Language and Music in Galicia and Ireland in the Early 20Th Century
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Breaking Boundaries and Dislocating Myths in Álvaro
BREAKING BOUNDARIES AND DISLOCATING MYTHS IN ÁLVARO CUNQUEIRO’S “FUNCIÓN DE ROMEO E XULIETA, FAMOSOS NAMORADOS” (1956): A GALICIAN ADAPTATION OF SHAKESPEARE’S ROMEO AND JULIET IN THE 20TH CENTURY73 Rubén Jarazo Álvarez Universidad de A Coruña Elena Domínguez Romero Universidad Complutense de Madrid Abstract Resumen Álvaro Cunqueiro’s treatment of El tratamiento del espacio en Álvaro space is subtler than critics have until Cunqueiro siempre ha sido más sutil de lo very recently believed it to be. que la crítica ha reconocido hasta hace muy Creating a mythical Atlantic realm, poco. La creación de una esfera mítica where Galicia is placed at the same atlántica, en la que Galicia se sitúa al mismo level as Brittany or Ireland, has nivel que la Bretaña Francesa o Irlanda, ha proved of great importance to demostrado ser de gran importancia para intellectuals, including Cunqueiro, aquellos intelectuales que se han who stand opposed to the cultural posicionado contra la dominación cultural 73 This article has been possible thanks to “Rede de lingua e literatura inglesa e identidade” (2007/000145-0) in accordance with the Xunta de Galicia and the European Regional Development Fund (ERDF), as well as the research projects “Música y literatura irlandesa y su correlato en la cultura gallega” (PGIDIT07PXIB159223PR), “Teatro isabelino en Galicia: Recepción Cultural y Literaria en Álvaro Cunqueiro” (Deputación da Coruña), and Programa Ángeles Alvariño 2009 (Programa de Recursos Humanos) in accordance with the Xunta de Galicia. All of the aforementioned are hereby formally acknowledged. Submission: 11/01/2011- Acceptance: 20/02//2011 ES 32 (2011): 179-201 180 RUBÉN JARAZO AND ELENA DOMÍNGUEZ domination of the Mediterranean. -
Language and Music in Galicia and Ireland in the Early 20Th Century
Fecha de recepción: 21 septiembre 2019 Fecha de aceptación: 16 octubre 2019 Fecha de publicación: 9 febrero 2020 URL: https://oceanide.es/index.php/012020/article/view/37/180 Oceánide número 13, ISSN 1989-6328 DOI: https://doi.org/10.37668/oceanide.v13i.37 Dr. Xosé Manuel Sánchez Rei Universidade da Coruña, España ORCID: https://orcid.org/0000-0002-0763-9793 Language and music in Galicia and Ireland in the early 20th century Resumen Se pretende con este trabajo hacer una aproximación contrastiva a la situación del gallego y del gaélico irlandés en el primer tercio del siglo XX y también a la música tradicional. Se trata de una época muy importante para Galicia y para Irlanda en el aspecto cultural, político y social. No se podría entender la actualidad de ambos países si no se tiene en cuenta ese crucial período. Palabras clave: cultura popular; gaélico; gallego; música; tradición Abstract This study takes a contrastive approach to the situation of Galician and Irish Gaelic in the first third of the twentieth century, and to traditional music in particular. It is a period of significant interest in both Galiza and Ireland in terms of the cultural, political and social climate. Indeed, the current situations of the two countries can hardly be understood without taking these crucial years into consideration. Keywords: popular culture; Gaelic language; Galician language; music; tradition OCEÁNIDE | 13_2020 36 n his inaugural speech as Doctor Honoris Causa of the Leinster and Munster. Such a process was followed closely in University of A Coruña (2000), as proposed by Professor Galiza by the intellectual elites; shortly before Ireland became Dr. -
University of Florida Thesis Or Dissertation Formatting
IRISH MUSIC AND HOME-RULE POLITICS, 1800-1922 By AARON C. KEEBAUGH A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2011 1 © 2011 Aaron C. Keebaugh 2 ―I received a letter from the American Quarter Horse Association saying that I was the only member on their list who actually doesn‘t own a horse.‖—Jim Logg to Ernest the Sincere from Love Never Dies in Punxsutawney To James E. Schoenfelder 3 ACKNOWLEDGMENTS A project such as this one could easily go on forever. That said, I wish to thank many people for their assistance and support during the four years it took to complete this dissertation. First, I thank the members of my committee—Dr. Larry Crook, Dr. Paul Richards, Dr. Joyce Davis, and Dr. Jessica Harland-Jacobs—for their comments and pointers on the written draft of this work. I especially thank my committee chair, Dr. David Z. Kushner, for his guidance and friendship during my graduate studies at the University of Florida the past decade. I have learned much from the fine example he embodies as a scholar and teacher for his students in the musicology program. I also thank the University of Florida Center for European Studies and Office of Research, both of which provided funding for my travel to London to conduct research at the British Library. I owe gratitude to the staff at the Library of Congress in Washington, D.C. for their assistance in locating some of the materials in the Victor Herbert Collection. -
In Galicia, Spain (1860-1936)
Finisterra, XXXIII, 65, 1998, pp. 117-128 SUBSTATE NATION-BUILDING AND GEOGRAPHICAL REPRESENTATIONS OF ‘THE OTHER’ IN GALICIA, SPAIN (1860-1936) JACOBO GARCÍA -ÁLVAREZ 1 Abstract: The ‘social construction’ of otherness and, broadly speaking, the ideological-political use of ‘external’ socio-spatial referents have become important topics in contemporary studies on territorial identities, nationalisms and nation-building processes, geography included. After some brief, introductory theoretical reflections, this paper examines the contribution of geographical discourses, arguments and images, sensu lato , in the definition of the external socio-spatial identity referents of Galician nationalism in Spain, during the period 1860-1936. In this discourse Castile was typically represented as ‘the other’ (the negative, opposition referent), against which Galician identity was mobilised, whereas Portugal, on the one hand, together with Ireland and the so-called ‘Atlantic-Celtic nationalities’, on the other hand, were positively constructed as integrative and emulation referents. Key-words : Nationalism, nation-building, socio-spatial identities, external territorial referents, otherness, Spain, Galicia, Risco, Otero Pedrayo, Portugal, Atlantism, pan-Celtism. Résumé: LA CONSTRUCTION D ’UN NATIONALISME SOUS -ETATIQUE ET LES REPRESENTATIONS GEOGRAPHIQUES DE “L’A UTRE ” EN GALICE , E SPAGNE (1860-1936) – La formation de toute identité est un processus dialectique et dualiste, en tant qu’il implique la manipulation et la mobilisation de la “différence” -
Exploring the Musical Traditions of Co. Leitrim & Co. Fermanagh
Exploring the Musical Traditions of County Leitrim & County Fermanagh In May 2020 Irish Arts Foundation launched a pioneering research programme. It centred on specific regional playing styles and influences within Irish traditional music originating from rural communities around the border counties of: Leitrim in the Republic of Ireland and Fermanagh in Northern Ireland. Themes 1. Regional identity. 2. Local musical traditions in Co. Leitrim and Fermanagh. 3. The families and individuals who kept the music alive, and their legacy today. Regional Identity In the time of the horse and cart - the ‘candle to bed’ age - each village, town and county had its own tunes and dances; a musical accent and dialect. This was due to relative rural isolation. So despite the close proximity of Co. Leitrim and Fermanagh, distinct regional identities - musical, religious and political – formed. When talking about regional identity and style there will always be generalisations; tunes do not carry passports and music has never been constrained by borders. Despite this, we will look at what can be widely termed, a Leitrim and a Fermanagh musical tradition. County Leitrim Leitrim is in the province of Connacht and part of the Border Region. Its largest town is Carrick-on-Shannon with a population of 3,134. Although one of Ireland’s smallest counties, Leitrim has a distinct musical tradition of flute and fiddle music. We will look at some of the individuals and groups who have shaped the Leitrim style of traditional music. Leitrim Flute Music “Co. Leitrim has preserved a distinct musical identity and tradition based largely on the flute. -
Carlos Casares. Cadro De Antón Pulido O Roteiro Carlos Casares En Ourense
Carlos Casares. Cadro de Antón Pulido O Roteiro Carlos Casares en Ourense Afonso Vázquez-Monxardín Catedrático de lingua galega Presentación cun percorrido a pé desde a Alameda de Santiago ata a casa da Matanza en Pardón. Nela participa- Os roteiros preséntansenos na actualidade como ron moitos dos galeguistas activos da época e foi unha forma de achegamento á realidade do patrimo- recollida nunha película artesanal con guión de nio -sexa este natural, arqueolóxico, histórico, arqui- Celso Emilio Ferreiro e foi recuperada, comenta- tectónico, literario, etc.- que funciona dun xeito lú- da e montada en 2001 co apoio da Caixa Galicia e dico e participativo todo ao longo de Occidente. En dos xornais El Progreso e Faro de Vigo. Máis alá, Galicia moitos son os concellos e institucións públi- tamén as míticas “Pelerinaxes” de Ourense a San cas e privadas que ofrecen estas posibilidades de ocu- Andrés de Teixido, en 1929 de Otero, Risco e Ben pación de ocio, e mesmo hai webs e apps especializa- Cho Shey, pode ser considerada tamén un roteiro das que nos guían por estes espazos de confluencia amplo, como, dalgún xeito o foron tamén moitas entre o paseo, a cultura e o turismo. Especial men- das “xeiras” dos galeguistas no seo do Seminario de ción merecen arestora os roteiros nos que están invo- Estudos Galegos ou as promovidas polos Ultreyas lucrados alumnos e profesores, maiormente de tipo tamén en tempos de antes da guerra. Incluso temos natural e literario. un escrito, simpático e de case imposible realiza- ción, redactado por Otero Pedrayo para o seu ami- En Galicia existe unha certa tradición de roteiros go Silvio Santiago na segunda metade dos sesenta, desde hai tempo. -
Scottish and Irish Elements of Appalachian Fiddle Music
Butler University Digital Commons @ Butler University Undergraduate Honors Thesis Collection Undergraduate Scholarship 3-1995 Scottish and Irish Elements of Appalachian Fiddle Music Matthew S. Emmick Butler University Follow this and additional works at: https://digitalcommons.butler.edu/ugtheses Part of the Ethnomusicology Commons, and the Musicology Commons Recommended Citation Emmick, Matthew S., "Scottish and Irish Elements of Appalachian Fiddle Music" (1995). Undergraduate Honors Thesis Collection. 21. https://digitalcommons.butler.edu/ugtheses/21 This Thesis is brought to you for free and open access by the Undergraduate Scholarship at Digital Commons @ Butler University. It has been accepted for inclusion in Undergraduate Honors Thesis Collection by an authorized administrator of Digital Commons @ Butler University. For more information, please contact [email protected]. BUTLER UNIVERSITY HONORS PROGRAM Honors Thesis Certification Matthew S. Emmick Applicant (Name as It Is to appear on dtplomo) Scottish and Irish Elements of Appalachian Fiddle M'-Isic Thesis title _ May, 1995 lnter'lded date of commencemenf _ Read and approved by: ' -4~, <~ /~.~~ Thesis adviser(s)/ /,J _ 3-,;13- [.> Date / / - ( /'--/----- --",,-..- Commltte~ ;'h~"'h=j.R C~.16b Honors t-,\- t'- ~/ Flrst~ ~ Date Second Reader Date Accepied and certified: JU).adr/tJ, _ 2111c<vt) Director DiJe For Honors Program use: Level of Honors conferred: University Magna Cum Laude Departmental Honors in Music and High Honors in Spanish Scottish and Irish Elements of Appalachian Fiddle Music A Thesis Presented to the Departmt!nt of Music Jordan College of Fine Arts and The Committee on Honors Butler University In Partial Fulfillment of the Requirements for Graduation Honors Matthew S. Emmick March, 24, 1995 -l _ -- -"-".,---. -
RACISMO NACIONALISTA EN LA LITERATURA GALLEGUISTA DE LOS SIGLOS XIX Y XX
RACISMO NACIONALISTA EN LA LITERATURA GALLEGUISTA DE LOS SIGLOS XIX y XX Miguel Salas Díaz (Universidad de Lenguas Extranjeras de Dalian, China) Resumen: La raza es uno de los conceptos principales de la teoría política nacionalista. Tanto en tiempos en los que la superioridad racial era algo relativamente aceptado como teoría antropológica como en momentos en los que se rechazaba completamente tal idea, el nacionalismo ha hecho uso del racismo para justificar sus aspiraciones políticas. La intención de este trabajo es analizar la idea de superioridad racial en la obra de los principales autores galleguistas del siglo XIX (Manuel Murguía, Alfredo Brañas y Eduardo Pondal, autor de la letra del himno gallego oficial) y del siglo XX (Alfonso Castelao y Vicente Risco). Abstract: Race is one of the main concepts in nationalist political theory. In times when racial supremacy was accepted as an athropological theory as well as in times when it was absolutely rejected, nationalism used racism to justify their political aspirations. This article aims to analyze the idea of racial supremacy in the main galician nationalist authors’ works in XIXth (Manuel Murguía, Alfedo Brañas and Eduardo Pondal, author of the current Galician anthem) and XX century (Alfonso Castelao y Vicente Risco). Palabras clave: Nacionalismo, Galleguismo, Raza, Racismo, Literatura gallega, siglo XIX, siglo XX, Manuel Murguía, Alfredo Brañas, Eduardo Pondal, Alfonso Castelao, Vicente Risco. Keywords: Galician Nationalism, Race, Racism, Galician Literature, XIXth Century, XXth Century, Manuel Murguía, Alfredo Brañas, Eduardo Pondal, Alfonso Castelao, Vicente Risco. Introducción Si se duda de la raza, ¿qué confianza queda en el resto de la vida? (Otero Pedrayo, 1991, p. -
La Temática Homérica En La Poesía Gallega
(‘FC:egi 7 (1997> La temática homérica en la poesía gallega Fernando LILLO R.EDONET Su mmary In this paper we study the use of homene topics in galician poetry. By an anthology of poems sse prove that Homer and hís characters are included in thc personal poetrv of each poet. 1. Poesía gallega y temas homéricos La poesía en lengua gallega, a pesar de su relativa juventud, tiene una fértil relación con los temas de la literatura clásica. Los poetas gallegos han reinterpretado con su arte los temas y las ideas de la literatura antigua, pero sólo unos pocos han tenido un contacto seguro de primera mano con las obras en lengua original. Y es que, como afirma Vicente Cristóbal, es mucho más sencillo acceder a los temas y a las ideas que a la lengua y al estilo de los autores grecolatinos: “Sólo median ¡e un largo aprendizaje, que no a rodos se les brinda, y mediante un considerable c.¶fuerzo. al que no todos están dispuestos, se puede dar el salto desde el hoy al ayer remoto paro acceder a la literatura clásica de una manera más plena, es decir, en su forma, en su expresión genuina y no sólo en su tema y en sus ideas, mas fáciles de transmitir por vio indirecta”’. En nuestro caso la facilidad para acceder a la temática homérica se muestra clara, por cuanto de las obras del ciego de Quíos se han extraido unos prototipos y unos símbolo:; comunes a la tradición literaria occidental. Muchas veces para recrear o deformar esos símbolos no es ‘V. -
New Perspectives on Nationalism in Spain • Carsten Jacob Humlebæk and Antonia María Ruiz Jiménez New Perspectives on Nationalism in Spain
New Perspectives on Nationalism in Spain in Nationalism on Perspectives New • Carsten Humlebæk Jacob and Antonia María Jiménez Ruiz New Perspectives on Nationalism in Spain Edited by Carsten Jacob Humlebæk and Antonia María Ruiz Jiménez Printed Edition of the Special Issue Published in Genealogy www.mdpi.com/journal/genealogy New Perspectives on Nationalism in Spain New Perspectives on Nationalism in Spain Editors Carsten Humlebæk Antonia Mar´ıaRuiz Jim´enez MDPI • Basel • Beijing • Wuhan • Barcelona • Belgrade • Manchester • Tokyo • Cluj • Tianjin Editors Carsten Humlebæk Antonia Mar´ıa Ruiz Jimenez´ Copenhagen Business School Universidad Pablo de Olavide Denmark Spain Editorial Office MDPI St. Alban-Anlage 66 4052 Basel, Switzerland This is a reprint of articles from the Special Issue published online in the open access journal Genealogy (ISSN 2313-5778) (available at: https://www.mdpi.com/journal/genealogy/special issues/perspective). For citation purposes, cite each article independently as indicated on the article page online and as indicated below: LastName, A.A.; LastName, B.B.; LastName, C.C. Article Title. Journal Name Year, Article Number, Page Range. ISBN 978-3-03943-082-6 (Hbk) ISBN 978-3-03943-083-3 (PDF) c 2020 by the authors. Articles in this book are Open Access and distributed under the Creative Commons Attribution (CC BY) license, which allows users to download, copy and build upon published articles, as long as the author and publisher are properly credited, which ensures maximum dissemination and a wider impact of our publications. The book as a whole is distributed by MDPI under the terms and conditions of the Creative Commons license CC BY-NC-ND. -
Body, Emotion, and Sound in the Contemporary Galician Poetry Performance
Thamyris/Intersecting No. 24 (2011) 111–132 Politics of Sound: Body, Emotion, and Sound in the Contemporary Galician Poetry Performance María do Cebreiro Rábade Villar The Middle Ages were considered to be the golden age of Galician literature. After this, literary production in Galician was for centuries predominantly oral. During the second half of the nineteenth century the cultural and political movement known as the Rexurdimento (Renaissance) led to a radical transformation of this situation. Authors such as Rosalía de Castro, Manuel Curros Enríquez, and Eduardo Pondal – the canonical trio of the Rexurdimento – began to forge a new linguistic and literary model. The recognition of Galicia as a political entity was fostered, in large part, by Romantic sensibilities towards oral and popular cultural traditions. Throughout the first half of the twentieth century, several groups and poetic waves would follow – some of these notably influenced by the historic avant-garde. The generational suc- cession was severed by the outbreak of the Spanish Civil War (1936–1939). Like Basque and Catalan literatures, Galician culture also faced harsh repression during the reign of Franco and it was only with the arrival of democracy that something approaching cultural normality could be reestablished.1 In the 1980s the inclusion of the Galician language into the teaching system ushered in a new era for the Galician culture. From the 1980s, Galician poetry begins to move through new avenues such as poetry performance. The poetic discourse and generational controversy that find their precedents in the avant-garde run parallel to this. The clash between the “poets of the eighties” and the “poets of the nineties” has been much remarked upon, even though the most recent critical approaches tend to relativize the opposition between the two groups.2 This essay aims to explore what the commitment to orality of Galician poets and performers since the 1990s has meant for both Galicia’s poetry and the performance of poetry in general. -
Republic of Ireland. Wikipedia. Last Modified
Republic of Ireland - Wikipedia, the free encyclopedia What links here Related changes Upload file Special pages Republic of Ireland Permanent link From Wikipedia, the free encyclopedia Page information Data item This article is about the modern state. For the revolutionary republic of 1919–1922, see Irish Cite this page Republic. For other uses, see Ireland (disambiguation). Print/export Ireland (/ˈaɪərlənd/ or /ˈɑrlənd/; Irish: Éire, Ireland[a] pronounced [ˈeː.ɾʲə] ( listen)), also known as the Republic Create a book Éire of Ireland (Irish: Poblacht na hÉireann), is a sovereign Download as PDF state in Europe occupying about five-sixths of the island Printable version of Ireland. The capital is Dublin, located in the eastern part of the island. The state shares its only land border Languages with Northern Ireland, one of the constituent countries of Acèh the United Kingdom. It is otherwise surrounded by the Адыгэбзэ Atlantic Ocean, with the Celtic Sea to the south, Saint Flag Coat of arms George's Channel to the south east, and the Irish Sea to Afrikaans [10] Anthem: "Amhrán na bhFiann" Alemannisch the east. It is a unitary, parliamentary republic with an elected president serving as head of state. The head "The Soldiers' Song" Sorry, your browser either has JavaScript of government, the Taoiseach, is nominated by the lower Ænglisc disabled or does not have any supported house of parliament, Dáil Éireann. player. You can download the clip or download a Aragonés The modern Irish state gained effective independence player to play the clip in your browser. from the United Kingdom—as the Irish Free State—in Armãneashce 1922 following the Irish War of Independence, which Arpetan resulted in the Anglo-Irish Treaty.