5 Boogie Woogie Piano Solos Pete Johnson Leeds Music, 1941 1941

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5 boogie woogie piano solos Pete Johnson Leeds Music, 1941 1941 5 boogie woogie piano solos I'd Rather Be Famous Diary of an (un) Teenager How to Train Your Parents Trust Me, I'm a Troublemaker The Vampire Hunters The TV Time Travellers Rescuing Dad Help! I'm a Classroom Gambler Report "Albert Ammons - 5 Boogie Woogie Piano Solos". Please fill this form, we will try to respond as soon as possible. Your name. Email. Reason. -Select Reason- Copyright complaint Illegal/Unlawful Spam Other Terms Of Service Violation. Description. Submit.Â Download "Albert Ammons - 5 Boogie Woogie Piano Solos". We are a sharing community. So please help us by uploading 1 new document or like us to download: Upload document file. Or like to download immediately. Close. Copyright Â© 2017 TUXDOC Inc. Documents Similar To Albert Ammons - 5 Boogie Woogie Piano Solos. Skip carousel. carousel previous carousel next. Boogie Woogie for Beginners. Boogie Woogie Piano. 5 Boogie Woogie by Jimmy Yancey. Eight To The Bar - Frank Paparelli. Boogie_Woogie_and_How_To_Play_It_-_Book_Two_-_David_Carr_Glover__1958_. Manfred Schmitz - Blues & Boogie Woogie - 1979. Axel Zwingenberger - Boogie Woogie Piano Solo. Blues & Boogie Piano Styles[1]. Boogie Woogie. Boogie Woogie Piano. 5 Boogie Woogie by Albert Ammons. Boogie - Woogie Piano. Pinetop's Boogie Woogie. Boogie Woogie Piano Sheet Music - 12 bass gone crazy, boogie woogie blues, boogie woogie stomp, monday struggle, shout for joy.Â Axel Zwingenberger boogie woogie piano solo. Boogie Woogie Rock N Roll Jazz Guitar Solos 1. Boogie Woogie. 5 Boogie Woogie by Jimmy Yancey. Boogie Woogie Piano Sheet Music - 12 Old Pieces. Boogie Woogie Made Easy. Boogie Woogie Streetcar. Albert Ammons - Swanee River Boogie. Boogie Woogie Piano. Boogie Woogie Piano. Albert Ammons Swanee River Boogie PDF. Albert Ammons.Â A short easy method to learn to play boogie woogie. Designed for the beginner and average pianist. Complete course with exercises for development of the bass and right hand. (sheet music - piano) boogie woogie bugle boy. Axel Zwingenberger - Boogie Woogie Piano Solo. Boogie Woogie for Beginners. Duke Ellington - Boogie Woogie Piano Transcriptions. Axel Zwingenberger - Boogie Woogie Piano Solo. Morton Gould - Boogie Woogie Etude.pdf. Sheet musi. Boogie Wacky Woogie- Jordan Rudess. Partituras de Jazz, Boogie Woogie, Blues, Etc. boogie. Ebook 5 Boogie Woogie Piano Solos Download Rating 3 and suggested Read by user 513 Online last modified August 30, 2018, 4:10 am find as text or pdf and doc document for 5 Boogie Woogie Piano Solos.Â Home Â» Music Â» Schaum Solo Piano Album Series: The Boogie Book. ["Schaum Solo Piano Album Series: The Boogie Book"] Popular Style Of Music Based Splendid Piano Solos. 1. 10301678- Boogie-Woogie-Stomp-Albert-Ammons-Sheet-Music.pdf. 3. Art Tatum - Jazz Piano Solos. 1. Albert Ammons - Boogie Woogie Stomp. 1. 6 Original Boogie Piano Solos - Mary Lou Williams. 1. Albert Ammons, Meade Lux Lewis, Pete Johnson - Boogie Woogie Prayer_BOOGIEWOOGIE.ru. 1. View more..

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• Issue 45.Indd
THE BOOGIE MAN Boogie pianist Ben Waters has a new record out, entitled ‘Boogie 4 Stu’, paying tribute to Ian Stewart, a founding member of The Rolling Stones, who went on to become their road manager. As a long term fan of Stewart and his playing, Ben talked to his friend Charlie Watts about paying tribute with an album. Watts immediately wanted to be a part of it, which led to fellow Stones Mick Jagger, Ronnie Wood and Keith Richards hurling themsleves into the fray. Ex-Stones man Bill Wyman threw his name into the hat, along with fellow gifted ivory tinkler Jools Holland. With a star studded guest list, a portrait of Ian Stewart being commissioned by Sir Peter Blake for the cover and proceeds from the album going toward raising funds for the British Heart Foundation, James Gaden thought it was time Ben got to tell people all about it. Ben, you’re an experienced pianist in your own right and have worked with a host of big names - for readers unfamiliar with your work, can you provide a brief overview of your work to date? I started playing piano when I was about 14ish. My first exposure to this kind of music was Ian Stewart playing at my aunt and uncle’s 25th wedding anniversary. Shortly after this, Fats Domino’s 60th Birthday was on TV with Ray Charles and Jerry ‘Boogie For Stu’, as I mentioned just then, this was because of his love for Lionel Lee Lewis. I really fell in love with the music and wanted to start playing.
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Boogie News Ausgabe Juni 2016
Boogie News Ausgabe Juni 2016 Liebe Freunde des Boogie und Blues, „aber bitte mit Sahne“ Dieser Song von Udo Jürgens zeigt, dass die Session im Mai die einer anderen Art war. Zwei hervorragende Pianisten wie Daniel Paterok und Peter Asmuth improvisierten und brillierten mit alten „Gassenhauern“, Filmmusiken und stand up comedy der aller feinsten Art. Dann gab es noch eine Weltpremiere: Daniel Paterok hat gesungen und gar nicht schlecht. Insgesamt, wenn auch anders, ein gelungener Abend. Patrick Ziegler am 15.06. erneut in Altenberge Im Jahre 2013 bekam er den Boogie Woogie Award in der Kategorie „bester deutscher Nachwuchspianist“. Patrick hat als Kind nur für kurze Zeit einen Klavierlehrer und dann hat er sich alles autodidaktisch beigebracht. Patrick Ziegler ist ein junger Boogie Woogie Pianist aus Hockenheim und trotz seiner jungen Jahre bereits ein echter Meister seines Fachs. In den letzten Jahren hat er es verstanden sich in der nationalen und internationalen Boogie-Szene Gehör zu verschaffen und gilt längst nicht mehr nur als Geheimtipp. Sein Spiel ist stark an den Stil des Blues & Boogie Meisters Vince Weber angelegt, gewinnt durch die ebenfalls vorhandene Liebe zur „klassischen“ Ausrichtung á la Albert Ammons und Pete Johnson an Tiefe und wird durch seinen ausdrucksstarken Gesang unverwechselbar. Er spielte bereits u. a. mit Bob Seeley, dem letzten lebenden Pianisten, der noch bei den alten Chicagoer Stars gelernt hat. In Europa trat Patrick bei internationalen Festivals in Frankreich und Belgien auf und saß mit Jean-Pierre Bertrand, Renaud Patigny, Ben Waters und Gene Taylor am Piano. Was sagt Patrick über sich: 1989 erblickte ich in Heidelberg das Licht der Welt.
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7.Moerser Boogie Night
Eine Veranstaltung des Moerser Stadtmarketings in Zusammenarbeit mit Paul und Iris Jahns in der Musikschule der Stadt Moers, Filder Straße 126, 47447 Moers Jörg Hegemann (Piano), Witten – www.joerghegemann.info Moerser Boogie Night Frank Muschalle (Piano), Berlin – www.frankmuschalle.de im Martinstift Thomas Aufermann (Vocals), München Reinhard „Django“ Kroll (Bass), Dortmund Jörg Hegemann & Jan Freund (Drums), Ibbenbüren Frank Muschalle an zwei Flügeln Thomas Aufermann (Vocals) 7. Reinhard „Django“ Kroll (Bass) Karten Jan Freund (Schlagzeug) MoersMarketing GmbH Homberger Straße 4 (Königlicher Hof) Info u. Kartenversand 47441 Moers Paul Jahns Mit freundlicher Unterstützung Tel. 0 28 41 - 88 22 60 Schillerstraße 27 www.moers-stadtportal.de 47445 Moers Eintritt 19,50 EUR Freitag, 25. September 2015, 20.00 Uhr E-Mail: [email protected] Tel. 0 28 41 - 4 34 70 zzgl. VVK-Gebühr www.grafic-vision.de Martinstift – Kammermusiksaal Jörg Hegemann & Frank Muschalle an 176 Tasten Im wundervollen Ambiente des Kammermu- Zwingenberger, Vince Weber, Rolf Lebeda, Gott- tation und die ebenfalls entstandenen Audiomit- ältesten Jazzband des Ruhrgebietes. Bevor der Thomas Aufermann, geb. 1966 in Witten an der siksaales der Stadt Moers garantiert der Boogie fried Böttger und Jean-Pierre Bertrand. Seit 2007 schnitte sind mehr als sehens- und hörenswert. Boogie Woogie in den letzten Jahren mehr und Ruhr, entdeckte bereits in jugendlichem Alter sei- Woogie, dieser faszienierende und mitreißende ist er musikalischer Leiter des „BOOGIE WOOGIE Neben verschiedenen Tourneen durch Deutsch- mehr zum Zentrum seines musikalischen Wir- ne Liebe zu Blues und Boogie Woogie und speziell Pianostil zwischen Blues, Swing und Rock 'n' Roll, CONGRESS“ in der Philharmonie Essen und seit land, Österreich und die Schweiz war er 2004 mit kens wurde, ist er bundesweit in Jazzclubs und zu Big Joe Turner, den großen Boogie-Shouter, der vorgetragen von Meistern ihres Faches, einen un- 2009 musikalischer Leiter der jährlichen Ver- seinem Trio zu Gast beim „Internationalen Jazzfe- auf Festivals aufgetreten.
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MARTIN PYRKER born on August 27th,1954 in Vienna, discovered his love for the piano and thereby for the blues in 1971, when he was 17 years young and already playing the drums for 4 years. A blues program on the radio, an acquaintance with the pianists Vince Weber, Hans- Georg Möller and Axel Zwingenberger from Hamburg, who caused at that time the boogie woogie fever in Germany, and the meeting with the Viennese “blues guru” Hans Maitner, protagonist of the legendary radio program “Living Blues” fascinated Martin Pyrker of a kind of music that has meanwhile become 100 years old: the classical piano-blues and boogie-woogie. Pyrker’s legendary concerts in the 1970s with Zwingenberger, Weber and Möller and, originated from this, the first piano-boogie woogie record in Austria (“Boogie Woogie Session 76” / EMI) were the beginning of a growing enthusiasm for this kind of music in Austria and Germany and influenced further generations of young pianists. Solo and together with many other well-known artists at home and abroad, Martin gave a lot of concerts in jazz clubs, blues bars and at blues and boogie festivals, where he also shared the piano with long gone legends of the blues: Blind John Davis, Roosevelt Sykes, Memphis Slims, Champion Jack Dupree, just to mention a few of them. Since the legendary boogie woogie festival of Cologne (WDR 1974) and Vienna (concert hall 1976) the renaissance of boogie woogie could not be stopped anymore, unnumerous tours through Europe and USA followed (as "Stars of Boogie Woogie" and others). More than 2000 performances and concerts at home and abroad have left their mark on Pyrkers career since then.
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Axel Zwingenberger Meets Lila Ammons
Axel Zwingenberger meets Lila Ammons Lila und Axel bestritten ihren ersten gemeinsamen Auftritt 2007 beim Blues Fest in Cincinnati, Ohio, USA. Dort begann diese wirklich internationale Kooperation der in Chicago geborenen Sängerin und dem Hamburger Pianisten. Mittlerweile haben sie Tourneen in ganz Europa gepielt, in Brasilien genauso wie 2012 in New York City im Lincoln Center und The Iridium Jazz Club. Das warme Timbre ihrer Stimme, gepaart mit der klaren Artikulation betont die wunderbaren Bluesgeschichten, die das Duo swingend und mit viel Gefühl vorträgt, immer unterstrichen von der excellenten Pianobegleitung, die Axel in jahrzehntelanger Erfahrung im Zusammenspiel mit herausragenden Bluessängern wie Big Joe Turner, Sippie Wallace und anderen entwickelt hat. Lilas und Axels gemeinsame CD "Lady Sings The Boogie Woogie" ist 2009 erschienen. Sie enthält 20 der schönsten Blues- und Boogie Woogie-Songs aus der "Goldenen Epoche" der Sänger-Piano-Teams. Der Münchner Merkur schrieb über ein Konzert der Künstler: “Grauer Anzug, ein jungenhaftes Lächeln unter dem langen Pony, wirbelnde Finger auf den Klaviertasten – Axel Zwingenberger, wie er leibt und lebt. Aber was ist das? Grasgrün und glänzend stechen sie sofort ins Auge – Zwingenberger hat am Montagabend seine üblichen red Shoes in grüne umgetauscht. Die Veranstalterin hat eine Erklärung: „Grün ist die Farbe des Herzens.“ Die Bedeutung dieser Worte wird klar, als Lila Ammons, Enkelin des legendären und charismatischen Boogie Woogie-Pianisten Albert Ammons, die Bühne betritt. Der King of Boogie Woogie hat sich eine Königin mitgebracht – die Queen of Blue Notes. Eine Lady von Kopf bis Fuß, deren überschäumendes Temperament keinen im Publikum kalt lässt. Quasi sekundenschnell springt der Funke über.
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VJM 189 Hugo Van Der Laan
103 Early Blues/ In the Mornin', Session 10-006 E+ 104 Policy Blues/ I don't Know, Session 10-014 E- looks E+ but spots of light swish Hugo van der Laan 105 The Mississippi Mudder Sweet Jelly Rollin' Baker Man, De 7207 EE+/E 106 Alice Moore Too Many Men/ Don't Deny Me Baby Decca 7369 E- Van Beuningenstraat 53 D 107 Hand in Hand Women/ Doggin' Man Blues Decca 7380 EE+ 2582 KK Den Haag 108 Red Nelson Black Gal Stomp/ Jailhouse Blues the Netherlands BB 7918 E/EE+ 109 Joe Pullum Black Gal No. 4/ Robert Cooper, West Dallas Drag No. 2, buff Bluebird 5947 E- [email protected] light label damage sA/ large lipstick trace sB 105 J.H. Shayne Mr Freddy's Rag/ Chestnut Street Boogie Circle 1011 E-E 106 Pine Top Smith Brunswick album B-1102 E- Pinetop's Blues/ Boogie Woogie, Br 80008 E- Piano Blues 78’s for auction. Packing and air mail is 15 Euro, anywhere, for any I'm Sober Now/ Jump steady Blues amount of records. Payments by Eurotransfer, Bank transfer and Paypal. Br 80009 E- second masters Grading is aural, how they play with a ‘0028 stylus. E+ is the highest grade. 106 Speckled Red with Mandoline, Guitar, Try Me One More Time/ Louise Baltimore Blues, BB 8012E+ 107 Johnny Temple New Vicksburg Blues/ Louise Louise Blues 100 Albert Ammons' Rhytm Kings, Jammin' the Boogie/ Bottom Blues Decca 7244 E-/V+E- pdig restored audible 5' 12" Commodore 1516 E 108 Jinks Lee Blues/ Sundown Blues, BB 8913 E- 101 Leroy Carr with Scrapper Blackwell, My Woman's Gone Wrong/ looks V I Ain't Got No Money Now, Vo 02950 E- 106 Hociel Thomas with Mutt Carey sA, Go Down
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Download the Alto Saxophone of Don Stovall
1 The ALTOSAX of DON STOVALL Solographer: Jan Evensmo Last update: Aug. 5, 2019 2 Born: St. Louis, Missouri, Dec. 12, 1913 Died: NYC. Nov. 20, 1970 Introduction: I don’t think anybody in Oslo Jazz Circle recognized Don Stovall, in the old days we simply did not play that kind of music, and we hated the Decca recording company for all their mediocre sessions. Ghus missing out on things we should have noted and appreciated. History: Began playing violin as a child before settling on alto. Played in St. Louis, Missouri with Dewey Jackson and Fats Marable on riverboats in the 1920s, and then played with Eddie Johnson’s Crackerjacks in 1932-33. In the 1930s he lived in Buffalo, New York, where he led his own ensmble and played with Lil Armstrong. He moved to NYC. in 1939, and played there with Sam Price, Eddie Durham and Cootie Williams. Following this he recorded extensively with Red Allen, remaining with him until 1950. He retired from the music industry in 1950, and spent the remainder of his life working for a telephone company (ref. Wikipedia). 3 DON STOVALL SOLOGRAPHY BUDDY JOHNSON & HIS ORCHESTRA NYC. Nov. 16, 1939 Courtney Williams (tp), Don Stovall (as), Sonny Fredericks (ts), Buddy Joihnson (p, vo-66891), unknown (g), (b), (dm), The Mack Sisters (vo-66889,90,91). Four titles were recorded for Decca: 66889-A When You’re Out With Me Obbligato 6 bars. (FM) 66890-A Jammin’ In Georgia Solo 8 bars. (M) 66891-A Stop Pretending Solo with ens 16 bars. (M) 66892-A Reese’s Idea Solo with ens 16+8 bars, (tp) on bridge.
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0013 Big Joe Turner.Cdr
International PO Box 935, Byron Bay Tel: 61 2 6687 4441 NSW, 2481 Australia Fax: 61 2 6687 4445 Tel: (02) 6687 4441 Web:http://www.aiminternational.com Fax: (02) 6687 4445 E-Mail:[email protected] TRADING GROUP Pty Ltd ABN 78 093 907 914 AVAILABLE NOW Big Joe Turner Shake, Rattle & Roll In Concert AIM 0013 CD 1. Roll 'Em Pete 2. Shake Rattle & Roll 3. Hide & Go Seek Big Joe Turner (b. 18 May 1911, Kansas City, Missouri) began singing and bartendering at the age of 15 in 4. Stormy Monday Blues Kansas City, and joined up with pianist Pete Johnson with whom he would continue to perform with for the 5. When The Sun Goes next 40 years. He was known as the "Singing Bartender" and during this time sang with the bands of Bennie Down Moten, Count Basie and others. In 1938 on his second trip to New York, he appeared on John Hammond Jr's 6. Ain't Gonna Be Your "From Spirituals To Swing Concerts" and on Benny Goodman's CBS Radio Show. Turner's early recordings Lowdown Dog show him as a fine jazz singer, but it is on his Blues recordings where his shouting style can be heard that he 7. TV Mama was so truly influential on so many singers who followed. 8. Flip Flop & Fly He made numerous recordings just before and during the World War II, in his Jazz-Blues/Jump Blues style, a 9. Chicken & The Hawk style he continued with after the war until by the late 40's his music had taken on an R&B style that by the early 10.
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Un Concept Polyvalent : Jean-Pierre Bertrand Créateur D'événements
Un concept polyvalent : Quelques Revue de presse : Références Figure talentueuse du Boogie « made in France », Jean-Pierre Bertrand Jean-Pierre Bertrand se produit : reprend avec bonheur les standards du jazz en boogie et des compositions personnelles très originales. : En piano solo Festivals JAZZMAN : En duo de pianos Den Haag Jazz Festival Jean-Pierre Bertrand (Hollande) : En trio (piano, contrebasse, Le jeu fruité de Jean-Pierre Bertrand marie des influences Swing et Jazz. Les Nuits Jazz & SOULBAG Le moteur à rythme batterie) Boogie Piano (Paris) : En quintet (piano, Jean-Pierre Bertrand et ses complices offrent au public une musique “Boogie Swingers” quintet Shake the Lake contrebasse, batterie, (Autriche) dynamique, un fabuleux voyage au pays du Boogie. NICE-MATIN sSax alto et sax ténor) Boogie Woogie : En Orchestre (piano, contrebasse, batterie, meeting Jean-Pierre Bertrand is one of the prolific boogie woogie pianists of today sax alto, sax ténor, guitare, trombone) (Allemagne, Autriche) spreading the seeds of this wonderful music both in France as well as Cincinnati internationally. Blues Festival (USA) Steve Dore (boogiewoogie.com) Jean-Pierre Festival de Boogie de La Roquebrou Jean-Pierre possesses a creative charme which enables him to blend original Bertrand Boogie Woogie with other musical influences from the swinging, happy side Piano à Auxerre and still keep the authentic feeling of the Bluesy roots of Boogie, very much Blues et Boogie Woogie créateur Jazz à Bagatelle like Albert Ammons did in the 1940s. (Marseille) Axel ZWINGENBERGER – International Blues & Boogie pianist. d’événements : La Fabrik (Hambourg) 62449 - Crédits photos : V.Colignon – J.P. Amouroux – Olivier Figoni HTP – J.P.
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Historic Jazz Piano Styles in Live Performance, 1900-1940
Historic Jazz Piano Styles in Live Performance, 1900-1940 An Honors Recital (HONRS 499) by Mattnew A. Wilson Frank J. Puzzullo Ball State University Muncie, Indiana April 15, 1992 Graduation Date: May 2, 1992 -------- ---._--- ---"- \ "V,''''' • ",ISS This ~ecital is dedicated to the purpose 0: outlining the evolution of Jazz piano styles prior to about 1940. The empnasis is on tne niano as a solo instrument, a unique nositinn occu~ied by the piano since it can play both melody and accompaniment to its melody. T11e;)rogram notes are designed not to give a detailed analysis of each selection, but instead to nelp gUide the membe~s of tne audience in understanding the nistorical context, tne general stylistic traits of the pieces, a~l perhaps tne significance of particular key persons in the devel o~ment of Jazz piano styles. Tne selections themselves orogress chronologically, and they are carefully chosen to provide an in:eresting and varied program. The most important factor, noweve~, in considering whicn pieces to include is tne aCcurate representat1:m of tne various styles. The pieces C.hosen are tnose tnat seem to embody tne stylistic traits in the most easily perceived manner, because tne pur:l)()se ·of the recital is to demonstrate tnese early Jazz .Jiano styles to t11e aUdience. AI]. of tne nieces ryerformed are based on transcriptions of actual recordings. Sunflower Slow Drag -1901 • • • • • • • Scott Joplin (1868-1917) - Scott Hayden (1882-1915) With the emergence of ragtime comes the first genuinely American music. This new and unique music combines elements of brass band styles, European forms, and folk traditions.
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Great Instrumental
I grew up during the heyday of pop instrumental music in the 1950s and the 1960s (there were 30 instrumental hits in the Top 40 in 1961), and I would listen to the radio faithfully for the 30 seconds before the hourly news when they would play instrumentals (however the first 45’s I bought were vocals: Bimbo by Jim Reeves in 1954, The Ballad of Davy Crockett with the flip side Farewell by Fess Parker in 1955, and Sixteen Tons by Tennessee Ernie Ford in 1956). I also listened to my Dad’s 78s, and my favorite song of those was Raymond Scott’s Powerhouse from 1937 (which was often heard in Warner Bros. cartoons). and to records that my friends had, and that their parents had - artists such as: (This is not meant to be a complete or definitive list of the music of these artists, or a definitive list of instrumental artists – rather it is just a list of many of the instrumental songs I heard and loved when I was growing up - therefore this list just goes up to the early 1970s): Floyd Cramer (Last Date and On the Rebound and Let’s Go and Hot Pepper and Flip Flop & Bob and The First Hurt and Fancy Pants and Shrum and All Keyed Up and San Antonio Rose and [These Are] The Young Years and What’d I Say and Java and How High the Moon), The Ventures (Walk Don't Run and Walk Don’t Run ‘64 and Perfidia and Ram-Bunk-Shush and Diamond Head and The Cruel Sea and Hawaii Five-O and Oh Pretty Woman and Go and Pedal Pusher and Tall Cool One and Slaughter on Tenth Avenue), Booker T.
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HEMPELS 145.Qxd (Page 1)
#145 Mai 2008 Das Straßenmagazin für Schleswig-Holstein Pianist Axel Zwingenberger Der Boogie-Woogie und die Musikindustrie-Krise Sucht im Alter: Neue Anforderung an Sozialpolitik Fotografie: Schleswig-Holstein von oben 1,80 EUR davon 0,90 EUR für HEMPELS: Ein Verkäufer über seine Arbeit die Verkäufer/innen WIR ÜBER UNS Es wird bereits fleißig trainiert: Die HEMPELS-Fußballer haben mit der Vorbe- reitung auf die Deutschen Meisterschaften der Straßenfußballer begonnen, die am 12. und 13. September in der Innenstadt von Hannover stattfinden werden. Unsere Kicker sind nicht die einzigen Kieler Fußballer, die auf eine Teilnahme an diesem Kleinfeldturnier hoffen. Auch beim Drogenhilfeverein Odyssee dreht sich bereits jetzt viel um den Ball. 24 Teams aus allen Teilen Deutschlands können an dem Turnier teilnehmen. Da sich voraussichtlich mehr Straßenzeitungen und Einrichtungen aus der Wohnungslosenhilfe anmelden werden, wird nur eine Kieler Mannschaft teilnehmen können. Kurz vor dem Turnier soll die dann gebildet werden. Odyssee war im vergangen Jahr in Stuttgart Vizemeister geworden. Organisiert wird die kommende DM übrigens von der Kieler Sport- wissenschaftlerin Katrin Kretschmer zusammen mit „Anstoß!“, der Bundesver- einigung für soziale Integration durch Sport. Gewinnspiel Impressum Herausgeber Anzeigen, Fundraising HEMPELS e. V., 24103 Kiel Hartmut Falkenberg Redaktion Kiel Sozialdienst Schaßstraße 4, 24103 Kiel, Catharina Paulsen Sofarätsel Tel.: (04 31) 67 44 94; Fax: 6 61 31 16 Auf welcher Seite dieser HEMPELS-Ausgabe E-mail: [email protected] Verkäuferbetreuer versteckt sich das kleine Sofa oben? Wenn Joachim Osterburg, Tel.: (04 31) 6 61 31 17 Sie die Lösung wissen, dann schicken Sie die Redaktion Flensburg Seitenzahl an: [email protected] Tagestreff Vereinsvorstand oder: HEMPELS, Schaßstraße 4, 24103 Kiel Johanniskirchhof 19, Tel.: 0461–4 80 83 25 Jo Tein (1.
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