban station on a lost branch volumes) seems secure, however, in his a Temple to the Emperor Hadrian (for on strike. There was a strange, grimy classic retelling of the Arthurian leg- architectural rather than religious pur- iron fence down the middle the end in The Once and Future King, poses). Shortly before his death, White of tracks, presumably to prevent us source of Walt Disney's The Sword in remarked that he "could count only from committing suicide . Oh the Stone and Alan Lerner's Camelot. seven happy years in all his life," yet God! Oh, Philadelphia! The writer of the New York Times he believed Mankind to be "on the obituary for T. H. White observed that whole more decent than beastly." T. H. White was scheduled to speak the author was a "modern exile in time In the fall of 1963, White began a at La Salle on November 22, 1963, as longing for the past," but such was his lecture tour of the United States, in part of the Centennial Weekend fes- life and personality "that his beloved order to, as he said, "distract the pri- tivities. But during the hour on that past might well have hanged him for vate unhappiness of old age, rather day on which White was to speak, a warlock." As strange as his char- like knocking your head against a wall John Kennedy was assassinated, and acter is the improbably range of his when you have the toothache." His the author himself lay very ill of men- writing from the first translation of a last book, the posthumously published tal and physical exhaustion in a New Latin Bestiary (where one could find, America At Last: The American Orleans hospital. White and Kennedy if indeed one ever wanted to, that the Journal of T. H. White records this had never met, but they were strangely panther sleeps for three days after a delightful eccentric's impressions of linked. John Kennedy's favorite song good meal, awakening with a burp) his travels, including his observations was "Camelot." and the two men to an account of the author's training on Philadelphia and La Salle College. shared the same birthday. It was the of a hawk by strict seventeenth-cen- Characteristically, the two things second time that White's writings had tury methods. that most impressed T. H. White about connected him with a dead leader Perhaps most improbably of all, but Philadelphia were not those things when King George VI of England nevertheless true, is the genesis of the usually considered to be the city's died. White's book, The Goshawk. first part of The Once and Future King. "tourist attractions." Instead, the Walt was found on his bed. 16 SALLE By James A. Butler, '68 Despite his illness, T. H. White re- nie Get Your Gun, Finian's Rain- Latin, write fair second-class novels, scheduled his appearance at La Salle bow, Fiorello, Bye. Bye, Birdie, and produce hopeless poetry. He and spoke on December 16. The Fantastic's and, for I was speaking echoed a theme that often appears in writer had no particular admiration for in front of the scenery, Gideon. It his writings: The only thing 1 can find anything Catholic (He once told two has had twelve lecturers since Sep- in life which seems to survive most of priests. ""I had been prepared for bap- tember 20th fand we are costly) the disasters of living is learning about tism into the Catholic Church but had while there have been ten concerts things. desisted at the last moment on dis- since October the 16th, including Despite his physical sickness, T. H. covering that I don't believe a word the Rittenhouse Opera Company in White managed to brilliantly com- of it"), but he was nevertheless evi- La Boheme. This doesn't seem to municate what he considered to be the dently impressed by what he found at me to be bad going. pleasures of learning: "The best thing the college: One of the tests which we have for being said is to learn something. learned apply virile is the only thing which the mind La Salle College is in its centennial to to a college That is to whether the stu- can never exhaust, never alienate, year—it was founded on March 20, ask any of dents the trouble to that never tortured by, never fear dis- 1863. In 1940 its enrollment was took make or march Washington last summer, trust, and never dream of regretting." about 400—it is now nearly 5,000. on It has no Medicean Grand Dukes protesting against segregation. Many As White's comments upon learning (no millionaire benefactors) to sup- from La Salle did .... suggest, his character had a serious admired the starched bands or aspect to balance his occasional de- port it, no benevolent cardinals to We jabots which the Brothers wear. lightful irreverence. Indeed, the cen- beg for it, and it is not state aided. are called, told the tral of The Once Future By its own efforts alone and on a They we were by problem and quiet Brother is very low basic fee per resident stu- voice of Fidelian King—and of Camelot— a moral {Brother Burke), rabat. He also told issue of Might versus Right. Like his dent, approximately $1,600, it has us that had been hero Arthur, White argues that mo- built itself a $2 million Union Build- one of my books to lector in the rality is worth striving after and that ing in 1959 and a S2.5 million read them by the refectory of their house of studies, the dominant force in human life Science Center in 1960 and now it which made me feel pleased. should be justice rather than force. is after a new library for its cen- While his contemporaries were writ- tennial. 1 have been telling these Whatever enthusiasm T. H. White ing of the anti-hero and of moral boys all over the U.S. that they are felt for La Salle was more than re- anarchy, White chronicled the oldest living in the middle of a second turned by the audience's feeling for English heroes and advocated the cultural renaissance, and here it is him. After his lecture, White received traditional virtues. with a vengeance. a tremendous standing ovation—ap- In his last public appearance at La Although my talk was during their plause that was perhaps louder and Salle College, as in all his writings, dinner hour and they had to cut longer because the speaker seemed so T. H. White showed himself to be a down on eating to attend it, enough visibly ill. White spoke on "The Pleas- disciple of that virtue which beloved students turned up to fill the college ures of Learning" and listed some of medieval past called "humanyte." theatre with many standing at the the things he had learned how to do- back.
Recommended publications
  • The 200 Plays That Every Theatre Major Should Read
    The 200 Plays That Every Theatre Major Should Read Aeschylus The Persians (472 BC) McCullers A Member of the Wedding The Orestia (458 BC) (1946) Prometheus Bound (456 BC) Miller Death of a Salesman (1949) Sophocles Antigone (442 BC) The Crucible (1953) Oedipus Rex (426 BC) A View From the Bridge (1955) Oedipus at Colonus (406 BC) The Price (1968) Euripdes Medea (431 BC) Ionesco The Bald Soprano (1950) Electra (417 BC) Rhinoceros (1960) The Trojan Women (415 BC) Inge Picnic (1953) The Bacchae (408 BC) Bus Stop (1955) Aristophanes The Birds (414 BC) Beckett Waiting for Godot (1953) Lysistrata (412 BC) Endgame (1957) The Frogs (405 BC) Osborne Look Back in Anger (1956) Plautus The Twin Menaechmi (195 BC) Frings Look Homeward Angel (1957) Terence The Brothers (160 BC) Pinter The Birthday Party (1958) Anonymous The Wakefield Creation The Homecoming (1965) (1350-1450) Hansberry A Raisin in the Sun (1959) Anonymous The Second Shepherd’s Play Weiss Marat/Sade (1959) (1350- 1450) Albee Zoo Story (1960 ) Anonymous Everyman (1500) Who’s Afraid of Virginia Woolf Machiavelli The Mandrake (1520) (1962) Udall Ralph Roister Doister Three Tall Women (1994) (1550-1553) Bolt A Man for All Seasons (1960) Stevenson Gammer Gurton’s Needle Orton What the Butler Saw (1969) (1552-1563) Marcus The Killing of Sister George Kyd The Spanish Tragedy (1586) (1965) Shakespeare Entire Collection of Plays Simon The Odd Couple (1965) Marlowe Dr. Faustus (1588) Brighton Beach Memoirs (1984 Jonson Volpone (1606) Biloxi Blues (1985) The Alchemist (1610) Broadway Bound (1986)
    [Show full text]
  • Undergraduate Play Reading List
    UND E R G R A DU A T E PL A Y R E A DIN G L ISTS ± MSU D EPT. O F T H E A T R E (Approved 2/2010) List I ± plays with which theatre major M E DI E V A L students should be familiar when they Everyman enter MSU Second 6KHSKHUGV¶ Play Hansberry, Lorraine A Raisin in the Sun R E N A ISSA N C E Ibsen, Henrik Calderón, Pedro $'ROO¶V+RXVH Life is a Dream Miller, Arthur de Vega, Lope Death of a Salesman Fuenteovejuna Shakespeare Goldoni, Carlo Macbeth The Servant of Two Masters Romeo & Juliet Marlowe, Christopher A Midsummer Night's Dream Dr. Faustus (1604) Hamlet Shakespeare Sophocles Julius Caesar Oedipus Rex The Merchant of Venice Wilder, Thorton Othello Our Town Williams, Tennessee R EST O R A T I O N & N E O-C L ASSI C A L The Glass Menagerie T H E A T R E Behn, Aphra The Rover List II ± Plays with which Theatre Major Congreve, Richard Students should be Familiar by The Way of the World G raduation Goldsmith, Oliver She Stoops to Conquer Moliere C L ASSI C A L T H E A T R E Tartuffe Aeschylus The Misanthrope Agamemnon Sheridan, Richard Aristophanes The Rivals Lysistrata Euripides NIN E T E E N T H C E N T UR Y Medea Ibsen, Henrik Seneca Hedda Gabler Thyestes Jarry, Alfred Sophocles Ubu Roi Antigone Strindberg, August Miss Julie NIN E T E E N T H C E N T UR Y (C O N T.) Sartre, Jean Shaw, George Bernard No Exit Pygmalion Major Barbara 20T H C E N T UR Y ± M ID C E N T UR Y 0UV:DUUHQ¶V3rofession Albee, Edward Stone, John Augustus The Zoo Story Metamora :KR¶V$IUDLGRI9LUJLQLD:RROI" Beckett, Samuel E A R L Y 20T H C E N T UR Y Waiting for Godot Glaspell, Susan Endgame The Verge Genet Jean The Verge Treadwell, Sophie The Maids Machinal Ionesco, Eugene Chekhov, Anton The Bald Soprano The Cherry Orchard Miller, Arthur Coward, Noel The Crucible Blithe Spirit All My Sons Feydeau, Georges Williams, Tennessee A Flea in her Ear A Streetcar Named Desire Synge, J.M.
    [Show full text]
  • Death of a Salesman by Arthur Miller Revision Notes
    Death of a Salesman By Arthur Miller Revision Notes Summary and Analysis of the play Act I - Opening scene to Willy’s first daydream Summary The play begins on a Monday evening at the Loman family home in Brooklyn. After some light changes on stage and ambient flute music (the first instance of a motif connected to Willy Loman’s faint memory of his father, who was once a flute-maker and salesman), Willy, a sixty-three-year-old travelling salesman, returns home early from a trip, apparently exhausted. His wife, Linda, gets out of bed to greet him. She asks if he had an automobile accident, since he once drove off a bridge into a river. Irritated, he replies that nothing happened. Willy explains that he kept falling into a trance while driving—he reveals later that he almost hit a boy. Linda urges him to ask his employer, Howard Wagner, for a non-travelling job in New York City. Willy’s two adult sons, Biff and Happy, are visiting. Before he left that morning, Willy criticized Biff for working at manual labour on farms and horse ranches in the West. The argument that ensued was left unresolved. Willy says that his thirty-four- year-old son is a lazy bum. Shortly thereafter, he declares that Biff is anything but lazy. Willy’s habit of contradicting himself becomes quickly apparent in his conversation with Linda. Willy’s loud rambling wakes his sons. They speculate that he had another accident. Linda returns to bed while Willy goes to the kitchen to get something to eat.
    [Show full text]
  • Clybourne Park Study Guide
    Clybourne Park Study Guide The Theatre/Dance Department’s production oF Clybourne Park can be seen December 2 – 7 at 7:30 pm in Barnett Theatre. Tickets 262-472-2222 Monday – Friday 9:30 am – 5:00 pm The Clybourne Park Study Guide was originally created by Studio 180 Theatre, Toronto, Canada, and is being used at UW-Whitewater with Studio 180 Theatre’s permission. www.studio180theatre.com Table of Contents A. Notes for Teachers ...................................................................................................................... 3 B. Introduction to the Company and the Play .................................................................................. 4 UW-Whitewater Theatre/Dance Department .......................................................................................................... 4 Clybourne Park by Bruce Norris ..................................................................................................................................... 5 Bruce Norris – Playwright ................................................................................................................................................. 6 C. Attending the Performance ......................................................................................................... 7 D. Background Information ............................................................................................................. 8 1. Source Material: A Raisin in the Sun by Lorraine Hansberry .......................................................................
    [Show full text]
  • (3C56024) PDF Death of a Salesman (Penguin Plays) Arthur Miller
    PDF Death Of A Salesman (Penguin Plays) Arthur Miller - pdf free book Death Of A Salesman (Penguin Plays) Download PDF, Read Best Book Online Death Of A Salesman (Penguin Plays), Free Download Death Of A Salesman (Penguin Plays) Full Popular Arthur Miller, PDF Death Of A Salesman (Penguin Plays) Free Download, Download Free Death Of A Salesman (Penguin Plays) Book, Download PDF Death Of A Salesman (Penguin Plays) Free Online, read online free Death Of A Salesman (Penguin Plays), book pdf Death Of A Salesman (Penguin Plays), pdf Arthur Miller Death Of A Salesman (Penguin Plays), Arthur Miller ebook Death Of A Salesman (Penguin Plays), Download Online Death Of A Salesman (Penguin Plays) Book, Read Online Death Of A Salesman (Penguin Plays) Book, Read Best Book Death Of A Salesman (Penguin Plays) Online, Pdf Books Death Of A Salesman (Penguin Plays), Read Death Of A Salesman (Penguin Plays) Book Free, Free Download Death Of A Salesman (Penguin Plays) Best Book, Death Of A Salesman (Penguin Plays) Popular Download, Death Of A Salesman (Penguin Plays) Full Download, Death Of A Salesman (Penguin Plays) Book Download, Free Download Death Of A Salesman (Penguin Plays) Books [E-BOOK] Death Of A Salesman (Penguin Plays) Full eBook, DOWNLOAD CLICK HERE Good book and witty fun prose. My mother said that i find this book earlier. Pain love and weakness. One more recent for me. There is no hate to either though fortunately i always enjoyed the world overall capabilities. I wanted to scream get to the point of the book but i still loved a lot that i have in a couple of hours although the family reserve for that book it was funny and without concept the author 's storytelling.
    [Show full text]
  • American Realism & Expressionism: Death of a Salesman /Arthur Miller
    American realism & expressionism: Death of a Salesman /Arthur Miller Arthur Miller: born in New York in October, 1915 into a Jewish-Polish family. During the Great Depression (1929) his father’s business was ruined and the family moved to a house in Brooklyn, which is thought to be the model for the Loman house in Death of a Salesman. Miller was a hard worker as a teen: he held multiple jobs to financially help his family-- his family constantly struggled with money. On a mix of scholarship and his hard-earned money, Miller attended the University of Michigan, graduating with a degree in English in 1938. During his time at University, he was awarded a prize for play writing along with Tennessee Williams. <---Tennessee Williams is one of Miller's greatest inspirations; we will discuss him later on (his most famous play is A Streetcar Named Desire..."STELLAAAAA!!!!!") He returned to New York and began a career writing for a radio broadcast. He married his college sweetheart in 1940 and they had two children; this marriage did not last very long, however--they were divorced within 5 years of marriage. While the majority of the male population at time was drafted into the US military (WWII), Miller was exempt due to a minor injury to his kneecap. Miller filled his romantic void by marrying THE Marilyn Monroe in 1956: the two worked often together in film/dramatic projects. Unfortunately,they were divorced in 1961. In 1957, Miller was brought before the House Committee on Un-American Activities and was called upon to explain his Communist tendencies while involved in the Federal Theater Project (as well as his other political activities) .<---this was VERY common during the time (not much of a scandal) -This project was a New Deal agency (relief, recovery, reform...created by Roosevelt) created to provide jobs in the theater.
    [Show full text]
  • American Literature Death of a Salesman ​By Arthur Miller This
    American Literature Death of a Salesman by Arthur Miller ​ This summer, you will read one of the most famous American plays ever written. When you return to school in August, you will have an in­class writing on your chosen work. It will be your first test grade. Let us tell you a little bit about Death of a Salesman, by Arthur Miller. ​ ​ Death of a Salesman was written in 1949 by American playwright Arthur Miller. The play was ​ the recipient of the 1949 Pulitzer Prize for drama and the Tony award for the best play of the year. It has since been honored as one of the most important plays of the Twentieth century. The play deals with several important themes, among them, and perhaps most famously­­that of the American Dream gone wrong. Try to figure out what Willy’s understanding of the American Dream is, and how it goes so terribly wrong for him and his family. Another important theme is that of abandonment. Willy has experienced a series of abandonments in his lifetime, leading him deeper and deeper into despair and bewilderment. Here are some suggestions for you in order to help you read the play more effectively. 1. Write a short description of each of the main characters in the play. Find one good quote for each of them. Let your quote be one that really gets to their character, or their role in the play. 2. Try to figure out what triggers the “memory scenes” in the play, and what Arthur Miller achieves by using them as he does.
    [Show full text]
  • Announcing a VIEW from the BRIDGE
    FOR IMMEDIATE RELEASE, PLEASE “One of the most powerful productions of a Miller play I have ever seen. By the end you feel both emotionally drained and unexpectedly elated — the classic hallmark of a great production.” - The Daily Telegraph “To say visionary director Ivo van Hove’s production is the best show in the West End is like saying Stonehenge is the current best rock arrangement in Wiltshire; it almost feels silly to compare this pure, primal, colossal thing with anything else on the West End. A guileless granite pillar of muscle and instinct, Mark Strong’s stupendous Eddie is a force of nature.” - Time Out “Intense and adventurous. One of the great theatrical productions of the decade.” -The London Times DIRECT FROM TWO SOLD-OUT ENGAGEMENTS IN LONDON YOUNG VIC’S OLIVIER AWARD-WINNING PRODUCTION OF ARTHUR MILLER’S “A VIEW FROM THE BRIDGE” Directed by IVO VAN HOVE STARRING MARK STRONG, NICOLA WALKER, PHOEBE FOX, EMUN ELLIOTT, MICHAEL GOULD IS COMING TO BROADWAY THIS FALL PREVIEWS BEGIN WEDNESDAY EVENING, OCTOBER 21 OPENING NIGHT IS THURSDAY, NOVEMBER 12 AT THE LYCEUM THEATRE Direct from two completely sold-out engagements in London, producers Scott Rudin and Lincoln Center Theater will bring the Young Vic’s critically-acclaimed production of Arthur Miller’s A VIEW FROM THE BRIDGE to Broadway this fall. The production, which swept the 2015 Olivier Awards — winning for Best Revival, Best Director, and Best Actor (Mark Strong) —will begin previews Wednesday evening, October 21 and open on Thursday, November 12 at the Lyceum Theatre, 149 West 45 Street.
    [Show full text]
  • Two Tendencies Beyond Realism in Arthur Miller's Dramatic Works
    Inês Evangelista Marques 2º Ciclo de Estudos em Estudos Anglo-Americanos, variante de Literaturas e Culturas The Intimate and the Epic: Two Tendencies beyond Realism in Arthur Miller’s Dramatic Works A critical study of Death of a Salesman, A View from the Bridge, After the Fall and The American Clock 2013 Orientador: Professor Doutor Rui Carvalho Homem Coorientador: Professor Doutor Carlos Azevedo Classificação: Ciclo de estudos: Dissertação/relatório/Projeto/IPP: Versão definitiva 2 Abstract Almost 65 years after the successful Broadway run of Death of a Salesman, Arthur Miller is still deemed one of the most consistent and influential playwrights of the American dramatic canon. Even if his later plays proved less popular than the early classics, Miller’s dramatic output has received regular critical attention, while his long and eventful life keeps arousing the biographers’ curiosity. However, most of the academic works on Miller’s dramatic texts are much too anchored on a thematic perspective: they study the plays as deconstructions of the American Dream, as a rebuke of McCarthyism or any kind of political persecution, as reflections on the concepts of collective guilt and denial in relation to traumatizing events, such as the Great Depression or the Holocaust. Especially within the Anglo-American critical tradition, Miller’s plays are rarely studied as dramatic objects whose performative nature implies a certain range of formal specificities. Neither are they seen as part of the 20th century dramatic and theatrical attempts to overcome the canons of Realism. In this dissertation, I intend, first of all, to frame Miller’s dramatic output within the American dramatic tradition.
    [Show full text]
  • New York, 1930-1960 Stanford Continuing Studies, Summer 2012
    HISTORY 178: THE UNFINISHED CITY: NEW YORK, 1930-1960 STANFORD CONTINUING STUDIES, SUMMER 2012 "New York is not a completed city… It is a city in the process of becoming. Today it belongs to the world," wrote the architect Le Corbusier in 1937. "Without anyone expecting it, it has become the jewel in the crown of universal cities." How had the New York managed to become "the city of tomorrow," host to a great World's Fair, so soon after the Wall Street clash and the slump that followed? How did it re-emerge, like a phoenix, as the "wonderful town" of the 1940s Broadway musicals? And how, in spite of unmistakable symptoms of industrial decline, did it reinvent itself again in the years after the Second World War? A sequel to last year's course on the history of New York City from 1880 to 1930, this course covers the city's cultural history from the crisis of the Great Depression to the dawn of the 1960s. Major themes include the interplay of politics and art during the 1930s; the impact of ethnic diversity on the city's cultural vitality; the golden age of the Broadway musical comedy; baseball from the era of Babe Ruth to that of Jackie Robinson; Greenwich Village as the incubator of modernist culture (including Abstract Expressionism) during the 1940s and 1950s; the advent of situation comedy (The Honeymooners) and sketch comedy (Sid Caesar) in the new medium of television; and developments in literature, jazz, photography, architecture, theater, and cinema. 1. THE 1930S: FROM THE GREAT DEPRESSION TO THE WORLD'S FAIR Reading: E.L.
    [Show full text]
  • AP English Language & Composition 2013-2014 Outside Reading Novel
    AP English Language & Composition 2013-2014 Outside Reading Novel (ORN) Long-Form Project Theme: The (Unattainable) American Dream The goal of this class is to open up your horizons through writing and reading. With that in mind, you will be conducting four outside reading novel projects throughout the year. The texts that I have chosen span a wide range of literary and time periods. They also appear on the list of recommended reading in relation to the AP Exam (Language and Literature) that are used in multiple choice readings or for the essay portion. NOTE: You are not required to purchase these books. Check with Amazon.com, Bookman’s, Half Price Books, or even the local library for reasonably priced copies of each of the titles below. THE COMMONALITY OF THESE TEXTS: Since its founding in 1776, the United States has been classified as the land of liberty and prosperity. Starting with the basic wants and desires of owning land, to its modern day implication of achieving great success, the notion of the “American Dream” has always been linked to the notion of promise and possibility. Often overlooked is how the American Dream is also rooted with insatiability and avarice. In your outside reading, you will be examining and critiquing the American Dream and how “life, liberty, and the pursuit of happiness” can have an impact on anyone’s life (positive or negative). ASSIGNMENT: (1) You will read the four fiction/drama/non-fiction works below as indicated by the timeframe listed. You will do this project solely as an individual ; however, the class population will be reading these works at the same time as you which allows support and collaboration.
    [Show full text]
  • GULDEN-DISSERTATION-2021.Pdf (2.359Mb)
    A Stage Full of Trees and Sky: Analyzing Representations of Nature on the New York Stage, 1905 – 2012 by Leslie S. Gulden, M.F.A. A Dissertation In Fine Arts Major in Theatre, Minor in English Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Approved Dr. Dorothy Chansky Chair of Committee Dr. Sarah Johnson Andrea Bilkey Dr. Jorgelina Orfila Dr. Michael Borshuk Mark Sheridan Dean of the Graduate School May, 2021 Copyright 2021, Leslie S. Gulden Texas Tech University, Leslie S. Gulden, May 2021 ACKNOWLEDGMENTS I owe a debt of gratitude to my Dissertation Committee Chair and mentor, Dr. Dorothy Chansky, whose encouragement, guidance, and support has been invaluable. I would also like to thank all my Dissertation Committee Members: Dr. Sarah Johnson, Andrea Bilkey, Dr. Jorgelina Orfila, and Dr. Michael Borshuk. This dissertation would not have been possible without the cheerleading and assistance of my colleague at York College of PA, Kim Fahle Peck, who served as an early draft reader and advisor. I wish to acknowledge the love and support of my partner, Wesley Hannon, who encouraged me at every step in the process. I would like to dedicate this dissertation in loving memory of my mother, Evelyn Novinger Gulden, whose last Christmas gift to me of a massive dictionary has been a constant reminder that she helped me start this journey and was my angel at every step along the way. Texas Tech University, Leslie S. Gulden, May 2021 TABLE OF CONTENTS ACKNOWLEDGMENTS………………………………………………………………ii ABSTRACT …………………………………………………………..………………...iv LIST OF FIGURES……………………………………………………………………..v I.
    [Show full text]