Valerie Mclean ENGL 4165 Prof. Radcliff 11/10/15 The

Total Page:16

File Type:pdf, Size:1020Kb

Valerie Mclean ENGL 4165 Prof. Radcliff 11/10/15 The Valerie McLean ENGL 4165 Prof. Radcliff 11/10/15 The Power of People: Democracy and Machiavellianism in the Henriad Democracy in England has always held a peculiar place. By the time that Shakespeare started writing plays, England had officially been a Constitutional Monarchy for almost 400 years. Compared to the Magna Carta, the ink on the Declaration of Independence isn’t even dry. That being said, democracy in England was a gradual build over a period of time, slowly moving power from the king to the House of Lords to the House of Commons. English America started off a democracy with Jamestown’s General Assembly, and has pretty much stayed that way ever since. But that does not mean that democracy isn’t as important in England as it is in America, and even during Tudor England, the reigning monarch was still beholden to Parliament. Not as much as today, certainly, but it was still there. And Shakespeare would have understood this— even though Elizabeth I typically held more power than Parliament during her reign, England still had a sense of what democracy was about. The Oxford English Dictionary defines democracy as “Government by the people… a form of society in which all citizens have equal rights, ignoring hereditary distinctions of class or rank, and the views of all are tolerated and respected; the principle of fair and equal treatment of everyone in a state, institution, organization, etc.”. This is not how most would define Tudor England, unless you severely limited the definitions of words like “person” and “citizen”. However, during the Renaissance, new ideas about government were starting to form, courtesy of political scientists like Niccolo Machiavelli and philosophers like Sir Francis Bacon. Machiavelli in particular was embraced by burgeoning republicans, and became the foundation for political modernity, which produced many Enlightenment philosophers such as Montesquieu and John Locke. Shakespeare picked up on Machiavelli’s ideas as well, and thoroughly explored them in the Henriad, a word which here means “a series of four plays dealing with the rise of Henry IV to the throne and his succession by Henry V, his son”. Shakespeare applied Machiavelli’s ideas in terms of kings, because at the time monarchs were pretty much the only heads of state (Italy notwithstanding), and asked the question “What makes a good leader?” throughout the cycle. Most of the people viewing his plays, if asked this question, would probably have answered “The Queen. Queen Elizabeth makes a good leader”, but at the time of writing the Henriad, Queen Elizabeth had yet to announce an heir, and was rapidly declining. Her death in 1603 would mark the end of the Tudor line and bring the Stuarts of Scotland down into England in the form of King James I. In response to an uncertain future, the Henriad looks at three monarchs that become catalysts of one of England’s most violent conflicts, the Wars of the Roses. He had already written about these wars in an earlier cycle, but the reason for these wars and the context for them are laid out in the Henriad, due to Henry IV’s possibly illegitimate ascension to the throne. The contention is such that after Henry IV dies, Hal is left with the position of legitimizing the throne once again. Up to even the final lines of Henry V, it is left ambiguous as to whether or not he has. But a Machiavel does not need to rule by legitimacy, they rule by exploiting those around them, for good or for ill. So why does a Shakespearian king need to? After all, his most famous Machiavels (MacBeth, Richard III) were not successful kings, though they were successful at being Machiavellian, because they were illegitimate. Hal is arguably the most successful king of all of the history plays, and is also a Machiavel, and so what separates him from the others? Is his claim to England’s throne legitimate, let alone France’s? These are the questions Shakespeare asks of us, and given different backgrounds, different people have different answers. A Brief History of English Democracy The beginnings of English democracy are usually traced back to the Magna Carta, or “Great Charter”, which was signed in 1215 by King John, a king so unpopular that despite his name being the most common English name ever, there’s only been one of him. The Magna Carta itself is not a constitution like the US has, but it does guarantee some rights “TO ALL FREE MEN OF OUR KINGDOM [sic]”, that among these are life, liberty, and the ability to pass on debts from Jewish debtors without interest to surviving children “so long as he remains underage”. While some of the ideas are a bit out of date, there are some surviving ideas, like articles 28, 30, and 31, which protects from unlawful seizure of property and land, or article 39 which states that “No free man shall be seized or imprisoned… except by the lawful judgement of his equals or by the law of the land”. In fact, many of the more enduring ideas in the Magna Carta ended up in the US’s Bill of Rights. The beginnings of a monarchy limited by democracy come in in article 61, which details an election of 25 barons to act as a judiciary, which would become the first attempt to limit the king’s power. This did not work out quite as the barons had planned, and England became embroiled in civil war for some time. The origin of what we would now call the British Parliament were established during the reigns of Henry III and Edward I. Historian J.E.A. Jolliffe states that “In [Edward I’s] later years… parliament was a visible and omnipresent reality… though contemporaries had as yet no certain name for it.” Fast forward to Edward’s great-great grandson, King Richard II. It is to this day a controversial issue over whether or not the deposition of Richard was in fact a legal one, but the facts remain as such: after Henry Bolingbroke was banished and John of Gaunt died, Richard seized Gaunt’s lands and disinherited Henry, extending his banishment for life. Many nobles at this point decided to side with Bolingbroke, among them Henry Percy of Northumberland, Henry “Hotspur” of Northumberland, and Ralph Neville of Westmoreland. While Richard was in Ireland suppressing rebellion, Bolingbroke returned and the nobles forced Edmund of York to submit to them. By the time Richard returned to court, a Parliament had been called to “encourage” him to “voluntarily” abdicate. As B. Wilkinson points out, “Such a procedure was, and remained, outside the realm of fourteenth-century experience and ideas.” Wilkinson states that there could be an argument of precedent in the case of a similar deposition of Edward II, but that “…it may be questioned how far [Parliament] has as yet absorbed the representation of magnates and people in the time-honoured[sic] act of electing a new king.” Wilkinson ultimately argues against the idea that Henry IV was “elected” king by Parliament. In the beginning of Henry IV’s reign, there remains evidence that he worked closely with Parliament, particularly the Commons, including episodes where the Commons insisted that Henry’s advisors should be appointed by Parliament, much like members of the US Cabinet, which Henry conceded to. Fast forward again to Queen Elizabeth I’s first Parliament. In December of 1558, they appointed a committee “for consideracion[sic] of all thinges[sic] necessary for the parlyamente[sic]” with two ecclesiastical experts, as Elizabeth’s early reign was characterized by her sister’s counter-reformation in the reign prior. The House of Commons was working on a committee as well. Il Schifanoya, a Mantuan that witnessed Elizabeth’s coronation, noted that “There was great talk about giving the title of Supreme Head of the Anglican Church… to the queen.” There were many religious disagreements during Elizabeth’s early reign, but J.E. Neale argues that it eventually came to a compromise, “with the queen conceding the most”. Given that these are the early years of her reign, this would have characterized her relationship with Parliament throughout. That being said, she did not call Parliament very often, only around 13 times in her 44 year reign, and they never met for more than a few months at a time. The Cycle of Machiavels This is the context from which Shakespeare wrote the Henriad. Of course, he also took a lot of inspiration from Machiavelli. Machiavelli is interesting, because while he wrote on a character that he called a prince, his works were readily embraced by the rising republican movement throughout Europe. Nevertheless, Shakespeare patterned many of his more famous literary kings after Machiavelli’s philosophy, including Henry IV and Henry V (who will be called Bolingbroke and Hal respectively when referring to Shakespeare’s texts). In Richard II, he introduces the audience to two sorts of leaders, a Romantic leader in the form of Richard, and a Machiavel in the form of Bolingbroke. Throughout the play, Richard is convinced that he is the one true king, and is secure via Divine Right, as seen in this passage from act 3: “Not all the water in the rough rude sea/Can wash the balm from an anointed king./The breath of worldly men cannot depose/The deputy elected by the Lord” (Richard II, 3.2.50-54). He says this after he hears that Bolingbroke has returned to England and is staging a rebellion against him. His only hope left at this point is that his right to rule is secure, which he soon abandons when he hears just how many of the people are rising up against him.
Recommended publications
  • A Dull Soldier and a Keen Guest: Stumbling Through the Falstaffiad One Drink at a Time
    Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2017 A Dull Soldier and a Keen Guest: Stumbling Through The Falstaffiad One Drink at a Time Emma Givens Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Dramatic Literature, Criticism and Theory Commons, and the Theatre History Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/4826 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. © Emma Givens 2017 All rights reserved A Dull Soldier and a Keen Guest: Stumbling Through The Falstaffiad One Drink at a Time A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts at Virginia Commonwealth University. Emma Pedersen Givens Director: Noreen C. Barnes, Ph.D. Director of Graduate Studies Department of Theatre Virginia Commonwealth University Richmond, Virginia March, 2017 ii Acknowledgement Theatre is a collaborative art, and so, apparently, is thesis writing. First and foremost, I would like to thank my grandmother, Carol Pedersen, or as I like to call her, the world’s greatest research assistant. Without her vast knowledge of everything Shakespeare, I would have floundered much longer. Thank you to my mother and grad-school classmate, Boomie Pedersen, for her unending support, my friend, Casey Polczynski, for being a great cheerleader, my roommate, Amanda Long for not saying anything about all the books littered about our house and my partner in theatre for listening to me talk nonstop about Shakespeare over fishboards.
    [Show full text]
  • War of Roses: a House Divided
    Stanford Model United Nations Conference 2014 War of Roses: A House Divided Chairs: Teo Lamiot, Gabrielle Rhoades Assistant Chair: Alyssa Liew Crisis Director: Sofia Filippa Table of Contents Letters from the Chairs………………………………………………………………… 2 Letter from the Crisis Director………………………………………………………… 4 Introduction to the Committee…………………………………………………………. 5 History and Context……………………………………………………………………. 5 Characters……………………………………………………………………………….. 7 Topics on General Conference Agenda…………………………………..……………. 9 Family Tree ………………………………………………………………..……………. 12 Special Committee Rules……………………………………………………………….. 13 Bibliography……………………………………………………………………………. 14 Letters from the Chairs Dear Delegates, My name is Gabrielle Rhoades, and it is my distinct pleasure to welcome you to the Stanford Model United Nations Conference (SMUNC) 2014 as members of the The Wars of the Roses: A House Divided Joint Crisis Committee! As your Wars of the Roses chairs, Teo Lamiot and I have been working hard with our crisis director, Sofia Filippa, and SMUNC Secretariat members to make this conference the best yet. If you have attended SMUNC before, I promise that this year will be even more full of surprise and intrigue than your last conference; if you are a newcomer, let me warn you of how intensely fun and challenging this conference will assuredly be. Regardless of how you arrive, you will all leave better delegates and hopefully with a reinvigorated love for Model UN. My own love for Model United Nations began when I co-chaired a committee for SMUNC (The Arab Spring), which was one of my very first experiences as a member of the Society for International Affairs at Stanford (the umbrella organization for the MUN team), and I thoroughly enjoyed it. Later that year, I joined the intercollegiate Model United Nations team.
    [Show full text]
  • King and Country: Shakespeare’S Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company
    2016 BAM Winter/Spring #KingandCountry Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board BAM, the Royal Shakespeare Company, and Adam E. Max, Vice Chairman of the Board The Ohio State University present Katy Clark, President Joseph V. Melillo, Executive Producer King and Country: Shakespeare’s Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company BAM Harvey Theater Mar 24—May 1 Season Sponsor: Directed by Gregory Doran Set design by Stephen Brimson Lewis Global Tour Premier Partner Lighting design by Tim Mitchell Music by Paul Englishby Leadership support for King and Country Sound design by Martin Slavin provided by the Jerome L. Greene Foundation. Movement by Michael Ashcroft Fights by Terry King Major support for Henry V provided by Mark Pigott KBE. Major support provided by Alan Jones & Ashley Garrett; Frederick Iseman; Katheryn C. Patterson & Thomas L. Kempner Jr.; and Jewish Communal Fund. Additional support provided by Mercedes T. Bass; and Robert & Teresa Lindsay. #KingandCountry Royal Shakespeare Company King and Country: Shakespeare’s Great Cycle of Kings BAM Harvey Theater RICHARD II—Mar 24, Apr 1, 5, 8, 12, 14, 19, 26 & 29 at 7:30pm; Apr 17 at 3pm HENRY IV PART I—Mar 26, Apr 6, 15 & 20 at 7:30pm; Apr 2, 9, 23, 27 & 30 at 2pm HENRY IV PART II—Mar 28, Apr 2, 7, 9, 21, 23, 27 & 30 at 7:30pm; Apr 16 at 2pm HENRY V—Mar 31, Apr 13, 16, 22 & 28 at 7:30pm; Apr 3, 10, 24 & May 1 at 3pm ADDITIONAL CREATIVE TEAM Company Voice
    [Show full text]
  • Nicholas Hilliard (1547–1619) Henry Percy, 9Th Earl of Northumberland, C
    Nicholas Hilliard (1547–1619), Portrait of Henry Percy, Ninth Earl of Northumberland, c. 1594-5 Fig. 1. Nicholas Hilliard (1547–1619) Portrait of Henry Percy, Ninth Earl of Northumberland, c. 1594-1595, miniature on parchment, 25.7 x 17.3 cm (slightly small than A4), Rijksmuseum, Amsterdam. 1. Introduction, Patronage, Dates, Description, Related Works 2. Melancholia, Panofsky, Dürer, Four Humours 3. Impresa, Archimedes, Galileo, „Tanti‟ 4. Secret Knowledge, School of Night, Square 5. Conclusion This article can be downloaded from http://www.shafe.co.uk/art/Northumberland.pdf 1 of 8 pages 1. Introduction Patronage This is arguably the most cryptic Tudor cabinet miniature. It is likely that is was commissioned by Henry Percy the Ninth Earl of Northumberland (1564-1632), a well known Elizabethan intellectual and cultural figure. He was known as the ‗Wizard Earl‘ because of his scientific and alchemical experiments and his large library. In 1594 Henry Percy married Dorothy Devereux sister of Robert Devereux, Second Earl of Essex. His southern estates were Petworth and Syon House, the latter he acquired through his marriage to Dorothy Devereux. He was a non-Catholic but argued for Catholic toleration and tried to negotiate with James VI of Scotland to reduce Catholic persecution when he became king of England. This did not happen and Henry‘s second cousin and agent Thomas Percy became one of the five conspirators in the Gunpowder Plot of 1605. As a result Henry Percy suspected of complicity and spent the next 17 years in the Tower of London and was financially ruined by a fine of £30,000.
    [Show full text]
  • 1587 Edition of Holinshed's Chronicles of England, Scotland, and Ireland in Th
    1587 edition of Holinshed’s Chronicles of England, Scotland, and Ireland http://www.english.ox.ac.uk/holinshed/index.php In the king’s absence, whilst he was forth of the realm in Scotland against his enemies, Welshmen took occasion to rebel under the conduct of their captain Owen Glendower, doing what mischief they could devise, unto their English neighbors. The king advertised of such rebellious exploits, enterprised by the said Owen, and his unruly accomplices, determined to chastise them, as disturbers of his peace, and so with an army entered into Wales; but the Welshmen with their captain withdrew into the mountains of Snowdon, so to escape the revenge, which the king meant towards them. The king therefore did much hurt in the countries with fire and sword, slaying diverse that with weapon in hand came forth to resist him, and so with a great bootie of beasts and cattle he returnd. Owen Glendower and his Welshmen did much hurt to the king’s subjects. One night as the king was going to bed, he was in danger to have been destroyed; for some naughty traitorous persons had conveyed into his bed a certain iron made with smiths craft, like a caltrop, with three long pricks, sharp and small, standing upright, in such sort, that when he had laid him down, & that the weight of his body should come upon the bed, he should have been thrust in with those pricks, and peradventure slain: but as God would, the king not thinking of any such thing, chanced yet to féele and perceive the instrument before he laid him down, and so escaped the danger.
    [Show full text]
  • King Henry IV, Part One Reader 1
    King Henry IV, Part One Reader 1 1.1. 1.2.: Prince Henry of Wales (Hal) 1.3. 2.1. 2.2.: Prince Henry of Wales (Hal) 2.3. 2.4.: Prince Henry of Wales (Hal) 3.1. 3.2.: Prince Henry of Wales (Hal) 3.3.: Prince Henry of Wales (Hal) 4.1. 4.2.: Prince Henry of Wales (Hal) 4.3. 4.4. 5.1.: Prince Henry of Wales (Hal) 5.2. 5.3.: Prince Henry of Wales (Hal) 5.4.: Prince Henry of Wales (Hal) 5.5.: Prince Henry of Wales (Hal) King Henry IV, Part One Reader 1 of 11 © shakespeareteacher.com King Henry IV, Part One Reader 2 1.1. 1.2.: Sir John Falstaff 1.3. 2.1. 2.2.: Sir John Falstaff 2.3. 2.4.: Sir John Falstaff 3.1. 3.2. 3.3.: Sir John Falstaff 4.1. 4.2.: Sir John Falstaff 4.3. 4.4. 5.1.: Sir John Falstaff 5.2. 5.3.: Sir John Falstaff 5.4.: Sir John Falstaff 5.5. King Henry IV, Part One Reader 2 of 11 © shakespeareteacher.com King Henry IV, Part One Reader 3 1.1. 1.2.: Poins 1.3. 2.1. 2.2.: Poins 2.3. 2.4.: Poins 3.1.: Edmund Mortimer (Earl of March) 3.2. 3.3. 4.1.: Archibald (Earl of Douglas) 4.2. 4.3.: Archibald (Earl of Douglas) 4.4. 5.1. 5.2.: Archibald (Earl of Douglas) 5.3.: Archibald (Earl of Douglas) 5.4.: Archibald (Earl of Douglas) 5.5. King Henry IV, Part One Reader 3 of 11 © shakespeareteacher.com King Henry IV, Part One Reader 4 1.1.
    [Show full text]
  • Owain's Revolt?
    Volume 2: Issue 1 Owain’s Revolt? Glyn Dŵr’s role in the outbreak of the rebellion. Published online: 15 May 2015 Gideon Brough Published by Cardiff University: ISSN 2055-4893 http://www.cardiff.ac.uk/share/research/ejournal/ !! ! ! STUDIES!IN!HISTORY!ARCHAEOLOGY!RELIGION!AND!CONSERVATION! ASTUDIAETHAU!HANES!ARCHAEOLEG!CREFYDD!A!CHADWRAETH! ! Copyright!©!2015!by!the!SChool!of!History!ArChaeology!and!Religion,!Cardiff! University,!Wales,!UK! ! ISSN!2055M4893!(online)! ! !All!rights!reserved.!No!part!of!this!volUme!may!be!reprodUCed!or!transmitted!in! any!form,!or!by!any!means,!eleCtroniC!or!meChaniCal,!inClUding!photoCopy,!or! stored!Within!a!retrieval!system,!WithoUt!prior!permission!of!the!pUblisher.! ! ! !Editor(in(Chief!! ! Michael!S.!Fulton! ! Editorial!Board! ! AbdUlMAzim!Ahmed!–!Religion!!! Gideon!Brough!M!History!!! Joanna!Bryant!–!Religion!!! Hannah!BUckingham!M!ArChaeology!!! Heather!Crowley!–!History!and!ArChaeology!! NiCola!Emmerson!–!Conservation!!! Anna!Field!–!History!!! Catherine!HorlerMUnderwood!M!History!!! Beth!Jenkins!–!History!!! Christie!Majoros!–!History!!! Ioan!MCAvoy!–!AnCient!History! Eric!Nordgren!–!Conservation!!! Katrina!O’BrienM!Religion!and!Theology!!! Konstantinos!Trimmis!–!ArChaeology!!! Ulriika!Vihervalli–!History!and!Religion!!! ! ! Volume’s!IllUstration!and!logo!Copyright:!K.!P.!Trimmis!and!Cardiff!University! ! This!is!an!open!aCCess!journal!WhiCh!means!that!all!Content!is!freely!available!Without! charge!to!the!User!or!his/her!institUtion.!Users!are!alloWed!to!read,!doWnload,!copy,! distribUte,!print,!searCh,!or!link!to!the!fUll!texts!of!the!artiCles!in!this!joUrnal!WithoUt! asking!prior!permission!from!the!pUblisher!or!the!author.!This!is!in!acCordanCe!With!the! BOAI!definition!of!open!aCCess.! Owain’s Revolt? Glyn Dŵr’s role in the outbreak of the rebellion.
    [Show full text]
  • The Move in the Second Tetralogy from Heraldic Achievements And
    The Second Tetralogy’s Move from Achievements to Badges Ceri Sullivan, Cardiff University In passionate response to the king’s insistence that the crown should get any prisoners of war, Hotspur famously reaches for the moon: By heaven, methinks it were an easy leap To pluck bright honour from the pale-faced moon, Or dive into the bottom of the deep... And pluck up drowned honour by the locks, So he that doth redeem her thence might wear, Without corrival, all her dignities. But out upon this half-faced fellowship! (1 Henry IV 1.3.200-207)1 Most comment follows Northumberland and Worcester in thinking Hotspur is spouting ‘a world of figures/… But not the form of what he should attend’ (1.3.208-9). It gets called empty huffing, suitable for an apprentice’s audition piece, as in the Induction to The Knight of the Burning Pestle (c. 1607). The lines do not seem to require much more: ‘bright honour’ is a conventional collocation in the sixteenth century (here, shining like the disc of the moon) and ‘drowned honour’ is a hairy personification, perhaps a bit muddy from lying around on the bottom. In either state, the honour (a concrete dignity) should be captured and worn by one man alone. The only historical gloss editors offer is a suggestion that ‘half-faced’ may refer to the paired profiles of Philip and Mary on the Marian shilling. Leslie Hotson noted a reference to the Percy badge: the crescent moon.2 However, he did not point out that the Percy silver crescent moon usually encloses a fetterlock (a double manacle, which locks two fists together).
    [Show full text]
  • 1V, Owen Glendower and the Welsh Fight For
    3~19 /1V, g66I OWEN GLENDOWER AND THE WELSH FIGHT FOR INDEPENDENCE THESIS Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of MASTER OF SCIENCE By Phillip Eric Beims, B.A. Denton, Texas May, 1991 Rawl I Beims, Phillip Eric, OwenGlendower and the Welsh Fight for Independence. Master of Science (History), May, 1991, 133 pp., bibliography, 81 titles. Owen Glendower led the last military struggle of the Welsh against the English crown for Welsh independence and nationalism. The failure of the Glendower rebellion established the supremacy of English rule over Wales. For six hundred years the status of Wales as a principality of the crown has not been seriously challenged. This paper will show how widespread the idea of "Welshness" was in 1400 and how much support existed for Wales as an independent nation. Welshmen sought to move from the status of a medieval, tribal principality to a position of an independent nation capable and ready to stand with other national in the world. The role of leadership that Owen Glendower assumed in the final rebellion against the English king, Henry IV, lifted him from a popular Welsh prince to an historical legend. TABLE OF CONTENTS Page Chapter I. INTRODUCTION....--.-.-... ... II. ANCESTRY AND INHERITANCE 0 - - 20 III. EARLY YOUTH AND MANHOOD 33 IV. THE REVOLT .. --.-...-...-...-.-. 45 V. THE BATTLE OF SHREWSBURY.......-... 63 VI. THE ALLIANCE WITH THE FRENCH . 79 VII. GLENDOWER AND THE CHURCH.,....a.. 94 VIII. THE END OF GLENDOWER AND THE DREAM 109 IX. CONCLUSIONS - - - -- - - *-4- - 120 APPENDIX .
    [Show full text]
  • 2 Henry 4 Closes in April 1413
    Reigned 1399–1413. The play opens in July 1403; 2 henry 4 closes in April 1413. Written about 1596. Dramatis Personae: Rumor, the presenter Lady Northumberland Lady Percy Mistress Quickly Doll Tearsheet King Henry the Fourth Henry, Prince of Wales; afterwards King Henry the Fifth Thomas of Clarence Prince John of Lancaster Humphrey of Gloucester Earl of Warwick Earl of Westmoreland Earl of Surrey Gower Harcourt Blunt Lord Chief Justice A Servant to the Chief Justice Earl of Northumberland Scroop, Archbishop of York Lord Mowbray Lord Hastings Lord Bardolph Sir John Coleville Travers and Morton Falstaff, Bardolph, Pistol, and a Page Poins and Peto Shallow and Silence, country justices Davy, Shallow’s servant Mouldy, Shadow, Wart, Feeble, and Bullcalf, recruits Fang and Snare, sheriff’s officers Lords and Attendants Officers, Messengers, Soldiers Porter, Drawer, Beadles, Grooms, etc. A Dancer, Speaker of the Epilogue Robin Williams • www.iReadShakespeare.org • www.InternationalShakespeare.center Reigned 1399–1413. The play opens in July 1403; 2 henry 4 closes in April 1413. Written about 1596. Name and title Birth date Death date Age in play Age at death King Henry IV 1367 1413 36/46 46 Son of John of Gaunt; cousin to Richard II. Usurped Richard II and became Henry IV. Henry, Prince of Wales, called Prince Hal sep 1387 1442 of 16/26 35 Also called Henry of Monmouth. Oldest son to King dystentery in Henry IV. Mother is Mary de Bohun. France Thomas, Duke of Clarence 1388 1422 15/25 34 2nd son of Henry IV; brother to Henry V, Gloucester, and Bedford; uncle to Henry VI.
    [Show full text]
  • Worksheet on Grammar
    Shakespeare Henry IV Part 1 SYNOPSIS The First Part of Henry the Fourth After deposing Richard II, Henry Bolingbroke has become king as Henry IV. He has a guilty conscience about how he took the throne and his position is threatened by rebellions, particularly of Northumberland and his son Henry Percy, nicknamed Hotspur for his ebrav and impetuous character. They support the claim to the throne of Hotspur's brother‐in‐law Edmund Mortimer, who is also supported by the Welsh Owen Glendower. These political scenes alternate with others showing the dissolute life led by Henry's son, known as Harry or Hal. Hal spends his time in the ale‐houses and brothels of Eastcheap in London, where his closest companions are a group of rogues and thieves around a fat drunkard called Sir John Falstaff. Falstaff organizes a highway robbery, but when he and his companions have stolen the money, Hal and another companion steal it from them in turn. Afterwards Falstaff, who has not recognized Hal, claims that they have been robbed by a far larger gang. When Hal is summoned by his father, he and Falstaff play the scene they think might happen when his father asks about his way of life, and Falstaff hopes that Hal will never repudiate their friendship. Under the threat from the rebels, Hal returns to his father and joins him in the fighting, while Falstaff recruits a ragged troop of soldiers. In the battle of Shrewsbury, the King defeats his enemies, and Hal kills Hotspur. The less heroic side of the fighting is shown by Falstaff and his friends.
    [Show full text]
  • Synopsis of Henry IV, Part 1
    Synopsis of Henry IV, Part 1 ing Henry IV tenuously rules England as a man who Prince Hal takes control of the royal army, appointing uKsurped the throne and is not ordained by God. He is a Falstaff as the leader of a company of foot soldiers. Under ruler beset with troubles: rebellion in England and attacks this new leadership, the King’s army meets the rebels at the by Scottish forces moving across the northern border. Battle of Shrewsbury. Glendower and Northumberland have Henry postpones his crusade to the Holy Land when he deserted the cause, leaving Hotspur to face Prince Hal’s learns of the defeat and capture of his loyal Mortimer by the forces alone. King Henry offers to pardon the rebels if they Scottish warrior, Glendower. On another battlefront Henry will disband but Worcester, the messenger, refrains from Percy, nicknamed Hotspur, has quashed a Scottish informing the others. uprising. Though King Henry is annoyed when Hotspur refuses to hand over his captives to the crown, he admires On the battlefield, the rebel Earl of Douglas engages King Hotspur’s bravery and wishes his own son, Hal, displayed Henry in combat, getting the better of the King until Prince the same noble qualities. Hal comes to the rescue, causing Douglas to flee. Hotspur enters the scene and clashes swords with Hal in one-on-one Prince Hal prefers to spend his time frequenting the combat that will determine the winner of the battle. During taverns of Eastcheap with the errant knight, Falstaff. their fight, Douglas re-enters and wounds Falstaff, who Though Prince Hal has been leading a life of drinking and plays dead in an effort to avoid being killed.
    [Show full text]