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ARSC Journal BIBLIOGRAPHY OF DISCOGRAPHIES ANNUAL CUMULATION --- 1972 Edited by Michael Gray and Gerald Gibson INTRODUCTION For some time now virtually every user of disco­ graphies regardless of subject has agreed upon the need for a comprehensive bibliography of discographies. It was generally conceded, however, that the difficulty of attempting such a diversified bibliographic project was so great that it would be impossible for one or two people to tackle. A~er.due consideration and some pre­ liminary work (a number of you are probably aware of inquiries made by the editors of this bibliography in the periodical literature covering the field of sound recordings), we proceeded to contact several persons with strong discographic reputations in their respective subject fields to ask if they would be interested in working with us to produce a comprehensive bibliography of discographies to be published annually in the ARSC Journal. In each instance we met with overwhelming enthusiasm and, as the following bibliography will attest, we have received marvelous cooperation. The contributors and their subject areas are: Country and Hillbilly--Norm Cohen, Fla.ya del Ray, California; Folk-Ethnic--Joe Hickerson, Washington, D.C. (because of his pressing schedule at this point, Joe has been unable to include his discographies in this issue); Blues-Gospel--David Evans, Anaheim, Cali­ fornia; Spoken Documentary Recordings--Gary Shivers, Lawrence, Kansas; Jazz--Daniel Allen, Toronto, Canada; and Classical--Michael Gray and Gerald Gibson, Washing­ ton, D.C. As you can see, the area of Popular-Soul has not been covered in this bibliography; it is hoped that this oversight will be rectified in the near future. With this list of contributors we have attempted what we hope is a comprehensive search of the various 18 fields of publication which would include discogra- phies. The intention is to include a citation for any discography regardless of length, completeness or accuracy. It would have been desirable to have included editorial comment on the merit of each discography which we were citing, but due to the size of the project this was completely out of the question. No discography has been intentionally excluded. The intent, on the contrary, is to have full coverage. Therefore, if you are aware of any discography that was published during the period in question, by all means please send its citation to the editors who will gladly receive notification of it for inclusion in a future bibliography of discographies. It is the intent of the editors that this bibliography should appear annually in the ARSC Journal and that it will cover discographies published in the previous calendar year. The response to the 1973 citations was such that we have included the citations that were in hand for the 1972 publication year. As pointed out in the introduction of the BIBLIOGRAPHY OF DISCOGRAPHIES ANNUAL CUMULATION --- 1973, these citations for 1972 were intended to appear at that time. ORGANIZATION OF THE BIBLIOGRAPHY A few words should be presented about the method of arrangement of this bibliography. It is in two parts, and, for the present, there is no index to either. The first part is arranged alphabetically by proper name subject, whether this subject is a person­ ality such as a performer, an author, or a composer, or the name of a record company such as Atlantic. If there is a proper name which is the subject or the raison d'etre of the discography, then it is included in this list, or Part I, of the bibliography. The names and spellings are those as accepted by the Library of Congress. It seemed logical to adopt this criterion because it is the most complete listing of proper names of which the editors are aware, and it is the collection with which the two editors most actively work. If we are aware that this spelling differs from that used elsewhere, suitable cross references have been furnished. The second part of the bibliography is arranged by compiler. These are discographies which do not have a 19 proper name subject appropriate to them. Included are broad areas as discographical correction columns in such periodicals as Storyville, a discography of music theory programmed instruction by Paul Harder, a disco­ graphy in a book on modern music by Philip Miller, etc. It would have been possible to arbitrarily assign sub­ ject headings to each of these, but we felt that to do so might be misleading as different people tend to use different terms when referring to the same subject. Therefore, we have decided to arbi,trarily arrange them by the name of the compiler or the compiling body. The user must scan the second part of the bibliography in order to grasp the range of subjects that it encompasses. When setting up the machinery to compile this biblio­ graphy it was assumed that all discographies consulted would contain certain elements--the composer or author and title of the work recorded, and in the case of a commercial recording, the name of the issuing company and its issue number. We subsequently discovered a few discographies which do not include all of this primary data but the vast majority (in excess of 99 percent) do. In order to reveal additional information, descrip­ tive of each discography, there will be found at the end of most citations a typographic system which uses a double parenthesis and a number, or series of numbers, within them, e.g., ((1,3,7)). The key to these numbers is as follows: 1. NONCOMMERCIAL issue 2. this number unused for the present 3. MATRIX NUMBER 4. INDEX 5. ISSUE DATE of a commercial recording 6. TAKE NUMBER 7. PLACE and DATE of the recording If the discography includes one or more of these ad­ ditional elements, that respective number (or numbers) will appear within the double parenthesis following the citation. Dashes appearing within the double parenthesis ((--)) show that the discography includes none of the above--no number therefore was applicable. Finally, the double brackets which appear before 20 and after some citations designate discographies which were not actually seen by our contributors--in most cases, consequently, the supplementary numbering system described above could not be supplied. We hope this system works for you; if not, please let us know and suggest alternate means of coping with the situation. It is our intention, eventually, to compile a complete bibliography of discographies which would extend far beyond the scope of these annual gatherings. Once again, we speak for all the contributors when we Sa\Y" we would welcome hearing from you and would gladly receive information concerning citations which have been inadvertently omitted. Please send such citations to Gerald D. Gibson, 118 Monroe Street, Apt. 410, Rockville, Maryland 20850. The following periodicals have been searched and citations from them appear in this Bibliography: ANSUARIO DU JAZZ CALIENTE JAZZ JOURNAL ANTIQUE RECORDS JAZZ MAGAZINE ASSOCIATION OF RECORDED JAZZ PODIUM COLLECTIONS JOURNAL JAZZ WERELD BLUEGRASS UNLIMITED JEFFERSON THE BLUES JOHN EDWARDS MEMORIAL MEMORIAL BLUES UNLIMITED FOUNDATION QUARTERLY BOOGIE WOOGIE AND BLUES LIBRARY JOURNAL COLLECTOR MATRIX BULLETIN DE LA PHONOTHEQUE MUSIC 1 72 NATIONALE MUSIC AND MUSICIANS COUNTRY MUSIC (AUSTRALIA) MUSICAL ANALYSIS COUNTRY MUSIC TIMES MUSIK REVY DANKS MUSIKTIDSSKRIFT OBJECTS ET MONDES DEVIL'S BOX OLD TIME MUSIC DIAPASON OPERA DISCOGRAPHICAL FORUM OPERN WELT DISCOTECA PIANO QUARTERLY ETHNOMUSICOLOGY LE POINT DU JAZZ FONO FORUM RECORD ADVERTISER GRAMOPHONE RECORD COLLECTOR LE GRAND BATON RECORD RESEARCH HIFI STEREOPHONIE RECORDED SOUND HOT BUTTERED SOUL RECORDS AND RECORDINGS JAZZ AND BLUES REVUE DES DISQUES JAZZ FORUM SHOUT JAZZ HOT STORYVILLE 21 STUDIES IN MUSIC TOP OF THE NEWS WHISKEY, WOMEN, AND. CURRENT DISCOGRAPHY, 1972 I. Personality/Proper Name Discographies 1. flBBADO, CLAUDIO. Abbado discography IN Records and recording, v. 15, no. 7, April 1972: 28. ( (-)) 2. AGE LABEL. Baker, Cary: Age label listing IN Shout, v. 82, December 1972: 3-4. ((3,5))~ 3. ALBERT, EUGEN d', 1864-1932. Benko, Gregor: Eugen d'Albert IN Antique records, no. 1, October 1972: 11-12. ((5)) 4. AL~, HUGO, 1872-1960. Aahlen, Carl-Gunnar: Hugo Alfven ver ocksd dirigent IN Musik revy, no. 2, 1972: 73-76. ((1,3,5,7)) 5. ALKAN, CHARLES HENRI VALENTIN, 1813-1888. Franke, Knut: Charles Valentin Alkan IN fono forum, April 1972: 268. ((-)) 6. ALLEN, AUSTIN. [Russell, TonyJ: Lee and Austin Allen IN Old time music, no. 4, Spring 1972: 13-14.~((1,6,7)) 22 ALLEN, LEE......s.ee.-ALLEN, AUSTIN. 7. ALLEY, SHELLY LEE. HeaJ.y, Bob, et. al.: Shelly Lee Alley IN JEMFQ, v. 9, no. 29, Spring 1972: 3 3-34 . ( (3," 6 '7 ) ) 8. AMMONS, ALBERT, 1907-1949. Olderen, Martin van: Albert Ammons IN Boogie woogie and blues col­ lector, no. 15-:-April 1972: 3. ((3,6,7)) 9. ------. Olderen, Martin van: Albert Ammons IN Boogie woogie and blues collector, no. 16, May 1972: 3. ((3,6,7)) 10. [[ANDERSON, CAT. 1916- Bak.aJ.as, A.: 'Cat' Anderson IN Le point du jazz, no. 6, March 1972: 65-70. ]] - 11. ANDRE, MAURICE. Maurice Andre discographie selection IN Diapason, no. 168, June/July 1972: 10. ( ( - ) ) 12. ANTIGUA JAZZ BAND. Antigua Jazz Band IN Anuario de Jazz caliente, 1972: 12. ((7)) - 13. ARMSTRONG, Louis, 1900-1971. Cholinski, Henryk: Louis Armstrong on LP's , part 1 IN Jazz forum, no. 17, June 1972: various paginatiml.s. ((7)) 14. ------ Cholinski, Henryk: Louis Armstrong on LP's part 2 IN Jazz forum, no. 18, August 1972: various paginations. ((7)) 15. ARNOLDSON, SINGRID, 1861-1943. Aahlen, Carl-Gunnar: Singrid Arnoldson (1861-1943) diskografi (Gra.mmofonens veteraner, 4) IN Musik revy, 1972, no. 1: 38-39, ((3,5,6,7)) 16. ASHLOCK, JESSE. [Cohen, NormJ: Jesse Ashlock IN JEMFQ, v.
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