CONGRESSIONAL RECORD— Extensions of Remarks E1129 HON
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John Pizzarelli and Freddy Cole: Celebrating the Centenary of Nat
TD Jazz Concerts John Pizzarelli and Freddy Cole: Celebrating the centenary of Nat King Cole @ 100 Thursday, February 14, 2019 at 8:00pm Pre-concert Talk at 7:00pm This is the 913th concert in Koerner Hall John Pizzarelli, vocals & guitar Mike Karn, bass Konrad Paszkudzki, piano Freddy Cole, piano & vocals Elias Bailey, bass Randy Napoleon, guitar Quentin Baxtor, drums John Pizzarelli World-renowned guitarist and singer John Pizzarelli, established as one of the prime contemporary interpreters of the Great American Songbook, has expanded that repertoire by including the music of Paul McCartney, Joni Mitchell, Neil Young, Tom Waits, Antônio Carlos Jobim, and The Beatles. Having concentrated on the music of Paul McCartney, Johnny Mercer, and Frank Sinatra over the last two years, Pizzarelli has returned to the bossa nova of Jobim with his 2017 release Sinatra & Jobim @ 50. With co- vocalist Daniel Jobim, grandson of the legendary Brazilian composer, the two explore songs Sinatra and Jobim recorded, as well as add new songs flavoured with the spirit of the classic Francis Albert Sinatra and Antonio Carlos Jobim album. Pizzarelli has toured North America, South America, Asia, and Europe, performing shows centered on Frank Sinatra’s centennial, the songs of Johnny Mercer, and a McCartney program, in which his quartet is joined by strings and a horn section. He also tours on a double bill with pianist Ramsey Lewis. While plenty of jazz greats influenced his work, Nat King Cole has been Pizzarelli’s hero and foundation over the last 25 years. He devoted two albums to his music, Dear Mr. -
1993 February 24, 25, 26 & 27, 1993
dF Universitycrldaho LIoNEL HmPToN/CHEVRoN JnzzFrsrr\Al 1993 February 24, 25, 26 & 27, 1993 t./¡ /ìl DR. LYNN J. SKtNNER, Jazz Festival Executive Director VtcKt KtNc, Program Coordinator BRTNoR CAtN, Program Coordinator J ¡i SusnN EHRSTINE, Assistant Coordinator ltl ñ 2 o o = Concert Producer: I É Lionel Hampton, J F assisted by Bill Titone and Dr. Lynn J. Skinner tr t_9!Ð3 ü This project is supported in part by a grant from the National Endowment for the Arts We Dedicate this 1993 Lionel Hømpton/Chevron Jøzz Festivül to Lionel's 65 Years of Devotion to the World of Juzz Page 2 6 9 ll t3 r3 t4 l3 37 Collcgc/Univcrsity Compctition Schcdulc - Thursday, Feh. 25, 1993 43 Vocal Enserrrbles & Vocal Conrbos................ Harnpton Music Bldg. Recital Hall ...................... 44 45 46 47 Vocal Compctition Schcrlulc - Fridav, Fcli. 2ó, 1993 AA"AA/AA/Middle School Ensenrbles ..... Adrrrin. Auditoriunr 5l Idaho Is OurTenitory. 52 Horizon Air has more flights to more Northwest cities A/Jr. High/.Ir. Secondary Ensenrbles ........ Hampton Music Blclg. Recital Hall ...............,...... 53 than any other airline. 54 From our Boise hub, we serve the Idaho cities of Sun 55 56 Valley, Idaho Falls, Lewiston, MoscowÆullman, Pocatello and AA/A/B/JHS/MIDS/JR.SEC. Soloists ....... North Carnpus Cenrer ll ................. 57 Twin Falls. And there's frequent direct service to Portland, lnstrurncntal Corupctilion'Schcrlulc - Saturday, Fcll. 27, 1993 Salt Lake City, Spokane and Seattle as well. We also offer 6l low-cost Sun Valley winter 8,{. {ÀtûåRY 62 and summer vacation vt('8a*" å.t. 63 packages, including fOFT 64 airfare and lodging. -
Big Band Sundays at Vina Robles
For Immediate Release Contact: Marc Laderriere February 9, 2010 (805) 227-4812 [email protected] Swing & Dance into Spring with Vina Robles Winery Monthly “BIG BAND Sundays” Concert Series Begins on March 7—Red Holloway to Perform with the Cal Poly Jazz, Blues and Boogie Big Band under the direction of Paul Rinzler Paso Robles, CA—Springtime is swing time as Vina Robles Winery launches its new “Big Band Sundays” concert series on March 7 from 3:00 p.m. to 5:30 p.m. at the winery’s hospitality center in Paso Robles. The cost is $20 per person. The inaugural concert will feature legendary saxophonist Red Holloway performing big band classics with the Cal Poly Jazz, Blues and Boogie Big Band. Holloway, a Cambria resident, is renowned for his smooth, soulful touch. Over the past five decades he has performed with Billie Holiday, Aretha Franklin, Muddy Waters, Sonny Rowlands, Lionel Hampton and many others. The Vina Robles Big Band Sunday series will continue with concerts on April 11, May 2 and June 6. Each concert will showcase a different lead performer along with the Cal Poly Jazz, Blues and Boogie Big Band. The Cal Poly Jazz, Blues and Boogie Big Band is comprised of leading jazz musicians from the Cal Poly student body. The band is led by Paul Rinzler, the university’s director of jazz studies. Guests are encouraged to dress in vintage big band-era attire. A large dance floor will beckon veteran swing dancers and novices alike. Wine tasting and wines by the glass will be available for purchase. -
Harris.Pdf (194.4Kb)
Interview No. SAS4.02.02 Mr. Charles P. Harris Interviewer: Elizabeth Schaaf Location: Baltimore, Maryland Date: April 2, 2002 Edited by: Elizabeth Schaaf Q: Were you born here in Baltimore? Harris: No. I was born at Alexandria, Virginia. Q: And how long were you in Alexandria? Harris: I think I was brought here when I was very, very young. In fact, I can’t remember anything about it that much, you know. Q: So you started your music training here in Baltimore? Harris: Oh yes. Q: Who was your first teacher? Harris: Oh, on the violin my first teacher was Lucien Odendh’al. In fact, I was introduced to him by a teacher up at Douglass High School, the music teacher. Q: Is that Mr. [W. Llewellyn] Wilson? Harris: Mr. Wilson, yes. Way back there. It’s been a good little while. Names evade me a little bit now, but I’m doing pretty well. Q: I think so. Mr. Wilson I think taught everybody who is anybody. Harris: That’s right. In the music field, yes. He was very, very, very good. He started me off, and I worked with him for a year, a year and a half, and he said, I can’t go any further with you. I will have to get a teacher. And so he got in touch with Lucien Odendh’al, and he started to teach me. And he was a very nice man to go to. Q: How did you and the bass get to be a pair? Harris: Well, in high school, in those days, they didn’t have too many musicians that played the bass and what not. -
Vision of USC for 2018 T&F Guide.Indd
WWelcomeelcome ttoo TTroy...roy... Did You Know? · The USC School of Cinema c Arts (above) was proud to both celebrate its 80th anniversary during the 2009-10 academic year, and open the doors on the fi rst two buildings in its new Cinema c Arts complex, which pays homage to the cinema c history of Southern California and USC. The new Cinema c Arts complex was built, thanks to a $175 million dona on by USC alumnus George Lucas. The now-completed complex includes an anima on building, soundstages and a produc on center. In February 2010, the Princeton Review ranked USC's Interac ve Media division as the No. 1 video-game design program in North America. Game design formally got its start at USC in 2002, when the USC School of Cinema c Arts launched its MFA in interac ve media, although a core game-design workshop had been in place since 1999. In 2004, the school unveiled the Game Innova on Lab, a state-of-the-art research space and think tank for game design and crea on. A B.A. in interac ve entertainment was fi rst off ered in 2005. Today, USC off ers four degrees in video-game development at the undergraduate and graduate levels. For the game-play design-focused, the USC School of Cinema c Arts off ers the Master of Fine Arts in interac ve media and the Bachelor of Arts in interac ve entertainment. For the more engineering-oriented, the USC Viterbi School off ers the Bachelor of Science in computer science (games) and the Master of Science in computer science (game development). -
Lionel Hompton # Jozz Fes'tivol '"?Iæfy O '- C) O
{ I !t i ; I I I i 1 I l Ë I I i I I i I Lionel Hompton # Jozz Fes'tivol '"?iÆFY o '- c) o =o- o ! p o C f ol o-- (I) Dr. lionel Hampton, producer *rJ assisted by Dr. lynn J. Skinner Welcome to the 3lst University of Idaho Lionel HamptonJazzÏestival! The Lionel HárirptonJazzEestivalhas become one of the greatest jzzzfestivals in the world. join Pleæe us in celebratin g a clæsically American art form - Iazz. At the Lionel HamptonJazzEestivalwe seek to enrich the lives of young people with this music - year after year. "GAtes" Keeps on Swingin' Lionel Hampton started his musicalcareer æ a drummer. Hamp wæ playing drums with Louie Armstrong and one night at the gig, Louie turned to Hamp and said, "Swing it Gates, Swing!" Hamp asked Louie what he meantand he said, "l'm calling you Gates because you swing like a gatel" From that point in time until this very day Hamp is known as "Gates" because of his incredible ability to "swing". The story came to Dr. Skinner directly from Hamp. 1 I Welcome to the 1998 Jazz Festival atthe University of Idaho - Moscow, Idaho! Page For more informoÌion concerning the Concert Schedule Lionel Homplon Jozz Feslivol, contoct: 5 Lionel Hampton School of MusicJøz Ensembles 11 Dr. Lynn J. Skinner, Execulive Direclor Welcome Letters 13 Lionel Homplon Jozz Feslivol Clinic Schedule t5 Lionel Hompton School of Music Lionel Hampton - Biography 17 Universify of ldoho Guest futist Biographies .......... 23 Moscow, ldoho 83844-4014 Adjudicator Biog*pfri.r .................. 53 (208)885-ó513 l208l88 5-67 65 Fox: Lionel HamptonJazz Festival Staff ,.. -
Leslie Jones, April 20 As Part of Attucks at 100 Celebration
Just Announced! “Saturday Night Live” star, stand-up comic Leslie Jones, April 20 as part of Attucks at 100 Celebration Attucks at 100 celebrations continue as “Saturday Night Live” star Leslie Jones brings her stand-up comedy to the Attucks Theatre stage April 20 at 7:30pm, as part of the Attucks at 100 Celebration. Attucks at 100 continues throughout 2019 featuring major headline acts and community events to celebrate the rich history of this landmark theatre. Tickets go on sale Friday, January 25 at 10am and will be available at www.vafest.org and Ticketmaster.com. Leslie Jones has been a cast member on “Saturday Night Live” for three seasons; her work on the long- standing show has garnered her an Emmy Award nomination and inclusion on the Time 100 list. Leslie has covered the summer and winter Olympics for NBC and was the host of The 2017 BET Awards. She is currently recording one of the lead roles in the animated film Angry Birds 2 for Sony Pictures; she also starred in Paul Feig’s reboot of Ghostbusters, alongside Melissa McCarthy, Kristen Wiig and Kate McKinnon. Her other film credits include Chris Rock’s Top Five, Judd Apatow’s Trainwreck and the animated film Sing. Leslie Jones’ Attucks Theatre performance is co-presented by SevenVenues and Virginia Arts Festival. Tickets go on sale to the public on Friday, January 25, available for purchase via the following means: Online: Ticketmaster.com and vafest.org Phone: Ticketmaster, 1-800-745-3000 or Virginia Arts Festival, 757-282-2822 In person: Virginia Arts Festival Ticket Office, 440 Bank St., Norfolk (Monday-Friday, 10am-5pm) or Scope Arena box office, 201 East Brambleton Avenue, Norfolk (Monday-Friday, 10am-5pm) For more information, visit www.attucks100.com. -
Best of Sher Music Real Books
Best of Sher Music Real Books Title Composer / As Played By Page Along Came Betty Benny Golson 1 Angel Eyes Matt Dennis & Earl Brent 3 Anthropology Charlie Parker 6 Bags' Groove Milt Jackson 7 Beautiful Love V. Young, W. King, E. van Alstyne & H. Gillespie 9 Bebop Lives Miles Davis, Ray Passman & Holli Ross 11 Bernie's Tune Bernie Miller 13 Bessie's Blues John Coltrane 14 Big P Jimmy Heath 15 Birdland Joe Zawinul 17 Blame It On My Youth Oscar Levant & Edward Heyman 21 Blues For Alice Charlie Parker 24 Bolivia Cedar Walton 25 Born To Be Blue Mel Torme & Robert Wells 27 Broken Wing Richie Beirach 30 Chega De Saudade Antonio Carlos Jobim, Jon Hendricks & Jessie Cavanaugh 31 A Child Is Born Thad Jones 33 Cold Duck Time Eddie Harris 34 Confirmation Charlie Parker 35 Day By Day Paul Weston, Sammy Cahn & Alex Stordahl 36 Dear Old Stockholm Traditional 38 Django John Lewis 39 Do Nothing 'Til You Hear From Me Duke Ellington & Bob Russell 41 Don't Get Around Much Anymore Duke Ellington & Bob Russell 43 Eighty One Ron Carter & Miles Davis 45 Elsa Earl Zindars 47 Falling Grace Steve Swallow 50 Fantasy In D Cedar Walton 51 Farmer's Market Art Farmer & Annie Ross 53 Favela Antonio Carlos Jobim 54 Forest Flower Charles Lloyd 55 Freedom Jazz Dance Eddie Harris 57 Giant Steps John Coltrane 58 Groove Merchant Jerome Richardson 60 Half Moon Lane Michael Brecker 61 Hi-Fly Randy Weston 65 How My Heart Sings Earl Zindars 69 I Mean You Thelonious Monk & Coleman Hawkins 71 I Should Care Paul Weston, Sammy Cahn & Alex Stordahl 74 I'll Catch You John Scofield 75 I'll Take Les John Scofield 77 Impressions John Coltrane 79 In Your Own Sweet Way Dave Brubeck 80 It's The Talk Of The Town Jerry Livingston, Marty Symes & Al J. -
Bio the Clayton Brothers John and Jeff Clayton Prove Conclusively, That
Bio The Clayton Brothers John and Jeff Clayton prove conclusively, that while blood may be thicker than water, it can also carry an unimpeded flow of pure creativity. The Clayton Brothers Quartet was originally founded in 1977, and while their paths would sometimes diverge, the brothers continued to share a common musical vision that would draw them back together. Their latest CD, Back In The Swing of Things (Hyena) demonstrates their unique musical vision and swing. That CD as well as Expressions and Siblingity (Qwest) are bristling with surprises, delights and the kind of musical telepathy that could only come from tuned in siblings. The brothers place a strong emphasis on sharing what it is they know. They are dedicated jazz educators. In the fall 2004, The Clayton Brothers were featured on the cover of JazzTimes' Education Resource Guide, naming them jazz educators for the year. John Clayton served as the Artistic Director of Jazz for the Los Angeles Philharmonic from 1998 through 2001. A seven time Grammy nominated artist, John gained prominence as a bassist in both the jazz and classical fields. His serious study of the double bass began at age 16 under the tutelage of Ray Brown. He held the principal bass chair in the Amsterdam Philharmonic Orchestra for more than five years. He is a composer/arranger/conductor, who counts among his mentors Robert Farnon, Count Basie, Johnny Mandel, Henry Mancini, and Quincy Jones. He has written and arranged music for Milt Jackson, Nancy Wilson, Ray Brown, Regina Carter, McCoy Tyner, Carmen McRae, Quincy Jones, Diana Krall, Kurt Elling Dee Dee Bridgewater (including her Grammy award winning CD, Dear Ella (Verve), Gladys Knight, Natalie Cole, and many others. -
UI World Music Celebration
presents UI World Music Celebration 2021 Exploring Cultures Through Music Friday, February 19, 2021 7:30 p.m. Haddock Hall Featuring Eduardo Mendonça ■ ■ ■ ■ ■ ■ ■ ■ ■ Navin Chettri Please silence all electronic devices. UI World Beat Ensemble The use of all recording devices and cameras is strictly prohibited. Jazz Band I LHSOM String Quartet Lionel Hampton School of Music http://uidaho.edu/class/music [email protected] 208-885-6231 PROGRAM Guru Mantra . Navin Chettri Vejo A Baiana. Eduardo Mendonça (b.1972) Giselle Hillyer, first violin Blue Rio . Eduardo Mendonça Olivia Dow, second violin Hugo Weyand, viola Miranda Wilson, cello Evergreen Samba. Eduardo Mendonça Navin Chettri, vocals and tabla Eduardo Mendonça, guitar and vocals Samba Batucada . Traditional Brazilian Kate Skinner, piano Arr. Navin Chettri Josh Skinner, bass Eduardo Mendonça Navin Chettri, drums Navin Chettri UI World Beat Ensemble Fiera De Mangaio / Ai Que Saudade D’ocê . Sivuca / Vital Farias director, Barry Bilderback (b.1930/b.1943) Eduardo Mendonça, guitar and vocals Baião Sem Nome . Eduardo Mendonça Adrian Crookston, accordion (b.1960) Kate Skinner, piano Arr. Vern Sielert Josh Skinner, bass Navin Chettri, drums Eduardo Mendoça Navin Chettri UI Jazz Band I director, Vern Sielert Samba De Uma Nota So . Antônio Carlos Jobim and Newton Mendonça (b.1927/b.1927) Eduardo Mendoça, guitar and vocals Asa Branca . Luiz Gonzaga and Humberto Teixeira Eduardo Mendoça, guitar and vocals Adrian Crookston, accordion Navin Chettri, tabla For more information: 208-885-6231 or email: [email protected] GUEST ARTIST BIOGRAPHY (menDONsa) EDUARDO MENDONÇA Eduardo Mendonça has played, composed, and directed various genres of Brazilian popular music in the US, Canada, Nepal and Brazil since 1974. -
2016 Jazz Festival Program
Sunday, Feb. 28 Post-Festival Jazz Jam – 6 p.m. Manhattan Casino 642 22nd St. South, St. Petersburg 2016 Celebrate the conclusion of the 2016 St. Petersburg Jazz Festival at the historic Manhattan Casino with a Post Festival Jazz Jam session. St. Petersburg Hosted by the Al Downing Tampa Bay Jazz Association, great area jazz musicians share their music with audiences, in a historic setting. The Manhattan Casino was a showcase for local African American artists as well as a haven for traveling African American entertainers who would stop in St. Petersburg during their tours. Some of American music’s most legendary performers played at the Manhattan including James Brown, Louis Armstrong, Fats Waller, Duke Ellington, Count Basie, Lionel Hampton, Cab Calloway, Ray Charles, Nat King Cole, Sarah Vaughn, Fats Domino and the Five evenings Ink Spots. There is cash bar, food and dance floor, all in a cabaret of great jazz in Feb. 24 - 28 setting. Admission is $5 at the venue. Jazz Festival St. Petersburg! Venues: The Palladium Side Door 253 Fifth Ave. North, St. Petersburg, FL 33701 Festival Director Dr. David Manson teaches jazz studies, Music Center at St. Petersburg College recording arts and low brass students in the Music and MIRA 6605 Fifth Ave. North, St. Petersburg, FL 33710 (Music Industry/Recording Arts) programs at St. Petersburg College. He is director of the EMIT series, a nonprofit presenter The Manhattan Casino in its 21th season. EMIT is the co-presenter of the St. Petersburg 642 22nd St. South, St. Petersburg, FL 33712 Jazz Festival and has sponsored more than 350 concerts and workshops of creative music, since inception in 1995. -
Milt Gabler 1993.Pdf
non-performers milt gabier Suppose a fellow was the principal record producer of own imprint, “The United Hot Clubs of America.” Thus Louis Jordan, Bill Haley and Lionel Hampton — arguably was bred the first real indie record operation. the three major founders of rock & roll — you would At 75$ a copy, the reissues sold modestly, but in quanti have to agree that anybody with credits that heavy would ties sufficient to get the attention of the biggies, and be a lock for the R & R H of F. Columbia in particular, under the stewardship of the peer But suppose on top of all of that the guy turns out to less John Hammond, began to disgorge specimens from its be the produgigf of Billie Holiday, Peggy Lee, Bing vaults at 50$ per, in effect cutting Milt’s water off. Crosby, Ella Fitzgerald, Pearl Bailey, Jimmie Lunceford, Undaunted, Milt did the next “logical” thing. He assem Sister Rosetta Tharpe, the Weavers AND LOUIS ARM bled an array of jazz stalwarts under the direction of the STRONG, would you say, hey y’all, what took so long? doughty Eddie Condon and began to produce his own his Say hello to Milt Gabler. toric records under the Commodore label. These Reverse the tape to 1926. Young Milton goes to work Commodores were superb then and are great today sub in his dad’s radio shop on East 42nd St. across the way specie aetemitas, not just in my own. skewed opinion, but in from the Commodore Hotel. Also called the Commodore, posterity’s verdict.