THREE LIVES Hualing Nieh
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Entire Dissertation Noviachen Aug2021.Pages
Documentary as Alternative Practice: Situating Contemporary Female Filmmakers in Sinophone Cinemas by Novia Shih-Shan Chen M.F.A., Ohio University, 2008 B.F.A., National Taiwan University, 2003 Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of Gender, Sexuality, and Women’s Studies Faculty of Arts and Social Sciences © Novia Shih-Shan Chen 2021 SIMON FRASER UNIVERSITY SUMMER 2021 Copyright in this work rests with the author. Please ensure that any reproduction or re-use is done in accordance with the relevant national copyright legislation. Declaration of Committee Name: Novia Shih-Shan Chen Degree: Doctor of Philosophy Thesis title: Documentary as Alternative Practice: Situating Contemporary Female Filmmakers in Sinophone Cinemas Committee: Chair: Jen Marchbank Professor, Department of Gender, Sexuality and Women’s Studies Helen Hok-Sze Leung Supervisor Professor, Department of Gender, Sexuality and Women’s Studies Zoë Druick Committee Member Professor, School of Communication Lara Campbell Committee Member Professor, Department of Gender, Sexuality and Women’s Studies Christine Kim Examiner Associate Professor, Department of English The University of British Columbia Gina Marchetti External Examiner Professor, Department of Comparative Literature The University of Hong Kong ii Abstract Women’s documentary filmmaking in Sinophone cinemas has been marginalized in the film industry and understudied in film studies scholarship. The convergence of neoliberalism, institutionalization of pan-Chinese documentary films and the historical marginalization of women’s filmmaking in Taiwan, Hong Kong, and the People’s Republic of China (PRC), respectively, have further perpetuated the marginalization of documentary films by local female filmmakers. -
Marketing Chinese Women Writers in the 1990S, Or the Politics of Self-Fashioning
Journal of Contemporary China ISSN: 1067-0564 (Print) 1469-9400 (Online) Journal homepage: http://www.tandfonline.com/loi/cjcc20 Marketing Chinese women writers in the 1990s, or the politics of self-fashioning Megan M. Ferry To cite this article: Megan M. Ferry (2003) Marketing Chinese women writers in the 1990s, or the politics of self-fashioning, Journal of Contemporary China, 12:37, 655-675, DOI: 10.1080/1067056032000117696 To link to this article: http://dx.doi.org/10.1080/1067056032000117696 Published online: 03 Jun 2010. Submit your article to this journal Article views: 142 View related articles Citing articles: 5 View citing articles Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=cjcc20 Download by: [Nationwide Childrens Hospital] Date: 24 October 2016, At: 09:49 Journal of Contemporary China (2003), 12(37), November, 655–675 Marketing Chinese Women Writers in the 1990s, or the Politics of Self-Fashioning MEGAN M. FERRY* This article examines the sensation a young group of woman writers are causing in 1990s China. Variously named the ‘New, New Generation’, or Glam Lit writers, these women have received critical attention from the literary field and the market. While critics debate the seriousness of their literature, publishing houses are producing their literature at a rapid pace. A governmental ban on the works of two authors, Zhou Weihui and Mian Mian, has fueled readership of black market copies and spurred commentary on the Internet. I argue that the unbridled female sexuality that fuels the sensation of these writers is driven by the publishing market and cultural production, with the complicity of women authors themselves. -
Traveling Tips for Ladies
TRAVELING TIPS FOR LADIES Virginia Mescher At the Ladies’ and Gentlemen’s of the 1860s, in March, 2004, Maggie Burke did a presentation on traveling in the mid-nineteenth century and that was the inspiration for this topic. Travel in the mid-nineteenth century was difficult in the best of situations but conditions only worsened with adverse circumstances; even this did not stop travel. Travel was especially difficult for women because of the discomfort, dusty and dirty conditions, lack of privacy. Other problems were encountered if the woman was traveling alone. According to Ms. Burke, any woman who traveled without a gentleman escort was considered as traveling alone, even it she were accompanied by another women, a servant, or children. Since it was not considered proper for a women to speak to a gentleman if they had not been introduced, the matter of conducting business was more difficult if a woman had no gentleman to intercede for her. A number of etiquette books addressed the problems of travel for ladies and included suggestions for managing when traveling. The information ranged from what and how to pack, how to safely carry money, proper deportment while traveling, in hotels and eating areas, and on trains and steamboats. Ladies’ magazines also included advice and numerous suggestions for travel garments, bonnets, hoods, and accessories, as well as patterns for traveling bags and reticules. While it would be too cumbersome to include all the travel information found in researching this article, the following excerpts are indicative of the information available to women of the mid- nineteenth century who were traveling, whether on a day trip or on an extended journey. -
Industry Guide Focus Asia & Ttb / April 29Th - May 3Rd Ideazione E Realizzazione Organization
INDUSTRY GUIDE FOCUS ASIA & TTB / APRIL 29TH - MAY 3RD IDEAZIONE E REALIZZAZIONE ORGANIZATION CON / WITH CON IL CONTRIBUTO DI / WITH THE SUPPORT OF IN COLLABORAZIONE CON / IN COLLABORATION WITH CON LA PARTECIPAZIONE DI / WITH THE PARTICIPATION OF CON IL PATROCINIO DI / UNDER THE PATRONAGE OF FOCUS ASIA CON IL SUPPORTO DI/WITH THE SUPPORT OF IN COLLABORAZIONE CON/WITH COLLABORATION WITH INTERNATIONAL PARTNERS PROJECT MARKET PARTNERS TIES THAT BIND CON IL SUPPORTO DI/WITH THE SUPPORT OF CAMPUS CON LA PARTECIPAZIONE DI/WITH THE PARTICIPATION OF MAIN SPONSORS OFFICIAL SPONSORS FESTIVAL PARTNERS TECHNICAL PARTNERS ® MAIN MEDIA PARTNERS MEDIA PARTNERS CON / WITH FOCUS ASIA April 30/May 2, 2019 – Udine After the big success of the last edition, the Far East Film Festival is thrilled to welcome to Udine more than 200 international industry professionals taking part in FOCUS ASIA 2019! This year again, the programme will include a large number of events meant to foster professional and artistic exchanges between Asia and Europe. The All Genres Project Market will present 15 exciting projects in development coming from 10 different countries. The final line up will feature a large variety of genres and a great diversity of profiles of directors and producers, proving one of the main goals of the platform: to explore both the present and future generation of filmmakers from both continents. For the first time the market will include a Chinese focus, exposing 6 titles coming from China, Hong Kong and Taiwan. Thanks to the partnership with Trieste Science+Fiction Festival and European Film Promotion, Focus Asia 2019 will host the section Get Ready for Cannes offering to 12 international sales agents the chance to introduce their most recent line up to more than 40 buyers from Asia, Europe and North America. -
On a Tacky June Afternoon, Angie Chen Waltzes Into the Hong Kong Arts Centre's 16Th Oor Dance Rehearsal Space. a Spry, Unprete
2018/7/6 Act Three: Filmmaker Angie Chen Hasn't Got the Blues - Zolima City Magazine TTPS: //ZOLIMACITYMAG.COM) (https://zolimacitymag.com) (https://zolimacitymag.com) A C T T H R E E : F I L M M A K E R A N G I E C H E N H A S N ’ T G O T T H E B L U E S E L I Z A B E T H K E R R ( H T T P S : // Z O L I M A C I T Y M A G . C O M /A U T H O R / E I Z A B E T H - K E R R / ) J U LY 5 , 2 0 1 8 On a tacky June afternoon, Angie Chen waltzes into the Hong Kong Arts Centre’s 16th oor dance rehearsal space. A spry, unpretentious septuagenarian, she looks unfrazzled, cool, decked out in jeans and a white shirt with bright pink stripes on the arm’s underside. Her cropped, salt and pepper hair is a signature look now. She looks like a lmmaker – and she’s lived a life to go with it. Chen sits down and launches into a disbelieving contemplation of, what else, Donald Trump, before refocusing on the storied career whose latest chapter is her new documentary, i’ve got the blues. She’s at a loss for words, but refuses to give in to https://zolimacitymag.com/act-three-filmmaker-angie-chen-hasnt-got-the-blues/ 1/12 2018/7/6 Act Three: Filmmaker Angie Chen Hasn't Got the Blues - Zolima City Magazine pessimism. -
A Spatial Stochastic SIR Model for Transmission Networks with Application to COVID-19 Epidemic in China
CDES CENTRE FOR DEVELOPMENT ECONOMICS AND SUSTAINABILITY CDES WORKING PAPER SERIES A Spatial Stochastic SIR Model for Transmission Networks with Application to COVID-19 Epidemic in China Tatsushi Oka Wei Wei Dan Zhu CDES Working Paper No. 03/20 SEPTEM BER 2020 A Spatial Stochastic SIR Model for Transmission Networks with Application to COVID-19 Epidemic in China⇤ § Tatsushi Oka† Wei Wei‡ Dan Zhu August 17, 2020 Abstract Governments around the world have implemented preventive measures against the spread of the coronavirus disease (COVID-19). In this study, we consider a multivariate discrete-time Markov model to analyze the propagation of COVID-19 across 33 provincial regions in China. This approach enables us to evaluate the effect of mobility restriction policies on the spread of the disease. We use data on daily human mobility across regions and apply the Bayesian framework to estimate the proposed model. The results show that the spread of the disease in China was predominately driven by community transmission within regions and the lockdown policy introduced by local governments curbed the spread of the pandemic. Further, we document that Hubei was only the epicenter of the early epidemic stage. Secondary epicenters, such as Beijing and Guangdong, had already become established by late January 2020, and the disease spread out to connected regions. The transmission from these epicenters substantially declined following the introduction of human mobility restrictions across regions. Keywords: COVID-19, Infection, Heterogeneity, Spatial Model, Bayesian Analysis JEL code: C11, C33, C54 ⇤We would like to acknowledge the financial support from the Centre for Development Economics and Sustain- ability (CDES) at Monash University. -
Rhyming Dictionary
Merriam-Webster's Rhyming Dictionary Merriam-Webster, Incorporated Springfield, Massachusetts A GENUINE MERRIAM-WEBSTER The name Webster alone is no guarantee of excellence. It is used by a number of publishers and may serve mainly to mislead an unwary buyer. Merriam-Webster™ is the name you should look for when you consider the purchase of dictionaries or other fine reference books. It carries the reputation of a company that has been publishing since 1831 and is your assurance of quality and authority. Copyright © 2002 by Merriam-Webster, Incorporated Library of Congress Cataloging-in-Publication Data Merriam-Webster's rhyming dictionary, p. cm. ISBN 0-87779-632-7 1. English language-Rhyme-Dictionaries. I. Title: Rhyming dictionary. II. Merriam-Webster, Inc. PE1519 .M47 2002 423'.l-dc21 2001052192 All rights reserved. No part of this book covered by the copyrights hereon may be reproduced or copied in any form or by any means—graphic, electronic, or mechanical, including photocopying, taping, or information storage and retrieval systems—without written permission of the publisher. Printed and bound in the United States of America 234RRD/H05040302 Explanatory Notes MERRIAM-WEBSTER's RHYMING DICTIONARY is a listing of words grouped according to the way they rhyme. The words are drawn from Merriam- Webster's Collegiate Dictionary. Though many uncommon words can be found here, many highly technical or obscure words have been omitted, as have words whose only meanings are vulgar or offensive. Rhyming sound Words in this book are gathered into entries on the basis of their rhyming sound. The rhyming sound is the last part of the word, from the vowel sound in the last stressed syllable to the end of the word. -
China, Das Chinesische Meer Und Nordostasien China, the East Asian Seas, and Northeast Asia
China, das Chinesische Meer und Nordostasien China, the East Asian Seas, and Northeast Asia Horses of the Xianbei, 300–600 AD: A Brief Survey Shing MÜLLER1 iNTRODUCTION The Chinese cavalry, though gaining great weight in warfare since Qin and Han times, remained lightly armed until the fourth century. The deployment of heavy armours of iron or leather for mounted warriors, especially for horses, seems to have been an innovation of the steppe peoples on the northern Chinese border since the third century, as indicated in literary sources and by archaeological excavations. Cavalry had become a major striking force of the steppe nomads since the fall of the Han dynasty in 220 AD, thus leading to the warfare being speedy and fierce. Ever since then, horses occupied a crucial role in war and in peace for all steppe riders on the northern borders of China. The horses were selectively bred, well fed, and drilled for war; horses of good breed symbolized high social status and prestige of their owners. Besides, horses had already been the most desired commodities of the Chinese. With superior cavalries, the steppe people intruded into North China from 300 AD onwards,2 and built one after another ephemeral non-Chinese kingdoms in this vast territory. In this age of disunity, known pain- fully by the Chinese as the age of Sixteen States (316–349 AD) and the age of Southern and Northern Dynas- ties (349–581 AD), many Chinese abandoned their homelands in the CentraL Plain and took flight to south of the Huai River, barricaded behind numerous rivers, lakes and hilly landscapes unfavourable for cavalries, until the North and the South reunited under the flag of the Sui (581–618 AD).3 Although warfare on horseback was practised among all northern steppe tribes, the Xianbei or Särbi, who originated from the southeastern quarters of modern Inner Mongolia and Manchuria, emerged as the major power during this period. -
2017 36Th Chinese Control Conference (CCC 2017)
2017 36th Chinese Control Conference (CCC 2017) Dalian, China 26-28 July 2017 Pages 1-776 IEEE Catalog Number: CFP1740A-POD ISBN: 978-1-5386-2918-5 1/15 Copyright © 2017, Technical Committee on Control Theory, Chinese Association of Automation All Rights Reserved *** This is a print representation of what appears in the IEEE Digital Library. Some format issues inherent in the e-media version may also appear in this print version. IEEE Catalog Number: CFP1740A-POD ISBN (Print-On-Demand): 978-1-5386-2918-5 ISBN (Online): 978-9-8815-6393-4 ISSN: 1934-1768 Additional Copies of This Publication Are Available From: Curran Associates, Inc 57 Morehouse Lane Red Hook, NY 12571 USA Phone: (845) 758-0400 Fax: (845) 758-2633 E-mail: [email protected] Web: www.proceedings.com Proceedings of the 36th Chinese Control Conference, July 26-28, 2017, Dalian, China Contents Systems Theory and Control Theory Robust H∞filter design for continuous-time nonhomogeneous markov jump systems . BIAN Cunkang, HUA Mingang, ZHENG Dandan 28 Continuity of the Polytope Generated by a Set of Matrices . MENG Lingxin, LIN Cong, CAI Xiushan 34 The Unmanned Surface Vehicle Course Tracking Control with Input Saturation . BAI Yiming, ZHAO Yongsheng, FAN Yunsheng 40 Necessary and Sufficient D-stability Condition of Fractional-order Linear Systems . SHAO Ke-yong, ZHOU Lipeng, QIAN Kun, YU Yeqiang, CHEN Feng, ZHENG Shuang 44 A NNDP-TBD Algorithm for Passive Coherent Location . ZHANG Peinan, ZHENG Jian, PAN Jinxing, FENG Songtao, GUO Yunfei 49 A Superimposed Intensity Multi-sensor GM-PHD Filter for Passive Multi-target Tracking . -
The Handbag As Social Idiom and Carrier of Meaning: Inner Self Projected As Outer Person
The Handbag as Social Idiom and Carrier of Meaning: Inner Self Projected as Outer Person Nanette Marguerite Nel Thesis presented in partial fulfilment of the requirements for the degree of Masters of Arts in Visual Arts at Stellenbosch University Supervisors: Elizabeth Gunter Carine Terreblanche November 2008 Chapter 4 The Body-Bag Collection and the Secrets Collection 4.1 Introduction Chapter 4 deals with development in my work. My attending a programme in Europe as exchange student influenced both the form and content of my work. I describe such changes here. I also discuss the role of the artist in the creation of meaning as opposed to the role of the viewer. This discussion contextualises my work’s meaning within a wider sociology of art and functions as platform for investigating unintentional and intentional meaning in my work. The Body-Bag Collection and the Secrets Collection serve as reference and subject under discussion. The discussion includes the origins of the Body-Bag Collection and those processes involved in its materialisation. This Collection continues on the private versus public theme of the previously-discussed Collections. Here I relate this theme to body- object or body-handbag relationships as re-created in jewellery. The last Collection that I discuss is the Secrets Collection. In this Collection I focus on objects as contents of handbags and their significations. 4.2 Transformation and Shift in Meaning In these two Collections, the objects represent idea as metaphor or idiom rather than singularity of form, relating a swing from the object as pivotal subject to concept as subject. -
Ai Weiwei's Functional, FAKE and Fantasy Design Studio
University of Bristol Department of History of Art Best undergraduate dissertations of 2015 Amelia Camamile Ai Weiwei's Functional, FAKE and Fantasy Design Studio The Department of History of Art at the University of Bristol is commit- ted to the advancement of historical knowledge and understanding, and to research of the highest order. We believe that our undergraduates are part of that endeavour. For several years, the Department has published the best of the annual dis- sertations produced by the final year undergraduates in recognition of the excellent research work being undertaken by our students. This was one of the best of this year’s final year undergraduate disserta- tions. Please note: this dissertation is published in the state it was submitted for examination. Thus the author has not been able to correct errors and/or departures from departmental guidelines for the presentation of dissertations (e.g. in the formatting of its footnotes and bibliography). © The author, 2015 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted by any means without the prior permission in writing of the author, or as expressly permitted by law. All citations of this work must be properly acknowledged. Candidate Number: 43887! ! Ai Weiwei’s Functional, FAKE and Fantasy Design Studio.! ! ! ! Dissertation submitted for the Degree of B. A. Honours in History of Art ! 2014/15 ! ! ! Table of Contents! ! Abstract 1. ! Introduction 3. ! Chapter 1. Function: Role of Architecture a. Material and Structural Analysis 9. b. Effect of Architecture 14. Chapter 2. FAKE: Role of Literature ! a. -
Methods Manual for Laboratory Quality Control Testing of Malaria Rapid Diagnostic Tests
METHODS MANUAL FOR LABORATORY QUALITY CONTROL TESTING OF MALARIA RAPID DIAGNOSTIC TESTS Manual of standard operating procedures for: Laboratory-based quality control testing of malaria rapid diagnostic tests using stored dilutions of malaria parasites and Preparation of quality control samples from malaria parasite field collections. Version Seven June 2014 Foundation for Innovative New Diagnostics (FIND), Geneva, Switzerland. WHO Global Malaria Programme (GMP), Geneva, Switzerland For internal use only Document: Malaria RDT QC Methods Manual Subject: Introductory note Revision Date: July 2014 Section: INTRODUCTORY NOTE Version: 7 Page: 2 of 299 WHO Global Malaria Programme WORLD HEALTH ORGANIZATION ORGANISATION MONDIALE DE LA SANTE Methods Manual for Laboratory Quality Control Testing of Malaria RDTs Important introductory note This manual is intended for internal WHO and FIND use and for collaborating institutions of the WHO- FIND malaria RDT evaluation programme. Careful reference should be made to the notes under ‘Objectives and Scope of the Methods Manual’ when using this manual. The designations employed and the presentation of the material in this publication do not imply the expression of any opinion whatsoever on the part of the World Health Organization concerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of the frontiers or boundaries. The mention of specific companies or of certain manufacturers products does not imply that they are endorsed or recommended by the World Health Organization in preference to others of a similar nature that are not mentioned. Errors and omissions excepted, the names of proprietary products are distinguished by initial capital letters.