Volume 7, Issue 2 (Summer 2015) Jan de Beer’s Lifetime Reputation and Posthumous Fate Dan Ewing
[email protected] Recommended Citation: Dan Ewing, “Jan de Beer’s Lifetime Reputation and Posthumous Fate,” JHNA 7:2 (Summer 2015) DOI: 10.5092/jhna.2015.7.2.1 Available at https://jhna.org/articles/jan-de-beers-lifetime-reputation-posthumous-fate/ Published by Historians of Netherlandish Art: https://hnanews.org/ Republication Guidelines: https://jhna.org/republication-guidelines/ Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. This PDF provides paragraph numbers as well as page numbers for citation purposes. ISSN: 1949-9833 JHNA 7:2 (Summer 2015) 1 JAN DE BEER’S LIFETIME REPUTATION AND POSTHUMOUS FATE Dan Ewing This article assembles the evidence for the lifetime reputation of the Antwerp painter Jan de Beer (ca. 1475–1527/28), rediscovered by Georges Hulin de Loo and Max J. Friedländer in the early twentieth century. At the time of their publications little was known about the artist’s life, but the evidence now available concerning his important reputation includes archival sources published since Friedländer’s day, an unpublished contract, early literary sources, and reevalu- ations of the artist’s work for the guild and church. The factors involved in his late sixteenth-century disappearance from the historical record are also analyzed. DOI: 10.5092/jhna.2015.7.2.1 1 n 1902, while examining early Netherlandish drawings in the British Museum, the Ghent scholar Georges Hulin de Loo recognized the inscription in the upper left corner of a sheet of head studies catalogued by the museum as a work of Joachim Patinir (fig.